Prosessorer

11.895,-

The “Bluey” is a modified “Blue Stripe” compressor based off of the “golden” unit owned by Chris Lord-Alge. When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits. The “Bluey” is a modified “Blue Stripe” compressor based off of the “golden” unit owned by Chris Lord-Alge. When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits. Any audio engineer worth their weight in gear will tell you about the special moments that occur on records by chance. We’re talking about the magic you can’t plan. It must occur organically, being comprised of sheer randomness or even flat out mistakes. For instance, the spontaneous banter from a vocalist in between takes that adds character to a track, or a radical new audio effect discovered through a simple routing mistake. The same good fortune sometimes shines upon a piece in the vintage gear world. Through decades of maintenance and repair, some units, like wine, get better with time. The scarcity of original parts leads technicians to diverge from the original design, creating an improved, one-of-a-kind, modified unit. Armed with an impeccable ear, decades of experience, and an abundance of coveted gear, legendary mix engineer, Chris Lord-Alge, was able to recognize one of his four 1176 Blue Stripe units as firmly sitting in this distinctive category. The particular unit, dubbed “Bluey,” has a special “mojo” to it that shines on vocal tracks like no other. Chris desired more channels of this golden unit, and reached out to the guys who know modifications best – the team at Black Lion Audio! Intrigued by Chris’ praise of the unit, head design engineer, Jesus Ortiz, boarded a plane from Chicago to LA to discover what gave this Blue Stripe its edge. He found a series of mods done to the unit over the years to keep it working that miraculously cumulated in a uniquely beast-like 1176! BLA analyzed the unit with pain-staking detail, and has, in conjunction with Chris Lorde-Alge, recreated the monster, now known as the new Black Lion Audio “Bluey!” – Fully discrete design – Through hole components – Polyester capacitors – Vintage inspired one-sided PCB layout – Cinemag remake of original UTC transformer – Wet/Dry mix feature – Linear power supply – Precise meter calibration

Black Lion Audio Eighteen ...

10.684,-

Black Lion has done it again with Eighteen: an homage to vintage channel strips, featuring a mic preamp with Cinemag transformers and two BLA1831 discrete op-amps, as well as a passive program EQ with a custom Cinemag inductor — all delivering the best of vintage vibes to your recordings! Black Lion Audio’s Eighteen starts with a vintage-inspired preamplifier — providing a creamy, yet punchy response. They topped that off with a passive induction-based program equalizer and output controls for pushing the analog stages to pure overdriven-bliss that’s still safe for your convertors and DAW. Eighteen’s preamplifier circuit isn’t just another clone, but an homage built to pay proper tribute to some of the most classic designs ever made. That’s why Black Lion created the BLA1831: a customized, discrete op-amp created through an extensive period of component testing — creating great vintage tone, while still matching a noise floor that’s akin to modern equipment. Eighteen packs an impressive, original passive inductor-based equalizer that you’re sure to love — featuring a custom Cinemag inductor made just for Eighteen! The results are amazing; a quiet, and ultra-flexible equalizer that packs all of the vibe of your favorite program-style EQ’s. Eighteen’s features don’t stop there: it also features a custom-wound Cinemag transformer for the output, as well as output gain control for pushing the unit into pure overdriven-bliss. Black Lion Audio designed, engineered, assembles, and tests each unit by hand in the USA.

Black Lion Audio Seventeen ...

6.258,-

Black Lion Audio - Seventeen 500 Compressor Black Lion didn’t sacrifice one ounce of tone when they shrunk down their classic Seventeen compressor to fit into the portable 500-series format. Seventeen, for those who don’t already know, is Black Lion’s unique take on what the classic ‘76 limiting amplifier could have been with the benefit of today’s tech. It’s not your grandpa’s ‘76. Seventeen 500 delivers profound detail and nuance never before heard with a ‘76-style compressor. And you even get some features not even available on the originals, including wet/dry mix control, a stereo-link option, and a frequency-adjustable sidechain high-pass filter.

Black Lion Audio Seventeen ...

