Nobels MOD-mini Compact ...

1.150,-

Nobels MOD-mini Compact Stereo Modulation Pedal A journey back in time, the new Nobels MOD-mini combines an outstanding selection of modulation effects in a deceivingly compact housing. Featuring intuitive switching and versatile option for seamless performance, the MOD-mini brings infectious modulation to your signal. Providing a skilfully curated selection of ageless modulation effects, MOD-mini delivers a wealth of sonic possibilities, with either a mono or spacious stereo image. The achievable tones are far beyond the pedal’s modest footprint making it an excellent addition to any type of setup. Main Features: • Mini Stereo Modulation Pedal • Three distinct Modulation modes: Tremolo, Phaser and U-Vibe • Tap Tempo • Selectable Mono or Stereo (via TRS) inputs and outputs • Selectable True or Buffered Bypass modes • Glow in the Dark pointer knobs • Metal Enclosure • Includes 4 x Integrated fold-out Mounty-P Mounting Plates • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 100 mA current draw, not included) The MOD-mini features three carefully crafted, yet distinct flavours of modulation. All three modes faithfully capture those iconic modulation tones that have shaped music across genres, past and present and are simply selected by the pedal’s convenient mode switch, right on the face of the pedal. From the pulsating Tremolo of the swinging 60s to the funky Phaser and U-Vibe grooves of the 70s, MOD-mini takes you into a sonic time warp. Adding to its flexibility, the MOD-mini features full tap tempo functionality, but in a single switch design. Simply holding the footswitch for approximately two seconds enters the pedal into “Tap Tempo Mode”, following which the pedal will respond to rhythmic tapping instantly. Further defying expectations based on its compact appearance, there are dedicated toggles for selection between mono and stereo (TRS) operation as well as true or buffered bypass modes, making the pedal suitable for almost any musical situation, anywhere, any time. As with all other current Nobels pedals, the MOD-mini features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. With its full metal enclosure and Glow in the Dark pointer knobs, the MOD-mini is a pint-sized powerhouse that’s built for performance!

Nobels Mounty-P Set Pedal ...

59,-

Nobels Mounty P Set The Security Lock for your Pedal Small black, metal mounting plates to attach most pedal units to any surface! If you play live and are serious about your set up, then screw your effects down with Nobels Mounty-Ps. Velcro® is great if you are bedroom player or are constantly swapping your stuff around, but can be a liability for gigging and gathering hair and fluff. The Mounty-Ps cost next to nothing and are cleverly designed. No chance of you opening up your pedal case to find your carefully arranged pedals in a heap all scratched up. Mounty-Ps work with big heavy multi units all the way down to mini pedals. Nobels Mounyt-Ps, a much more elegant solution to hook and loop tape. One set consists of 4x Mounty-P´s plus 4 screws.

Nobels ODR-1BC Natural ...

