Hotone Omni IR Kabinett ...

1.695,-

Hotone - Omni IR Compact-sized, Impulse Response based cabinet simulator delivering organic, precise guitar/bass cabinet sounds The Omni IR is a compact-sized, Impulse Response based cabinet simulator delivering organic, precise guitar/bass cabinet sounds. An internal voltage boost circuit provides tons of headroom, a clear, detailed OLED screen lets you get set up quickly, and variable I/O makes it perfect for any live or recording scenario. Features: Compact, easy-to-use IR loader pedal Advanced DSP platform with high quality 24-bit A/D/A conversion and great dynamic response Internal voltage boost circuit for great headroom with standard 9V DC power supply 40 high quality legendary guitar/bass cabinet IRs Detailed 4-band EQ with flexible frequency range and 12dB max. boost/cut Supports 3rd party IR files USB jack for firmware updating, loading/managing IRs with free PC/Mac software Aux In and headphone output for practicing and jamming 40 Presets Built-in hi-res OLED screen Assignable footswitch with LED 9V DC power supply Specifaction: Input Impedance: 1MΩ Output Impedance: 100Ω Power Requirement: 9V DC center negative Current Consumption: 200mA Dimensions: 101mm (D) x58mm (W) x47mm (H) Weight: 220g   Se Video her.

Ibanez BIGMINI Chromatic ...

750,-

BIGmini. Kromatisk stemmepedal BIGmini er en pedal som har alle de egenskaper man vill att en stemmepedal skal ha. - Liten, tar inte onödig plats på pedalbordet. - Tydlig, lättlöst, display som är lätt att se, tvunget, liksom. - Hög noggrannhet, man vill ju att det verkligen är stämt när man stämmer. - Fladdrar inte omkring och har svårt att hitta tonen, stämma skall ju gärna gå snabbt och enkelt. - True bypass, påverkar inte ljudet när den inte används. Helt enkelt allt du behöver för att snabbt kunna stämma ditt instrument på scen, i studion, hemma eller vart du nu än befinner dig. • True bypass switching • LED display • Two way tuning mode: Needle mode and Strobe mode • Tuning mode: Chromatic. • Tuning Range: A0 (27.5 Hz) - C8 (4186 Hz) • Flat tuning: 4 semitones • Calibration: 435Hz - 445Hz • Accuracy: 1 cent • Size (mm): 71.6mm (W) x 122mm (L) x 55.4mm (H) • Weight 170g

Ibanez TS9B Bass Tube ...

1.875,-

Ibanez TS-9B bass Tube Screamer er en pedal som lenge har vært etterlyst av flere bassister. Denne er med på å gi basslyden din et litt mer forvrengt signal med mer "gain". Glimrende pedal ved f.eks. solospill. Mix-kontrollen styrer kontollen mellom rent og forvrengt signal. The TS9B is equipped with controls that allow bassists to produce the sound they want while still maintaining the feel of the original Tube Screamer. Experimenting with the mix and tone controls allows for creation of a limitless number of sounds. Players can go from just "a little bit of hair" to "full-on" vintage fuzz and everything in-between. •Drive, Mix, Bass, Treble and Level controls •Power Supply: One 9 Volt Battery or external AC adapter AC509 (sold separately) Save

