Red Panda Tensor Looper Pedal

4.128,-

Red Panda Tensor Reverse and Tape Stop, Pitch Shifting, Time Stretching Creative Looping Tool The Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways.  Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change.  Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo). Intelligent randomization adapts to the knob settings.  The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. The Tensor is always listening, and can switch from bypass to effect with no gap or delay. Both foot switches have momentary and latching modes to inject pitch jumps, stutters, glitches, or instantly rewind what you just played. The Tensor is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing.  Add the Remote 4 or a MIDI controller for presets and additional looping functions. Features: • Looper pedal with reverse and tape stop, pitch shifting, time stretching effects • Tape speed from reverse to stop to forward • Realtime time stretch up to 4:1 • Loop time compression and stretch from 1:4 to 4:1 • Pitch shift from -2 to +2 octaves • Intelligent randomization • 9.4 seconds maximum loop time (4.7 seconds in stereo) • Overdub, replace, and dual buffer (next) loop modes • Forward/alternate/reverse loop direction • Additional looping functions via remote switch or MIDI • Momentary or latching foot switches • Assignable expression pedal, remote switch, remote tap, or MIDI port • +5.5 dBu maximum input level (adjustable to +8 dBu) • Stereo input/output (TRS) • MIDI (USB and TRS) • Presets (4 via remote switch, 31 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • TouchOSC template for iOS and Android • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)

Revv G3 V2 Preamp/Distortion ...

3.090,-

Championed by metal guitarists the world over, the Purple Channel tone provided by the Revv G3 V2 offers a tight and focused tone that excels when taken into heavier realms but is more than versatile enough to serve as a do-it-all dirtbox. G3 V2 - Preamp/Distortion, Purple Channel Boasting all-new aesthetics and a fine-tuned circuit, Revv’s G3V2 pedal delivers all the aggression and articulation of Revv’s Purple Channel. Championed by metal guitarists the world over, the Purple Channel tone provided by the Revv G3 V2 offers a tight and focused tone that excels when taken into heavier realms but is more than versatile enough to serve as a do-it-all dirtbox. Like the original G3, this updated version sports a versatile 3-band EQ and wide-ranging Volume/Gain knobs to shape your sound. Moreover, the G3 V2’s 3-way switch supplies three distinct levels of tonal aggression. Crowned with blacked-out cosmetics and a compact, pedalboard-friendly metal enclosure, the Revv G3 V2 sends your distortion straight to the depths of gain-laden modern metal destruction. G3 V2 - A GIANT LEAP FORWARD Revv's original G series pedals, modeled after its Generator 120 MKII, were such a hit for their abilities to faithfully reproduce the spark of their respective colored channels’ gain circuits. Following the release of the Generator 120 MKIII, fans of the Canadian-born high-gain monster wanted to have its essence captured in the same single pedal form factor. Just like the transition between the Generator MKII and MKIII, Revv's G series V2 line of pedals enhances the overall gain structure and touch sensitivity to achieve an even better amp-like response. Unbox your G3 V2, and the difference will be clear — V2 circuitry delivers crisper, more articulate tone to your pedalboard. MAIN FEATURES Updated version of Revv’s G series pedal, with all-new aesthetics and a freshly revoiced circuit Capture the tight, focused tone of Revv’s Purple Channel — a favorite of modern metal guitarists 3-way switch unlocks 3 distinct levels of aggression Full-fledged 3-band EQ and powerful Gain/Volume knobs A perfect choice for stacking with other pedals, with an exceptionally noise-free operation Pedalboard-friendly enclosure with convenient top-mounted jacks

Revv G8 Noise Gate Pedal

2.640,-

Revv G8 Hear the Silence Introducing the new Revv G8 Noise Gate. From slight noise cancellation to ultra-tight high gain, it's never been more effortless to have fine tune your sound. Completely natural, unaltered pick attack, separate Hold and Release controls for maximum decay shaping, and a transparent threshold that allows your tone to naturally bloom. Main Features: * Ultra-tight Noise Gate pedal * Based on the gate in the Generator 120 MK3 * Effortlessly cleans noise and focuses on specific frequencies * Hold, Release, and Threshold controls allow optimum control * Send/Return loop for gating pedals or creating a side chain * Easy to use format means more time focused on performing * True bypass for maximum clarity and zero signal loss * Top mounted Input and Output jacks * Built to last durable construction * Optimized for use with any Analog, Digital or Hybrid Rig * Black sparkle chassis with printed geometric design * Small single-space enclosure * Designed and built in Canada * Powered by opt. PSU     (9-12 V DC, centre -, 2.1mm, ~50mA current draw)

Seymour Duncan Diamondhead ...

