Keeley Octa Psi ...

3.456,-

Keeley Electronics Octa Psi Pitch Shifter and Octave Fuzz Introducing the Octa Psi Transfigurating Fuzz Pedal, the ultimate combination of polyphonic Pitch-Shifter, Octave Generator and Analog Fuzz! Imagine merging a powerful pitch-shifter, octave generator, and analog fuzz into one intuitive pedal. With the new Octa Psi, we’ve made that dream a reality! Octave/Pitch before or after fuzz? Well, now you can experience the best of both worlds, simply by holding down both foot switches on the Octa Psi at the same time to switch the effect order. For even more control, a quick double-tap of the Blend switch allows you to seamlessly toggle between an All-Wet effect or a Wet/Dry blend, while with a simple press and hold of the Fuzz switch, you can seamlessly shift between momentary and latching octave modes, giving you immense additional options to tailor your sound. Main Features: • Octave Fuzz and Polyphonic Pitch Shifter Pedal • Extensive on-board control options for maximum flexibility • Momentary or Latching Pitch Shifter • Analog Fuzz & Digital Pitch Shifting • True Bypass or Silent Buffered Bypass, user selectable • Top-mounted jacks for easy pedalboard mounting • Made in Oklahoma, USA • Powered by 9-18 V DC PSU (not supplied - requires centre - 2.1 mm, 150 mA current draw) The polyphonic octave and pitch shifter features three distinct modes: Up, Down and Dual. These unlock an array of possible harmonic intervals ranging from power chords to stacked fourths and even diminished chords across a +/- two octave range. Momentary mode is perfect for wild dive-bombs and multi-octave bends, while an adjustable ramp speed adds creative flair by letting you control pitch bending just as if you had an in-built expression pedal on board. With its all-analog, transistor-based fuzz circuit, Octa Psi brings wave after wave of gain staging, making your pickups sound enormous and leading to full on hard clipping and immense tones on tap. With the three-way tone switch, you can easily dial in your desired fuzz tone by switching between the Scoop, Punch, or Psi bass response modes.  Octa Psi is not only powerful, but also it is beautifully designed for simplicity and durability. Its high-octane circuitry is housed in a proprietary angled aluminium enclosure, combining stunning looks with rugged functionality. Upgrade your sound and explore new sonic possibilities with the Octa Psi Transfigurating Fuzz Pedal.  

Keeley Red Dirt Germanium ...

2.450,-

Special NOS Germanium Transistor equipped Red Dirt Overdrive pedal Red Dirt Germanium Overdrive Effect Pedal Modified Drive Circuit Tight Bass, Searing Sustain! Keeley’s latest mod to the venerable platform has everyone grinning here at the shop. The Red Dirt Germanium is nothing short of a red hot saturation machine. Perfect classic amp tones. The New Mod The new mod happened as a result of me trying to be a touch lazy. Or let’s say, I was trying to find a shortcut and struck gold. In modifying the circuit I came across a way to have variable gain on different parts of the frequency response. The rather small change isn’t groundbreaking, but I’ve never seen it done this way in a tube screamer type of circuit. The resulting sound is exceptional. It sounds 3D. It’s more of everything. It in fact cleans up really nicely with the volume control even though it has plenty more gain on tap. It makes a stock screamer sound very flat and one dimensional. By allowing differing gain rates for the bass response, the bass stays tight and forceful. The mid range and highs are soaked in sustain and saturation. The balance is exceptional. Red Dirt History The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original “Mod Plus” and “Baked” modified pedals and added refinements found exclusively in his custom pedal line. A Keeley designed FET input stage makes this overdrive breakup in a whole new, genuinely “tube like” style that will have your leads singing and your rhythm playing sounding more dynamic and expressive than ever. It all culminates in an overdrive that is superbly dynamic, with crispness and clarity that let players cut through a dense mix, while retaining the plump midrange. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.

Keeley RK2000 Funk Siren ...

4.680,-

Keeley Electronics RK2000 Funk Siren Legendary Freeze-Hold Delay The RK2000 Funk Siren by Keeley Electronics, is the first-ever faithful pedal recreation of the legendary 1983 DM2000 rack unit delay. Inspired by the classic delay, famously used by Trey Anastasio, the RK2000’s 12 bit architecture, unique Hold feature, and dramatic modulation offer a sonic palette that not only captures Trey’s definitive “Funk Siren” but extends beyond any single genre. Transform a single second of sound into a limitless atmospheric soundscape. No matter if you’re looking for clean classic delays, gritty and modulated tape-style echoes, washy analogue atmospheres, a modulation wonderland that spans an incredible gamut from subtle doubling to liquid chorus, frantic flanging and all the way to deep-diving pitch vibratos or a simple yet magical sampler to kick the sound-design doors wide open, RK2000 is dead-set on delivering at the highest level imaginable. This is a pedal destined for everyone’s pedalboard. Main Features • Freeze-Hold Delay Pedal • Pedal-sized recreation of the legendary DM2000 rack unit delay • Selectable modulation capable of everything from subtle warble to tape reel slams • Controls for Blend, Feedback, Filter, Depth, Input, Rate and Time • Built-in Tap Tempo Delay Switch and dedicated Hold Switch • Store and recall presets with the dedicated Preset switch • Selectable stereo delay modes: Normal and Ping-Pong • Selectable True or Buffered Bypass • Expression control input and MIDI compatible with 72 presets available • Stereo outputs with Wet + Dry or Wet-only operation • Top-mounted jacks and soft touch relay switching • Made in Oklahoma, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, ~150 mA current draw)

