Seymour Duncan Powerstage 200 ...

6.450,-

PowerStage 200 is an elegant, compact, and loud pedalboard-mounted power amp for players who use modeling devices, stompboxes, or a combination of the two. It has all the features you need—reliable, clean power, switchable EQ, speaker simulation, and Aux In and headphone capabilities—to be the perfect gig, rehearsal, and studio tool. Like the PowerStage 170 and 700, the PowerStage 200 retains the hallmark characteristics of the PowerStage family—providing a platform that brings out the best qualities of your tone. Compact, clean, organic, and reliable power sits at the core of PowerStage family—once again, the PS200 delivers on that promise. Loud enough to match your drummer and fill a venue of just about any size, the PowerStage 200 provides clean, reliable amplification, and tons of headroom to let your pedals or modeler shine. Like the PS170, we wanted to build a powerful pedal amp voiced specifically for guitar that players could mount directly on their pedalboard or toss in their gig bag. The width of the PS200 is about a thumb width larger than two standard pedals. A tube amp of similar power and wattage would require a second trip to your van and its own flight case. Moreover, the size of the PS200 makes fly dates a breeze and saves you money on cartage fees. A clean (headroom) guitar amp is the best solution if you want to get the most from your pedals and modeling gear. Many tube amps break up too early, making it difficult to dial in a pristine, clean platform for your pedals (especially at higher volumes). Moreover, if you use modelers like a Kemper, Helix, or Axe FX, any unwanted distortion can ruin your carefully crafted patches. The PowerStage 200 addresses these concerns by providing you with 200 watts of crystal-clear power. But don’t get confused—crystal-clear power does not mean sterile or lacking in depth. The PS200 has a beautiful warmth and smoothness that will give you all the dimension and organic feel of a great tube amp. Another challenge when using a tube amp is that they tend to have a certain “sweet spot” that you can only achieve at higher volumes. The PS200, however, has a rich tone throughout the entire volume range. So, from bedroom shredding to arena rocking, your tone will stay consistent without any loss in depth or warmth. Think of the PS200 as having one large sweet spot. The PS200 features two ¼” speaker outputs, allowing you to run multiple cabinets. And, since impedance matching is done internally, you never have to worry about speaker impedance—just plug in and play. The PS200 is slightly more powerful than the PS170 and differs a bit in its feature set. After listening to our customers and consulting with many of the biggest names in the industry, we narrowed down a feature set for the PS200 that is simple but flexible. We noticed that many guitar players perform in a variety of unpredictable venues. To minimize uncertainty, we included a cab sim (4×12 closed-back) with a DI (XLR) output jack. You can send your tone to front of house or to a monitoring system free of mic bleed or unwanted noise typical in traditional mic setups. What you get is your pure tone in any environment. We included independent bypass switches for both the cab sim and EQ. This feature makes silent recording more flexible. When you bypass the cab sim you can use your own cab sim or IR device, which can expand your pallet of great cab tones to pair with the PS200. Bypassing the EQ section, you can pass the tonal shaping duties off to your modeling device or preferred EQ shaping tool. To bring out more high-end sparkle we added a presence control giving you a total of 4 bands of EQ on the PS200. The presence knob is also a great tool to tame any harsh digital artifacts found in some modelers. Aux In allows you to jam along with drum grooves, backing tracks, or your favorite albums while practicing at home or in a hotel room on the road. Just plug in your music player or computer audio and practice silently with full, speaker-emulated tone. Aux In is also a great tool during rehearsals when you need to review a part or practice without disturbing your band mates. The ¼” headphone jack has its own volume control located on the top of the amp. The PowerStage 200—compact, musical power for pedals, modelers, and much more. Like our award-winning pedals, the PowerStage 200 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Powerstage 700 ...