IK Multimedia TONEX ONE

2.150,-

IK Multimedia TONEX ONE Mikropedal for AI-maskinmodellerte forsterkere, kabinetter og pedaler En komplett live-rigg i håndflaten Én pedal, 20 tonemodeller ombord - Den perfekte følgesvenn for enhver musiker - Over 20 000 gratis tonemodeller og hundrevis av førsteklasses samlinger tilgjengelig på IK Tone.net TONEX ONE representerer den nye revolusjonen innen å levere enestående kvalitetslyd i et format i lommeformat. Da IK Multimedia introduserte TONEX PEDAL, ble folk overrasket over den eksepsjonelle lyden. De ville imidlertid ikke stoppe der; de siktet mot mer. IK bestemte seg for å utvikle et nytt produkt som er i stand til å oppnå samme høye lydkvalitet samtidig som det tar mindre plass. Ved å strippe alt ned til kjernen og pakke det inn i et micro stomp-format, ble TONEX ONE født, og ga liv til den perfekte følgesvenn for pedalbrett. TONEX ONE kan erstatte hvilken som helst forsterker-, boost-, overdrive-, distortion- eller fuzzpedal, og den lille størrelsen gjør at den passer nesten hvor som helst. Enhver artist kan ha så mange TONEX ONE-enheter de vil for å romme forsterkere, boosts, overdrives, distorsjoner og fuzzes. Disse kan kombineres med deres favorittforsterkere eller med en annen TONEX PEDAL eller TONEX ONE, som fungerer som en forsterker eller forforsterker, for å gå direkte til PA-systemet. Takket være de redigerbare knappenes farger, kan flere TONEX ONE-enheter lett skilles fra hverandre i et pedalbrett. Fargerik og tilpassbar Mikroknappfargene på TONEX ONE kan tilpasses for å utfylle enhver pedalbrettestetikk og gjøre det enkelt å identifisere forskjellige TONEX ONEe-enheter på et enkelt pedalbrett. Gitt størrelsen og rimelig pris, kan mange kunder velge å kjøpe mer enn én TONEX ONE og stable dem i henhold til deres preferanser. De tilpassbare miniknappfargene knyttet til hver innebygde forhåndsinnstilling gir også flere fordeler. De hjelper deg å skille mellom A/B- og Bypass-moduser og gjør hver TONEX ONE-enhet lett identifiserbar på pedalbrettet ditt. For eksempel kan man ha overdrive i rødt, distortion i blått, fuzz i lilla, og de to forsterkerkanalene i en enkelt TONEX ONE-enhet som veksler A/B-modus i gult og rødt. De tilgjengelige fargene inkluderer rød, grønn, rav (standard), gul, cyan, blå, rosa, lilla og hvit. I tillegg er det et alternativ for å slå av lyset, kanskje for mer formelle settinger som i teatre eller andre stilige arrangementer. Kompakt og solid størrelse. Over 20 000 gratis tonemodeller og hundrevis av premium-kolleksjoner tilgjengelig på IK Tone.net Har den samme utrolige kvaliteten som storebroren, TONEX PEDAL. 20 fabrikkinnbygde valgbare tonemodeller (tilpasses via TONEX Librarian) 3 tilordnede forhåndsinnstilte spor med 2 forskjellige moduser: "dual mode" for A/B-svitsjing og "stomp mode" for klassisk ON/Bypass Inkluderer en rask tuner som bruker de tre mikro-knottenes lysdioder som indikatorer Kan brukes som et lydgrensesnitt for opptak eller øving Direkte tilgang til gain, bass, mid, diskant, gate- og kompressorterskel, reverb-miks og volumkontroller Ingen redigering går tapt med "alltid lagret"-atferden Sikker modus for å beskytte enhver utilsiktet parameterendring mens du spiller To forskjellige modusfunksjoner: "dobbel modus" for A/B-svitsjing og "trampemodus" for klassisk ON/Bypass Globalt bypass-alternativ for kabinett RGB-tilpassbare retro-belyste mikroknapper for hver forhåndsinnstillinger TRS stereoutgang, allsidig for tilkobling til andre pedaler, en forsterker, direkte Inkludert programvare: TONEX SE og AmpliTube 5 SE Størrelse: 94mm x 48mm x 53mm Vekt: 160gr Strømkilde: 9V DC, 120 mA  nettadaptere (ikke inkludert)

IK Multimedia TONEX ONE Joe ...

