Old Blood Noise Split | Meld ...

392,-

Old Blood Noise Endeavors Split | Meld Passive Stereo-Routing Utility Device A discovery born out of necessity, the Old Blood Noise Endeavors Split | Meld is a practical non-destructive way to manage parallel dual-mono and stereo signal paths and adds to the OBNE line of pedalboard friendly utility devices.  The 2024 updated design features a smaller even more pedalboard-friendly layout in a mini-sized enclosure and artwork created by the OKC art duo Holey Kids, one half of which also works at the brand’s Oklahoma headquarters, to perfectly fit in with the latest pedals in the OBNE's Utility series. As a routing solution that splits stereo TRS to dual mono TS signal paths (and vice versa), this little passive box of tricks is an ideal route for parallel signal paths in a myriad of creative ways.  Especially useful for stereo pedalboards and setups with devices that have TRS stereo inputs & dual-mono outputs, Split | Meld can also be used to make use of a pedal’s TRS effects loop, without the need to fiddle with TRS splitter cables that often can be poor quality and get in the way.  No power supply is needed here - simply connect and go. Main Features: • Simple stereo TRS to dual-mono TS splitter / combiner for pedal boards • Updated, smaller design with mini-sized enclosure • Practical routing solution for use with stereo pedalboards and setups • 1 x TRS to dual TS jacks • Graphic design by Holey Kids • Useful for many situations o Splits stereo TRS signals to two mono TS signals o Combines two mono TS signals to one TRS stereo signal o Replaces TRS splitter cables when using TRS FX loops of effects pedals • Passive electronics - no power needed

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Visitor ...

2.786,-

Visitor Parallel Multi-Modulator Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors proudly presents the Visitor Parallel Multi-Modulator. Constantly pulling, pushing, stretching and weaving in and out of each other, the sounds of the Visitor are in constant flux, seamlessly moving from familiar modulated airwaves to clouds of irregular haunting motions. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new modulated sounds and textures in a small and intuitive pedal format. Dual Parallel Modulation Pedal – Contains worlds of interweaving modulation Primary modulation – switchable between tremolo, chorus, and phaser Secondary modulation – switchable between tremolo and chorus Secondary knob – simultaneously controls depth, rate, and delay offset of secondary modulation Expression In – hands-free control over Secondary knob • Relay bypass switching Powered by regular 9 V DC PSU (9V DC, centre -, 2.1mm, ~46mA current draw) Visitor is meant to be a modulation pedal not easily understood with existing modulation vocabulary, but that doesn’t mean it’s difficult to use. With a toggle to switch between its 3 different types of primary modulation and well-known controls for Depth, Rate, Regen and Mix, the Visitor’s foundational modulation sound is easily tuned and controlled, seeing you set up classic or surreal resonant Chorus, Tremolo or Phaser sounds in no time. However, the elusive undulating parallel nature of the Visitor is introduced via its “Secondary” controls. The Secondary toggle switches between either Chorus or Tremolo as the parallel modulation, whereas the Secondary knob controls a host of parameters at once. Set all the way down, you only hear the primary voice, but as you turn the knob up, several things begin to shift! The Volume control quickly ramps up to unity volume, while the Rate increases steadily as you bring the knob up. The Secondary rate is also pushed and pulled by the primary LFO. This means the rate will be fastest when the primary modulation is at its peaks, and slowest as the LFO nears zero. The Depth will increase steadily and then plateau in order to not get out of control, while the Time of the delay offset of the secondary modulation will increase significantly toward the end of the sweep, where you will hear the most obvious delay effect. The Secondary knob can also be controlled via expression, for on the fly tone changes that will make your mind melt. But all of these technical words simply can’t describe the organic rising and falling textures the Visitor creates. They simply need to be heard and experienced in real life. From dual tremolo chops to warbly random vibratos, huge doubler tones, modulated reverberating slapbacks and rhythmic pulsating filter sweeps, get ready to welcome them all into your sonic life as you walk alongside the Visitor.