Keeley Rotary Custom Shop ...

3.799,-

Introducing the Rotary. Rotary speaker cabinets impart a one-of-a-kind type of chorus effect. This pedal faithfully recreates the swirling textures and vintage warmth of those rotary cabinets. Tucked inside Keeley's laser cut aluminum case is a brand new set of circuit boards delivering the finest tone we've ever achieved. The quality is so impressive that it's knocking industry titans off pedal boards. Key Features of the Rotary: • Sculpt your rotary tones with our finest sounds to date • Updated circuits for maximum fidelity • Simple and intuitive controls for live and studio use • New LED speed indicator - Become one with the sound • True Stereo for perfect integration in modern rigs • True or Buffered Bypass - Switchable on the fly Syrupy Swirl & Tube Breakup: Achieve that classic rotary sound with a rich, “chorus-y” effect and a tube-like overdrive, reminiscent of those era-defining guitar tones! Sculpt Your Sound: • Blend: Find the perfect mix between dry and wet signals for a subtle warble or a full-on sonic whirlpool. • Drive: Dial in tube-like harmonic saturation that adds depth and character to your tone! • Mid Boost: Three different EQ curves to fatten up the stereo chorus effect. Rotary in Motion: • Dual Speed: Choose between two distinct rotation speeds for classic slow warble or a more dramatic, fast chorus effect. • Brake: Instantly slow down the rotation for a cool "stopping" effect, adding a dynamic touch to your playing. • Adjustable Ramp: Control the speed transition between slow and fast for smooth or dramatic soundscapes. • Large Speed Knob: Easily control the rotation speed for intuitive adjustments on the fly!  Seamless Integration: • Light Show: Set the mood with the optional pulsing LED that reacts to the rotary effect, adding a touch of visual flair to your performance.exclamation • Stereo Everywhere: This pedal boasts stereo ins and outs, allowing you to create lush, expansive soundscapes that perfectly complement modern rigs. • True Bypass or Buffered Bypass: Choose between transparent signal switching or a buffered bypass for maintaining pristine tone in complex pedal chains! Stunning Design for Effortless Use The Rotary is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.   Everything about the Rotary is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminum enclosure; we make guitar effect pedals to be finely crafted musical instruments.

Keeley Seafoam Plus Chorus ...