1.150,-

ODR-1BC (Bass Cut) Natural Overdrive gets an upgrade Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for nearly 30 years. In fact, this top selling pedal has developed its own almost cult following since it was first designed and engineered in the eighties.   When the original circuit was developed, there seemed to be countless overdrives on the market that had what many people describe as a ‘nasal’ tone, but Nobels worked hard on creating a very ‘open’ sounding pedal that works with you and your amplifier. The result was the ODR-1, German engineering at its finest with stacks of resistors and capacitors forming very precise filters and signal shaping, giving you a pedal that responds to your dynamics and adds texture to your tone in a very natural, musical way - all while allowing the character of your guitar to be fully retained. Step forward to 2020 with the latest model ODR-1BC. With numerous requests from the pedal community and professional players worldwide, Nobels have added the option of an internal Bass Cut switch under the battery cover to help tame your low end if needed. In standard mode though, you still get the full frequency response of the original that is perfect for warming up single coils etc. In addition, the internal power circuitry has been increased to allow for 9-18 V capability to provide extra headroom, if your playing styles and tone goals require it. These new features haven’t altered the fundamental tone and vibe, but have increased the versatility of the pedal massively for modern rigs. With the drive control, the distortion can be easily adjusted from almost clean to maximum drive. The circuit also works very well with your guitar’s volume control, so by backing off the volume you can clean up your tone. The tonal range is controlled by the Spectrum control tone pot with mid-click and fluorescent pointers on the Glow-in-the-Dark knobs. Turn the knob clockwise and it increases the bass and treble at the same time, while turning it counter clockwise has the opposite effect. The midrange stays untouched in either direction, to ensure a transparent yet warm tone wherever the Spectrum knob is placed. Main Features • Analog Overdrive Pedal • Bass Cut feature - helps to tame the low end - NEW! • Accepts 18 V power - allows for additional headroom - NEW! • Glow-in-the-Dark Knobs • Remote input jack - allows the pedal to be switched on/ off remotely • Controls: Drive, Spectrum/Tone and Level • Buffered Bypass • Solid metal housing • Low current consumption • Overhead battery compartment - allows for quick battery changes • Includes. 4x Mounty-P Mounting Plates • Powered by 9 -18 V DC PSU or PP3 9V Battery        (centre -, 2.1 mm, ~11 mA current draw)

Nobels ODR-1X Natural ...

1.666,-

Nobels ODR-1X Next Generation Overdrive For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed. The new Nobels ODR-1X is the next generation of this now legendary overdrive, heralding a new chapter in the Nobels overdrive legacy. Due to popular demand, a convenient external bass cut pot has been added, as well as the option to change between true bypass or buffered bypass. For hi-gain aficionados, a new switchable hi-gain boost is also now available. This is capable of transforming ODR-1X into a true hard rock monster. With the ability to control both the gain boost and bypass remotely, along with the unique SPECTRUM tone control, fold-out Mounty-P mounting plates and knobs with fluorescent ‘Glow in the Dark’ pointers, the ODR-1X adds worthwhile flexibility and utility to a time-tested favourite. Main Features • Natural Analog Overdrive Effects Pedal • New Variable Bass Cut knob - helps to tame and adjust the low end • Remote input jack - allows the pedal to be controlled remotely • Spectrum Tone control - double filter tone control that simultaneously cuts/boosts bass and treble frequencies • Switchable between True Bypass and Buffered Bypass via internal switch • New Gain Boost switch with remote control option • Overhead battery compartment - allows for quick battery changes • Glow in the Dark pointer knobs • Includes 4x integrated Mounty-P Mounting Plates • Powered by a regular 9-18 V DC PSU or PP3 9V Battery (not supplied - requires centre - 2.1 mm, ~15 mA current draw) For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal’s bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels’ unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles. ODR-1X also now features the ability to switch between True Bypass and Buffered Bypass via a mini switch that is located within the top loading battery compartment. True Bypass gives the maximum tonal purity. While players who are using longer cable runs, can switch to Buffered Bypass mode to preserve high frequencies. No matter what Bypass mode you choose, you also have the functionality of being able to switch the pedal on and off and control the new Gain Boost feature remotely via the pedal’s TRS connection. The pedal operates at standard 9 V DC, however if run at 18 V, this allows ODR-1X to deliver increased dynamic headroom. As with all Nobels pedals, the ODR-1X features integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. Upgrade your overdrive experience and become a part of the new ODR generation!

Nobels ODR-Mini 2 Natural ...