9.950,-

Seymour Duncan - Powerstage 700 Key Features 700 Watts (per channel) True Cab Circuitry (TCC)™ 3 band EQ 2 speaker outputs (speakON) Stereo DI (XLR) Outputs The PowerStage™ 700 is a game-changing product for guitar players that want uncompromising tone in a compact power amp. Maybe you love your tube amp but don’t want to lug it around. Or you use a modeler that has a ton of functionality but doesn’t sound as good when hooked up to your existing amp or direct to the PA. Perhaps you have the ultimate pedalboard and just need a better way of amplifying or running it direct. Do you dread fly dates or gigs because you’re never sure what your backline will be?PowerStage is the answer, whether you’re playing live or recording in the studio. When you create your tone from a modeler, pedals or effects processor, what you want is a clean, transparent power source that brings your tone to life. With PowerStage, you can bring your whole rig to the gig without compromising your sound, breaking your back or draining your bank account. The PowerStage 700 is the perfect companion for the current crop of amp modelers and effects processors. With discrete stereo ins and outs you can reproduce your carefully crafted amp sounds in massive detail, with power, clarity and a warmth that will take even state-of-the-art modeled tones to the next level. And with the True Cab Circuitry (TCC)™ on the XLR line outputs, you can send your tone direct to the front of house—with all the feel and response of a speaker, even as you monitor through a cabinet onstage. Another huge benefit of the PowerStage is its musically voiced 3-band EQ. This allows you to fine-tune your sound, quickly and with precision, without scrolling through menus or editing patches. Such a powerful and intuitive tone shaping tool at the very end of your signal chain makes it easy to maximize your tone for any situation. For guitarists who use pedals to create their sound, PowerStage is the missing link in your signal chain. Run your favorite distortion pedal into PowerStage and then simply bypass it and let it become your ultimate clean channel, turning any pedal combo into a two-channel amp that delivers your perfect tone. It also plugs into any cabinet at any impedance anywhere in the world, thanks to its versatile 100v-240v power supply. The benefits extend well beyond live gigs. In the studio, it can be your secret weapon. By using the XLR outs, you can plug your pedalboard into the PowerStage and all of your impedance issues will disappear. This allows you to run your pedals straight into your DAW—with full speaker simulation – no mics required! With its stereo operation, you can send your pedalboard into one channel and then run the other side completely dry into another, facilitating complex layers, reamping, and more.Think about it: a powerful, portable, musical tool that can prevent headaches and backaches – onstage and in the studio. Whether you use pedals, modelers or anything else to get your signature sound, the PowerStage 700 will let you amplify it in a clean and toneful way. This is your tone, only louder. Like our award-winning pedals, the PowerStage 700 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan SET DIMEBAG ...

3.852,-

Seymour Duncan - SET DIMEBAG BLACK Dimebag wanted it all smooth and crunchy distortion tone, biting treble, punchy bass, but smooth. This was his bridge and neck setup. Dime’s bridge pickup delivers crunchy pick attack, scooped mids and just the right amount of saturation. He wanted his signature humbucker to have a thick crunch that sags just a little when you really lay into it. Combine that with a full, tight low end response, a ceramic magnet and dual stainless steel blades, and you have the Dimebucker. Dime preferred the warm, smooth power of a ’59 bridge pickup in the neck position to balance with his signature bridge Dimebag pickup. It gave extra teeth to his solos. In a 2004 interview Dimebag described the tone of the Dimebucker; “It’s very saturated, not to the point where its overly fuzzy but it has a smooth and crunchy distortion tone. It will give you some extra gain, but it won’t go so far that your sound breaks up and is going crazy. You get that warm tone with the distortion mixed in and it has the low end that’s kicking you in the butt while the top end is cutting your face off in the right way, but not ripping your face off. If you ever listen to a Pantera record, that’s what you’ll hear through this pickup.” The complete set is hand built in Santa Barbara, CA. The bridge Dimebucker uses a ceramic bar magnet, dual stainless steel blades, 4-conductor lead wire for multiple wiring options, and is vacuum wax potted for squeal-free performance. The 59 Bridge is vintage inspired, right down to the cloth braid hookup wires. Also wax potted.

Seymour Duncan SET Hot Rails ...

4.815,-

Seymour Duncan - SET Hot Rails Strat Black b & n Hot wound rails coupled with a powerful ceramic magnet give your Strat the crunch and sustain hard rock and metal styles demand.

Seymour Duncan SET Hot Rodded ...

3.198,-

Seymour Duncan - SET Hot Rodded JB/JAZZ Set SH-4b/SH-2n Duncans mest solgte sett! The ultimate Hot Rodded humbuckers, the JB and Jazz Models make for a versatile combination that will breathe life into any guitar.

Seymour Duncan SET MortalCoil ...

