Meris Ottobit Jr. Bitcrusher ...

4.295,-

Ottobit Jr. Arcade Dreams Reborn From an era when visiting the arcade meant silicon-defined-sonics were burned into so many kids’ memories (big and small alike), the Meris Ottobit Jr. is inspired by the world of vintage gaming consoles, bringing those sounds directly to your pedalboard. So what exactly is Ottobit Jr.? Well, it’s a bitcrusher, but it would be an insult to just call it that. It’s also an ultra-musical sequencer, stutter and filter effect, but it’s not JUST that either. It’s the sum of all of these parts that make the Ottobit Jr. what it is: a maniacal side-scrolling, coin-collecting, power-glove-punching-machine with a host of earth-shattering sounds that’ll melt your face right off! Heck, the pedal is so unique and innovative that it deserves to have a verb all of its own. So plug in, press play and Ottobit away! Ottobit Jr. takes everything that made the original Meris Ottobit 500-series unit such an innovative studio tool and crams it down into a rugged and roadworthy pedal suited for any rig, be it guitar, bass or synth. Basically, if you have a creative bone in your body and you love designing crazy and unique sounds unlike anything else, then the Ottobit Jr is for you! Ottobit Jr. sports a fuzzy bitcrusher with variable sample rate, triggered stutter effects, a multi-mode sequencer module and a mind-blowing low-pass filter that sounds just as good as any analog synth filter out there. All of this is syncable and controllable via tap-tempo, expression and/or midi. But most important of all, Ottobit Jr. always stays super reactive to your playing, seeing you jump from fiery fuzz tones to classic arcade bleeps and bloops, only to end up in a barrage of 6-step sequencing and glitchy stutter effects without breaking a sweat and without ever sounding unmusical. The Meris Ottobit Jr. is built to Meris’ boutique standards in Los Angeles, California, USA. It features an analogue signal path and 24-bit AD/DA with 32-bit floating point DSP to ensure crystal clear sounds with loads of headroom. Features: Variable Sample Rate and Bit Crushing Vintage Synth inspired Low-Pass Filter Triggered Stutter Effects Sequencer module for Pitch, Filter or Decimation pattern sequencing Tap Tempo for Sequencer and Stutter Stereo input and output Switchable input/output headroom level for Guitar, Synthesizer or Line levels Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack Remote Tap Tempo Switch capable via the EXP jack Premium and hi end analog signal path Designed and Built in Los Angeles, California U.S.A. Standard 9 V power (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Meris Polymoon ...

4.464,-

Polymoon – Super Modulated Multi-tap Delay Communicate with your Dream State Inspired by Frank Zappa’s and Allan Holdsworth’s innovative use of cascaded rack gear, this super-modulated delay was created to bring a new mind-altering dimension to guitar, bass and synth-players sonic palette with its deep and powerful algorithmic flow. Practically riding on a tidal wave of shimmering stars and orbiting planets, the Meris Polymoon creates everything from perfectly pristine multi-tap delays, sweeping and shooting modulated bursts to swirling interstellar dreamscapes via its rich yet intuitive design. Just plug in and dream away! Polymoon’s unique delay algorithm truly sets the bar for what a modern-day digital delay effect should be. With its 1200ms of delay, 6 different multi-tap delay lines, a multi-mode stereo dynamic flanger, tempo syncable stereo barberpole phaser, dimension control for smearing delay lines together and a wealth of LFO and pitch-shifting modulation available via the ALT button, Polymoon is completely uninspired by specific pieces of classic gear. Instead, Polymoon seeks to capture and inspire certain moods and atmospheres with its epic cinematic sounds. Sure, you can create a simple digital delay line if you want, but after 10mins you’ll find yourself bathing in a heavenly sea of multi-tap delays augmented with pitch-shifting, wild flanger doubling and swirling phasers, all running perfectly in sync with your playing. When it comes to the Polymoon, more truly is more! Designed to surpass requirements for studio and live use, the Meris Polymoon features 24bit A/D & D/A converters, 32 Bit floating point DSP hardware and a premium analog signal path that always stays true to your core input signal. Now add one of the best stereo images ever put in a pedal, and extreme expressive capabilities via an external expression pedal or MIDI, and it’s obvious that Meris has created something truly special in the Polymoon. Features: 1200mS real time selectable multiple-tap delay line Massive multi LFO modulation controls 6 custom tuned LFOs with adjustable waveforms for subtle to aggressive pitch shifting effects Adjustable Tilt EQ filter in delay feedback Tempo syncable stereo Barberpole Phaser Multimode stereo Dynamic Flanger w/ feedback Unique feedback topology Dimension control for smearing reflections Selectable quarter or dotted eighth note Tap Tempo Digitally controlled Analog mix control Stereo input and output Switchable input output headroom level for Guitar, Synthesizer or Line levels Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack External Tap Tempo over TRS MIDI beat clock synchronisation Premium and hi end analog signal path Designed and built in Los Angeles, California U.S.A. Standard 9 V power (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