8.730,-

The Seventeen is not the ’76 compressor that your grandfather recorded with. It isn’t even a remake but rather the Black Lion spin on what the ’76 Should have been. Designed in conjunction with hitmaker Tobias Lindell and featuring a redesigned and improved IC based front end, the Seventeen shows incredible detail and nuance normally not possible with this style compressor. This new front end circuit is coupled with our custom designed, made in Chicago output transformer, designed to give this unit a huge bottom end that balances out the open top end very nicely. We also include our proprietary Black Lion style power decoupling for an incredibly low noise floor. The Seventeen also uses high grade nichicon signal capacitors, widely considered some of the highest quality caps available. Never the ones to settle for “good enough,” we have added features that users normally consider as upgrades or mods including, a frequency adjustable side chain, separate selectable high and low pass filters, a wet/dry mix knob to allow users to blend in dry signal into their compressed signal, the Seventeen has a palette of tones not available to anything else on the market today. It also includes the all important stereo link function for linking together two units.

BSS AR133 Aktiv DI-boks

1.790,-

Active Direct Box AR-133. Signals from electronic instru-ments such as guitars, keyboardsand similar sound sources gener-ally have a low level, high im-pedance output, which will notinterface with the low impedancebalanced input found onprofessional sound mixing con-soles. Furthermore these signalscannot be driven up long cablelengths without serious loss oflevel and degradation. The DI box converts this signal toa more suitable form withoutinterfering with or modifying thesignal at the instrument source,and should provide freedom fromground and power line relatedproblems. Passive DI boxes have limitedapplications as they will inevita-bly affect the signal source forguitar type applications, and canalso have an insertion loss ofaround 20dB. The only safe and predictableway to provide direct feeds frominstruments or other sources is byusing an Active DI box utilisingan input amplifier driving anoutput transformer. The AR-133 fulfills all therequirements of an active DI andmore.

dbx dB10 passiv DI boks

1.390,-

db10 passiv DI-boks fra dbx har en innpakning som er spesialdesignet for å ta best mulig vare på signalet ditt. I tillegg tåler den robuste boksen røff behandling, og antiskli-overflaten gjør den lett å stable! db10 inneholder det vanlige en DI-boks skal ha: Jack inngang og parallell “thru” jack, balansert XLR-utgang og jordløftbryter. I tillegg har den en 3-posisjons PAD bryter for instrument-, line- og høyttalersignaler (0db, 20db, 40db), fase-vender og highcut filter-funksjoner. Det hele er pakket i en robust boks med anti-skli overflate (for ryddige stabler!), og med en trafo utviklet av dbx som sørger for best mulig kvalitet på signalet.

dbx dB12 aktiv DI boks

1.750,-

db12 aktiv DI-boks fra dbx har en innpakning som er spesialdesignet for å ta best mulig vare på signalet ditt. I tillegg tåler den robuste boksen røff behandling, og antiskli-overflaten gjør den lett å stable! db12 inneholder det vanlige en DI-boks skal ha: Jack inngang og parallell “thru” jack, balansert XLR-utgang og jordløftbryter. I tillegg har den en 3-posisjons PAD bryter for instrument-, line- og høyttalersignaler (0db, 20db, 40db), fase-vender og highcut filter-funksjoner. Det hele er pakket i en robust boks med anti-skli overflate (for ryddige stabler!), og med en trafo utviklet av dbx som sørger for best mulig kvalitet på signalet.

Death By Audio Echo Master ...

3.990,-

PSYCHEDELIC VOX TRIP. Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform the delay sound into a chaotic realm of noise and feedback. The effects loop allows additional effects to be routed into the output, making it easy to fuse any of your favorite effects pedals with your vocal sound. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice. CONTROLS Time: Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. . SPECIFICATIONS Dimensions: 6.09" x 3.45" x 2.75" (including hardware). Weight: 16oz. (w/ Alternate Back Plate 30oz.) Power: 9V (runs on standard 2.1mm negative center 9V adapter). Current Draw: 25 mA. *Alternate Backplate: The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Recently upgraded with a die cast screw and heavy-duty welded mount.

