Black Sheep Power Two 9V ...

999,-

Power Two 9V power supply med 8 utganger, 2 Amper. En 9 Volt Power Supply for pedalbrett på 2 Ampere, nok til å forsørge en mengde pedaler. Den har 8 utganger som kan leverere upp till 300mA hver. En 12V nettadapter (100-240V) som driver Power Two og pedalkabler i ulike lengder følger med. A 9V / 2 Ampere power supply for the pedal board, with enough power for a bunch of pedals. 8 outputs individually capable of delivering up to 300mA. A 12V power supply (100-240V) is included and also a selection of pedal cables.

Black Sheep Daisy Five 5-veis ...

59,-

Daisy Five 5-veis Daisy Chain-kabel En ny 5-veis Daisy Chain-kabel med vinklede kontakter for gitarpedaler. A new 5-way daisy chain cable with angled connectors for pedals.

Black Sheep Power One 9V ...

199,-

Power One 9V nettadapter, 1000 mA En 9V stabil nettadapter på 1 Amper, perfekt til gitarpedaler, keyboards etc. Power One aksepterer 100-240V og kan brukes i hele verden. A new 9V / 1 Ampere stabilized power supply, perfect for pedals, keyboards etc. Power One accepts 100-240V and can be used all over the world.

Adam Audio T8V Aktiv Monitor ...

3.695,-

ADAM AUDIO T8V The T8V is an affordable, professional 2-way powered studio monitor with an 8˝ woofer and ADAM Audio’s latest addition to the T Series. Designed around the same technology, features and build quality as its smaller siblings, the T8V provides best-in-class characteristics and sound performance. The T8V impresses with a multitude of features that bring real benefits to the user: The U-ART tweeter’s 4:1 velocity transfer ratio, in combination with the new Class D amplifiers’ high dynamic range, yield respective max. peak SPL of 118 dB per pair. The tweeter, which extends up to 25 kHz, works as a team with the HPS Waveguide. This allows an optimal radiation of the high frequencies, which means the advantage of a more controlled, larger usable sweet spot during monitoring. With a bass extension down to 33 Hz, the T8V is especially suitable for users who produce bass-heavy music. The T8V is the perfect studio speaker for those who have always wanted to work with an 8“ monitor from ADAM Audio, but where budgets have been insufficient. The 5-year warranty gives users additional security and the certainty of having purchased a quality product.   * U-ART 1.9” Accelerated Ribbon Tweeter with HPS Waveguide * Polypropylene 8” woofer and rear-firing bass-reflex port * Cumulated Amp. Power RMS: 90 W * Frequency Response: 33 Hz - 25 kHz * Max. SPL Per Pair at 1 m: ≥118 dB NB! Adam Audio gir 5 års garanti, dersom du registrerer produkter du kjøper av oss: https://www.adam-audio.com/en/warranty-terms/

Sony F-780 Dynamisk ...

5.489,-

The F-780 is a high quality vocal microphone, designed for the most critical applications on stage and in the studio applications. It features a rugged dynamic capsule and a voice emphasised frequency response.   High quality audio The F-780 has been designed to deliver exceptually high quality vocal pick-up either on stage or in the studio. The microphone has an extended and voice emphasis frequency response, low handling noise and impressive senstivity.   Rugged construction The F-780 should be able to withstand years for use, as it has a high robust construction.   Easy to use The microphones tuned requency response and cardioid directivity, make it easy to use.   Specifications   Capsule Type Dynamic Frequency Response 50 Hz to 18 kHz Directivity Uni-Directional Sensitivity *[1] -54 dB ±2 dB Output Impedance *[2] 400O±20%, Balanced Induction Noise From External Magnetic Field *[3] 5 dB SPL or less Wind Noise *[4] Less than 50 dB SPL

Sony ECM-680S stereo shotgun ...

