Shubb S2 DLX Capo for ...

405,-

S2 Classic Nylon. For rett gripebrett. SHUBB S2 DLX CAPO Classical Nickel S2 — for classical guitar. 2.25" wide, flat fretboard. Crafted of solid stainless steel to resist nicks and scratches, this capo will look just as beautiful years from now as it does today. When the Shubb Capo was first introduced in 1980, capos were elevated to a whole new level. In 1998 the Shubb Deluxe pushed the envelope again. Many people thought that the original Shubb could not be improved, but with the Deluxe we introduced upgrades in materials, design, geometry and ergonomics. It became the flagship product of our line. Still made in our shop in Missouri and assembled by our crew in California, as it always has been. Roller mechanism The roller mechanism equalizes the dropoff across the full range of the capo. Because the roller head adjusts upward on an arc (as opposed to a straight line) it moves inward toward the center curve of the middle piece of the capo as it is tightened - so it does not move further past center when it is set tighter. This maintains a relationship between the moving parts that results in the same, ideal amount of dropoff at any point within the capo's working range. So you get the ideal amount of dropoff on a thin neck, on a thick neck, and all those in between... and on different parts of the same neck. intonation>/b> Any capo can casually advertise that it "doesn't put the guitar out of tune," but we really mean it, and we take it very seriously! Of course, to even begin to address tuning issues, a capo must be totally adjustable. This narrows the field a bit, but Shubb is not the only adjustable capo. So what makes a Shubb so special? When we developed our capo, our main job was to minimize or eliminate the need for retuning. We accomplished this by designing 1. a unique material that acts just like your fingertip 2. a patented closing action that works exactly like your hand 3. a one-time adjustment that provides the ideal pressure every time.

Shubb SP3 Pearse Spillestål ...

499,-

Shubb SP3 Slide Steel Designed by Sally Van Meter for playing bluegrass, or any of today’s demanding slide guitar styles. It’s built for speed, precision, and control. The Shubb Guitar Steels are designed by musicians with the special demands of today’s playing styles in mind. They offer unique design features not found on any other bars, including cutaway ends for improved control, and a semi-bullet tip which facilitates movement across the strings. - Weight: 141,7 gram (5,0 oz)

SolidGoldFX BETA-V Bass ...

2.450,-

SolidGoldFX BETA-V Bass Preamp with Drive The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX’s top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. Yes, we all know the convenience of a lightweight “sub 10 lbs” bass head that pumps out 500 watts and a neo cab that doesn’t require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, With the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience. Main Features: • Bass Preamp and Overdrive effects pedal • Designed to capture the warmth and grit of vintage tube amps • Low-Pass filter with 2 settings o 0 - no low pass filter o 1 - mid bump o 2 - mid scoop • Drive control, from mild grit to warm overdrive • Active 2-band post-Gain EQ • True-Bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (center -, 2,1 mm, 13 mA current draw at 9 V) Our classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a center bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses. Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the center. Dialing in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Soundsation FMS20-3 Stativ ...

545,-

Soundsation FMS20-3 Stativ for 3 el.gitarer, basser eller akustisk gitar. • Svartlakert aluminium. • Skumdempende deler, beskytter kropp og hals. • Sammenleggbart. Foldable guitar stand for 3 guitars/basses, featuring metal frame and anti-scratch rubber. Light and stable, with frame reinforcement, great for transportation and storage. Featuring 4 rubber feet, suitable for classical, acoustic, electric and bass. Material Steel Padding Rubber Height 69 cm Width 48 cm Depth 54 cm Weight 2,5 kgs

Source Audio AFTERSHOCK Bass ...