3.350,-

IK Multimedia TONEX ONE Joe Satriani TONEX ONE Joe Satriani - Begrenset opplag som er håndlaget i Italia. Inneholder 20 unike forhåndsinnstillinger laget av Joe selv De forskjellige forhåndsinnstillingene inneholder Tone Models fra Joe's Amp Vault Signature Collection (verdi €99,99 som også er inkludert for bruk med Tonex-programvaren eller andre Tonex-pedaler). De forhåndsinstallerte lydene spenner over karrieren hans, fra tidlige klassikere til nyere lyder med hans signaturforsterker, 3rd Power Dragon Amplifier. Blant sangene som inspirerte forhåndsinnstillingen finner du Time Machine, The Extremist, Summer Song, Ice 9, Crush of Love, Love Thing og mange flere.  Begrenset opplag i en vakker kromfinish, håndlaget i Italia  Forhåndsinstallerte forhåndsinnstillinger: 20 unike forhåndsinnstillinger laget av Joe fra hans TONEX Signature Collection  Tilgang til Amp Vault Signature Collection: Inneholder 67 tonemodeller som representerer Joe Satrianis livslange arbeid og musikalske uttrykk  Avansert AI-teknologi: Laget med IKs AI Machine Modeling™ for nøyaktig å fange Joes favorittlyd  Innspilt i legendariske Red Rocker Studios: Alle modellene er finjustert av Joe og tatt opp i Sammy Hagars studio  Omfattende effekter: Innebygd EQ, delay, modulasjon, kompressor, reverb, støyreduksjon og en smart tuner  TonNET-integrasjon: Utforsk og last ned over 40 000 Tone-modeller direkte fra ToneNET  Tilpassbare LED-farger: Gjør det enkelt å bruke flere pedaler eller stereorigger  Fleksible tilkoblinger: TRS-utgang for stereo, dual mono eller hodetelefoner  USB-C-tilkobling: For lading av tonemodeller og opptak direkte til datamaskin  Tonex SE og AmpliTube 5 SE-programvare inkludert: Alt-i-ett-verktøy for modellering, spilling og bibliotekadministrasjon

IK Multimedia TONEX Pedal

4.325,-

IK Multimedia TONEX Pedal Modelleringspedal som ved hjelp av AI Machine Modeling emulerer 100-vis av forsterkere, høyttalerkabinetter og pedaler Gitarpedal med banebrytende modellering Med en banebrytende teknologi har TONEX tatt verden med storm. Her er mulighetene for å modellere alt fra en enkel pedal til en hel rigg, fra første pedal i signalkjeden til høyttaleren. Med en TONEX kan du forme lyd og finne akkurat det du leter etter, både på scenen og i studio. TONEX leverer modulerte lyder som er så nærme originalen at det er umulig å høre forskjellen i en live-situasjon. Du kan laste ned tusenvis av toppkvalitetslyder, justere og oppdatere TONEX-pedalen via den medfølgende programvaren eller direkte i pedalen hvis du foretrekker det. Det er garantert en lyd som passer deg, uansett hva du liker, smak og musikalsk stil. Alt fra uvanlige vintage forsterkere til moderne modeller. Spesifikasjoner TONEX: AI Machine-moduleringer Umulig å høre forskjell mellom modulasjonene og originalene Lastet med 100-vis av forskjellige lyder 1000-vis av lyder kan lastes ned Kan brukes som USB-lydgrensesnitt Høyttalersimulering (VIR) 24bit - 192kHz omformer 5 Hz–24 kHz frekvensområde 123 dB dynamisk område Noise gate, EQ, kompressor 5 stereoreverb Integrer i alle typer rigger med full midi-kontroll Inngang for expression-pedal TONEX MAX & AmpliTube 5 programvare inkludert

Jackson Audio Amp Mode MOSFET ...

1.990,-

AMP MODE MOSFET Boost The AMP MODE Boost is based on the exact same MOSFET transistor boost circuit that is found in the celebrated Jackson Audio PRISM preamp. It stacks well with other pedals as well as itself. As an always-on boost or even an added a second boost to the rest of your signal chain and other drive pedals, AMP MODE can really help sculpt your drive from classic overdriven rhythm to super articulate and saturated lead tones. • MOSFET Boost pedal • Single control - less is more • Perfect as a preamp, always-on or to give that extra push to gain sounds • Tiny footprint and top mounted jacks - for ease of pedalboard mounting • Powered by 9-18 V DC PSU        (centre -, 2.1mm, ~ 10 mA current draw) MOSFET transistors are a very popular choice for boost circuits, because they have many amp-like characteristics when they clip. However, several top-selling MOSFET-based boost pedals on the market can also have a very noticeable crackle when their gain knobs are rotated. Jackson Audio studied the behaviour and came up with a way to fix this issue, so the AMP MODE is perfectly silent when the boost knob is turned. The single boost control sets the overall boost level. AMP MODE is a true boost in that when the boost control is fully counter-clockwise, it doesn't boost your signal, it instead acts as a unity gain buffer that bolsters your guitars signal to prevent against tonal loss when using other effects pedals or when driving long cable runs. Use the AMP MODE as a preamp for your overall signal, a boost to push an overdrive pedal even further into saturation or as a post overdrive boost to clarify and push your guitar forward in the mix. The AMP MODE features 9-18V operation, true bypass switching and a tiny footprint with top mounted jacks, all making it easy to fit into any setup.