Orange Acoustic Pedal

1.630,-

Orange Acoustic Pedal Class A Preamp-pedal for akustisk gitar med EQ og effektretur Orange Acoustic Pedal forenar en førstklasses Preamp med alle verktøy du behøver for å forme det ultimate soundet fra din akustiske gitar, såvell live som i studio. 3-bånds EQ med parametrisk Mid og Notch-filter, effektretur, bryter for fasevending på XLR-utgangen, volumkontroll og 18V strømforsyning (inkludert) som gir ekstremt bra dynamikk. The Orange Acoustic Pedal takes all the know-how of our acclaimed Acoustic Pre TC preamp and Crush Acoustic 30 amplifier, cramming it all into a do-it-all, compact preamp pedal. Whether you need to win the battle against feedback, handle complex effects chains, brighten up a dull instrument or just plug into a PA, the Acoustic Pedal has you covered – in top-notch Orange style. With a low-noise JFET circuit design, surgical-yet-flattering EQ, XLR and 1/4″ outputs and a buffered FX Loop, all situations are taken care of. This high-headroom, high-quality pedal keeps your setup simple and controlled, leaving you free to do what you do best. Play.

Orange Amp Detonator ABY-boks ...

1.430,-

Amp Detonator Aktiv ABY-box med polaritetsvender og buffrede outputs, 3-farget LED-visning så man ser hvilke utganger som er valgt også på mørke scener.   It’s a well-known fact that running two amps is not only enormous fun, but also a time-honoured way of achieving bigger tones on stage and in the studio. Whether it’s switching between two different amplifiers for their individual characteristics (rhythm and lead, for example) or using them simultaneously for huge walls of sound, pros have been employing this setup for decades. Achieving this easily, however, has always been a problem for guitar players. Poor quality passive ABY boxes/line selectors load the guitar signal down, degrading the tone and rendering the whole exercise almost pointless. Not to mention ground hum issues caused by non-isolated outputs. On the other hand, active ABY pedals are in short supply and are usually quite cumbersome. Step forward: The Amp Detonator. Featuring two buffered outputs, one with a custom designed isolating transformer, we are pretty confident that the Amp Detonator is the smallest active, fully functional, buffered ABY pedal on the market. What’s more, it’s the only active ABY switcher that can be powered by a 9V battery. The transformer output has been meticulously engineered to be as transparent as possible, whilst both outputs are buffered with a low noise, linear circuit. Drive any length of cable to your amps with no loss of clarity and switch silently between them. No more unnerving ‘thumps’ for you or the sound guy! The Amp Detonator also has a push-button polarity switch to correct common phase issues between amplifiers, keeping the tone fat and full. Finally, the tri-colour LED is a handy feature, especially on dark stages, indicating your current switching setting at a glance

Orange Bass Butler Preamp ...