2.629,-

Chorus, Double Chorus, ADT pedal Seafoam Plus Chorus Keeley True Chorus & Vibrato Double Tracker with Reverb Select Guitar or Bass Performance Yes, we redefined chorus pedals… Seafoam Plus Chorus – True Chorus and ADT with Reverb Keeley Engineering is changing the minds of even the most picky players… again. We redefined chorus. There is a new style of chorus that actually sounds RIGHT. We are proud to announce the all new Seafoam Plus Chorus – True Chorus and ADT with Reverb. It will forever change the way you think about chorus, because we have developed a new type of chorus that until now has only been available in expensive DAWs and in studios.  Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo.  Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get. ADT: THE NEW DEFINITION OF CHORUS.  In the Seafoam Plus Chorus you get the automatic doubler that we developed in the revolutionary 30ms Double Tracker. Our ADT chorus is what we call True Chorus, because we create a second and third voice–like singers in a choir. Not only do they sing at different times, they sing at different pitches. True Chorus. Seafoam Mode: You guessed it… the all new Seafoam Plus Chorus–lush, wide, and with a very musical vibrato. It gives you the lush sounds and tone of a vintage BBD analog chorus unit. This is where you’ll find a typical chorus feature. The Seafoam Mode of the pedal has an LFO, the regularly cycling part you hear in most every other chorus unit. It provides a classic tone that you expect and which has become part of many classic tunes. Set the rate for slow and the depth for wide, and enjoy a really spacious sounding chorus. Roll the Mix Control all of the way up for Vibrato. With the Space control acting as a Tone Control in this mode, you can go from bright to vintage warmth, dialing in the perfect chorus. Dual Chorus Mode: We created a frequency crossover-based dual-chorus engine.  Imagine a dividing line that is centered on your high E-string. Control the depth of chorus independently for highs and lows. Craft the ultimate “Come As You Are” Nirvana of chorus tones. Create a very deep, throbbing chorus on the low end, and a near perfect calm on the top end. Or make the high-end and shimmer and waver while keeping the low end fixed! ChoralFlangelo OK, it goes twice as deep. The Seafoam Plus Chorus is a Bass Chorus, Flanger, and Tremolo too! Pop off the back, flick a switch, and it’s a bass guitar player’s dream. The Space Controls gives you controls or Regeneration, High-pass filtering to keep things tight, and a haunting Tremolo you have to hear to believe!  o let’s get down and funky, Michelangelo! Vintage at Heart Want a softer tone? Chorus that’s silky smooth and warm? No problem. Internal switching puts it in “Vintage Mode.” The Keeley Seafoam Plus Chorus ships in “Modern Mode” for ultra wide, lush, and high-fidelity chorus. Either way, enjoy sounds that are downright frighteningly good. Makes you wonder, “Is that my fingers playing that tone?!?”! Seafoam Plus Chorus Modes Dimension Chorus – Automatic Double Tracker RATE/TUNE: Adjusts the Tune/Pitch of Double Tracked voices by 0-21 cents DEPTH/TIME: Adjust the time delay in the Double Tracked voices by 0-21 milliseconds (ms) SPACE: Abbey Chamber Reverb BASS MODE: Flanger with Space knob for Positive and Negative Feedback control.  Center position is 0% Feedback.  Works perfectly on guitar too. Seafoam Plus Chorus RATE/TUNE: Rate from 0.1 – 7 Hz DEPTH/TIME: Depth from 0-20 ms SPACE:  Tone Control – +/- 6dB @ 500Hz BASS MODE: Tone Control -6dB @ 100Hz to +6dB @ 200Hz Special Notes: This is a simulation of our popular Seafoam Chorus and other popular vintage chorus pedals. Dual Seafoam Plus Chorus RATE/TUNE: Rate from 0.1 – 7 Hz DEPTH/TIME: Depth of the High Band Chorus 0-10ms SPACE: Depth of the Low Band Chorus 0-15ms BASS MODE: Chorus on Top End – Haunting, Throbbing Tremolo on Bottom end. Special Notes:  High Band chorus is delayed by 8ms and Low Band by 6ms.  Provides Wide Lush chorus on top and Focused Musical Chorus on bass.  Ultra wide and watery sounds!  For Bass Mode:  Band is split Chorus on Top and Tremolo on Bottom.

Keeley Super Phat Mod ...

2.069,-

Full Range TRANSPARENT Overderive pedal Super Phat Mod Legendary Phat Mod Dynamic Overdrive Tube Amp JFET Design Many say the Phat Mod delivers their favorite tone from a pedal. It’s that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That’s the reason the modified pedal has stayed on people’s boards for nearly 15 years. The Keeley Super Phat Mod is our famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way. The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits to bring out the best in any guitar’s pickups. The problem with building one in the past has been the difficulty finding the perfect FET to capture the magic. If the harmonic content and grain of the distortion and overdrive weren’t exactly right, we moved on and waited to try out other devices. Well, after all these years Craighton Hale stumbled upon a Toshiba device that had the magic. Our resident guitar hero, Aaron Pierce, known for being very critical of even the most minute nuances, was grinning from ear to ear when he approved this ear-candy final version. We had found the magic device that pushed it over the top.  So, we just had to dress it in gold and royal purple.  The name badge had to speak of its history and heritage.  With Super Phat Mod in an old, Blackface-style logo and the metal-flake clear-sparkle on gold, we feel it will look incredible in any rig. The Super Phat Mod pedal now has incredible dynamics. It is full range and very responsive. The phrase “transparent overdrive” was born of this design! From country pickin’, to blues and rock wailing, the Phat Mod is the choice for those not wanting the over-refined sound of a common Screamer. Set the gain high and let your guitar’s volume control or your pick attack do the work. With the Super Phat Mod, you now have all of our refinements–the very best of tone-shaping electronics and modern features like true-bypass. The Skinny on the Phat History The Keeley BD-2 was the first mod that had a switch.  It was done to give players two modes of bass response. With the slight boost, it was called the Phat mode.  It was perfect for players of Strats and Teles who wanted just a small push without being muddy.  That same design is also available via the micro toggle on the Super Phat Mod.  Later on we released the Luna Overdrive which won a Gear of the Year award in England, and that pedal had further refinements made to it and became the Katana Blue Drive.  The Katana Blues Drive still retained the active bass and treble controls but smoothed out the highs and increased the gain range slightly.  That was an original design designed to meet many of the tonal characteristics of the Blues Driver.  The new Super Phat Mod takes off by duplicating the Keeley Phat Mod part-for-part with the exception of our new “super JFETs.”  And we think you’ll enjoy this incredible tone we have crafted for you.

