Prosessorer

1.099,-

The Phantom II Pro is designed to do one thing and do it well. It provides clean, reliable phantom power for one or two condenser microphones in a rugged, compact, and portable unit. Innovative low power circuitry generates the higher voltage necessary for powering microphones while maximizing battery life. The Phantom II Pro installs inline between your microphone and a balanced line input on your gear. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used. The Phantom II Pro is an invaluable tool in application areas including (but not limited to): home or professional recording studios, live sound, PA, permanent installs, DJ, AV, podcasting and broadcasting. Use it with mixers, audio processors, digital audio workstations or anywhere you need phantom power for your mics.

ART PHANTOM1 48V Phantom ...

799,-

ART - PHANTOM1 48V Phantom Power Supply Different condenser microphones specify different amounts of required phantom power. As a rule these ratings can range from 48 volts all the way down to 9 volts. Fortunately, there is some flexibility in terms of matching phantom voltage to your mic. A rough rule of thumb would be “more is better.” For example, a 24-volt condenser mic will run perfectly on 48 volts. In fact, mics rated at as little as 9 volts can often operate on 48 volts, but you should check with the manufacturer first. Conversely, a mic will generally perform best driven by not less than its rated voltage so, for a 48V mic, you would obtain best results with 48 volts of phantom power. The Phantom I is a great choice for the above needs.

ART S8 3WAY Eight Channel ...

4.389,-

ART S8-3Way 8-Channel 3-Way Mic Splitter The S8-3Way lets your mic signals be in three places at once. It's an 8-channel splitter in a 1U rackmount enclosure with one direct output and two transformer-isolated outputs per channel. The passive design doesn't require power, but the direct outputs will pass phantom power for use with active microphones. When three outputs are better than one, the S8-3Way is ideal for sending signals to multiple destinations, such as front-of-house, monitor, and broadcast or recording mixers. Need switchable input pads and ground lifts per channel? Check out the S8. Features 8-Channel 3-Way Splitter Balanced XLR Connections 1x Direct and 2x Transformer-Isolated Outputs per Channel Direct Outputs Pass Phantom Power Passive Design - No Power Required 1U Rackmount Reversible Rack Ears Specifications Input Impedance > 1.1 kΩ @ 1 kHz Typical Driving Source Impedance is 150Ω Output Impedance < 255Ω @ 1 kHz 1 kΩ Typical Output Load Impedance Frequency Response 20 Hz - 20 kHz (+/- 0.25 dB @ -15 dBu) THD < 0.26% (20 Hz - 20 kHz, -15 dBu Input) < 0.1% (45 Hz - 20 kHz, -15 dBu Input) 0.002% Typical @ 1 kHz (-15 dBu Input) CMRR > 105 dB @ 60 Hz > 80 dB @ 3 kHz Phase Shift <10° @ 20 kHz (Reference 1 kHz) Insertion Loss ~2 dB @ 1 kHz Dimensions (DWH) 3.75" x 19" x 1.75" 95 mm x 483 mm x 44 mm Weight 3.75 lbs / 1.7 kg

AUDIENT EVO SP8 8-Channel ...