4.190,-

Orange Bass Butler Tokanals preamp for bass. En kanal gir ren basslyd for fin bunn og kraft. Den andre kanalen gir Overdrive/Distortion. Dette er en gammel metode for å ikke miste bunn når du "dister". En gang i tiden krevde dette to forsterkere, nå klarer du deg med en pedal.　 _____ AN ENTIRE BI-AMP BASS RIG IN A PEDAL Back in the good ol’ days, it was a popular practice to send a bass guitar signal to a bass amp and a guitar amp at the same time – known as Bi-Amping. This allows the player to keep their low end deep, clean and defined whilst amplifying the mids and top end separately, adding distortion or crisp highs with total control. This type of setup can produce some enormous tones but typically requires a huge and complicated rig, only possible if you’re Rock ‘n’ Roll royalty. But, if you have to get all this together by yourself? Forget it! Enter the Bass Butler…   YOUR BASS RIG IS READY, SIR Forget amp-in-a-box pedals, the Bass Butler is a whole van-load of gear in a box! Splitting your signal at the input, the Bass Butler features two completely separate, parallel, analogue signal chains, just like a real bi-amp rig. The difference is there’s not an amp in sight.   BASS CHANNEL: The always-on Bass Channel has a simple but effective control layout of Compression, Bass, Treble and Volume. An optical compressor circuit, cut/boost tone controls and dedicated, bass cabinet-simulated balanced D.I. output are always on hand with all manner of classic clean tones. From the depths of Dub to the heights of hi-fi, the Bass Butler has it all polished up and ready, like your best pair of shoes.   GUITAR CHANNEL: Whether you need mayhem, musicality or a mere modicum of mischief, this classic high-gain guitar channel won’t disappoint. Five familiar controls and four gain stages that can clean right up are summoned with one kick of the footswitch, serving up everything from bright vintage tones to floor-splitting, wall-crumbling modern destruction. Coupled with a guitar cab-simulated balanced D.I. output and an expression pedal jack for extra control over the input gain, this really is a plentiful platter, pleasing to the even pickiest of players.   DIRECT AND TO-THE-POINT The Bass Butler’s two individual XLR outputs from the two separate channels mean that your finished Bi-Amp bass tone makes it to the mixing desk with nothing left to do except blend to taste, with a Ground Lift switch for solving any ground loop issues. It’s the same story in the studio, but that’s not all… The Bass Butler also features an Amp output, which takes a blend of the two channels before the cabinet simulation circuits from a 1/4" jack – perfect for connecting to the front end of any bass amp. The blend is set by the channel volume controls, meaning you can control your on-stage sound completely independently of what the audience hear. In fact, you can even use this output on its own, just like a plain old preamp pedal.   FIVE-STAR QUALITY As the Bass Butler is the ultimate fly rig, the perfect studio tool and quite possibly the only pedal you’ll ever need, it has to be built to last. A sturdy steel enclosure, 18V DC power for high headroom, and all-round road-ready ruggedness mean that the Bass Butler is willing and waiting for a lifetime in your service.

Orange Fur Coat Fuzz Pedal

1.520,-

Orange Fur Coat Vintage Fuzz-pedal med justerbar oktav Fur Coat er en Fuzz-pedal basert på den klassiske Foxx Tone Machine fra 1970, med justerbar oktav og EQ. Med de doble fotkontrollerne velger du om du vil ha vanlig Fuzz eller Oktav-Fuzz og Fur Coat har True Bypass. VINTAGE FUZZ Loosely based on the vintage Foxx Tone Machine, the Orange Fur Coat Fuzz takes its inspiration from the great fuzz pedals of the 70’s. The Fur Coat gives you a fully controllable octave fuzz pedal. Separate switches mean you can choose between Fuzz or Octave Fuzz. The controllable Octave up fuzz means you can bring in the fuzz to whatever level you need and the EQ allows you to boost your Treble or Bass. This truly is a fuzz you control. This is our only True Bypass pedal. This is because a Fuzz is better at the beginning of the chain where it interacts directly with your guitar. Placing the pedal further into your signal chain will give the fuzz a more distorted tone. VINTAGE FUZZ: The Orange Fur Coat fuzz can be used into a clean amp or an amp with some hair. When used into an overdriven amp, it creates a unique, thick "fur coat" of vintage fuzz. ADJUSTABLE OCTAVE: Something quite rare, rather than simply being able to switch it on/off, the Fur Coat adds octave up as you increase the octave control. LOW POWER CONSUMPTION: The Orange Fur Coat fuzz draws very little current (much less than 10mA) allowing for long battery life. Use a regulated 9-12V DC centre-negative power supply.

Orange Kongpressor Kompressor ...