Jackson Audio Asabi ...

4.590,-

Mateus Asato Signature Overdrive/Distortion Pedal with MIDI ASABI - Mateus Asato Signature Modular Distortion/Overdrive Developed with Mateus Asato, one of the predominant guitar voices of today, the ASABI Modular Distortion/Overdrive pedal had a two-year development process. Every detail was painstakingly refined to ensure that both the Distortion and Overdrive channels would work together, to perfectly recreate the soulful overdrive and the liquid high-gain tones that legendary guitarist Mateus Asato is known for. Incorporating the Jackson Audio signature modern-day control features such as Clipping Styles, a 3-band Active EQ for maxing out the pedal’s tonal flexibility, their innovative GAIN CYCLE circuit and full MIDI control and the result is undoubtedly one of the most versatile platforms for drive tones ever created. In addition, Jackson Audio has developed the technology to create replaceable distortion modules for ASABI - analog circuit boards that can be easily swapped out to fundamentally change the tonal direction of the pedal. While a range of modules will be available, the pre-installed MODERN HIGH GAIN module gives you a plethora of tones, ranging from classic rock to crushing heavy metal! • Analog Distortion and Overdrive pedal • Unique modular and replaceable Distortion board concept • Installed MODERN HIGH GAIN Distortion module  - based on the JCM800 high-gain sound • Overdrive circuit based on the smooth Plexi-style tone • Active 3-band Parametric-EQ - for optimal tone shaping • MIDI control • 4 Clipping-Diode Styles for both Distortion and Overdrive circuits, with drastically different sound characteristics • Output level matching circuitry - counteracts output level differences of various Clipping-Diode options • GAIN CYCLE circuit - for instant gain adjustment in 4 steps • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU          (centre -, 2.1mm, ~ 160 mA current draw) The name ASABI, which means, "of unusual birth" was chosen by Mateus because it speaks to the unique nature of this pedal, as well as his own family heritage. Designed to make the pedal a complete 'Marshall-in-a-box', ASABI’s factory installed MODERN HIGH GAIN module features a super high-gain Distortion circuit. This perfectly recreates the detail and harmonic complexity of a legendary JCM800 amplifier. With this module, the resulting tone is very open, crisp and addictively fun to play and covers everything from 80's hard rock to more modern high gain tones at any volume. Adding to the functionality, the Distortion circuit also has a 3-Band Active EQ that is based on the legendary Baxandall EQ. This gives tremendous tonal flexibility, tailored specifically for guitarists and to top it off, via internal trim pots, you can change the frequency and Q of each band making this Fully-Parametric. Other optional Distortion modules available will include the LARGE MOUSE - a fully analog distortion module with the legendary sound of the ProCo Rat distortion - with many more to come and being released all the time, this modular concept will turn ASABI into your drive Chameleon! ASABI’s separate Overdrive channel features a soft clipping circuit that was designed to capture the smooth overdrive and touch responsiveness of a vintage Marshall Plexi. This circuit, which is in its own true bypass loop, can be used independently of the Distortion and is very useful for boosting the front end of that circuit for even higher gain. But that isn’t all. With 4 different Styles of clipping modes, each can drastically alter the tone and feel of the way the Distortion or Overdrive clips. With ‘Vintage Marshall’, ‘Classic Screamer’, ‘Asymmetric’ or ‘Symmetrical’ clipping, ASABI can really be the foundation of any distortion tone you wish to achieve to suit your tone goals. Amongst the most exciting features of the ASABI is the Gain Cycle, which takes the Gain knob setting, and divides it into 4 equal parts, making them instantly accessible as steps to cycle through by simply pressing both footswitches simultaneously. As with all of Jackson’s multi-option drive pedals, a unique circuit matches the output level of the pedal in its various clipping diode styles. So, no matter which of the four clipping options you choose, on either Distortion or Overdrive sides, your volume level will remain constant. This helps to you to alter how the pedal interacts with your amp or any other pedal(s) you may have in your rig and all on the fly. Add in MIDI control over Clipping Styles, Gain-Cycle options, Drive EQ options as well as ON/OFF of the Overdrive and Drive circuits and the ASABI is definitely the most powerful and comprehensive analog drive pedal ever made.