5.950,-

AUDIENT EVO SP8 8-Channel Smart Preamp with AD/DA 8 Kanalers Smart Preamp Profesjonell lyd fra fremtidens mikrofon-preamp Utvid ditt nåværende lydkort med flere kanaler Smartgain og 32-bit AD/DA-omformer Digitalt styrte analoge preamper EVO Motion UI kontrollsystem 2 ADAT-tilkoblinger Ultralav støy "Word Clock"-inngang Fremtidens Mikrofon-preamp Den ultimate mikrofon-preampen er her. EVO SP8 er designet for å være den perfekte partner når du vil utvide ditt eksisterende lydkort. Gi studioet ditt kapasitetsøkningen du trenger med åtte intelligente EVO-preamps som setter sine egne nivåer med Smartgain og avanserte 32-bit AD/DA-omformere. Legg til to JFET-instrumentinnganger, det helt nye, banebrytende Motion UI-kontrollsystemet og eksepsjonell lyd hele veien. EVO SP8 er kanskje verdens smarteste mikrofon-preamp. Den perfekte partneren til lydkortet ditt Større sessions krever flere kanaler, og å utvide ditt eksisterende lydkort via ADAT kan være den mest kostnadseffektive løsningen for å oppdatere studioet ditt. EVO SP8 har åtte mikrofon/linjeinnganger, åtte linjeutganger og 2 ADAT-tilkoblinger, noe som gir deg nok I/O-ildkraft til å enkelt håndtere opptak med mange mikrofoner, for eksempel å spille inn trommer eller et helt band på en gang. Kvalitetsinnspillinger EVO mikrofon-preamp EVO SP8 er preampen studioet ditt behøver. Med åtte fantastiske EVO-preamper vil du høye kvaliteten på opptakene dine uten problemer og levere profesjonell lydkvalitet støttet av 25 års ingeniørerfaring. EVO's analoge mikrofon-preamp er designet for å levere den mest nøyaktige, rene og autentiske versjonen av lyden din, uansett hva du tar opp. En analog mikrofon-preamp, men smartere Ta studioet ditt inn i fremtiden med den kraftige preamp-teknologien til EVO. Kombiner alle fordelene med en analog preamp i studiokvalitet med digitalt kontrollert presisjon. EVO SP8 gir deg muligheten til å stille inn gain med ekstrem nøyaktighet, helt ned til desibelen. Kombiner EVO SP8 med den fullt kompatible EVO 16 og få hele 24 kanaler med Smartgain. Du kan i utgangspunktet ha soundcheck med et helt band i studio på 20 sekunder. Motion UI, et kraftig nytt kontrollsystem Naviger lynraskt gjennom preampens funksjoner med det splitter nye smarte brukergrensesnittet Motion UI. For første gang med en høyoppløst fargeskjerm som intelligent viser informasjonen når du trenger den, noe som gjør EVO SP8 om til en Smart Preamp - den første av sitt slag. Klassisk sound, moderne lyd For å skape skikkelig gitarlyd trenger du et grunnlag. EVOs harmoniske JFET instrumentinnganger er designet for å gjenskape inngangen til en klassisk rørforsterker og skaper et perfekt grunnlag for meget god gitarlyd. Nøye designet for å se fantastisk ut SP8 er nøye designet for å se fantastisk ut, både på skrivebordet og i rack. Den sterke LED-belysningen ser ikke bare flott ut, men gjør den også synlig i studiomørkret. Et robust stålchassis sørger for at EVO SP8 møter utfordringene ved daglig bruk i studio og ute på veien. ARC EVO SP8 er kompatibel med alle større programer og plugins og leveres med en rekke fantastisk innspillingsprogram inkludert Cubase LE, som gir deg alt du må ha for å begynne å ta opp med en gang.

Bellari RP520 Studio Tube Mic ...

10.395,-

BELLARI RP520 Studio Tube Mic Preamp Great tube mic preamp, identical to the RP220 except for the analog meters, and gold face plate. It has been included on several album credits and is present in most major studios in LA, Nashville, and New York. It has the smooth yet punchy characteristics that drive vocal tracks to the front, warm up any digital mix, and yields up to 6 dB more gain before feedback for the live user. The pristine sound is achieved by running the tubes at a high 250 volt plate voltage. INPUT Standard XLR type balanced inputs, pin 2 is hot, for Mic or line-level audio sources. (e.g., instrument, microphone or mixer). OUTPUT JACKS 1/4" phone connectors or balanced XLRs used for connection to your line inputs on your load (e.g., DAT, Amp. or mixer). 30 dB Pad This switch changes the level of the Output XLR jack only. When in, it attenuates the output level by 30 dB. PHASE REVERSE When pressed in, reverses the phase of the output signal 180 degrees from the input signal. Frequency Response20Hz - 40kHz, +/- 3dB Mic/Line 5Hz - 40kHz inst. Input Impedance600 ohm balanced XLR 1M ohm Instrument THD0.1% typical SN Ratio>107 dB Max Gain48dB Inst or line, 70dB XLR Indicators2 - LEDs (Phantom Power) 2 - Backlit Analog Meters Input/Output jacksXLR balanced and 1/4" Dimensions3.5" X 6" X 19" (89mm X 162mm X 482mm) 230VAC 15VA

Bellari RP533 Studio Tube ...

10.895,-

The RP533 uses all the powerful circuitry included in other popular Bellari rack-mounts, in a single channel unit. Each process, except the preamp, can be individually bypassed. The RP533 is ideal for vocals, instruments, or any application where signal preamplification and dynamics processing is required, all with warm and inviting sounds. Warm, silky tube preamplification Smooth, natural compression Sonic Exciter, frequency enhancement All tube gain circuitry with proper high-voltage plate voltages Transformer balanced input 1/4” and XLR inputs and outputs Calibrated metering - switchable in the circuit path +48 Volt Phantom Power Side Chain for direct access to the compressor's detector circuits Frequency Response 20Hz - 40kHz +/-3dB Input Impedance 600 Ω balanced 1M Ω unbalanced THD + Noise <0.1% typical Noise Floor -90 dB Indicators Phantom Power LED Analog Meter Input/Output jacks XLR balanced 1/4" unbalanced 1/4" unbal. Side Chain Dimensions 3" x 6" x 19" (180 X 162 X 482 mm) Weight 7.5 lbs. (3.4 Kg) Power 120VAC (230VAC) 15VA

Black Lion Audio Auteur MK2 ...