Keeley Super Rodent Overdrive ...

2.785,-

4-in-1 RAT and SD-1 Style Overdrive and Distortion Super Rodent Overdrive and Distortion 4-in-1 Overdrive and Distortion Two all-new amp-like hybrid tones All analog signal path Switch from Buffered to True Bypass on the fly All new proprietary case shape – manufactured by RKFX in the USA Keeley put two very different overdrive & distortion pedals in one box and gave you two new sounds in the process.  The Keeley Super Rodent is a 4-in-1 pedal that gives you two well-known distortion circuits and two brand new sounds by way of the toggle switches!  It’s almost like pedal-modeling, except these are 100% analog circuits and you decide which tone-control or clipping-section you want to play through.  You can play through the classic yellow ‘Japanese Super O-Drive’ or a ‘Rodentia Michigander’ distortion circuit, or even better, you can Frankenstein new monster tones with the two hybrid modes.  The creative design keeps the pedal a simple and space-saving three-knob distortion pedal with an amazing tone.  It only takes two seconds to make the Super Rodent either buffered-bypass or true-bypass, whatever works best on your pedalboard.  The Keeley Super Rodent Overdrive and Distortion is entirely designed and manufactured by Keeley Electronics in a new aluminum enclosure. Two classic distortion/overdrive circuits are combined into one pedal Swap tone controls and/or distortion sections to create new sounds. By mixing the SD Overdrive and RT Distortion, you can create two unique Hybrid Distortions. Silent Buffered Bypass or True Bypass – hold footswitch for one second to change Professionally Engineered and Expertly Manufactured Pro Audio Gear – sounds developed in the Keeley tone lab and in the field, then built entirely in our factory. Tone Control The Super Rodent gives you two tone control circuits to choose from.  When the Tone Switch is down and in the RT Position the tone control simply rolls off high-frequencies.  If the Tone Switch is up and in the SD Position you have an active low pass filter and more bass and treble frequencies are available. Diode Clipping Hard or Soft Clipping:  The Super Rodent gives you both styles of diode clipping.  Diodes are used to create hard clipping distortions or smooth overdrive sounds.  If the Clipping Switch is in the RT Position it features Hard Diode Clipping which is an edgier, more aggressive tone.  When the Clipping Switch is in the SD Position that uses Soft Diode Clipping, like a softly overdriven tube amplifier. The Super Rodent is both Buffered Bypass and True Bypass The Keeley Super Rodent features our Jfet buffer for noise free switching.  We have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.  No more pops and clicks to distract from your music.  If you want to turn that feature off and go back to true bypass, simply press and hold down the foot switch for two seconds and the pedal will switch to True-Bypass (LED will flash twice).  True Bypass is great for players that want the effect of plugging directly into their amp when the pedal is off.  Alternatively, players that want a strong and clear signal even when the Super Rodent is turned off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass (LED flashes three times).  Enjoy truly silent switching and let your music be the only voice. Made In The USA We design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City.  Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it.  From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminum enclosure; we make guitar effect pedals to be finely crafted musical instruments.

Keeley Verb O Trem Reverb and ...

2.069,-

Inspired Reverb and Tremolo Pedal Keeley VoT – Eddie Heinzelman Verb o Trem Reverb Tremolo Combo Vintage Two Spring Splash or Smooth Plate Reverb Three tube-amp style trems: Volume, Pitch, Harmonic Keeley and Eddie H. teamed up to produce the Verb o Trem, the Keeley VoT!!  When you go minimalist, you still consider Reverb and Tremolo.  Even the guys that say they just plug their guitar cord into the amp…still admit they love verb and trem!  So if you’re doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT is a simple and beautiful sounding combo. The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards.  Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive.  The Keeley VoT gives you famous Keeley spring and plate reverbs as well as modulated tube amp tremolos.  This immaculate pairing provides you with everything you need for a small, compact pedal board. Reverbs Keeley 2 Spring Reverb is the real deal, it’s so good sounding, they install it in The Amp now.  The Keeley Spring Reverb allows you to get that splashy spring sound that instantly fattens your guitar tone. If you want something super smooth, however, you flip it over to switch in our Plate Reverb.  Get that huge plate reverb sheen by simply flipping a switch! Tremolos A Lotus Flower of Tremolos. I don’t know what that means, but it sounded good.  You have three blooming tremolos in the Keeley VoT. R+T – is an organic tube bias type tremolo.  This means you hear the tube amp bias change enough to modulate the volume.  A very personal and haunting tremolo.  Very moody. Mack – This mode is a MagnaAmp style pitch vibrato.  Done by carefully changing the phase to elicit a silky smooth pitch shift.  Sounds like you have your finger on the pulse of life.  Sometimes a walk on the wild side is the way to go. HAR – Harmonically Amplified Resonator.  I made that up too.  Harmonic Tremolo -two filters that we vine around, back and forth, creating a notch filter that gives you that Tower of Flower sound. VoT – Lotus Here’s where the flowering magic occurs: you can set the VoT to be either Reverb OR Tremolo OR Both if you want.  Let’s say you just need some ‘verb for the night, simply reduce the Depth control!  Reverb Purity. What if you want to use the tremolo only?  Simply roll off the Reverb control. This pedal can simply and easily be reborn into any combination of tones you need. The Artist Eddie Heinzelman is an in-demand session musician/sideman who currently plays guitar, mandolin, and sings background vocals with hit songwriter and Country/Americana artist, Radney Foster.  He is also an active member and admin for the Keeley Sound Check – Open Guitar Effects Forum.