14.699,-

The ECM-680S is an MS stereo shotgun , electret condenser microphone (25 cm), ideal for a broad range of field production and broadcast studio applications. Incorporating newly developed microphone capsules, the ECM-680S offers excellent sensitivity, low inherent noise, and a flat-and-wide frequency response. The most distinguished feature of the ECM-680S is its switchable operation between a highly directional monaural mode and stereo mode.   Monaural mode provides highly directional sound pickup, while stereo mode delivers natural and spatial sound. The MS microphone signal of the ECM-680S is internally decoded and it provides L and R (stereo) outputs. The ECM-680S is supplied with a XLR-5-pin to XLR-5 pin cable for use with 5-pin XLR input equipped camcorders. The optional EC05X5F3M (formally known as K-1504) cable should be used when connecting the ECM-680S stereo shotgun with camcorders having two 3-pin XLR inputs.   Uni-directional Mono/Stereo (Switchable) Electret Condenser Shotgun Microphone, Phantom Powered   Specifications   Capsule Type Stereo MS Electret Condenser Frequency Response Stereo: 50 Hz to 20 kHz Frequency Response Monaural: 40 Hz to 20 kHz Directivity Stereo: Uni-directional Directivity Monaural: Super-cardioid Sensitivity *[1] Stereo: -28 dB ±3 dB Monaural: -32 dB ±3 dB Output Impedance *[2] 100O±20%, Balanced Dynamic Range Stereo: 104 dB or more                           Monaural: 106 dB or more Signal-to-Noise Ratio *[3] Stereo: 74 dB or more                                            Monaural: 76 dB or more Inherent Noise *[4] Stereo: 21 dB SPL or less                                  Monaural: 20 dB SPL or less Induction Noise From External Magnetic Field *[5] 0 dB SPL or less Wind Noise *[6] 60 dB SPL or less (with windscreen), 55 dB SPL (without windscreen) Maximum Input Sound Pressure Level *[7] 124 dB SPL   The short cable supplied with the ECM-680S Stereo Shotgun Mic can be used for connection on camcorders with a 5-pin XLR input   The optional EC05X5F3M (formally known as K-1504) short cable can be used to connect the ECM-680S stereo shotgun on camcorders with two 3-pin XLR inputs

Sony ECM-674 short shotgun ...

6.679,-

The Sony ECM-674 is an affordable shotgun-type (27 cm) electret condenser microphone, which delivers excellent sound performance in field and studio productions. Offering high-sensitivity, low-noise characteristics and flat-and-wide frequency response in a compact and lightweight design. The ECM-674 is well-suited for use with Sony camcorders such as the HDV™ Series, DVCAM™ Series, and XDCAM™ Series. In addition, its two-way powering feature allows for phantom powering or battery operation. With its high performance, affordable price, and great versatility, the ECM-674 microphone is an ideal choice for a range of sound-acquisition applications.       Super Cardiod Electret Condenser Shotgun Microphone, Battery or Phantom Powered.   Specifications   Capsule Type Mono Electret Condenser Frequency Response 40 Hz to 20 kHz Directivity Uni-directional (super-cardioid) Sensitivity *[1] -36 dB ±3 dB Output Impedance *[2] 220O±20%, Balanced Dynamic Range Phantom: 107 dB or more // Battery: 98 dB or more         Signal-to-Noise Ratio *[3] 77 dB or more Inherent Noise *[4] 17 dB SPL or less Induction Noise From External Magnetic Field *[5] 0 dB SPL or less Wind Noise *[6] 50 dB SPL (without windscreen), 45 dB SPL or less (with windscreen) Maximum Input Sound Pressure Level *[7] Phantom: 124 dB SPL // Battery: 115 dB SPL   Dimensions 10.55 x 0.78" (268 x 20mm) (Length x Diameter)

Sony ECM-673 short shotgun ...

5.249,-

The ECM-673 is a short shotgun (20 cm), electret condenser-type microphone, which delivers excellent sound performance in field and studio production applications at an affordable price. This microphone is also tailored for use with HDV type camcorders.  The highly sensitive capsule results in great detail and pristine audio quality   Specifications Capsule Type  Mono Electret Condenser Frequency Response  40 Hz to 20 kHz Directivity Uni-directional (super-cardioid) Sensitivity *[1]  -36 dB ±3 dB Output Impedance *[2]  220O±20%, Balanced Dynamic Range  107 dB or more Signal-to-Noise Ratio *[3]  77 dB or more Inherent Noise *[4]  17 dB SPL or less Induction Noise From External Magnetic Field *[5]  0 dB SPL or less Wind Noise *[6] 50 dB SPL (without windscreen), 45 dB SPL or less (with windscreen) Maximum Input Sound Pressure Level *[7]  124 dB SPL   Low Frequency Roll-Off Built-In Switch Dimensions 7.87 x 0.78" (200 x 20mm) (Length x Diameter) Weight Approx. 4.76 oz (135g)

Sony C-100 High Res Audio two ...