Focusrite ISA 428 MkII Preamp ...

30.650,-

4 x Focusrite ISA mic pre med valgbar impedans 4 kanaler ISA, med Lundahl trafoer, variabel impedans og trinnløst HPF. ISA428MkII består av 4 klassiske ISA pre-amper med +80 dB gain. Alle kanaler er utstyrt med trinnløst high-pass filter, polaritetsvender, valgbar impedans og insert. Lundahl LL 1548-trafoene påfører signalet en subtil andreharmonisk forvrenging som gjør at lyden oppleves som ”varm”. Når man driver de hardt, vil de også komprimere på ganske lik måte som analog tape. Et 8-kanals AD-kort kan kjøpes i tillegg (for de 4 ISA-kanalene + 4 AD-converter inputs på baksiden av enheten).

Focusrite ISA 828 MkII Preamp ...

47.260,-

8 x Focusrite ISA mic pre med valgbar impedans Up to 60dB of gain is available, with a further +20dB of continuously variable trim, providing a huge 80dB gain range. The high-pass filter has a fixed 75Hz frequency and 18dB / octave roll-off for minimising rumble, stand-borne noise and other low-frequency sounds. The ISA 828 MkII also features per-channel, six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at sampling rates of up to 24-bit / 192kHz. Features Optional A-D card with up to 192kHz, 24-bit sampling offers high-quality digital audio conversion to Dante, ADAT and AES3 Classic ISA mic preamp design featuring Lundahl LL1538 input transformer Switching power supply design allows for efficient and cool operation Front-panel instrument inputs to first four channels Line inputs with dedicated input connectors and front-panel select switch Switchable input impedance including classic ISA 110 setting High-pass filter with fixed 75Hz frequency and 18dB/octave roll-off Switchable insert points when used with A-D card Per-channel six-segment LED peak-level meters As with all Focusrite products, you'll also benefit from a three-year warranty Brainworx bx_console Focusrite – exclusive plug-in that faithfully captures the sound, feel and styling of the original Focusrite ISA 110 Equaliser and ISA 130 Dynamics Modules.

Focusrite ISA One Preamp + 1 ...

8.590,-

Classic mic pre with independent DI Featuring a rugged, portable all-metal enclosure, ISA One combines the classic Focusrite microphone preamp with a flexible, independent DI channel and optional 192kHz precision A-D conversion. At the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer – essentially the same circuit, based on the original ISA 110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can't be truly emulated in any other way, while the modern twist of variable input impedance allows for a new degree of flexibility. Whether you're an artist, engineer or producer, you'll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low/high impedance switching and an amplifier output, and its own feed to the optional A-D converter and separate rear-panel XLR output. Classic ISA mic preamp design featuring Lundahl LL1538 input transformer Flexible independent DI channel Switchable input impedance including classic ISA 110 setting Headphone output with volume control Dedicated insert point Optional stereo 192kHz A-D conversion card specifications Mic Input Response Gain range (Mic) 0dB to 60dB in 10dB steps 20 dB of variable gain EIN (Mic) -126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz/22kHz band-pass filter Noise (Mic) Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter-97 dBu Signal-to-Noise Ratio (Mic) 106 dB relative to max headroom (9dBu) Frequency Response (Mic) At minimum gain (0 dB)-0.5dB down at 10Hz and -3dB down at 125kHz CMRR (Mic) 98dB (Channel 1, 1kHz, maximum gain with 24 dBu input) Crosstalk Channel to Channel (Mic) With 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA Line Input Response Gain range (Line) -20dB to 10dB in 10dB steps 20 dB of variable gain Input Impedance (Line) 10 kO from 10 Hz to 200 kHz Total Harmonic Distortion Noise (Line) Measured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter0.0001 Frequency Response (Line) At unity gain (0 dB)-0.3dB down at 10Hz and -3dB down at 200kHz Instrument Input Response Gain range (Instrument) 10dB to 40dB continuously variable Input Impedance (Instrument) High = greater than 1M Low =greater than 300k THD (Instrument) At minimum gain ( 10) High-Pass Filter Roll-Off 18 dB per octave (3 pole filter) Frequency Fixed 75Hz measured at the 3dB down point Weight and Dimensions W x D x H 220mm (W) x 104mm (H) x 254 - 290mm Weight 3.9 kg (8.6 lbs)

Focusrite ISA Two Preamp 2 ...