3.290,-

Seymour Duncan Diamondhead Multistage Distortion + Boost pedal Diamondhead is a Multistage Distortion + Boost pedal that captures the tone and feel of a hot-rodded tube amp being pushed by a drive or boost pedal – the guitar sound that defined classic 70s and 80s Metal and Hard Rock. Across genres and generations, the sound of a half stack pushed hard with drive and boost has become a standard for rock tones. No genre or era of players has been more heavily defined by these iconic sounds than the classic metal and hard rock pioneers of the late seventies and eighties. Think Judas Priest, RATT, Def Leppard, Iron Maiden, Ozzy – their combination of tube heads and drive pedals resulted in some of the most iconic guitar tones of all time. Diamondhead captures the power and versatility of that era-defining rig in a package that will find a space on any pedalboard. Whether you’re running it into a clean pedal platform amp or into the frontend of an overdriven tube amp, the Diamondhead provides the flexibility and tonal clarity to authentically capture the sound that defined an era. It all starts with the drive – from breathy and raw medium gain sounds to screaming high-gain harmonics, Diamondhead is deep and three-dimensional, with clarity and touch response. Three powerful active EQ controls maximize the potential of the gain section. A tightly defined bass control boosts and cuts at 80 Hz, with surgical precision – making the low end huge, but never muddy. A broader mid-range control set right at 800 Hz allows for massive scooped chunk, hyper aggressive modern attack, and everything in between. And the Treble control, set at 6 kHz, adds sizzle, cut, and attack. The SAT Switch (based on our 805 Overdrive) adds a 24dB pre-gain boost that tightens up the low end for more aggressive and defined attack. Subtly rolling off lows and highs, it allows the mid-range to cut through, creating chewy, harmonic saturation. Independent from the Drive section, the Boost (activated with the left footswitch) offers 0 to 15 dB of available gain and can be used as a lead boost or to push an amp on the edge into overdrive. Try using it with a slightly dirty amp as the first gain stage and adding the Drive section for your highest gain sounds. Diamondhead also shines as a pre-amp. By running it into the effects return of your tube amp, or in front of our PowerStage power amps you’ll be rewarded with a hot-rodded high gain amp tone with body, bite, and character. If you’ve gone through a pile of overdrives, distortions, and boost pedals searching for that quintessential 80s metal or hard rock tone and haven’t been satisfied, make Diamondhead the heart of your rig – versatile enough to handle any covers set, precise enough to surgically dial in your own tone – it captures the rock n roll spirit of a high gain head pushed to the edge. Note: Power supply sold separately.

Seymour Duncan Pickup Booster ...

1.485,-

Seymour Duncan - Pickup Booster Mini Pedal Meet the Pickup Booster Mini, our classic Pickup Booster in a pedalboard space-saving size. It delivers that extra push when you need it, along with our unique resonance switch that adds extra versatility! Think of it as your tone’s best friend, now in a compact package that won’t hog precious board space. Inside this mini powerhouse, you’ll find our studio-grade class A circuit and true-bypass switching, ready to boost your signal while keeping your guitar’s personality intact. Whether you’re after a subtle boost or need to really push your amp, the discrete push-pull design has you covered. And here’s a bonus: even at zero gain, it’ll clean up your signal chain and make those tone-degrading long cable runs behave. Need to pull a humbucker sound from your Strat? The resonance switch makes the pedal interact directly with your pickups, letting your single coils emulate either a chunky humbucker sound perfect for classic rock and blues, or a high-output tone for soaring leads. Running humbuckers? Position 1 adds some teeth to your sound, while Position 2 can give you a hint of that ‘cocked-wah’ filter sound that’ll make your solos cut. Bring one guitar to the gig and cover all that tonal territory with one simple switch! This mini pedal delivers the exact same boosting and tone-shaping power of the iconic Pickup Booster that players have sworn by for two decades – we just made it easier to find room for it on your board.