Keeley Vibe-O-Verb Reverb ...

2.069,-

Ambient Reverberation Machine Vibe-O-Verb New Ambient Reverbs Simulates changing reflective surfaces! Simulates accelerating reference points! Welcome to the Vibe-O-Verb! This is a reverberation machine…. Lost reverbs that never were. The atmospheres are Vibey, have Vibratoneness, and are Phasery…. This three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before. Fibonacci All of the Delay Space in our reverb engine for the pedal are in the Fibonacci series.  What does this mean for you?  You’ll probably make more money, look better (see golden ratio) and find true happiness.  What does this mean for us?  A secret pleasure in defining a reverb that is unique and possibly more musical.  Since great works of art like Debussy’s La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios?   0, 1, 1, 2, 3, 5, 8, 13, 21, 34 https://en.wikipedia.org/wiki/Fibonacci_number Harmonic Reverb This mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb.  Imagine choppy waves of tremolo on your verb!  All with the a delicious hint of Vibe!  Dynamic Dimension Canyons?! Vibrato Reverb Pitch Bending Reverberation Machine.  From mild chorus to spacey bayou tones!  Too grande to call our modulated chorus, this is one for modern psychedelics.  For this one you have to imagine maybe both the source and the reflective wall moving!  Maybe even accelerating with respect to each other.  Why didn’t we call this one the General Theory Of Reverberation? Phaser Phaser Modulated Reverb.  Maybe the most mild but in a way that lets you appreciate some of the space around notes.  This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass.  Round and round.  Get the idea?  Dynamic reflections in an all new space. Enjoy these “Lost Reverbs” Vibe-O-Verb, reverbs that never were….until now.

Keeley Zoma Custom Shop High ...

3.792,-

ZOMA Stereo Reverb and Tremolo Reverb and tremolo effects crown any player's pedalboard. The Zoma is more than just a pedal – it’s your signature and our most high-fidelity pro Reverb & Tremolo ever.  Trust Keeley reverbs for an inspiring "always-on" sound and vocal-like tremolos to give you an unreal sonic experience. Zoma Key Features • Simple Control Layout: Three large knobs give you maximum control over Reverb Level and Rate and Depth for Tremolo. • Easy Access Alt-Controls: Reverb Decay, Reverb Tone, Tremolo Volume. • Instant Effect Order Switching: Choose which signal path is right for you. Put your tremolos after the reverb for a vintage correct, black-panel tone. Experience a dirty, swampy tone with harmonic tremolo on top of reverb. • True Bypass or Buffered Trails: You chose what sounds and works best in your rig. Three Reverb and Trem Modes: We've combined the most popular 'Verbs and Trems' into three different pairs. There's nothing quite like the syrupy smooth sound of our Plate Reverb combined with Harmonic Tremolo. • SS - Spring Reverb and Sine Tremolo - Classic black panel amplifiers had spring reverb followed by a sine wave tremolo (at the power tubes) • PH - Plate Reverb and Harmonic Tremolo - Smooth reverb with swampy harmonic trem, what's not to love? • PV - Plate Reverb and Pitch Vibrato - Vocal smooth vibrato with other-worldly reverb. Reverb - Sounds and Controls • Spring Reverb: tube amp spring reverb - we simulate every detail of that classic vintage reverb sound. • Plate Reverb: bright, smooth reverb from a thin vibrating metal plate. • Reverb Decay: (Alt feature) Hold REVERB/ALT SWITCH down while adjusting Level knob. • Reverb Tone: (Alt feature) Hold REVERB/ALT SWITCH down while adjusting Rate knob. Tremolo - Sounds and Controls • Sine Wave or Volume Tremolo: Sine wave tremolo simply adjusts the volume of the signal up and down. • Harmonic Tremolo: Just like tube-amp harmonic tremolo, your guitar signal is phase-split and filtered, almost like a phaser. • Pitch Vibrato: Bends the notes out of tune, you control how far and how fast. • Alt-Control-Tremolo Boost Volume: Hold REVERB/ALT footswitch down while adjusting Depth knob. Stunning Design and Ease of Use • Artful Electronic Circuitry: Housed in a proprietary angled aluminum enclosure for simplicity and durability. • We stand behind EVERY Keeley pedal: Proudly Designed and Manufactured in the USA.