12.990,-

Dual Focusrite ISA preamp, 19"/1U To-kanals ISA mikrofonforsterker med variabel impedans og feite Lundahl-trafoer. Ved siden av de to mik/instrument/linje inn, har kanalene variabel impedans, polaritetsvender, trinnløst tredjeordens hipassfilter (opp til 420 Hz), balanserte insertpunkter og kalibrerbare 8-LEDs nivåmetere. Lundahl LL 1548-trafoene gir et helt karakteristisk sound. De påfører signalet en subtil andreharmonisk forvrenging som gjør at lyden oppleves som ”varm”. Når man driver de hardt, vil de også komprimere på ganske lik måte som analog tape. Two channels of classic Focusrite mic pres Focusrite's ISA Two brings together a totally independent pair of classic ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve – the Lundahl LL1538. Each mic pre has the option of mic, line or the front-panel instrument input, with variable input impedance to ensure you are getting the best performance from the source. Up to 60dB of gain is available on the first four-position rotary and gain range switches, with a further +20dB of continuously variable trim, meaning a huge 80dB of gain is available should it be required. The high-pass filter features variable cut-off frequency between 16 and 420Hz. A pair of 8-segment LED meters show peak signal level in dBFS, while a rear-panel pot allows calibration to suit your A-D converters. Rear-panel insert points allow the use of inline processors such as compression. Classic ISA mic preamp design featuring Lundahl LL1538 input transformer Front-panel instrument inputs Dedicated TRS line input socket with front-panel switch Switchable input impedance including classic ISA 110 setting Dedicated insert points User-calibrated peak-level meters specifications Mic Input Response Gain range (Mic) 0 dB to 60 dB in 10 dB steps, plus 0 dB to 20 dB continuously variable trim EIN (Mic) Measured at 60 dB of gain with 150 O source impedance and 22 Hz-22 kHz band pass filter -127 dB Noise (Mic) Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu Frequency Response (Mic) At minimum gain (0 dB)-0.5 dB at 10 Hz,?-1 dB at 135 kHz, relative to 1 kHz At 60 dB gain (Mic) -6 dB at 10 Hz, -1 dB at 115 kHz, relative to 1 kHz Crosstalk Channel to Channel (Mic) Mic input, with I/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB test54654654654 test+O Line Input Response Gain range (Line) -20 dB to 10 dB in 10 dB steps, plus 0 dB to 20 dB continuously variable trim Input Impedance (Line) 10 kO from 10 Hz to 200 kHz Frequency Response (Line) At minimum gain (0 dB)-0.3 dB at 10 Hz, -1 dB at 80 kHz, relative to 1 kHz Crosstalk Channel to Channel (Line) Line input, with I/P = 0 dBu, gain = 0dB @ 1 kHz input to channel AChannel B output?= -91 dB Instrument Input Response Gain range (Instrument) 10 dB to 40 dB continuously variable trim Input Impedance (Instrument) 2 MO Noise (Instrument) Measured with 22 Hz-22 kHz band pass filterMinimum gain ( 10 dB) = -95 dBu Frequency Response (Instrument) At minimum gain ( 10 dB)-0.1 dB at 10 Hz,?-1 dB at 115 kHz, relative to 1 kHz At maximum gain ( 40 dB) (Instrument) -2.5 dB at 10 Hz, ?-1 dB at 110 kHz, relative to 1 kHz High-Pass Filter Roll-Off 18 dB per octave (3 pole filter) Frequency Range Continuously variable from 16 Hz to 420 Hz (-3 dB) Weight and Dimensions W x D x H 480 mm x 280 mm x 44 mm Weight 3.7 kg

Focusrite Scarlett OctoPre 8 ...