Seymour Duncan Polaron Analog ...

3.290,-

Seymour Duncan - Polaron Analog Phase Shifter Pedal Deep, musical phase shifting—with an all-analog signal path coupled with state-of-the-art digital control, delivering classic swirls, futuristic vortices, auto-wah vocalizations, and much more. Analog phase shifters have been a huge part of the soundtrack to our lives. Their swirly, dreamy, spacey sounds can take a normal tone and transform it into something otherworldly. Some phasers are super-simple one-knob affairs, others are more complex machines. The Polaron is the perfect blend of instant-gratification simplicity and deep, feature-rich sound design.  The soul of the Polaron is its adjustable 2– to 16–stage analog filter array, which provides an amazing range of phaser tones—from subtle pulses to radical sweeps, with rotary, vocal, and flange-type sounds along the way. In addition to Depth and Rate controls, the Tune and Resonance knobs allow you to further tailor your phase shifter effects. This 100% analog signal path delivers beautiful, warm sound quality, but we didn’t stop there. The Polaron also features a totally separate digital processor to control LFO and envelop follower functions, for maximum flexibility plus the ability to save and store presets.   In LFO mode, the Polaron can be operated like a traditional phaser, manually adjusting the controls. You can also use the Tap Tempo function to sync the phasing to the groove. Engaging ENV mode lets your pick attack govern how the Polaron reacts, for a dynamic, interactive phase experience. Auto wah, talk box, and robot voices are all right there, along with more understated colors and textures.  When you discover a great sound in the Polaron (which you will again and again), it’s easy to save it as a preset that you can recall at any time. This feature allows you to experiment, explore, and create, safe in the knowledge that you won’t lose yesterday’s or today’s favorite envelope, depth, rate, and tune settings.   The Polaron Analog Phase Shifter—Any pedal can shift phase. This one can shift your perspective.  Like all Seymour Duncan pedals, Polaron was dreamed, designed, and built right here in the US, and features true-bypass switching.

Seymour Duncan Powerstage 100 ...

6.950,-

Seymour Duncan Powerstage 100 Stereo pedalboard amp Stereo, 100 watts per channel at 4 Ohms 5 band EQ Stereo Balanced Outputs True Cab Circuitry (TCC) The PowerStage line of compact power amps provides high-headroom class-D amplification to guitarists looking to deliver the sound of their preamp, pedal chain, or amp modeler to the masses. The PowerStage 100 Stereo provides features demanded by the modern guitarist, including stereo inputs and outputs that each drive 100 watts of transparent sound to your cabinets. Perfect for amplifying the sound of modern modeling units to on-stage cabinets, the PS100 Stereo also offers an extended EQ section and balanced line outs with switchable analog cabinet simulation for more authentic projection through any sound system. The stereo sounds developed in your amp modeler, multi effects-unit, or preamp will be delivered with clarity through any pair of speakers, all in a package small enough to fit on your pedalboard.

Seymour Duncan Powerstage 170 ...

5.099,-

Seymour Duncan Powerstage 170 pedalboard-mounted power amp PowerStage 170 is a revolutionary pedal-board power amp designed for guitarists using pedals, modelers and effects processors to create their tone. The PowerStage 170 is a game-changing product for guitar players that have dreamed of the day their entire rig can live on their pedal board. Maybe you love your tube amp but dont want to lug it around. Or you use a modeler that has a ton of functionality but doesnt sound as good when plugged in to your amp. Do you dread fly dates or gigs because youre never sure what your backline will be? This is a 170-watt power amp with a beautiful clean preamp section and 3-band global EQ, making it the perfect complement to pedalboards and digital modeling devices. It is small enough to fit directly on a pedalboard or in any gig bag, lightweight enough for fly dates and attractive enough to look great at a church or coffeehouse gig, in a home office or in a dorm room. The PowerStage 170 will give you reliable, musical power on every gig, eliminating the uncertainty that backline amps can bring. Simply bring your guitar and your pedalboard and get your tone through whatever cab is provided. The 170s intuitive 3-band analog EQ allows for quickly fine-tuning your sound for any cabinet and any venueno need to wrestle with the cumbersome and ineffective EQs on digital gear or modify your stompbox settings. Everything you need is right there. You can even adjust the big Master Volume knob with your foot, boosting solos and controlling dynamics in real time. And when you bypass your overdrive and distortion boxes, it will function as your clean channel, with the sweet, warm sound that we associate with great amps. Not every power amp can do that. Imagine the freedom of showing up at a gig with a streamlined, lightweight rig that you can get up and running in under five minutes, with the confidence that comes from knowing that you will have your sound, no matter what. Forget about cartage, forget about complicated setups, forget about backline issues and think about the PowerStage 170. Like our award-winning pedals, the PowerStage 170 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Powerstage 200 ...