2.190,-

Orange Kongpressor Kompressor-pedal, analog Class A Optisk med studiokvalitet   The Kongpressor is an analogue Class A compression pedal which adds an organic three dimensional quality to any rig. The pedal takes its inspiration from some of the world’s most iconic vintage optical studio units, employing a re-issue of the famous vactrol VTL5C3 optocoupler that was responsible for the sound heard on countless hit records. At lower compression levels the Kongpressor’s effect is transparent but somehow fattening. It adds mojo and a glossy sheen to your core tone that you’ll truly miss when it’s bypassed. Even at extreme settings, the tone always remains musical with great feel under the fingers.   With controls for attack and release time, the Kongpressor can be tweaked to fine tune the transients and the bloom. We worked hard to make these parameters as forgiving as possible whilst still allowing players full control over the compression response. The pedal’s internal charge pump doubles the headroom of the unit, so however the dials are set, the compression tracks seamlessly and remains clean across its range. There’s also an active treble control for adding in extra chime and jangle, making the compression even more transparent. So whether you are new to compression or a seasoned studio user, it’s impossible to get a bad sound from this comp.   Of course it’s outstanding for crystal clean country pickin’, but the Kongpressor also maintains the bottom end that seems to gets lost in many compression pedals. This means it behaves impeccably with overdrive pedals or the lead channel of your amplifier, adding fullness and sustain.   Optical Class A Compression The Kongpressor’s analogue, Class A design makes for very natural sounding compression. The vintage-inspired optical circuit adds extra depth your guitar or bass tone, making it seem ‘larger than life’. The attack and release times can be adjusted to taste allowing for fine tuning of the bloom and perceived plectrum gauge. Faster attack times will react to the front of the note faster, while slower attack times will add punch to the sound as the compression reacts slower on the transient. Fast release times will give more perceived clean volume along with a more transparent compression.  Slower release times will yield more compression and a slower, mellower bloom. With any attack or release setting, the Kongpressor has a satisfying, springy playing response under the fingers.   12dB Clean Boost With up to 12dB of clean gain available on the Volume control, the Kongpressor works brilliantly as a transparent clean boost pedal, but with a little extra ‘something’. With the compression turned up, your lead lines will cut through the band with plenty of fat, singing sustain.   Internal Charge Pump Like all Orange pedal’s, the Kongpressor features an internal charge pump which doubles the operating voltage of the pedal to 18V. This has the effect of drastically increasing the headroom for super clean compression. The Kongpressor can be powered by 9V battery or standard DC adapter, or for even more output can also run on 12V DC.   Transparent Buffered Bypass The Kongpressor’s bypass features an ultra-linear buffer which retains your guitar’s upper harmonic content when the pedal is switched off. Maintain tonal integrity even with long cable runs and large pedalboards.

Orange OMEC Teleport Audio ...

1.560,-

OMEC Teleport Ett ljudinterface för live eller studiobruk i pedalform. Få med dig vilka pluggar du vill på ditt pedalbord An audio interface for the studio and gig The OMEC Teleport interface is a universal connection device (IOS, Android, Mac, PC) without any specific drivers or software requirements. It features high quality ADC/DAC converters – through a USB B connector – housed in a small effect pedal enclosure. The Teleport allows you to convert both analog audio signals (an instrument for example) to digital to be processed with the many applications available. Additionally, the Teleport gives you the ability to convert digital audio signals to analogue (through mixers, D.I. boxes, amplifiers, etc.).   With this versatility the Teleport can be used for a wide range of applications: Musicians that want to play, record, mix or process their sound, with the autonomy provided by mobile devices; Bluetooth connected musicians, like keyboard players or DJs employing the same devices for their sessions; even the amateur music lover who wants to convert music stored on their devices to analogue with renewed quality. _____ Information Effekt-typ Audiointerface Analog/Digital Both Chassi Aluminum Strömförs. 9v Mått 9,2 * 3,7 * 4,8cm Länkar Omec hemsida">Omec hemsida Youtube video">Youtube video  

Orange Terror Stamp ...