KMA AB/Y Switcher Pedal

884,-

KMA Machines ABY Consistent Connectivity “To A and B or not to B - that is the question.” Enrico Shakespeare, ye-olde scribe of Berlin An ABY box is not something that will set the world on fire. We know that. But what a good ABY box can do, is start a flame that’ll fully ignite your creativity, and our new ABY pedal is a REALLY GOOD one. Expertly built, noise-free, gorgeous looks AND affordable - it just ticks all the boxes. Whether you’re looking to switch or combine your mono input signal using two separate outputs, or switch or combine two separate input signals into one output, the KMA Machines ABY pedal is a dependable little helper for your tonal quest. Created with a focus on durability, reliability, simplicity and hassle-free operation, this passive ABY switcher also features True Bypass active silent relay-based soft switching to reduce mechanical noise and unwanted pops and clicks when in use. So, all you have to do is choose your path and perform!   Main Features • Passive ABY pedal with active switching • Sends an input to two separate outputs, separately or combined • Sends two inputs to one source, separately or combined • True Bypass • Active silent relay-based soft switching, heavily reduces mechanical noise and pops • Omnidirectional for 2 into 1 or 1 into 2 operation • Distinct LED colours, to indicate your selected signal path at a glance • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in Berlin, Germany • Power by opt. 9 V PSU  (9 V DC, centre -, 2.1 mm, >40 mA max. current draw) KMA’s ABY pedal features a fully passive design for the best signal integrity, along with our True Bypass active silent relay-based soft switching. While that might be a hell of a wordy mouthful, what it means practically is that the audio signal itself is entirely untouched and without any colouration. Plus, you can use the device in either direction, for sending to different sets of amps or effects or for switching inputs/ instruments/devices into your chain.  However, the actual switching is taken care of by our reliable and sturdy soft switches as a separate active circuit. By employing this switching technology, mechanical noise is greatly reduced, as is the risk of those pesky loud clicks and pops that have plagued so many boards and has haunted so many musicians, since the inception of ABY boxes. The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling our boyhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs actually serve a practical purpose; to quickly and easily show you what signal path you’ve selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B. This pedalboard-friendly device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply, making it convenient for all walks of sonic life. What’s not to like? So, will you choose A or B? With the KMA Machines ABY pedal, the fate of your signal is in your hands! 

KMA Active AB/Y Pedal

996,-

KMA Machines Active ABY Active Consistent Connectivity ABY boxes are not something that will set the world on fire. We know that. But what a good ABY box can do, is start a flame that’ll fully ignite your creativity, and our Active ABY pedal is a REALLY GOOD one. Expertly built, noise-free, gorgeous looks AND affordable - it just ticks all the boxes.  As an additional offering to our passive ABY box that has graced thousands of rigs the world over, the Active ABY is ideal for those who like to use the Y splitting or combining functions - at least with some signals that don’t always play nicely together, due to often differing impedances between connected devices. With KMA’s high quality active buffer, the pedal can also help with level mismatches or signal loss due to long cable runs. Whether you’re looking to switch or combine your Mono input signal using two separate outputs, switch or combine two separate input signals into one output, the Active ABY pedal is a dependable little helper for your tonal quest - the fate of your signal is in your hands!   Main Features • Active ABY Pedal • Sends an input to two separate outputs, separately or combined • Sends two inputs to one source, separately or combined • 180° Phase switch, helps to remove mismatches • Active silent CMOS-based soft switching, heavily reduces mechanical noise with virtually silent signal bypass • Omnidirectional for 2 into 1 or 1 into 2 operations • A&B>Y or Y>A&B switch, allows for precise directionality • Distinct LED colours, to indicate your selected signal path at a glance • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in Berlin, Germany • Power by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, >55 mA max. current draw) KMA’s ABY Series has been created with a focus on durability, reliability, simplicity and hassle-free operation. The Active ABY pedal features a fully active design along with our active silent CMOS switching. While that might be a hell of a wordy mouthful (or even sound scary to some), what it means practically is that the pedal is completely silent in operation. This has the added benefit of allowing for all sorts of hookups helping to prevent signal loss. Being active, it can also minimise any potential level mismatch between hookups. It can be electronically difficult to achieve this kind of switching without interference between the switching and signal paths, but by employing our own implementation of this switching technology, not only are the mechanical switching noises greatly reduced, but the risk of any pesky loud clicks and pops that has plagued so many boards and has haunted so many musicians, since the inception of ABY boxes when switching, is virtually eliminated.  The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling our childhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs in the Active ABY actually serve a practical purpose; to quickly and easily show you what signal path you’ve selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B. With the A&B>Y or Y>A&B switch you can use the device in either direction, for sending to different sets of amps, synths or effects or for switching inputs/ instruments/ devices into your chain via the Y channel, for even more creative combining or splitting. While the Phase switch allows for flipping the A Channel by 180°. This can prevent signal cancellation and tone issues that can happen in some setups when combining or splitting signals. This pedalboard-friendly device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply, making it convenient for all walks of sonic life. What’s not to like? So, will you choose A or B? With the KMA Machines Active ABY pedal, all you have to do is choose your path and perform!