6.450,-

PowerStage 200 is an elegant, compact, and loud pedalboard-mounted power amp for players who use modeling devices, stompboxes, or a combination of the two. It has all the features you need—reliable, clean power, switchable EQ, speaker simulation, and Aux In and headphone capabilities—to be the perfect gig, rehearsal, and studio tool. Like the PowerStage 170 and 700, the PowerStage 200 retains the hallmark characteristics of the PowerStage family—providing a platform that brings out the best qualities of your tone. Compact, clean, organic, and reliable power sits at the core of PowerStage family—once again, the PS200 delivers on that promise. Loud enough to match your drummer and fill a venue of just about any size, the PowerStage 200 provides clean, reliable amplification, and tons of headroom to let your pedals or modeler shine. Like the PS170, we wanted to build a powerful pedal amp voiced specifically for guitar that players could mount directly on their pedalboard or toss in their gig bag. The width of the PS200 is about a thumb width larger than two standard pedals. A tube amp of similar power and wattage would require a second trip to your van and its own flight case. Moreover, the size of the PS200 makes fly dates a breeze and saves you money on cartage fees. A clean (headroom) guitar amp is the best solution if you want to get the most from your pedals and modeling gear. Many tube amps break up too early, making it difficult to dial in a pristine, clean platform for your pedals (especially at higher volumes). Moreover, if you use modelers like a Kemper, Helix, or Axe FX, any unwanted distortion can ruin your carefully crafted patches. The PowerStage 200 addresses these concerns by providing you with 200 watts of crystal-clear power. But don’t get confused—crystal-clear power does not mean sterile or lacking in depth. The PS200 has a beautiful warmth and smoothness that will give you all the dimension and organic feel of a great tube amp. Another challenge when using a tube amp is that they tend to have a certain “sweet spot” that you can only achieve at higher volumes. The PS200, however, has a rich tone throughout the entire volume range. So, from bedroom shredding to arena rocking, your tone will stay consistent without any loss in depth or warmth. Think of the PS200 as having one large sweet spot. The PS200 features two ¼” speaker outputs, allowing you to run multiple cabinets. And, since impedance matching is done internally, you never have to worry about speaker impedance—just plug in and play. The PS200 is slightly more powerful than the PS170 and differs a bit in its feature set. After listening to our customers and consulting with many of the biggest names in the industry, we narrowed down a feature set for the PS200 that is simple but flexible. We noticed that many guitar players perform in a variety of unpredictable venues. To minimize uncertainty, we included a cab sim (4×12 closed-back) with a DI (XLR) output jack. You can send your tone to front of house or to a monitoring system free of mic bleed or unwanted noise typical in traditional mic setups. What you get is your pure tone in any environment. We included independent bypass switches for both the cab sim and EQ. This feature makes silent recording more flexible. When you bypass the cab sim you can use your own cab sim or IR device, which can expand your pallet of great cab tones to pair with the PS200. Bypassing the EQ section, you can pass the tonal shaping duties off to your modeling device or preferred EQ shaping tool. To bring out more high-end sparkle we added a presence control giving you a total of 4 bands of EQ on the PS200. The presence knob is also a great tool to tame any harsh digital artifacts found in some modelers. Aux In allows you to jam along with drum grooves, backing tracks, or your favorite albums while practicing at home or in a hotel room on the road. Just plug in your music player or computer audio and practice silently with full, speaker-emulated tone. Aux In is also a great tool during rehearsals when you need to review a part or practice without disturbing your band mates. The ¼” headphone jack has its own volume control located on the top of the amp. The PowerStage 200—compact, musical power for pedals, modelers, and much more. Like our award-winning pedals, the PowerStage 200 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Powerstage 700 ...