2.590,-

Advanced Stereo Bass Distortion Pedal - with PSU Source Audio AFTERSHOCK Bass Distortion Advanced Stereo Bass Distortion Get down and dirty with the AFTERSHOCK Bass Distortion. This powerful stereo effects pedal features a collection of meticulously crafted Distortion sounds ranging from subtly driven sustain to highly saturated distortion to thick fuzz and beyond. The AFTERSHOCK’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SONIC GROWL. Adjust the onboard Tone control and find that thunderous sweet spot for any bass/amp combination. With the powerful MIDI and Neuro control options under the hood it provides access to a vast array of additional tonal possibilities. Main Features: • Bass Distortion effects pedal • 3 distinct Fuzz engines o TUBE: a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch o HEAVY: creates an aggressive scooped sound with ample highs and thundering lows o FUZZ: offers intense germanium fuzz tones with loads of bottom and mucho grit • 128 presets accessible via MIDI • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • Stereo Inputs and outputs - for multiple advanced routing options • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 165 mA current draw) Out of the box, this stereo pedal delivers three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. • TUBE: The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. • HEAVY: Heavy creates an aggressive scooped sound with ample highs and thundering lows. • FUZZ: The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. By itself the AFTERSHOCK offers tremendous tonal range, but dig a little deeper and discover its hidden power and flexibility. Every pedal in the One Series line is compatible with the Neuro Desktop Editor and Mobile App (free downloads iOS, Android, Mac and Windows). Connect the AFTERSHOCK to the Neuro Editor and access its extended equalization capabilities, stereo routing options, as well as Source Audio’s free library of over 40 overdrive, fuzz, and distortion algorithms for bass AND guitar - each algorithm can be downloaded directly to the pedal. The AFTERSHOCK is also built on dual drive platforms providing the opportunity to simultaneously run two fuzz tones in parallel, stacked, or split in stereo. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), providing the power to save up to 128 different presets. Job one in the development of the Source Audio One Series overdrive pedals - The L.A. Lady Overdrive, KINGMAKER Fuzz, and AFTERSHOCK Bass Distortion - was to create three great sounding, flexible, and easy-to-use pedals. Out of the box, that’s exactly what they are - plug ‘em in, select from the three onboard overdrive engines and make beautiful music… simple. But there is much more here than meets the eye (and ear) - the truly “Big Idea” behind our One Series overdrive pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Mobile App are free downloads for iOS, Android, Mac and Windows machines. The Neuro Editors vastly expand the tonal possibilities of the pedals, offering a huge collection of additional drive, fuzz, and distortion engines as well as an expanded set of editing parameters. Connect the AFTERSHOCK to the Neuro Desktop Editor or Mobile App (free download for iOS,Android, Mac, and Windows) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality.

Source Audio ARTIFAKT Lo-Fi ...

4.464,-

ARTIFAKT Lo-Fi Elements Lo-Fi Modulation, Reverb, Bit-Reduction and Filter The ARTIFAKT Lo-fi Elements is the first pedal of its kind, a comprehensive collection of all the hazy, scratchy, wobbly, and broken tones that epitomize the term ‘lo-fi’.” Like a mega-delay or mega-reverb, ARTIFAKT is a “one-stop shop” for all the most sought-after lo-fi effects including old vinyl replications, tape modulation and saturation, bit crushing, sample rate reduction, dark reverb and echo, filtering, compression, glitch, and more. Source Audio has dedicated much of the past three years to meticulously honing each of these sounds as well as engineering an entirely new hardware design with an easy-to-use interface that places the pedal’s full capabilities at your fingertips. Main Features: • Lo-Fi Modulation / Reverb / Delay / Bitrate Reduction Effects Pedal • Updated platform with imporoved interface and additional controls and foots witches - for easier access to more parameters, presets, tap tempo and a variety of other engine specific functions • 7 different effect engines on the face of the pedal o Radio - crackling nostalgic tones of a vintage radio struggling to dial in a signal o Tape - conjures the sound of vintage tape machines with subtle compression, tape saturation, flutter and pitch modulation o μVerb - a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems o Crush - bit-depth quantizing and sample rate reduction, finely sculpted with the resonance of a Moog-style ladder filter o Ladder - filter effect inspired by the revered R-2R ladder filter o Vinyl - faithfully emulates the crackle and pop of vintage records o Glitch - adds an unpredictable edge with random speeds and pitches • 16 presets accessible via the pedal controls (128 presets available via MIDI) • Full MIDI control via 3.5 mm TRS MIDI In and Thru jacks • USB-C port for connecting to Neuro 3.0, Source Audio’s preset downloading and effect editing software • Stereo Inputs and Outputs • External expression control over any parameter using the Neuro 3.0 editor • Switchable Active Analog or True Bypass • Powered by (opt.) 9V DC power supply (2,1 mm plug, center -, 200 mA current draw) Navigating through the seven positions of ARTIFAKT’s effect selector knob unleashes a symphony of sonic transformations, each akin to engaging a new pedal with its own unique brand of lo-fi. • The first effect on the dial is Radio, tune into its crackling nostalgic tones where static frequency filtering and noise generation evoke the charm of a vintage radio struggling to dial in a signal. • The Tape engine conjures the sound of vintage tape machines by blending subtle compression, overdrive, tape flutter, and pitch modulation to invoke effects like slapback, chorus, doubling, and tape saturation. • μVerb is a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems. • The Crush effect voyages the realm of bit-depth quantizing and sample rate reduction, all finely sculpted with the resonance of a MoogTM-style ladder filter. • Ladder, inspired by the revered R-2R ladder filter, offers both envelope and LFO modulation control for classic and dramatic filter sweep effects. • Vinyl faithfully emulates the crackle and pop of vintage records, from pristine 180-gram vinyl to well-loved gramophone platters. • Glitch adds an unpredictable edge, capturing fragments of your performance and hurling them back at random speeds and pitches. Pairing the ARTIFAKT Lo-fi Elements with Source Audio’s completely reimagined and reengineered Neuro 3.0 software elevates an already great pedal to new heights. Access free, stage-ready presets from Neuro’s expanding library of factory and Neuro Community presets. Explore Neuro’s extensive editing capabilities to blend and experiment with the various lo-fi elements mentioned earlier—it’s a limitless effects palette for crafting unique lo-fi sounds. ARTIFAKT also boasts stereo inputs and outputs, full MIDI control via the 3.5mm TRS in and thru jacks, dual footswitches, 128 presets, and more.