Jackson Audio Belle Starr ...

2.560,-

Drew Shirley Signature Drive Pedal BELLE STARR Signature Low/Mid Gain Overdrive The result of several months of collaboration with Drew Shirley from Grammy Award winning rock band Switchfoot, the BELLE STARR is a low/mid gain pedal perfect for keeping the tone of your instrument intact. To get his signature overdriven sound, Drew runs super small, low-wattage tube amps wide-open and the BELLE STARR was designed to recreate exactly these tones. • Low/Mid Gain Overdrive pedal • Smooth and natural breakup style of non-negative feedback amps • Unique clipping circuit featuring MOSFET transistors instead of silicon diodes • Tiny footprint and top mounted jacks - for ease of pedalboard mounting • Powered by 9-18 V DC PSU        (centre -, 2.1mm, ~ 20 mA current draw) Purposely not a high-gain overdrive, the BELLE STARR features a low/mid gain circuit that has the smooth and natural breakup characteristics of smaller, non-negative feedback amps. To make the overdrive as natural-sounding and amp-like as possible, Jackson Audio incorporated a unique clipping circuit that features MOSFET transistors instead of traditional silicon diodes. 8 months of dialling in the BELLE STARR with every variation of amp from Fender to Marshall, Vox and of course Jackson amps has ensured that the BELLE STARR will work on any amp that you couple it up to. The BELLE STARR features 9-18V operation, true bypass switching and a small footprint with top mounted jacks, all making it easy to fit perfectly into any rig!

Jackson Audio Bloom V2 Black ...

4.290,-

BLOOM V2 MIDI-Controllable Optical Compressor Designed to give guitarists maximum dynamic tonal control, the BLOOM V2 is a comprehensive dynamic engine that features fully fledged MIDI control over all 6 compression settings. A three-fold device, the BLOOM V2 manipulates the dynamics of the instrument by way of precisely tuned optical compression, 3-band equalization, boost and sustain circuits which can be activated separately or in tandem with each other, allowing compression control in ways never before possible. • Compressor pedal • Optical LA-2A style limiting circuit • MIDI control over all 6 compression parameters, ON/OFF and Level • 6 instant access presets • Flat frequency response paired with 3-band EQ for optimal tone shaping • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU        (centre -, 2.1mm, ~ 300 mA current draw) The BLOOM V2 features an optical limiting circuit that takes its inspiration from compressors designed during the golden age of vacuum tube circuits, known for their transparency and subtlety. While the pedal can provide a very aggressive response at more extreme compression settings, its real strength lies in its ability to add a gentle sweetening and roundness to the tone, as the optical circuit works to polish off any rough edges in the sound. Hidden inside the BLOOM V2 is a second auxiliary compressor circuit identical to the main compressor with two internal trimmers for Comp and Volume. It can be used in series ahead of the main compression circuit in making notes sustain, while still remaining clear and clean. The BLOOM V2 can work as a regular set and forget boost. However, by pressing and holding the footswitch down, the BLOOM circuit can slowly ramp up to the level set by the boost. This programmable ramp-up time, can be used to increase sustain on held notes or to perfectly match the dynamics in a song. The 3-band EQ circuit features a studio-grade EQ that gives tremendous tonal flexibility. Based on the legendary Baxandall EQ that is featured in countless studio devices, the BLOOM V2 takes this circuit and tailors it for guitarists. Jackson Audio spent a huge amount of time on this EQ dialling it in, so it would hit all the frequencies that guitarists need to adjust and then sweetened it by removing the ear-fatiguing highs and lows that can appear at extreme settings. Because of its natural touch response, the BLOOM V2 is ideal for players who typically don’t use compression but want the ‘mastered’ response that optical compression gives to a guitarists tone. Add in the MIDI control of the individual circuits Bypass features (Compressor, EQ, BLOOM) and the overall BLOOM level (via MIDI expression control) and the BLOOM V2 is no doubt one of the most versatile compressor pedals ever made.