2.798,-

Auteur MKII 500 Mic Pre The Auteur MKII 500 is a single channel, 500 series preamp that features phantom power, phase, a 13dBu pad, and a Hi-Z input. The Auteur MKII 500 is one of the most “bang for your buck” 500-series preamps in existence! You get all of the sound of the 1⁄2 rack version, but with the addition of a Hi-Z input! It features an ultra-fast input stage that captures lots of detail and nuance, and a signal path transformer that adds some “beef” on the way out. Once you hear the Auteur MKII 500, you’ll want to load your 500 rack full of ‘em!

Black Lion Audio Auteur MK3 ...

5.016,-

Auteur MKIII – 2-Channel Transformer-Coupled Microphone Preamplifier Black Lion Audio has been known and trusted for years as the go-to masters of audio equipment modification — taking gear to new heights with uncompromising mods. Years of preamplifier modification have culminated into their own offering of Chicago-style sonic bliss: the Auteur mkIII — 2 channels of fast response, with fat low-end sound. The Auteur mkIII design starts with a modern front-end that’s best described as fast and transparent — perfect for capturing every nuance and detail. This is followed up by a vintage-inspired output-stage design coupled with a Cinemag transformer for massive, colorful sound. This design approach results in a preamp that’s a perfect jack-of-all-trades that sounds amazing on everything you can throw at it. Both channels have line level inputs for adding warmth and weight to keyboards, synths and even full stereo mixes. The Hi-Z switch makes for a stellar instrument input for direct capture of guitar and bass. Auteur mkIII features a tour-worthy chassis, that’s extremely portable. Not only is it great on the go, but it fits perfect on a desktop for smaller setups. Removable rack ears are also included, as Auteur mkIII can be racked in a 1/2U space. Every good mic needs a great preamp to bring out it’s best, and the Auteur mkIII is an exceptional offering for your entire microphone collection. Features 2-channel microphone preamplifier Modern IC-based front-end for fast and transparent sound Vintage-inspired transformer-coupled output-stage featuring Cinemag transformers for massive, colorful sound Line and Hi-Z input -10dB pad, 48v phantom power, and polarity reverse for each channel 62dB of gain Balanced TRS line outputs Removable rack ears included with 1U 1/2 rack compatibility

Black Lion Audio Auteur Quad ...

10.022,-

The Auteur Quad is the four channel version rack mount of our ever popular Auteur MK2 preamp. The Auteur Quad is the four channel version rack mount of our ever popular Auteur MK2 preamp. The Auteur preamp has become a studio staple over the last decade and is know for its fast, transparent IC based front end while also providing a fat, colorful back end via edcor transformers. This mixture of vintage and modern design approaches has led the Auteur to be known as the “Swiss army knife of preamps” that sounds great on everything. It especially shines on sources that require detail but also benefit from some thickness such as drums or vocals. Some of the major additions to the Quad over the 2 channel half rack unit would be the all new meters on all four channels as well as borrowing the loved DI circuit from our 500 series Auteur on the first 2 channels. This feature set as well as channel count gives you one of the most affordable preamps in the world at an unbelievable price.

Black Lion Audio B12A MKIII ...

4.853,-

Meet the Black Lion Audio B12A mkIII — the most portable 312A American-sound around! The B12A mkIII uses the same Cinemag input and output transformers as our B12A Quad for a whopping 70dB of gain. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain allow for perfect recall. Features • 1-channel preamp with USA Cinemag input and output transformers • Stepped gain control; front-panel DI • Phantom power, polarity-reverse, 18dB pad, hi-Z switch • External power supply minimizes noise • Convenient, rugged half-rack chassis • Designed and assembled in the USA

Black Lion Audio B12A Quad 4 ...

15.039,-

The B12A Quad is Black Lion Audio’s latest rendition of 312A-style gain with 70dB of bang! Housing four channels of Rock ‘n’ Roll punch in a 1U chassis, it delivers modern flair with solid vintage tone at an unbeatable price! Each channel of the B12A Quad has the same delicious Cinemag input transformer found in the venerable B12A Mk2, but also sports Cinemag output transformers, two front panel D.I.’s, output metering on every channel, and XLR/TRS parallel outputs in back! And if that doesn’t cook your noodle, the B12A Quad packs all of this punch at under $300/channel!

Black Lion Audio B172A - Dual ...