890,-

Nobels ODR-mini 2 New Generation Mini Overdrive For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed. The new Nobels ODR-mini 2 is the next stage in the evolution of the legendary ODR-1’s little brother, the ODR-mini. Due to popular demand, this diminutive powerhouse now features a very useful bass cut feature as an external control. Added to this, the upgraded full metal housing, along with the integrated Mounty-P Mounting Plates, completes the worthwhile upgrades for this compact dynamo. Main Features • Natural Analog Mini Overdrive Effects Pedal • New Variable Bass Cut knob - helps to tame and adjust the low end • Spectrum Tone control - double filter tone control that simultaneously cuts/boosts bass and treble frequencies, with centre indent • New upgraded metal enclosure • True Bypass • Glow in the Dark pointer knobs • Includes 4x integrated Mounty-P Mounting Plates • Powered by a regular 9-18 V DC PSU (not supplied - requires centre - 2.1 mm, ~12 mA current draw) For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal’s bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels’ unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles. With its newly designed and upgraded full metal enclosure, the ODR-mini2 is capable of operating at either standard 9V or 18V for increased dynamic headroom. Along with all other Nobels pedals, the ODR-mini2 now also features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. Upgrade your overdrive experience and become a part of the new ODR generation!

Nomad NAS-B104 ...

650,-

Nomad NAS-B104 Affordable Heavy Duty Amplifier and Speaker Stand. Black. Height adjustment suits a wide variety of performance situations. One-piece folding design quickly collapses for easy transport Solid Construction with a weight Capacity of 50kg (110 lbs) supports most combo amplifiers. Height: 46cm to 65cm. Save

-36%

Oasis OH-5 Plus+ ...

250,-

390,-

Oasis® Plus+ Guitar Humidifier - OH5 Tilbud gjelder kun 1 stk. igjen på lager. Vare skal ut av sortiment. While the original Blue Oasis® provides sufficient humidity in many environments, it is not effective everywhere. The humidity demands of the desert, mountain states or frigid north exceed the humidification capacity of the device. For this reason, we have developed the Oasis® Plus+ humidifier. The Plus+ is the same size and shape as the original blue Oasis®, but is made of a different material which provides 50% more humidity output. Because the Plus+ is the same size as the original Blue Oasis® and it has 50% greater humidity output, it will be necessary to refill the Oasis® Plus+ more frequentlythan the original Blue Oasis®. If one is using a hygrometer, we recommend that the Oasis® Plus+ be used when the room humidity is below 25%. The original Blue Oasis® should be used when the surrounding room humidity is between 25-40%. Above, 40%, you should not be using a humidifier. It is important to also to monitor the humidity inside your instrument case. Case size, design, material and other factors will impact the humidity permeability of each case. While general rules are helpful, a good hygrometer located inside the instrument case will give you the best information regarding proper humidification requirements.

Old Blood Noise Alpha Haunt ...

3.009,-

Alpha Haunt Fuzz - Highly-tweakable Fuzz Pedal with EQ. Alpha Haunt is a fuzz. OK that’s simple enough so far, but Alpha Haunt also has twelve (!!) highly interactive controls which mean things got a bit more involved now. Most of the fuzz buzzwords are here – huge and sustaining, gated and sputtering, mid scooped, mid boosted, bright, dark, clarity, utter lack of clarity and splatty. This is basically the fuzz motherlode being thrown at you and the whole pack is at your disposal. You are the alpha now. Highly tweakable fuzz pedal – endless worlds of fuzz at your disposal 3-band EQ sliders – perfect your place in the mix with full control over lows, mids and highs Clean blend via Enhance control – retains string clarity and low-end response Made in the USA Powered by 9V DC PSU (9V DC, centre -, 2.1mm, ~30mA current draw) Building and expanding on the classic Haunt Fuzz, one of Old Blood Noise Endeavors’ first sonic excursions, the Alpha Haunt explores the vast variety of sounds you can coax from a single fuzz circuit. With its extensive control set, the Alpha Haunt gives the user the ability to dial in a wide swath of fuzz textures – from wide open overdrives, squashed sputters to wild disintegrating synthy textures. The controls that truly set the Alpha Haunt apart from the large fuzz pack out there, are the ultra-powerful 3-band EQ sliders, Enhance, Bias and Gate knobs. Found a nice foundational fuzz sound in there you like, but feel you could use more string clarity? Turn up that Enhance knob, and hear the sweet ring of your clean tone get blended in parallel to the fuzz. This feature also means you have a fuzz pedal that plays extremely well with bass, synth, drum machines or whatever you may feel like throwing at it. You’ve got the sound, but you need to find your place in the mix? Well, those three big sliders to the right should do the trick then. Bring up the treble for biting and cutting stings of fuzz, or bring up the lows and mids to unleash the sonic sledgehammer and bring down the house. Crave more unique textures than just straight up fuzzstortion? Bring up the Gate and Bias and hear your sound compress, sputter, scream and swell up like a monster trying to break free of its sonic shackles. Perfect for synth-like sounds, velcro-esque rips and sputters or crumbling lo-fi tones. You’re fully in charge now of your fuzz sound. So, take control, lay waste to your fuzz foes and create a new fuzzy landscape, reborn around the immense powers and possibilities within the Alpha Haunt Fuzz.