2.010,-

Orange Terror Stamp Gitarrforsterker 20 Watt Klasse A/B i pedal-format med effektretur, hodetelefonutgang og omkopplingsbar Master-volum. Terror-serien har bevist att stort sound kan komme fra små forsterkere. Her får man soundet av Micro Terror og Micro Dark pakket i en pedal-forsterker på 20 riktig høylytte watt og omkopplingsbar Master-volum. Terror Stamp er en rør-hybrid (ECC83/Solid State Class A/B) og har effektretur, hodetelefonutgang med kabinett simulator og 8 ohm / 16 ohm høyttalerutgang. Du kan bruke høyttaler-utgangen og hodetelefon-utgangen samtidig, for maksimal fleksibilitet.   TERROR TONES AT THE TIP OF YOUR TOE… For years, our Terror series amps have proven that biggest sounds can come in the tiniest packages. Taking our pocket-sized powerhouse concept one step further, we’ve brought you the Terror Stamp. Packing all of the punch of the minuscule Micro Terror and Micro Dark amps into an even smaller pedal format, this Valve/Solid State hybrid amp brings 20 Watts of killer Orange tone right onto your pedalboard. The Terror Stamp’s tiny footprint, 8/16 Ohm Speaker Output, fully-buffered FX Loop and CabSim headphone output integrate seamlessly with your other pedals, whether you’re rocking a loud stage, recording direct or practising into the early hours. KEY FEATURES ALL-ANALOGUE HYBRID DESIGN Typically-Orange simplicity, unmistakably-Orange tone. The Terror Stamp’s hybrid Valve/Solid State design gives you the best of both worlds. From crystal-clean to thundering high-gain, the ECC83-based preamp has all the harmonics, dynamics and feel you’d expect, while the 20W Class AB Solid State power amp keeps things small, dependable and sounding great at any volume. SWITCHABLE MASTER VOLUME Footswitchable Master Volume controls give you the Terror Stamp’s full range of sounds at two different volumes. Jump right out of the mix for that all-important solo, without sacrificing your carefully crafted tone. SHAPE CONTROL Our exclusive Shape knob crams a whole load of character and control into a single dial. Turn anticlockwise for a mid-forward voicing or clockwise for a classic scoop. BUFFERED EFFECTS LOOP Just like our full-size amps, we’ve given you a fully-buffered, low-impedance FX Loop. Long cable runs? No Problem. True Bypass pedals? Great. The Terror Stamp fits right into your signal chain without ever compromising sound quality. Not only that, but connecting directly to the FX Return turns this little monster into a 20W power amp for whatever pedals, preamps or modellers you can throw at it – with a headphone output too! CABSIM HEADPHONE OUTPUT It wouldn’t be the perfect pedal amp without a headphone output. Our tried-and-tested, analogue CabSim circuit provides instant access to a very Orange-flavoured 4×12 speaker emulation. Just the thing for late-night practice with headphones, ‘silent’ recording or running direct to PA. The Headphone Output works simultaneously with the Speaker Output for maximum versatility.

Peterson StroboClip HD

899,-

Peterson StroboClip HD True Strobe Tuning for your Headstock StroboClip HD has the same tenth-of-a-cent accuracy as all Peterson Strobe Tuners. This versatile tuner comes complete with a bright high-definition screen, over 50 Sweetened™ tunings, alternate temperaments for a vast array of string and wind instruments, and soft rubber-lined jaws to protect your instrument’s finish while offering a firm grip for maximum signal tracking. With rock-solid tracking down to 16Hz, tuning that low B will never be a problem. There is no more need for 12th fret tuning to get low notes to register or trying to decipher an erratic tuning display. Even early music and orchestral instruments can be tuned with ease. Peterson’s improved design raises the power button for instant identification on a dark stage and the positive-click, tactile buttons take the guesswork out of changing settings on the fly. Confidently perform touch-up tuning quickly between songs and save valuable seconds during the gig. The jaw of the StroboClip HD is large enough to accommodate a variety of instruments and mounting locations. The StroboClip HD will always deliver a smooth tuning response and convey even the most minute changes in pitch in real-time allowing users to get in tune faster using the highest resolution in tuning accuracy. Main Features: • Strobe Clip-on Tuner • True Strobe 0.1 Cent Accuracy • High-Definition Backlit Display • Note Range: C0 - B6 • Adjustable Hz Calibration with Concert A Range from 390Hz to 490Hz • Drop Tuning and Capo Settings with Transposition Range: -4 to + 7 and C,F,Bb, Eb Keys • Wide Viewing Angle visible In Direct Sunlight • Sleek, Stealthy Design • Over 50 Sweetened™ Tunings! • Powered by supplied CR2032 battery

Peterson StroboClip HDC ...