7.290,-

Supported Sample Rates 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz Microphone Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 109 dB (A-Weighted) THD+N Noise EIN -127 dBu Maximum input level (without pad) +8 dBu Maximum input level (with pad) +16 dBu Gain Range 50 dB Input Impedance 3 kΩ Line Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 109 dB (A-Weighted) THD+N Maximum input level +22 dBu Gain Range 50 dB Input Impedance 49 kΩ Instrument Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 108 dB (A-Weighted) THD+N Maximum input level +13 dBu Gain Range 50 dB Input Impedance 1 MΩ Line Outputs Maximum Output Level (0 dBFS) +16dBu @ 0dBFS, or >21dBu where ADAT output is not used THD+N Ouput Impedance 136 Ω (Balanced)

Focusrite Scarlett Octopre ...

10.490,-

Focusrite Scarlett OctoPre Dynamic er en aldri så liten multikunstner. Her får du 8 kanaler mikrofonforsterkere, med kompressorer på hver kanal. Disse kanalene sendes til både de analoge og optiske (ADAT) utgangene, så sant du ikke har trykket på ADAT --> Line-knappen. Da vil nemlig ADAT-inngangene sendes til de analoge utgangene. Focusrite Scarlett OctoPre Dynamic kan derfor også fungere som en 8-kanals DA-converter! Supported Sample Rates 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz Microphone Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 107 dB (A-Weighted) THD+N Noise EIN -127 dBu Maximum input level +13 dBu Gain Range 50 dB Input Impedance 3 kΩ Line Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 107 dB (A-Weighted) THD+N Maximum input level +21 dBu Gain Range 50 dB Input Impedance 64 kΩ Instrument Inputs Frequency Response 20Hz - 20kHz +0.5/-1.5dB Dynamic Range 107 dB (A-Weighted) THD+N Maximum input level +13 dBu Gain Range 50 dB Input Impedance 1 MΩ Line & Monitor Outputs Dynamic Range (Line Outputs) 109 dB (A-Weighted) Maximum Output Level (0 dBFS) +16 dBu THD+N Ouput Impedance 136 Ω (Balanced)

Harrison 500-series 32C ...

6.560,-

Harrison 500-series 32C Preamp The 32Cpre+ takes the high-performance, transformer-coupled microphone preamp from the 32Classic studio console, combines it with the renowned Harrison LP/HP filters, and delivers it in 500 Series format. Inspired by the iconic Harrison 3232, the 32Classic mixing console and preamp is an American icon reimagined, delivering the tone that helped create some of the most iconic albums of the 70s’ and 80s’. Thanks to the 32Cpre+, that Harrison sound is now available in 500 series format. Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. The Harrison tone The 32Cpre+ delivers the warm, rich tone that Harrison is renowned for. Full low-end, open mid-range, and super-smooth, natural highs are what to expect from this Jensen JT-MB-CPCA transformer-coupled mic-pre. The gentle roll-off at each end of the frequency spectrum and delicate phase shift created by the 1:1 ratio transformer produces a mic pre that sounds so sweet you’ll use it on any source material. Tools for tracking The 32Cpre+ delivers +20 to +70 dB of smooth gain capable of driving a wide range of mic types, including ribbon. In addition to 180 ° Phase, 48V, -20 pad, and HiZ impedance switches, the front panel features combo XLR with ¼" jack connector that lets you plug a microphone or instrument into the 32Cpre+ directly without having to access the rear panel of the 500 Series rack. Legendary Harrison filters A Harrison mic pre wouldn’t be complete without our legendary filters. As found in the original 3232 and latest 32Classic console, the filters have a musical 12dB/octave slope, with the High Pass Filter featuring a characterful 3 dB resonant peak. The High Pass Filter range is 25 Hz – 3.1 KHz, and the Low Pass Filter is 160 Hz – 20 KHz. Key features: The sound of Harrison. Jensen JT-MB-CPCA transformer-coupled mic-pre. +20 to +70 dB of gain. Front-mounted combo XLR with ¼" jack connector. 48V phantom power switch. Polarity reverse switch. HiZ impedance switch. Input overload LED. Compatible with 500 Series format chassis.

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