Old Blood Noise Bathing ...

4.690,-

Bathing Liminal Delay Exploiting an algorithmic similarity, Old Blood Noise Endeavors unveils Bathing, a feature-rich pedal that features what the brand have named “Liminal Delay”. This effect is not just a classic delay, a modulation or even a multi-tap reverb. It is all of those things at once. Taking inspiration from OBNE’s “phase repetition” in their Dweller pedal, Bathing takes this difficult-to-describe effect and highlights all its magical features through a wide control set, low noise floor and an expansive stereo field. With features like MIDI, expression control and presets, to store and recall your favourite Liminal Delay sounds, Bathing allows you embark on a sonic adventure, only to then find it to be your new home. Main Features: • "Liminal" Delay pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Central Delay Time, Tone and Feedback • Additional controls for the number of Stages the delay passes through, including the Rate, Depth and Shape of the modulating character of those stages • Independent controls for dry and wet volume • Separate subtle Stereo Chorus control • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external temp syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Algae (standard), Orchid and Ink • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) The core sound of Bathing is determined by a central delay line, divided into many stages called “all-pass filters”. The Time control sets the central delay time. Use the Stages control to set the number of all-pass stages that the delay runs through, from anything between two to twelve stages. At shorter time settings, this increases the intensity of the phase/flange effect. At medium or longer time settings, more repeats are created both before and after the central delay time. Feedback sets the feedback of the delay, taking the output and feeding it back into the input. This can create longer trails and increased resonance. The Filter applies a combination of low pass and high pass filtering to the output of the delay, as well as the delay feedback loop, with the darkest sound to the left and the brightest sound to the right. The LFO affects the character of the delay repeats. When Time is very short, it acts like a modulation effect (think phaser or flanger). When Time is set longer, it moves anywhere from a single repeat at the central delay time out to a scattering of many diffused repeats around that time. In Mono-in, Stereo-out or full Stereo modes, the LFO is offset on the left and right to create a variety of stereo effects.

Old Blood Noise Bathing ...

4.690,-

Bathing Liminal Delay Exploiting an algorithmic similarity, Old Blood Noise Endeavors unveils Bathing, a feature-rich pedal that features what the brand have named “Liminal Delay”. This effect is not just a classic delay, a modulation or even a multi-tap reverb. It is all of those things at once. Taking inspiration from OBNE’s “phase repetition” in their Dweller pedal, Bathing takes this difficult-to-describe effect and highlights all its magical features through a wide control set, low noise floor and an expansive stereo field. With features like MIDI, expression control and presets, to store and recall your favourite Liminal Delay sounds, Bathing allows you embark on a sonic adventure, only to then find it to be your new home. Main Features: • "Liminal" Delay pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Central Delay Time, Tone and Feedback • Additional controls for the number of Stages the delay passes through, including the Rate, Depth and Shape of the modulating character of those stages • Independent controls for dry and wet volume • Separate subtle Stereo Chorus control • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external temp syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Algae (standard), Orchid and Ink • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) The core sound of Bathing is determined by a central delay line, divided into many stages called “all-pass filters”. The Time control sets the central delay time. Use the Stages control to set the number of all-pass stages that the delay runs through, from anything between two to twelve stages. At shorter time settings, this increases the intensity of the phase/flange effect. At medium or longer time settings, more repeats are created both before and after the central delay time. Feedback sets the feedback of the delay, taking the output and feeding it back into the input. This can create longer trails and increased resonance. The Filter applies a combination of low pass and high pass filtering to the output of the delay, as well as the delay feedback loop, with the darkest sound to the left and the brightest sound to the right. The LFO affects the character of the delay repeats. When Time is very short, it acts like a modulation effect (think phaser or flanger). When Time is set longer, it moves anywhere from a single repeat at the central delay time out to a scattering of many diffused repeats around that time. In Mono-in, Stereo-out or full Stereo modes, the LFO is offset on the left and right to create a variety of stereo effects.