16.449,-

Sony C-100 Hi-Res Condenser Microphone The Sony C-100 Microphone is a new side-address studio condenser microphone incorporating advanced microphone technology making it compatible with Hi-Resolution Audio. The C-100 has three selectable polar patterns: Omni, Uni (cardioid) and Bi (figure-of-8). The C-100's newly-developed double microphone capsule uses technology first used on the world famous C-800G studio mic to incorporate advanced noise elimination and amazing reproduction of vocals and musical instruments alike. With excellent sound quality, a wide frequency response, noise elimination construction, a low cut filter and switchable polar patterns, the Sony C-100 Hi-Res Studio Mic is a powerful recording tool, essential for every studio. Sony C-100 Features Excellent Sound Quality Two-way diaphragm structure realizes both broad high range and resonant mid-low range and gives great vocal presence. Wide Frequency Response The C-100 microphone has a broad frequency response (20 Hz to 50kHz) and provides superb sound reproduction quality for High-Resolution Audio. Noise Elimination Construction Two-part metallic body structure succeeded from C-800G microphone prevents acoustic vibration resulting in low noise and clear sound. Switchable Polar Patterns The C-100 microphone features switchable uni-directional, omni-directional and Figure-8 ploar patterns for various recording applications. Low-Cut Filter Low-Cut filter switch helps eliminate low-frequency noise and proximity effect. Pad Switch An -10dB pad switch on C-100 microphone provides added headroom and minimizes distortion caused by transient peaks.

Old Blood Noise Visitor ...

2.786,-

Visitor Parallel Multi-Modulator Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors proudly presents the Visitor Parallel Multi-Modulator. Constantly pulling, pushing, stretching and weaving in and out of each other, the sounds of the Visitor are in constant flux, seamlessly moving from familiar modulated airwaves to clouds of irregular haunting motions. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new modulated sounds and textures in a small and intuitive pedal format. Dual Parallel Modulation Pedal – Contains worlds of interweaving modulation Primary modulation – switchable between tremolo, chorus, and phaser Secondary modulation – switchable between tremolo and chorus Secondary knob – simultaneously controls depth, rate, and delay offset of secondary modulation Expression In – hands-free control over Secondary knob • Relay bypass switching Powered by regular 9 V DC PSU (9V DC, centre -, 2.1mm, ~46mA current draw) Visitor is meant to be a modulation pedal not easily understood with existing modulation vocabulary, but that doesn’t mean it’s difficult to use. With a toggle to switch between its 3 different types of primary modulation and well-known controls for Depth, Rate, Regen and Mix, the Visitor’s foundational modulation sound is easily tuned and controlled, seeing you set up classic or surreal resonant Chorus, Tremolo or Phaser sounds in no time. However, the elusive undulating parallel nature of the Visitor is introduced via its “Secondary” controls. The Secondary toggle switches between either Chorus or Tremolo as the parallel modulation, whereas the Secondary knob controls a host of parameters at once. Set all the way down, you only hear the primary voice, but as you turn the knob up, several things begin to shift! The Volume control quickly ramps up to unity volume, while the Rate increases steadily as you bring the knob up. The Secondary rate is also pushed and pulled by the primary LFO. This means the rate will be fastest when the primary modulation is at its peaks, and slowest as the LFO nears zero. The Depth will increase steadily and then plateau in order to not get out of control, while the Time of the delay offset of the secondary modulation will increase significantly toward the end of the sweep, where you will hear the most obvious delay effect. The Secondary knob can also be controlled via expression, for on the fly tone changes that will make your mind melt. But all of these technical words simply can’t describe the organic rising and falling textures the Visitor creates. They simply need to be heard and experienced in real life. From dual tremolo chops to warbly random vibratos, huge doubler tones, modulated reverberating slapbacks and rhythmic pulsating filter sweeps, get ready to welcome them all into your sonic life as you walk alongside the Visitor.

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