9.950,-

Seymour Duncan - Powerstage 700 Key Features 700 Watts (per channel) True Cab Circuitry (TCC)™ 3 band EQ 2 speaker outputs (speakON) Stereo DI (XLR) Outputs The PowerStage™ 700 is a game-changing product for guitar players that want uncompromising tone in a compact power amp. Maybe you love your tube amp but don’t want to lug it around. Or you use a modeler that has a ton of functionality but doesn’t sound as good when hooked up to your existing amp or direct to the PA. Perhaps you have the ultimate pedalboard and just need a better way of amplifying or running it direct. Do you dread fly dates or gigs because you’re never sure what your backline will be?PowerStage is the answer, whether you’re playing live or recording in the studio. When you create your tone from a modeler, pedals or effects processor, what you want is a clean, transparent power source that brings your tone to life. With PowerStage, you can bring your whole rig to the gig without compromising your sound, breaking your back or draining your bank account. The PowerStage 700 is the perfect companion for the current crop of amp modelers and effects processors. With discrete stereo ins and outs you can reproduce your carefully crafted amp sounds in massive detail, with power, clarity and a warmth that will take even state-of-the-art modeled tones to the next level. And with the True Cab Circuitry (TCC)™ on the XLR line outputs, you can send your tone direct to the front of house—with all the feel and response of a speaker, even as you monitor through a cabinet onstage. Another huge benefit of the PowerStage is its musically voiced 3-band EQ. This allows you to fine-tune your sound, quickly and with precision, without scrolling through menus or editing patches. Such a powerful and intuitive tone shaping tool at the very end of your signal chain makes it easy to maximize your tone for any situation. For guitarists who use pedals to create their sound, PowerStage is the missing link in your signal chain. Run your favorite distortion pedal into PowerStage and then simply bypass it and let it become your ultimate clean channel, turning any pedal combo into a two-channel amp that delivers your perfect tone. It also plugs into any cabinet at any impedance anywhere in the world, thanks to its versatile 100v-240v power supply. The benefits extend well beyond live gigs. In the studio, it can be your secret weapon. By using the XLR outs, you can plug your pedalboard into the PowerStage and all of your impedance issues will disappear. This allows you to run your pedals straight into your DAW—with full speaker simulation – no mics required! With its stereo operation, you can send your pedalboard into one channel and then run the other side completely dry into another, facilitating complex layers, reamping, and more.Think about it: a powerful, portable, musical tool that can prevent headaches and backaches – onstage and in the studio. Whether you use pedals, modelers or anything else to get your signature sound, the PowerStage 700 will let you amplify it in a clean and toneful way. This is your tone, only louder. Like our award-winning pedals, the PowerStage 700 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Studio Bass ...

2.890,-

Seymour Duncan - Studio Bass Compressor Pedal A studio-quality bass compressor pedal with the ability to blend in your uncompressed tone for ultimate dynamic control. This versatile studio-grade compressor is a must have for any bass player looking to maximize their sound, with a range of tones from subtle to super-squashed. One of the secrets to the Studio Bass’s power is its 3-position mini-toggle and blend knob, which give you near limitless control over your tone by letting you mix uncompressed tones alongside the affected sound. Blend in your unadulterated clean signal, a mid boost that will help you cut through the busiest mixes, or a fat low-end growl. Find that sweet spot where harder picking lifts the dry signal right up above the effected signal or mix in just a hint of the original sound. Punk rock pick players, slap-happy funkateers and ferocious fingerstyle players alike will find endless sonic options, and there’s enough power that you can even use it as a clean boost for solos. It also makes a great ‘always-on’ pedal to form the heart of your sound.

SolidGoldFX BETA-V Bass ...