Source Audio ATLAS Compressor

3.009,-

Advanced Stereo Compressor Pedal - with PSU The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry’s most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, based on classic stompbox compressors as well as high-end rack units like the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware. The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment.  First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the ever-present Dyna Comp.  Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor.  Finally, we’re taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit… the Atlas has it all and does it well. OPTICAL RACK The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars. Elite engineering cannot be rushed... "Offering up a deep library of compression options in a pedal is a landmark technical achievement.  We started working on compression in 2007.  At the time we developed some straightforward, high-end studio stuff that made it into the original Multiwave a year later.  The research project to branch out and cover more simple classic pedal sounds and create a dedicated compression pedal was delayed, because the intricacies of how transistors behave in compression circuits was especially elusive.  After ten years of additional research, new thinking, and more experience, we are finally ready to launch a landmark pedal: The Atlas Compressor.  From classic rack studio units, to classic pedals of many flavors, and even to the experience of high-end computer plug-ins, Atlas covers all the bases with attention to detail that is the hallmark of our development team.  Bob Chidlaw, Jesse Remignanti, and Christopher Venter worked long and hard on this one and I'm excited to finally share it with the rest of the world."

Source Audio C4 Synth pedal

3.345,-

Source Audio C4 Synth Advanced Stereo Synth The C4 Synth unites all the sound creation tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. Out of the box the C4 offers six dynamic synth tones that range from vintage analog to the thoroughly modern. It is essentially a modular synth in a small pedal with unprecedented tracking abilities, lightning-fast response, and countless sound options. With the addition of the Neuro Desktop Editor (a free download for Mac and Windows machines) and Mobile App. (for iPhone and Android) it's easy to browse from the ever-growing library of highly-inspired presets created by the Source Audio crew and the expanding community of C4 enthusiasts. Main Features: • Stereo 4-Voice Synth effects pedal • Supreme tracking with imperceptible latency and 2 pitch detection modes designed for either ultra-fast tracking when playing fast or high accuracy tracking when playing slow • 4 independent voices with individual oscillator wave shape, FM synthesis, mono- or polyphonic pitch shifter, intelligent harmonizing sequencers or dry signal to distortion, tremolo and filter settings • 3 types of oscillators with sine square and sawtooth wave shapes • 11 envelope followers with adjustable attack decay or ADSR triggering • 25 filter effects • 14 different LFO Wave Shapes - to control filter modulation, vibrato or tremolo effects • 2 programmable 16-step sequencers capable of running individually or simultaneously • Second layer knob function accessible via Alt-Switch • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • 6 onboard presets in 2 banks and 128 presets accessible via MIDI • Stereo Inputs and outputs - for multiple advanced routing options • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 180 mA current draw) It’s that easy. When you're ready to explore beyond the C4's six onboard presets simply jump to the Neuro Desktop's Cloud tab or the Neuro Mobile App's Browse function and check out all the available presets created by the Neuro Community and the Source Audio team. We've got a huge and growing-huger collection of vintage and contemporary synth effects that are guaranteed to amaze. When you find that mind-blowing tone that you can't live without, simply click the BURN icon and upload the preset directly to your C4 - it will be waiting for you at the next gig. On the surface, the C4 features a simple 4-knob interface and a choice of six amazing guitar/bass synthesizer effects - just plug-in and play. If you want to take things to take things a bit further, we urge that you connect the C4 to our Neuro Preset Editing & Browsing tools. Inside Neuro you will find the tools to personally create your own synth utopia. Use the C4’s collection of four parallel voices, three oscillator wave shapes, ten-plus envelope followers, twenty-plus modulating filters, distortion, tremolo, pitch shifting, intelligent harmonization, FM synthesis, two programmable sequencers and more to dial in that perfect tone.