4.450,-

Seymour Duncan - SET MortalCoil 7str Active Mount MortalCoil delivers three precision-engineered voices: a tight, aggressive modern metal MC1 voice with fast, controlled attack, authentic JB and Jazz-inspired passive tones, and a clear, articulate single-coil Built with optimized-resistance coils and advanced audio op-amps for exceptional response and efficiency, MortalCoil is a powerful, versatile active upgrade. Introducing Seymour Duncan’s MortalCoil: an active humbucker set with three voices engineered for precision, power, and musical clarity. Designed from the ground up for modern players who demand brutal articulation and authoritative low end, the new primary MC1 voice delivers an exceptionally tight, mix-ready modern metal sound that stays focused and controlled across complex riffs, palm mutes, and harmonics. Alongside it, MortalCoil brings additional voices drawn directly from Seymour Duncan’s legacy: a classic JB and Jazz–inspired voice, plus a powerful single-coil voice ready when versatility matters. Built on 50 years of pickup-voicing expertise, MortalCoil represents a fresh approach to what multiple-voiced active pickups can be. MortalCoil’s MC1 (Voice 1) delivers uncompromising tightness, note separation, and cutting presence for modern metal applications, maintaining clarity and balance without fizz or nasal midrange, even under extreme gain. Voice 2 unlocks authentic JB Bridge and Jazz Neck voicings, capturing the proven character and feel players have trusted for decades. Voice 3 offers a strong, articulate single-coil voice with enough output and definition to hold its own in modern rigs, making it ideal for cleans, edge-of-breakup tones, and layered production. At the core of MortalCoil are precision-wound high-density copper coils with optimized resistance, providing faster transient response and stronger pick attack than competing designs across all tunings. Our all-new preamp utilizes advanced audio op-amps that contribute gain, rich harmonic detail, and dynamic feel with extremely low distortion, while the efficient circuit design supports superior battery life for reliable performance on stage and in the studio. The result is crushing attack and surgical control under modern metal gain. Whether you’re tracking or performing live, MortalCoil allows one guitar to move effortlessly from pristine cleans to aggressive high-gain tones. Experience what happens when 50 years of pickup expertise meets modern active technology. MortalCoil installs easily as a drop-in upgrade for many existing active setups and includes all required pots and wiring. Available now in 6-string and 7-string configurations. Our MC1 voice is a crushing modern metal sound with surgical precision, delivering tight lows and focused mids without high-end fizz Faster and stronger attack driven by a low-resistance, high-density copper coil design Authentic JB and Jazz voices drawn directly from Seymour Duncan’s legacy Single-coil voice with clear articulation and output suited for modern rigs Advanced, audio-optimized preamp for superior clarity and definition Efficient circuitry designed for best-in-class battery life Drop-in upgrade compatible with many multiple-voiced active pickup systems

Seymour Duncan SET MortalCoil ...

4.450,-

Seymour Duncan - SET MortalCoil Black MortalCoil delivers three precision-engineered voices: a tight, aggressive modern metal MC1 voice with fast, controlled attack, authentic JB and Jazz-inspired passive tones, and a clear, articulate single-coil Built with optimized-resistance coils and advanced audio op-amps for exceptional response and efficiency, MortalCoil is a powerful, versatile active upgrade. Introducing Seymour Duncan’s MortalCoil: an active humbucker set with three voices engineered for precision, power, and musical clarity. Designed from the ground up for modern players who demand brutal articulation and authoritative low end, the new primary MC1 voice delivers an exceptionally tight, mix-ready modern metal sound that stays focused and controlled across complex riffs, palm mutes, and harmonics. Alongside it, MortalCoil brings additional voices drawn directly from Seymour Duncan’s legacy: a classic JB and Jazz–inspired voice, plus a powerful single-coil voice ready when versatility matters. Built on 50 years of pickup-voicing expertise, MortalCoil represents a fresh approach to what multiple-voiced active pickups can be. MortalCoil’s MC1 (Voice 1) delivers uncompromising tightness, note separation, and cutting presence for modern metal applications, maintaining clarity and balance without fizz or nasal midrange, even under extreme gain. Voice 2 unlocks authentic JB Bridge and Jazz Neck voicings, capturing the proven character and feel players have trusted for decades. Voice 3 offers a strong, articulate single-coil voice with enough output and definition to hold its own in modern rigs, making it ideal for cleans, edge-of-breakup tones, and layered production. At the core of MortalCoil are precision-wound high-density copper coils with optimized resistance, providing faster transient response and stronger pick attack than competing designs across all tunings. Our all-new preamp utilizes advanced audio op-amps that contribute gain, rich harmonic detail, and dynamic feel with extremely low distortion, while the efficient circuit design supports superior battery life for reliable performance on stage and in the studio. The result is crushing attack and surgical control under modern metal gain. Whether you’re tracking or performing live, MortalCoil allows one guitar to move effortlessly from pristine cleans to aggressive high-gain tones. Experience what happens when 50 years of pickup expertise meets modern active technology. MortalCoil installs easily as a drop-in upgrade for many existing active setups and includes all required pots and wiring. Available now in 6-string and 7-string configurations. Our MC1 voice is a crushing modern metal sound with surgical precision, delivering tight lows and focused mids without high-end fizz Faster and stronger attack driven by a low-resistance, high-density copper coil design Authentic JB and Jazz voices drawn directly from Seymour Duncan’s legacy Single-coil voice with clear articulation and output suited for modern rigs Advanced, audio-optimized preamp for superior clarity and definition Efficient circuitry designed for best-in-class battery life Drop-in upgrade compatible with many multiple-voiced active pickup systems

Seymour Duncan Studio Bass ...