2.450,-

SolidGoldFX BETA-V Bass Preamp with Drive The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX’s top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. Yes, we all know the convenience of a lightweight “sub 10 lbs” bass head that pumps out 500 watts and a neo cab that doesn’t require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, With the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience. Main Features: • Bass Preamp and Overdrive effects pedal • Designed to capture the warmth and grit of vintage tube amps • Low-Pass filter with 2 settings o 0 - no low pass filter o 1 - mid bump o 2 - mid scoop • Drive control, from mild grit to warm overdrive • Active 2-band post-Gain EQ • True-Bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (center -, 2,1 mm, 13 mA current draw at 9 V) Our classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a center bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses. Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the center. Dialing in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Source Audio AFTERSHOCK Bass ...

2.590,-

Advanced Stereo Bass Distortion Pedal - with PSU Source Audio AFTERSHOCK Bass Distortion Advanced Stereo Bass Distortion Get down and dirty with the AFTERSHOCK Bass Distortion. This powerful stereo effects pedal features a collection of meticulously crafted Distortion sounds ranging from subtly driven sustain to highly saturated distortion to thick fuzz and beyond. The AFTERSHOCK’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SONIC GROWL. Adjust the onboard Tone control and find that thunderous sweet spot for any bass/amp combination. With the powerful MIDI and Neuro control options under the hood it provides access to a vast array of additional tonal possibilities. Main Features: • Bass Distortion effects pedal • 3 distinct Fuzz engines o TUBE: a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch o HEAVY: creates an aggressive scooped sound with ample highs and thundering lows o FUZZ: offers intense germanium fuzz tones with loads of bottom and mucho grit • 128 presets accessible via MIDI • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • Stereo Inputs and outputs - for multiple advanced routing options • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 165 mA current draw) Out of the box, this stereo pedal delivers three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. • TUBE: The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. • HEAVY: Heavy creates an aggressive scooped sound with ample highs and thundering lows. • FUZZ: The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. By itself the AFTERSHOCK offers tremendous tonal range, but dig a little deeper and discover its hidden power and flexibility. Every pedal in the One Series line is compatible with the Neuro Desktop Editor and Mobile App (free downloads iOS, Android, Mac and Windows). Connect the AFTERSHOCK to the Neuro Editor and access its extended equalization capabilities, stereo routing options, as well as Source Audio’s free library of over 40 overdrive, fuzz, and distortion algorithms for bass AND guitar - each algorithm can be downloaded directly to the pedal. The AFTERSHOCK is also built on dual drive platforms providing the opportunity to simultaneously run two fuzz tones in parallel, stacked, or split in stereo. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), providing the power to save up to 128 different presets. Job one in the development of the Source Audio One Series overdrive pedals - The L.A. Lady Overdrive, KINGMAKER Fuzz, and AFTERSHOCK Bass Distortion - was to create three great sounding, flexible, and easy-to-use pedals. Out of the box, that’s exactly what they are - plug ‘em in, select from the three onboard overdrive engines and make beautiful music… simple. But there is much more here than meets the eye (and ear) - the truly “Big Idea” behind our One Series overdrive pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Mobile App are free downloads for iOS, Android, Mac and Windows machines. The Neuro Editors vastly expand the tonal possibilities of the pedals, offering a huge collection of additional drive, fuzz, and distortion engines as well as an expanded set of editing parameters. Connect the AFTERSHOCK to the Neuro Desktop Editor or Mobile App (free download for iOS,Android, Mac, and Windows) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality.

Source Audio ARTIFAKT Lo-Fi ...