999,-

Peterson StroboClip HDC True High-Definition Strobe Tuning for your Headstock With the launch of the Peterson StroboClip HD, Peterson took exactly the same tenth-of-a-cent accuracy and pin-point precise strobe tuning technology that features in all Peterson Strobe Tuners and crammed it into a small and sleek-looking enclosure with its HD screen, perfect to fit straight on almost any instrument. Now refining this concept even further, StroboClip HDC is the next iteration in Peterson’s Strobe Clip-on tuner line-up. This new and versatile tuner comes complete with an adjustable, beautiful bright Colour High-Definition display and is now rechargeable, with a USB-C charging port, for even more convenience and customisability. Main Features: • Strobe Clip-on Tuner • Integrated re-chargeable Lithium-Ion Battery • Long battery life and Quick-Charging Cycle • Wide Viewing Angle, visible even in direct sunlight • True Strobe 0.1 cent accuracy • High-definition backlit display, with adjustable colour • Note range: C0 - B6 with rock solid tracking down to 16 Hz - perfect for Bass players • Adjustable Hz calibration with Concert A range from 390 Hz to 490 Hz • Drop Tuning and Capo Settings with Transposition Range: -6 to +5 • 8 selectable historic temperaments • Over 65 Sweetened™ Tunings • USB-C port for charging, software updates and customisation via Peterson Connect™ StroboClip HDC’s long-lasting rechargeable lithium-ion battery holds enough charge for up to 6.5 hours of tuning time and features a fast-charging cycle, to be ready again for a quick tuning action in no time, should the charge run low. You never need to carry spares or try and find the right size battery again! This nifty tuner comes complete with over 65 Sweetened™ tunings, alternate temperaments for a vast array of string and wind instruments and soft, rubber-lined jaws to protect your instrument’s finish, all while offering a firm grip for maximum signal tracking. The jaw of the StroboClip HDC is large enough to accommodate a variety of instruments and mounting locations. With rock-solid tracking down to 16 Hz, tuning that low B will never be a problem. There is no more need for 12th fret tuning to get low notes to register or trying to decipher an erratic tuning display. Even early music and orchestral instruments can be tuned with ease. Peterson’s design features a raised power button for instant identification on a dark stage and the positive-click, tactile buttons take the guesswork out of changing settings on the fly. Confidently perform touch-up tuning quickly between songs and save valuable seconds during the gig. The StroboClip HDC will always deliver a smooth tuning response and convey even the most minute changes in pitch in real-time, allowing you to get in tune faster using the highest resolution in tuning accuracy.

Peterson StroboPLUS HDC ...