Source Audio COLLIDER Stereo ...

4.799,-

Source Audio COLLIDER Delay+Reverb Stereo Dual DSP Reverb and Delay Design complex soundscapes in seconds with the COLLIDER Delay+Reverb. We hand-picked 12 standout delay and reverb effects from our award-winning NEMESIS Delay and VENTRIS Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The COLLIDER’s intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance. Main Features: • Stereo Delay and Reverb effects pedal • Dual Processing - 2 Identical dual 56-bit signal processors allow use of 2 reverb engines simultaneously • 7 onboard reverb engines o ROOM: captures ambient reverberations of a variety of room sizes from warm and intimate household room to a larger theatre sized spaces o HALL L: patterned after the lush sounds of studio rack units from the 80s, with highly diffused tones and glorious blooming characteristics o TRUE SPRING:  perfectly captures the sweet idiosyncrasies of vintage spring reverb tanks with exceptionally realistic “drip” o PLATE: meticulously crafted simulation of vintage plate reverb units from the 50s and 60 blasting audio into the face of a large plate of suspended sheet metal o E-DOME:  produces long cavernous reverb trails with a lovely smooth and lush modulation invoking the sound of massive arena o SWELL: applies a volume swell effect to your instrument’s dry signal, which is then fed into the reverb effect for amorphous clouds of sound • 5 onboard delay engines: o DIGITAL: pristine and unfiltered digital repeats o ANALOG: reproduces the characteristic dark sound of bucket brigade analog delays o TAPE: detailed re-creation of classic moving-head tape delays that captures the characteristic flutter, warmth, and color o REVERSE: creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect o OIL CAN : dark, jangly, warbling and distorted delay inspired by old oil can designs - previously only available as additional Delay engines on NEMESIS • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • 8 Presets accessible via onboard controls, 120 more presets recallable via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • EXP/Switch input with selector switch for selecting external control source between Switch EXP pedal) • Stereo Inputs and outputs - for multiple advanced routing options • Tap Tempo with onboard footswitch and Sub-Divisions (quarter note/dotted eight note/triplets) • Knobs switch for switching the control interface between Reverb or Delay effects and locking knob settings • MIDI IN and MIDI THRU connections • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching with selectable Trails Mode • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 300 mA current draw)

Source Audio Dual Expression ...

1.443,-

Expression Pedal with 2x 6.3mm TRS and 1x 3.5 mm TRS outputs The Source Audio Dual Expression Pedal delivers precision response and smooth action in a durable cast aluminum housing. Dual TRS expression outputs make it possible to control two effects units simultaneously. The pedal is compatible with the very common Boss/Roland style (“tip hot”) expression input. The Range Adjust Knob sets the bottom point of the expression range. Plus, a special Sensor Output connects directly to any Hot Hand®, Soundblox®, Soundblox 2, or Soundblox Pro pedal for real-time control over filter sweeps, effect modulation, LFO speeds, wet/dry mixes, drive levels and more. Two Isolated TRS Expression Outputs – simultaneous control over multiple effect pedals or rack systems. Sensor Output — 1/8-inch; four conductor output compatible with all Soundblox, Soundblox 2, or Soundblox Pro pedals. Range Adjust Knob — Adjusts the range of expression signal sent through the outputs. OUTPUT 1: sends expression signal out via either 1/4 inch TRS cable or 4 conductor Soundblox compatible 1/8 inch sensor cable. OUTPUT 2: sends expression signal out via 1/4 inch TRS cable. Rugged, cast aluminum housing. Includes one 1/4-inch TRS connector cable and one 1/8 inch four conductor Sensor Output cable Dimensions: 10 in/25.4cm (Length) x 4 in/10.2cm (width) x 3 in/7.6cm (height)

Source Audio ENCOUNTER Delay ...