KMA ACTIVE STEREO AB/Y Pedal

1.555,-

KMA Machines Active STEREO ABY Consistent Active Connectivity, in Stereo  There’s nothing new about ABY boxes. They’re a very commonly used accessory and a staple part of many setups out there. But if they are so common, then (until we launched our passive Stereo ABY) why was it so difficult to find one in a stereo format that’s well built, noise-free AND affordable? This is a question we kept encountering as we use many stereo devices daily here at KMA, plus we know that a lot of users are just as mesmerised by the wide sonic worlds of stereo as we are. So, we made a killer stereo ABY switcher to use here at our workshop. In the process we found it so useful, so we decided to make the original STEREO ABY available to the world too in a pedal format.  However, despite our passive boxes gracing thousands of rigs the world over, the Active STEREO ABY takes things a little further and is ideal for those who like to use the Y splitting or combining functions - at least with some signals that don’t always play nicely together, due to often differing impedances between connected devices. With KMA’s high quality active buffer, the pedal can also help eliminate level mismatches or even signal loss, if used with long cable runs. Whether you’re looking to switch or combine a Stereo input signal between two separate destinations or switch or combine two separate Stereo input signals into a single stereo output without signal loss, the KMA Machines Active STEREO ABY pedal is a dependable little helper for your tonal quest - the fate of your Stereo signals is in your hands!   Main Features • Active Stereo / Dual-Mono ABY pedal • Sends a Stereo input to two separate stereo outputs, separately or combined via regular ¼ inch/6.35mm Jacks • Sends two Stereo inputs to one stereo source, separately or combined • 180° Phase switch, helps to remove mismatches • Active silent CMOS-based soft switching, heavily reduces mechanical noise with virtually silent signal bypass • Omnidirectional for 2 into 1 or 1 into 2 operations • A&B>Y or Y>A&B switch, allows for precise directionality • Distinct LED colours, to indicate your selected signal path at a glance • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in Berlin, Germany • Power by opt. 9 V PSU  (9 V DC, centre -, 2.1 mm, >55 mA max. current draw) KMA’s ABY Series has been created with a focus on durability, reliability, simplicity and hassle-free operation. The Active ABY pedal features a fully active design along with our active silent CMOS switching. While that might be a hell of a wordy mouthful (or even sound scary to some), what it means practically is that the pedal is completely silent in operation. This has the added benefit of allowing for all sorts of hookups helping to prevent signal loss. Being active, it can also minimise any potential level mismatch between hookups. It can be electronically difficult to achieve this kind of switching without interference between the switching and signal paths, but by employing our own implementation of this switching technology, not only are the mechanical switching noises greatly reduced, but the risk of any pesky loud clicks and pops that has plagued so many boards and has haunted so many musicians, since the inception of ABY boxes when switching, is virtually eliminated. The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling our childhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs in the Active ABY actually serve a practical purpose; to quickly and easily show you what signal path you’ve selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B. With the A&B>Y or Y>A&B switch you can use the device in either direction, for sending to different sets of amps, synths or effects or for switching inputs/ instruments/ devices into your chain via the Y channel, for even more creative combining or splitting. While the Phase switch allows for flipping the A Channel by 180°. This can prevent signal cancellation and tone issues that can happen in some setups when combining or splitting signals. This pedalboard-friendly device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply, making it convenient for all walks of sonic life. What’s not to like? So, will you choose A or B? With the KMA Machines Active STEREO ABY pedal, all you have to do is choose your path and perform!

KMA CHIEF DISRUPTOR ...