4.464,-

ARTIFAKT Lo-Fi Elements Lo-Fi Modulation, Reverb, Bit-Reduction and Filter The ARTIFAKT Lo-fi Elements is the first pedal of its kind, a comprehensive collection of all the hazy, scratchy, wobbly, and broken tones that epitomize the term ‘lo-fi’.” Like a mega-delay or mega-reverb, ARTIFAKT is a “one-stop shop” for all the most sought-after lo-fi effects including old vinyl replications, tape modulation and saturation, bit crushing, sample rate reduction, dark reverb and echo, filtering, compression, glitch, and more. Source Audio has dedicated much of the past three years to meticulously honing each of these sounds as well as engineering an entirely new hardware design with an easy-to-use interface that places the pedal’s full capabilities at your fingertips. Main Features: • Lo-Fi Modulation / Reverb / Delay / Bitrate Reduction Effects Pedal • Updated platform with imporoved interface and additional controls and foots witches - for easier access to more parameters, presets, tap tempo and a variety of other engine specific functions • 7 different effect engines on the face of the pedal o Radio - crackling nostalgic tones of a vintage radio struggling to dial in a signal o Tape - conjures the sound of vintage tape machines with subtle compression, tape saturation, flutter and pitch modulation o μVerb - a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems o Crush - bit-depth quantizing and sample rate reduction, finely sculpted with the resonance of a Moog-style ladder filter o Ladder - filter effect inspired by the revered R-2R ladder filter o Vinyl - faithfully emulates the crackle and pop of vintage records o Glitch - adds an unpredictable edge with random speeds and pitches • 16 presets accessible via the pedal controls (128 presets available via MIDI) • Full MIDI control via 3.5 mm TRS MIDI In and Thru jacks • USB-C port for connecting to Neuro 3.0, Source Audio’s preset downloading and effect editing software • Stereo Inputs and Outputs • External expression control over any parameter using the Neuro 3.0 editor • Switchable Active Analog or True Bypass • Powered by (opt.) 9V DC power supply (2,1 mm plug, center -, 200 mA current draw) Navigating through the seven positions of ARTIFAKT’s effect selector knob unleashes a symphony of sonic transformations, each akin to engaging a new pedal with its own unique brand of lo-fi. • The first effect on the dial is Radio, tune into its crackling nostalgic tones where static frequency filtering and noise generation evoke the charm of a vintage radio struggling to dial in a signal. • The Tape engine conjures the sound of vintage tape machines by blending subtle compression, overdrive, tape flutter, and pitch modulation to invoke effects like slapback, chorus, doubling, and tape saturation. • μVerb is a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems. • The Crush effect voyages the realm of bit-depth quantizing and sample rate reduction, all finely sculpted with the resonance of a MoogTM-style ladder filter. • Ladder, inspired by the revered R-2R ladder filter, offers both envelope and LFO modulation control for classic and dramatic filter sweep effects. • Vinyl faithfully emulates the crackle and pop of vintage records, from pristine 180-gram vinyl to well-loved gramophone platters. • Glitch adds an unpredictable edge, capturing fragments of your performance and hurling them back at random speeds and pitches. Pairing the ARTIFAKT Lo-fi Elements with Source Audio’s completely reimagined and reengineered Neuro 3.0 software elevates an already great pedal to new heights. Access free, stage-ready presets from Neuro’s expanding library of factory and Neuro Community presets. Explore Neuro’s extensive editing capabilities to blend and experiment with the various lo-fi elements mentioned earlier—it’s a limitless effects palette for crafting unique lo-fi sounds. ARTIFAKT also boasts stereo inputs and outputs, full MIDI control via the 3.5mm TRS in and thru jacks, dual footswitches, 128 presets, and more.

Source Audio ATLAS Compressor

3.009,-

Advanced Stereo Compressor Pedal - with PSU The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry’s most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, based on classic stompbox compressors as well as high-end rack units like the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware. The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment.  First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the ever-present Dyna Comp.  Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor.  Finally, we’re taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit… the Atlas has it all and does it well. OPTICAL RACK The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars. Elite engineering cannot be rushed... "Offering up a deep library of compression options in a pedal is a landmark technical achievement.  We started working on compression in 2007.  At the time we developed some straightforward, high-end studio stuff that made it into the original Multiwave a year later.  The research project to branch out and cover more simple classic pedal sounds and create a dedicated compression pedal was delayed, because the intricacies of how transistors behave in compression circuits was especially elusive.  After ten years of additional research, new thinking, and more experience, we are finally ready to launch a landmark pedal: The Atlas Compressor.  From classic rack studio units, to classic pedals of many flavors, and even to the experience of high-end computer plug-ins, Atlas covers all the bases with attention to detail that is the hallmark of our development team.  Bob Chidlaw, Jesse Remignanti, and Christopher Venter worked long and hard on this one and I'm excited to finally share it with the rest of the world."

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