4.790,-

Source Audio Encounter Ambient Delay + Reverb Source Audio’s Encounter is more than just a delay and reverb pedal, it’s a gateway to atmospheric soundscapes. Based on the legendary Collider Delay + Reverb, Encounter sports a similar layout, while adding a wide-ranging collection of new and otherworldly delay and reverb effects.   Packing a mix of brand-new sounds and reimagined favourites from Source Audio’s range of delay and reverb pedals, Encounter is sure to conjure up a wealth of ambient sounds. Main Features • Stereo Ambient Delay and Reverb Effects Pedal • Analog Dry Through Path • 6 onboard Delay engines           o Noise Tape, Resonant, Drum Echo, Echoverb, Kaleidoscope and Helix • 6 onboard Reverb engines           o Hypersphere, Shimmers, TremVerb, Reverse, Lo-Fi and Swell • 8 Presets accessible via onboard controls and 128 presets available via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • Input with selector switch for selecting external control source (EXP/Switch) • Delay Footswitch doubles as a Tap Tempo control • Sub-Division control switch for the Delay (quarter note/dotted eighth note/triplets) • Stereo Inputs and Outputs • Mini USB Port for connecting to Neuro 3.0, Source Audio’s preset editing software • MIDI IN and MIDI THRU connections • 3.5 mm control port - for connecting compatible Source Audio control devices • Switchable True or Analog Buffered Bypass • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile devices • Powered by (included) 9V DC power supply (centre -, 2,1 mm, ~280 mA current draw) All six delay and six reverb engines can be used individually or in pairs (that includes dual delay or dual reverb combinations) with full MIDI functionality and stereo ins & outs. Routing options include series, parallel, or split stereo. Each footswitch engages or disengages its own effect, essentially providing the functionality of two separate pedals in one unit. The new engines such as the Hypersphere reverb, Kaleidoscope delay, and Shimmers are among the most beautiful and imaginative in Source Audio’s history. Returning effects such as Reverse, Lo-Fi, and Swell reverbs, along with the Helix, Drum Echo, and Resonant delays, have been reimagined and enhanced with expanded parameter controls, unlocking limitless sonic possibilities and creative potential.

Source Audio EQ2 Programmable ...

3.569,-

Fully programmable 10-band Graphic Stereo Equalizer - with PSU The EQ2 Programmable Equalizer is the most powerful and advanced equalizer pedal on the planet. This exceptional piece of gear builds off the legacy of its predecessor, the Source Audio Programmable EQ, a tremendously popular pedal that landed on the boards of numerous pro guitarists, including six-string icons David Gilmour, Steven Wilson, and John Mayer. The updated EQ2 is a combination graphic and parametric equalizer with 10 fully adjustable frequency bands, stereo ins & outs, MIDI In and Thru jacks, 4 or 8 onboard presets, 128 MIDI accessible presets, an additional 12dB volume boost, and the ability to simultaneously run two separate and unique EQ settings, each of which can be independently routed to either stereo output. But wait, there's more: the EQ2 is also has a hidden TUNER function! How's that for saving space on your pedalboard? A Pedal for the Everymusician "Source Audio created a completely new product category when we released the Programmable EQ pedal back in 2011. It gradually became one of our most successful products. We are confident that the EQ2, with its ten adjustable frequency bands, stereo I/O, and both graphic and parametric equalization capabilities, will be an extremely useful pedal to countless guitar, bass, and keyboard players of all genres”                                                                                                                                                     -Source Audio President Roger Smith The Ultimate Tone-Sculpting Machine The EQ2 Programmable Equalizer is the perfect companion for any musician looking to enhance or add flexibility to their tone.  The availability of the full audible frequency spectrum across 10 completely customizable bands means that EQ2 is the EQ pedal not just for guitar, but for any electrifiable instrument.  This allows you to move each of the 10 bands to any point on the frequency spectrum from 20 to 20,000Hz.  With +/- 18 dB of boost or cut on tap for each band, bandwidth adjustments up to 10 times more narrow, flexible routing and separate stereo curves, an optional noise gate and limiter, and a deep interactive editing software, plus some shelving and high-pass frequency options, EQ2 is the ultimate Swiss-army knife for your tone.