Jackson Audio Blossom Optical ...

2.650,-

Optical Compressor Pedal BLOSSOM Optical Compressor Featuring exactly the same optical limiting compression circuit as Jackson Audio’s fully featured compression masterpiece the BLOOM, the BLOSSOM is a simple and easy to use optical compressor. Because of its natural and touch responsive bloom, the BLOSSOM is ideal for players who typically don’t use compression but want the ‘mastered’ response that optical compression gives to a guitarist’s tone. • Compressor pedal • Optical style limiting circuit from the Jackson Audio BLOOM • Simple and easy to use control set • Flat frequency response that keeps your tone untouched • Tiny footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 - 18 V DC PSU        (centre -, 2.1mm, ~ 20 mA current draw) Known for its transparency and subtlety, the BLOSSOM features an optical limiting circuit. Based on the BLOOM’s “country-style” green channel, it takes its inspiration from compressors designed during the golden age of vacuum tube circuits and is perfect for those players who want to squeeze, but also want to keep it simple. Although the pedal can provide a very aggressive response at more extreme compression settings, its real strength lies in its ability to add a gentle sweetening and roundness to the tone as the optical circuit works to polish off any rough edges in the sound. The frequency response of the compressor section is ruler flat and does not boost or cut any of your highs or lows. Just like a well-designed compressor circuit should, the BLOSSOM alters the dynamics of the guitar signal and not the tone - a good compressor should be felt and not heard!

Jackson Audio Broken Arrow ...

3.690,-

BROKEN ARROW V2 MIDI MIDI-controllable Overdrive & Boost With innovative features never before seen in ANY other overdrive pedal made, the BROKEN ARROW V2 MIDI is a comprehensive overdrive platform that is designed to give guitarists an incredible range of overdriven tones. Featuring a very flexible soft clipping overdrive circuit with 4 distinct Styles of clipping options, an innovative gain adjustment feature called GAIN CYCLE, a 3-band active EQ for maximum tonal flexibility and the MOSFET boost circuit found in Jackson Audio’s top-selling PRISM pedal, the BROKEN ARROW V2 MIDI is topped off with MIDI control over all its plentiful parameters. • Overdrive & Boost pedal, with Soft-clipping overdrive circuit • Active 3-band EQ - for optimal tone shaping • MIDI control over all parameters, ON/OFF and Boost • 4 Clipping-Diode Styles with drastically different sound characteristics • 4 differently EQ’d Boost Styles • GAIN CYCLE circuit - for instant gain adjustment in 4 steps • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU        (centre -, 2.1mm, ~ 100 mA current draw) For the overdrive circuit, the pedal is based on a soft clipping overdrive designed in the same vein as the venerable TS-808, but without a set “mid-hump”. Instead you can use the active 3-band EQ to tone-shape the overdrive sound exactly as desired. There are also 4 selectable and distinct clipping modes: 1. Green: Classic Screamer 2. Magenta: Asymmetric Clipping - great for aggressive rhythm parts 3. Blue: Symmetrical Clipping - for a more focused and direct tone 4. Amber: Vintage Marshall - higher headroom for more open and a less compressed tone One of the most exciting features of the BROKEN ARROW V2 MIDI is the GAIN CYCLE, which takes the GAIN knob setting and divides that level of gain into 4 equal instantly accessible steps to cycle through. A unique circuit level matches the output of the pedal as various clipping diodes are selected, so now you can select between all four clipping options and your volume level will remain constant. The boost circuit is MOSFET based, much like the AMP MODE found in Jackson Audio’s best-selling PRISM Preamp pedal. This has its own true bypass loop, which means it can be used independently of the DRIVE circuit. One of the things that makes the boost in the pedal unique from other boosts on the market are the 4 styles available. Each style is EQ’d slightly differently, which allows it to alter how it interacts with the overdrive circuit in the BROKEN ARROW V2 MIDI or any other pedal you may have in your rig To top it off, the DRIVE circuit has a 3-band active EQ that gives tremendous tonal flexibility. Based on the legendary Baxandall EQ that is featured in countless studio devices, the BROKEN ARROW V2 MIDI takes this circuit and tailors it for guitarists. Jackson Audio spent a huge amount of time on this EQ dialling it in, so it would hit all the frequencies that guitarists need to adjust and then sweetened it by removing the ear-fatiguing highs and lows that can appear at extreme settings. BROKEN ARROW V2 MIDI – the ultimate drive flexibility for your pedalboard!