2.490,-

StroboPLUS HDC The Definitive Portable Strobe Tuner and Metronome Since 1948, Peterson tuning products have defined the standard in tuning accuracy. StroboPLUS HDC, the latest update to the line, encompasses those decades of tuning authority and technology and delivers the ultimate Strobe Tuner/Metronome combo, with an unparalleled +/-0.1 cent tuning resolution. Featuring a high-definition, variable multi-colour display, the StroboPLUS HDC screen can be seen easily from a distance and will tune any instrument to an ultra-high degree.  Over 200 exclusive on-board Sweetened Tunings® accommodate a variety of instruments and musical genres, while the included, highly-configurable metronome features precise beat matching 0.1 BPM adjustability, ultra-wide tempo range, advanced subdivisions, accent patterns and polyrhythms and can also import tempo maps. Perfect for home the stage, bench, studio or classroom or just to help make you a better musician, StroboPlus HDC is equally as comfortable on a tech’s workbench as it is in a player’s guitar case and is the complete tuning, ear training and rhythm tool - all in a single package! Main Features: • Handheld/Desktop Strobe Tuner with integrated Metronome • Large HD Colour Display - save your favourite tuning to unique colours • True Strobe +/-0.1 Cent tuning accuracy, with Concert A range of 390-490 Hz • Versatile Metronome included - use ultra-wide tempo range, advanced subdivisions, accent patterns and polyrhythms with a simple and intuitive interface • Compatible with optional BodyBeat Vibe Clip - for tactile metronome feedback • Over 180 Sweetened Tunings built in with USB connectivity - for custom tuning • Built-in electret condenser microphone and ¼” input jack • 3.5 mm Headphone jack • Powered by included Li-ion Battery - rechargeable via USB • Compatible with Peterson Connect (Windows / Mac OS) - for simple configuration and customisation • Hard-wearing optional carry case available Ultra-High Tuning Resolution - in Colour! All Peterson products provide guaranteed tuning results to within +/-0.1 cent (1/1000th of a fret or semitone). StroboPLUS HDC is no exception to this and employs Peterson's proprietary Strobo Tuning Technology to tune your instrument to an ultra-high degree of accuracy. This level of accuracy is an industry benchmark and what has made Peterson the choice of professionals around the globe for over 70 years and this is now even better with the large HD colour display. The user-selectable vibrant screen colours can be used to personalise the tuner with whatever shade suits your style or to increase display viewing quality in different levels of ambient lighting. Plus, you can even save your favourite tuning settings to unique colours to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig. Real-Time Tuning Response The StroboPLUS HDC's Virtual Strobe display is DIRECTLY driven by the input signal. That means you'll see the attack, sustain and the decay of the note being tuned - all in real-time. This speed of movement is in direct correlation to the distance from the target pitch and the display doesn't exhibit the often-found jerky motion found in needle or LED-based tuners. You can literally watch the strobe bands settle as you pull that note into the target pitch! Versatile Metronome Included StroboPLUS HDC includes one of the most innovative and versatile metronomes on the market as a standard feature and hundreds of subdivision combinations, accent patterns, polyrhythms and user-imagined tempo maps are all at your disposal, via the built-in speaker or the headphone jack. Tactile feedback is also available with the use of an optional Peterson BodyBeat Pulse Solo or BodyBeat Vibe Clip. These clip-on devices can help musicians experience a way to silently internalise tempo that can be felt by a pulse, but not heard. Rather than merely playing along to a robotic click, they can be worn discreetly to allow your ears to focus on the music you’re creating. Loads of Sweetened Tunings and More Sweetened Tuning offers a number of alternate temperaments to suit a variety of string and wind instruments. A Sweetener preset is a set of cent offsets or a deviation from generic Equal Temperament interval spacing traditionally used in tuning, in other words, several presets with differing interval spacing relevant to the instrument being tuned. If you’ve never been happy with how your instrument tunes up with your present tuner, a Sweetener could be just the thing to change that without any modifications whatsoever. Supplied with over 180 factory preset Sweetened Tunings, covering a wide variety of electric and acoustic instruments, StroboPLUS HDC can address the specific inharmonicities of any of these selected instruments all helping to optimise their tuning. Also included as standard are a collection of guided tunings. These include popular drop, alternate, artist-specific and standard string number tunings. Peterson Connect Enabled Native compatibility with Peterson Connect also allows you to configure and update your StroboPLUS HDC for a complete personal tuning experience. This application for Google Chrome and Microsoft Edge (Windows/OS X) provides a simple method to configure and customise your StroboPLUS HDC and helps to create your own sweeteners, navigate the user tuning trading post or arrange preset tunings before the gig. Tempo Maps can also be loaded to the StroboPLUS HDC via Peterson Connect for practicing musical scores - complete with tempo changes! Peterson Connect is also the hub for updating firmware ensuring that it remains up-to-date with any future software upgrades. Power to the People Gone are the days of having to carry extra batteries and tripping over power cables during a performance! StroboPLUS HDC’s supplied battery is rechargeable via regular USB computer bus or outlet power. Charge up this large-screen chromatic StroboPLUS HD tuner and use the built-in microphone or ¼” input to plug in and tune…it’s that simple! Adjust the display colour to your liking. Edit with software to customise it and this tuner can be precisely what you want it to be!

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