2.890,-

Seymour Duncan - Studio Bass Compressor Pedal A studio-quality bass compressor pedal with the ability to blend in your uncompressed tone for ultimate dynamic control. This versatile studio-grade compressor is a must have for any bass player looking to maximize their sound, with a range of tones from subtle to super-squashed. One of the secrets to the Studio Bass’s power is its 3-position mini-toggle and blend knob, which give you near limitless control over your tone by letting you mix uncompressed tones alongside the affected sound. Blend in your unadulterated clean signal, a mid boost that will help you cut through the busiest mixes, or a fat low-end growl. Find that sweet spot where harder picking lifts the dry signal right up above the effected signal or mix in just a hint of the original sound. Punk rock pick players, slap-happy funkateers and ferocious fingerstyle players alike will find endless sonic options, and there’s enough power that you can even use it as a clean boost for solos. It also makes a great ‘always-on’ pedal to form the heart of your sound.

-33%

Sharkfin Plekter

8,-

12,-

Tilbud gjelder kun antall på lager! Sharkfin Plectra The legendary Sharkfin plectrum offers guitarists a choice of playing edges for different tones. Strum gently with the smooth edge, then dig deep for a harder sound from the 'waved' edge. Loop it around your neck so you don't lose it! Available in five grades, Extra Soft to Super Hard.

Shubb C3 Capo for 12-Strengs ...

350,-

Shubb C3 12-String Guitar Capo Nickel Original C Capo for 12-String Guitar, or any steel string guitar with a wide neck. Nickel. Shubbs capoer har skyhøy kvalitet og har blitt litt av en standard blant capoer. En genial patentert låskonstruksjon gir en uslåelig kombinasjon av kraft, hurtighet, presisjon og enkel håndtering.  

Shubb C5 Capo Nikkel for ...

350,-

Shubb C5 Banjo/Mandolin Capo Nickel Capo for Banjo. Also, fits most mandolins and bouzoukis - flat fretboard. Nickel Shubbs capoer har skyhøy kvalitet og har blitt litt av en standard blant capoer. En genial patentert låskonstruksjon gir en uslåelig kombinasjon av kraft, hurtighet, presisjon og enkel håndtering.

Shubb C6B Capo for Dobro

670,-

Unlike other Dobro capos that attach only to the strings, the Shubb clamps solidly to the neck to provide great tone. It uses the same patented locking action of our Shubb guitar capo, and it aligns by touching the fret, not by eye, making it fast and accurate. This is the best capo ever put on a resophonic guitar. It is NOT for use on Weissenborn style guitars with hollow necks, because their necks are too deep and too fragile.

Shubb C7B Partial Capo for ...

380,-

C7B Partial Capo. Forhøyer strengene A, D og G alternativt D, G og B. Egnet for åpne stemminger.

Shubb C8B Partial Capo Drop D ...

380,-

C8B Høyner alle strenger utenom bass-strengen. Messing. Skips the sixth string (low E) and covers the other five, emulating a drop-D tuning. Applied from above the neck (from the bass side), it cleanly skips the bass string and centers solidly on the neck while capoing the other five strings. While it is possible to accomplish the same thing on many necks using our one of our regular capos, they need to be applied from the treble side, off-center to avoid the bass string. Many users prefer to apply the capo from the bass side. This capo is designed to be applied from the bass side, with a step built in to skip over the bass E string, and it centers properly for improved stability.  

-27%

Shubb FS Capo for femte ...

490,-

670,-

Shubb FS er ein genial liten capo for f.eks. femte banjostreng. Tilbud gjelder kun 1 stk. på lager! SHUBB FS Fifth String Capo for Banjo The Shubb Fifth String Capo for Banjo This was the product that got it all started for us back in 1974, and to this day it's STILL the only fifth string capo worth putting on a banjo. It operates on a lever principle, not a spring, so it provides sufficient pressure to fret the string without muting the tone. It slides on a slim, dovetailed bar which mounts flush to the neck, making it sturdy and unobtrusive. Originally, our fifth string capo bar was eight inches long, and attached to the banjo neck with three mounting screws. A few years ago we remodeled the bar, a change which I'd long considered. I personally never capo the fifth string any higher than the tenth fret (this would go along with the regular capo being at the fifth fret). So for my own banjo, I made a custom bar which was much shorter (5.75"). This shorter bar is now our standard size. Besides taking up less space on the neck (for you fellow thumb-wrappers), it offers the additional advantage of using only TWO mounting screws instead of three. If you feel that you want to be able to capo all the way up to the thirteenth fret, the original eight inch, three-screw bar is still available. The price is the same.

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