2.226,-

CHIEF DISRUPTOR Fundamental Fuzz/Distortion   “Gazing from afar at the downfall of archaic sonic structures, a hooded being sat calmly on the cornerstone of legacy. For generations, instead of asking what the present actually screamed for, people had been blinded by the achievements of the past. That was before the CHIEF DISRUPTOR came along! All it took was the push of a single handle to tear down the ancient landmarks for good, not even passing a flinch as the explosion happened. Instead, a feeling of hope began to saturate the entire being, manifesting in an endlessly sustaining smile on their face. It’s finally time for a new era of crushing tones. It’s time for the age of the CHIEF DISRUPTOR!” Welcome to a new era of the most iconic fuzz/distortion sound the world has ever known. You know, that epically huge and super saturated tone (some might call it big and muffy) that has defined the signature sound of so many artists and countless records in the past few decades. It's arguably one of the pedals with the biggest impact on the entire industry, which has seen it modified over and over and over again. So much that you think it's all been done, right? Oh boy do we have a surprise for you here! Holding three different Gain Modes, a pre- or post-EQ Clean Blend, active Bass and Treble controls, a foot-switchable and expression-controllable parametric Mid-EQ as well as a switchable top-boost for even more raspy, grinding bite, CHIEF DISRUPTOR is the most flexible, beautifully balanced and LOUDEST muff-style pedal you'll ever hear! Features: • Fuzz/Distortion Pedal with Switchable Mid EQ/Boost • The ultimate ‘muff-style’ drive, with stacked topology • 3 distinctive gain structures:       Vintage (dynamic)       Tight (more focussed)       Heavy (sustaining and thick) • Pre or Post Clean Blend, for a tight low end • Active Bass and Treble EQ • Separate Mid EQ, with footswitch and frequency control • Top-Boost, for more crunchy harmonics • External Expression control, allows for filter or pseudo-phase tones • Internal controls for Mid Q and Top Boost Level • Relay-based soft-switching • Made in Berlin, Germany • Power by opt. 9 V PSU       (9 V DC, centre -, 2.1 mm, >160 mA max. current draw) Over the years, different muff drives had different levels of gain, so we derived three major distinctive gain structures all based on what we consider to be the best versions. The Vintage Mode (VTG) will give you every shade of discrete overdrive, while the Tight Mode will give a more focused and modern tone with less bass and super crisp harmonics. Heavy Mode is the essence of what we all love about muffs. Heavy, sustaining and crazy thick fuzzy distortion, with bone-shaking lows and chewy mids. Just crank the Disruption (Gain) Control and you'll know exactly what we’re talking about here.   Tonal shaping was one of the true weak points of classic muff pedals and something we absolutely knew we had to remedy. We’ve opened the gates to more modern tonal flexibility through our active Bass and Treble controls, which let you boost or cut highs and lows with up to 15 dB, while our parametric Mid-EQ with adjustable centre-frequency and level boost/cut allows you to fine tune the mids with extreme precision, for everything from classic scooped fuzz tones, modern mid-focused dirt tones and all the way to cocked-wah saturation. You can take complete hands-free control of the Mid-EQ frequency via an expression-pedal. This lets you make instant tone changes on the fly, as well as unleash fast and quacky wah-like sounds or slow and enveloping phaser-like sweeps. If you feel like the filter needs to be more resonant for screaming synth-like sweeps or needs to be subtler, then you can adjust the Q of the Mid-EQ via an internal trimpot. The mids can also be turned on and off via the relay-based soft-switch, allowing you to kick in the mids for soaring solos, cutting chords or when you want to get filter freaky. Having super saturated mids and lows can sometimes result in a perceived loss of highs. To fix this, just engage the Top-Boost to give your high-mids a big push for more crunchy harmonics and bite to cut through any band mix.  We’ve tweaked the Top Boost to our personal taste, but if you feel like it’s either too loud or not loud enough, you can also adjust the Top Boost Level via an internal trimpot. We carefully balanced the gain control to achieve total control of even the slightest harmonic nuances. So, whether you’re looking for low gain drive, crunchy medium gain rhythm tones, singing or saturated lead sounds or skull-crushing doom tones, the Disruption control can and will cover all of them! A lot of gain rules! But gain also means compression, and the more we compress our sound, the more our instrument will lose definition. Yes, bass players, synth slingers and extended range guitar rockers, we hear you!  To preserve your precious core tone the CHIEF DISRUPTOR sports a clean blend control and a toggle switch to define the insert position. Insert your dry signal before the EQ section for a more cohesive sound or place it post-EQ to keep your dry signal completely unaffected. Last but not least, we always felt the original muff pedals (and clones) lacked output, hence we implemented our stacked headroom topology to keep the EQs from getting saggy when cranked, all which results in the tightest, most punchy and LOUDEST muff-style tone on the market. Go forth and empower your creative side, with tone that has true vision to inspire. If you are ready for a change in distortion history, then it’s time to follow the CHIEF DISRUPTOR!

KMA Cirrus Delay and Reverb ...

2.226,-

Cirrus SPATIAL-TEMPORAL MODIFIER Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines’ Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes. Cirrus is KMA Audio Machines’ first step into the fully digital realm. But we didn’t just want to do a regular and run-of-the-mill type of product. No, what we came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

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