Jackson Audio Fuzz ...

690,-

FUZZ CLASSIC/MODERN Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones.   Also available: MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive. FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine! GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit.

Jackson Audio FUZZ Modular ...

3.590,-

FUZZ Modular Fuzz Pedal with Octave Sporting that spitting, snarling and surly sound of rock legends past and present, the FUZZ Modular Fuzz pedal from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together in one modular pedal. This allows you to create classic fuzz tone, as well as new fuzz sounds that would have been impossible with just the original circuits! The idea of creating a modular fuzz came about as we were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became “All of them! They’re all different and bring something unique sonically”. With the FUZZ, you can update your fuzz sound completely with our swappable analog plug-in modules and turn your device into a whole new pedal with a simple and affordable plug-in swap out. In the 30 years since Brad Jackson began playing guitar, he’s always loved fuzz pedals. Having bought countless versions of fuzzes over the years, in his mind these pedals have always had a massive shortcoming - they desperately need more effective tone controls! That’s why Jackson Audio designed the FUZZ with a 3 band, fully parametric EQ. EQ and especially the mids are where the guitar makes its stand. Not enough mids and your guitar is lost in the mix. Too much highs and your tone is piercing and off-putting. Too much bass and you compete sonically with the bass drum and bass player. With the 3-band Parametric EQ on the FUZZ, you have 9 controls at your disposal to fully sculpt your tone and make sure the riffs you are laying down are NEVER lost in the mix! Main Features: •    Analog Octave Fuzz pedal •    Unique modular and replaceable Fuzz plug-in concept •    Installed MODERN FUZZ plug-in module - a modern take on all that is good from a spluttery vintage pedal •    Additional included FUZZ CLASSIC/VINTAGE plug-in module - based on the classic Fuzz Face circuit •    Separately switchable Octave circuit with Blend control •    Other plug-in modules available for a world of fuzz tones •    Active 3-band Parametric-EQ - for optimal tone shaping •    Small footprint and top-mounted jacks - for ease of pedalboard mounting •    Powered by 9 V DC PSU         (centre -, 2.1mm, ~ 50 mA current draw) A good fuzz and a good octave pedal go hand in hand. Jimi knew it, Stevie knew it and you know it. If you want to put some purple in your haze, you’re going to need an octave pedal and the octave circuit in the FUZZ is outstanding! Covering everything from perfectly pure octave up to screaming splatting sonic mayhem, the octave circuit in the FUZZ is the perfect marriage of vintage and modern thanks to its unique octave BLEND control. The BLEND control mixes your clean signal with the fuzz/octave signal so you can dial in precisely how much octave effect you want. Guys like Doyle Bramhall II use this to great effect by adding just a little octave to their sound which gives it a little “lift”. With the BLEND control fully counter-clockwise, the octave circuit acts as a boost and is perfect for slamming the front of the fuzz circuit for more gain! Pro Tip! Boost + Fuzz Face = Tone Bender! This boost is also perfect for boosting the front of other pedals or just running as an always-on signal buffer/booster. Fully clockwise, there is no clean blend so your signal is fully fuzzed out with however much fuzz/octave you have dialled in with the OCT control. The Fuzz is supplied with two analog plug-in boards, so right out of the box you have two completely different and versatile circuits to choose from. From vintage-style fuzz at lower settings, to snarling spitting fuzz at higher settings the MODERN FUZZ (installed) plug-in does it all and cleans up beautifully when your guitars volume control is lowered. FUZZ CLASSIC/VINTAGE is the additional plug-in the FUZZ ships with. This plug-in is the classic Fuzz with the ‘smiley face’ and has lower gain and a looser/softer feel which is perfect for the earlier Jimi-era tones. In addition, a growing range of other modules will be available. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible and ready to go!

Jackson Audio Fuzz Page Mark ...

690,-

FUZZ PAGE MARK II Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine!   Also available: MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive. FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones. GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit.

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