18.529,-

B172A Hybrid F.E.T. Opto Compressor Black Lion Audio, having hit the mark with the widely adored Seventeen compressor, has struck again, combining the Seventeen’s F.E.T. circuitry with a worthy optical section in the B172A! This unit combines the two separate ’76 and 2A circuits into a single unit that allows you to route the signal in any order you like to be able to provide this very useful compression technique. Every so often, two incredible things, wholly enjoyable on their own, combine to form a pair so sweet and complementary, that it becomes hard to think of one without the other… Sonny & Cher, Lennon & McCartney, Snoop Dogg & Dr Dre and perhaps the greatest and most literal “dynamic duo” of all time – the 1176 and LA-2A! The 1176 and LA-2A when used together, have become a studio stable for decades, often wired in series with each other so that one catches the audio’s peaks and the other does the heavy compression. Black Lion Audio, having hit the mark with the widely adored Seventeen compressor, has struck again, combining the Seventeen’s F.E.T. circuitry with a worthy optical section in the B172A! This unit combines the two separate ’76 and 2A circuits into a single unit that allows you to route the signal in any order you like to be able to provide this very useful compression technique. The Seventeen’s success put pressure on BLA to pair the already proven F.E.T. side with an equally formidable optical mate. The challenge was met on the B172A through the creation of a custom T4B “opto” element called the “T4BLA”. BLA’s lengthy experience in modifications lent designers the proper patience and mindset to tweak subtleties in the optical element until it was a supreme asset in the design. With a heavy attention to detail and design, the T4BLA is designed to be the single best T4B optocell available today. Flexibility was a main goal of the B172A since its initial concept. While many engineers agree on the benefits of using both compression types, the order in which to do so is still debated. The AB-BA switch on the B172A allows for quick internal routing of the signal. The two compressors can also be used completely independent of each other when utilizing the 3rd position (link off) on the AB-BA switch. Each circuit also has stereo linking so a pair of B172A’s can be used in stereo. As always, a painstaking amount of time has been spent on choosing the best possible transformers needed for the circuit. Featuring a Cinemag input transformer on the LA-2A side, BLA’s own Chicago-wound output transformers on both circuits, high-grade signal path and decoupling capacitors, the B172A gives studio owners ultra convenient access to a pair of high quality dynamics processors that have stood the test of time while also providing a tool never before available in a single box.

Black Lion Audio B173 MKII ...

5.372,-

Meet the Black Lion Audio B173 mkII — the most portable 1073 British-sound around! The B173 mkII uses the same Cinemag input and output transformers as our B173 Quad for a whopping 70dB of gain, a revamped gain stage, and a lower noise floor for cleaner, lower distortion sound. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain and variable output attenuation allow for perfect control over transformer saturation. Features • 1-channel preamp with USA Cinemag input and output transformers • Stepped gain control; variable output attenuator • Front-panel DI, phantom power, polarity-reverse, 18dB pad, hi-Z switch • External power supply minimizes noise • Convenient, rugged half-rack chassis • Designed and assembled in the USA

Black Lion Audio B173 Quad ...

18.020,-

Please give a warm welcome to all 70dB of Black Lion Audio’s latest iteration of 1073-style gain, the B173 Quad! Rather than “just another clone,” the B173 Quad seamlessly combines vintage character with modern sensibilities in a stylish 2U chassis with a feature set to satisfy the most demanding of audio engineers. A revamped gain stage and lower noise floor pave the way to a cleaner, lower distortion sound, while Cinemag input and output transformers keep things smooth and warm. Two front panel D.I.’s impart a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain and variable output attenuation allow for perfect control over transformer saturation. Metering on all 4 channels displays how hot your output signal is hitting the parallel TRS/XLR outputs, and an external power supply keeps noise out of your tracks! At under $375/channel, there’s no reason not to add a B173 Quad to your front end arsenal, or two!

Black Lion Audio Bluey 500 ...

8.374,-

Black Lion Audio - Bluey 500 FET Limiting Amplifier Bluey 500 is the 500-series version of the lauded Black Lion Audio Bluey. The original “Bluey” is Chris Lord-Alge’s not-so-secret weapon; the heavily-modified 2U compressor to the stars that’s been heard on countless hits. Having undergone years of odd fixes, modifications, and upgrades, the original Bluey was a singular and unique piece of studio unobtainium — until Black Lion Audio got their mitts and voltmeters on it. After working with Chris to reverse-engineer untold years’ worth of mods, component replacements, and upgrades, Black Lion Audio was able to make the legendary Bluey sound available to the world with the introduction of the original 2U Bluey compressor. Of course, they added a few features along the way without sacrificing what makes Bluey what it is. Black Lion firmly believe that everybody deserves a li’l Bluey in their life, so they’re proud to bring the world another li’l Bluey — the Bluey 500 — ready to add that unmistakable blue-striped mojo to your 500-series rack. You get all the squeeze, heft, and grit of the original Bluey in just two 500-series slots — a fraction of the original’s footprint.

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