Source Audio GEMINI Chorus

2.562,-

Advanced Stereo Chorus Pedal - with PSU Float away with the liquid, swaying effects of this state-of-the-art stereo chorus pedal. The Gemini Chorus offers three types of deep, hypnotic chorus. Classic mode creates a single voiced effect that conjures subtle and creamy tones from the first wave of 1970s chorus pedals. The thick and rich Dual Chorus provides a smooth, yet animated double voiced effect. The lush and spacious Quad chorus recaptures that ‘80s vibe with its less than subtle rack system sound. Once you’ve found your chorus, dial in the sweet spot with the onboard Mix and Tone controls. Out of the box, the Gemini offers tremendous tonal range, but beneath the hood resides a much deeper level of power and flexibility. Every pedal in the One Series line is compatible with the Neuro Mobile App (a free download for iOS and Android). Link the Gemini to the Neuro App and access Source Audio’s free library of additional phaser, flanger, and chorus algorithms – each can be downloaded directly to your Gemini Chorus. The Neuro App also offers an extended set of adjustable parameters including Feedback, Output Level, embeddable Tremolo, a Parametric EQ, Advanced Signal Routing and more. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), giving you the power to save up to 128 presets.

Source Audio KINGMAKER Fuzz ...

2.562,-

Advanced Stereo Fuzz Pedal - with PSU Inside the Kingmaker Fuzz's compact enclosure live the sizzling tones of over 50 years of fuzz and overdrive technology. On its own the Kingmaker features three killer fuzz tones including a highly saturated yet articulate fuzz for violin-like lead tones and pummeling rhythm, a responsive fuzz that cleans up nicely with reduced input signal, and an octave circuit that unleashes a screaming, octave fuzz in the style of vintage Octavio pedals. Connect the Kingmaker to the Neuro Desktop Editor or Mobile App (free download for iOS,Android, Mac, and Windows) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality. The Kingmaker Fuzz is clearly not a typical stompbox - its sleek exterior looks fairly straight-forward, but this machine was built with serious under-the-hood muscle. Out of the box it offers outstanding tonal range and a super-simple set of controls, but dig a little deeper and discover the hidden power and flexibility of this stompbox. With the Neuro Editor's 40+ additional overdrive, fuzz, and distortion engines combined with a massive set of adjustable parameters, the Kingmaker is the platform on which to craft your perfect drive pedal.

Source Audio L.A. Lady ...

2.562,-

Advanced Stereo Overdrdive Pedal - with PSU Inside the L.A. Lady Overdrive's compact housing live the archetypal tones of over 50 years of overdrive and fuzz technology. Out of the box the pedal features three amazing overdrive tones including the sought after “Marshall in a box” sound, an punchy drive synonymous with contemporary Texas blues, and a tube amp inspired engine that delivers a range of drive levels, from warm and chunky low gain to screaming lead gain. Connect the L.A. Lady to the Neuro Desktop Editor or Nuero Mobile App (free downloads iOS, Android, Mac, and Windows) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality. The L.A. Lady is the culmination of an eight-year study of classic overdrive tones combined with contemporary, highly-sophisticated technology - it is an overdrive pedal of unrivaled reach and tone.​ The pedal's dual drive engines and stereo inputs and outputs make it possible (via the Neuro App) to stack any combination of drive engines in either series or parallel as well as split the signal and send a separate drive engine to each of the pedal’s outputs. The L.A. Lady is the culmination of an eight-year study of classic overdrive tones combined with contemporary, highly-sophisticated technology - it is an overdrive pedal of unrivaled reach and tone.​ The pedal's dual drive engines and stereo inputs and outputs make it possible (via the Neuro App) to stack any combination of drive engines in either series or parallel as well as split the signal and send a separate drive engine to each of the pedal’s outputs.

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