Old Blood Noise Bathing ...

4.690,-

Bathing Liminal Delay Exploiting an algorithmic similarity, Old Blood Noise Endeavors unveils Bathing, a feature-rich pedal that features what the brand have named “Liminal Delay”. This effect is not just a classic delay, a modulation or even a multi-tap reverb. It is all of those things at once. Taking inspiration from OBNE’s “phase repetition” in their Dweller pedal, Bathing takes this difficult-to-describe effect and highlights all its magical features through a wide control set, low noise floor and an expansive stereo field. With features like MIDI, expression control and presets, to store and recall your favourite Liminal Delay sounds, Bathing allows you embark on a sonic adventure, only to then find it to be your new home. Main Features: • "Liminal" Delay pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Central Delay Time, Tone and Feedback • Additional controls for the number of Stages the delay passes through, including the Rate, Depth and Shape of the modulating character of those stages • Independent controls for dry and wet volume • Separate subtle Stereo Chorus control • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external temp syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Algae (standard), Orchid and Ink • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) The core sound of Bathing is determined by a central delay line, divided into many stages called “all-pass filters”. The Time control sets the central delay time. Use the Stages control to set the number of all-pass stages that the delay runs through, from anything between two to twelve stages. At shorter time settings, this increases the intensity of the phase/flange effect. At medium or longer time settings, more repeats are created both before and after the central delay time. Feedback sets the feedback of the delay, taking the output and feeding it back into the input. This can create longer trails and increased resonance. The Filter applies a combination of low pass and high pass filtering to the output of the delay, as well as the delay feedback loop, with the darkest sound to the left and the brightest sound to the right. The LFO affects the character of the delay repeats. When Time is very short, it acts like a modulation effect (think phaser or flanger). When Time is set longer, it moves anywhere from a single repeat at the central delay time out to a scattering of many diffused repeats around that time. In Mono-in, Stereo-out or full Stereo modes, the LFO is offset on the left and right to create a variety of stereo effects.

Old Blood Noise Beam Splitter ...

3.121,-

Old Blood Noise Endeavors Beam Splitter Automatic Triple Tracker Distortion The Beam Splitter is a single pedal meant to create a massive sound. It is three different takes on overdrive, voiced to work together perfectly. Two of them can be delayed in time, and all three can be run in parallel or split out to three separate sources. Beam Splitter takes a mono input and makes it wildly bigger than before. Things stretch in time and compress in dynamics, and a rich harmonic wash is achieved without sacrificing clarity. • Triple tracking overdrive/distortion pedal • 3 different parallel drive/distortion sections with individual gain and volume controls and adjustable delay and individual outputs o Purple – hard clipping distortion – the pedal’s core gain sound o Green – soft or hard clipping overdrive with the light and bright sound o Blue - transistor Overdrive - most neutral and reactive with a medium gain range • Offers triple-tracked drive tones with impressions of flanging, chorusing or broken vibrato, depending on the settings • Individually adjustable delay time on Green and Blue distortion sections • Feedback controls for Green and Blue distortion sections to add intense filtering or trailing delays depending on Time setting • Deviate Control for adjusting randomness of delay time variation in Blue and Green drive sections – for a more realistic sense of doubled players • EXP input – for controlling Deviate knob remotely • Relay bypass switching • Made in the USA • Powered by 9V DC PSU o (centre -, 2.1 mm, 150 mA current draw)

Old Blood Noise BL-52 Phase ...

2.508,-

Old Blood Noise Endeavors BL-52 Phase Repeater Variable Clock Phase Repeater Further pushing the boundary of clock-defined pedals, the latest entry in Old Blood Noise Endeavors’ BL series is a Phase Repeater, in the process making a genre entirely of its own. Phase repetition takes the modulation of a phaser and applies it to the realm of time, creating a completely unique sound and more like delay or reverb than its namesake phaser. First used in the OBNE Dweller pedal, the BL-52 Phase Repeater represents a new spin on the sound, with simple controls including a Clock slider that enlightens the timing of everything in the pedal. Main Features: • Phase Repeater Effects Pedal • Creates sounds that are between phaser, delay and reverb tones, by applying the modulation of a phaser to time • Simple, yet interactive control layout - gives immediate tactile experience that encourages experimentation • Clock slider - changes the delay time, LFO speed and overall fidelity of the effect, from faster repeats to time-stretched lo-fi • Feedback knob - enhances the intensity of the phase repetition by further lengthening the trails • Wet/Dry Mix control • Soft-touch bypass switching • Pedalboard friendly size • Made in the USA • Powered by 9V DC PSU (centre -, 2,1 mm, ~110 mA current draw)

Old Blood Noise BL-82 Chorus ...

2.508,-

Old Blood Noise Endeavors BL-82 Chorus Variable Clock Effector Seeking to unapologetically tear apart the common definition of a chorus pedal, Old Blood Noise Endeavors have created the BL-82 Chorus. An ode to delay time, this is a device with a variable clock control to shift between recognizable shimmering chorus and chaotic modulated delays. Two delay lines, modulated by opposite synchronized LFOs, are combined in parallel and the timing of the delay lines, as well as the speed and depth of the LFOs, are all determined by one tactile slider. This allows you to instantly open up the modulated floodgates on the fly and go from well-known waves, to deeply unknown oceans of sound. Main Features: Chorus Effects pedal Creates Chorus and Flanger like sounds by use of two modulated delay lines with opposite synchronised LFOs Simple, yet interactive control layout – for immediate tactile experience and to encourage experimenting Clock slider – changes the effect from fast and high-fidelity to slow and degraded  Feedback knob – enhances the intensity of the chorus/increase the amount of delay repeats  Wet/Dry mix control Soft-touch bypass switching Pedalboard friendly size Made in the USA Powered by 9V DC PSU         (centre -, 2,1 mm, ~110 mA current draw)

Old Blood Noise Black ...

4.307,-

Black Fountain Stereo Characterful Delay Pedal Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded ‘oil-can delay’ pedal right into a multi-tool. With a wider control set that’s complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package. Main Features: Characterful ‘oil-can delay’ pedal Stereo input and output, with the option for Mono or Mono-in-Stereo-out routing Dedicated knobs to control Rate and Depth of modulation plus Tone and Grit of delay voicing Time and Subdivision controls for each delay line Additional controls for feedback, Wet/Dry Volume and Stereo Space Analog dry through Expression and MIDI control over all parameters MIDI clock I/O for external temp syncing Onboard Presets, plus control via MIDI Selectable Buffered Trails or True Bypass modes Top-mounted jacks and Soft-Touch Switching Hand-made in Oklahoma, USA Available in 3 Colourways - Cream (standard), Terracotta and Slate Powered by (opt.) 9 V DC PSU                (centre -, 2.1mm, ~ 350 mA current draw, not included) Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that’s perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall. The Rate and Depth controls set the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position. Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

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