SSL UC1 Plug-in Controller

8.790,-

SSL Plug-in Controller UC1 is a hardware plug-in controller like no other. Dedicated knob-per-function Channel EQ and Dynamics controls, centre section featuring full Bus Compressor controls and authentic moving-coil gain reduction meter combine to offer the most creative, intuitive, and ultimately effective way of controlling the new SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins within your DAW session. Console ergonomics and workflow SSL production tools are the benchmark for studio ergonomics and workflow. UC1 draws on decades of analogue and digital console design to develop an intelligent and deeply integrated SSL plug-in control surface that lets you focus on your production goals and not the process. UC1’s layout of encoders, switches and colour groupings offer professional SSL console ergonomics seamlessly integrated with our most advanced Channel Strip and Bus Compressor plug-ins to date. Multiple parameters can be controlled simultaneously and precisely, equipping you with a production tool that nurtures muscle memory, provides unmatched sonic flexibility and inspires operator confidence. Every detail of UC1 has been implemented to keep you in control and informed of how your mix is reacting to processing. Dedicated front panel encoders accompanied by an on-board hi-res display allow you to move quickly between instances of Channel Strip and Bus Compressor directly from the surface. You can also load presets, as well as alter the Channel Strip process order. SSL 360° Plug-in Mixer At the heart of the UC1 system is the SSL 360° Plug-in Mixer, view and control all of your Channel Strips and Bus Compressors in one place. 360° Plug-in Mixer offers an efficient way of interacting with multiple plug-ins simultaneously, further bridging the gap between console and in-the-box workflow. Channel Strip and Bus Compressor UC1 provides dedicated controls of all key Channel Strip 2 plug-in parameters. EQ, Filters, Compressor and Gate/Expander controls offer the same configuration and visual feedback as found on large-format SSL consoles, allowing you to quickly home in on your channel processing sweet spot. At the heart of UC1 are Bus Compressor controls. Its authentic layout and metering feels like you’re controlling a hardware bus comp built into the centre section of an SSL console. With a classic moving coil gain reduction meter as found on SSL consoles since the 1970’s, it represents the Bus Compressors time constants and gain reduction characteristics perfectly for producers and engineers to know exactly how it’s reacting with their instruments, sub groups and of course mix bus. SSL Native Channel Strip 2 & Bus Compressor 2 Plug-ins Full licenses of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins are included with UC1. Channel Strip 2 is a a fully-featured Channel Strip, based on digital modelling of the EQ and Dynamics curves from the legendary XL 9000 K SuperAnalogue console. V2 adds SSL’s proprietary anti-cramping algorithms and the ability to trigger the dynamics sidechain externally. Bus Compressor 2 adds a tonne of user requests, with additional Ratio, Attack and Release options, the ability to trigger the sidechain externally, as well as x2 and x4 oversampling. Features - Legendary SSL workflow and console ergonomics meets the power of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins. - Every UC1 purchase includes full licenses of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins (worth $479.00) - Knob per-function control of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins. - Muscle-memory operation and constant visual feedback via the smart LED rings. - On-board display tells you which Channel Strip and Bus Compressor plug-in UC1 is currently focused on, as well as giving you a value readout of the control currently being turned. - Load Plug-in Presets and change Channel Strip routing directly from UC1. - Authentic moving-coil Bus Compressor gain reduction meter, driven from the SSL Native Bus Compressor plug-in. - SSL Plug-in Mixer (hosted in SSL 360°) provides a place to view and control of your Channel Strips and Bus Compressors, all from one screen. - Switch between 3 different DAWs that are connected to the Plug-in Mixer. - High Quality all metal enclosure, with a brushed anodised top plate. - Hi-Speed USB connection to computer. - Powered by SSL 360° Mac and PC software.

Dinkum Systems ActionPod PRO

429,-

ActionPod® PRO is a quick clamping mount for any point-and-shoot, DSLR, or action sport camera.  With a large 2 inch spring clamp and longer arm than ActionPod®, the PRO offers even greater flexibility when mounting your device.  The ultra-strong clamp provides a stable base, and the length-adjustable arm allows for unlimited and thrilling new angles.  When you imagine unique and interesting shots, let ActionPod® PRO get you there! ActionPod® PRO features a flexible 7-link, 9” long arm and does not require tools to change the length: simply pop apart and press back together, customizing the mount to your camera’s weight. Instead of fumbling with time-consuming locking arms, adhesive semi-permanent bases or questionable suction mounts, you’ll find that the ActionPod® PRO makes camera placement accurate and much more simple as it can be re-positioned with one hand.  An essential addition to any professional kit, ActionPod® PRO is also perfect for on-board camera lights, monitors, small DC backlights, or any other device with a standard ¼”-20 tripod-screw mount.

Dinkum Systems ActionPod

369,-

ActionPod® is a clamping monopod that is genius in its simplicity, providing the quickest, easiest mounting solution on the market.  Utilizing a clamp, a threaded top and a single length-adjustable arm, the camera mount removes the complexity of tripods while providing stability and micro-adjustability for your GoPro®, SONY® ActionCam, point-and-shoot or small video camera. ActionPod® is surprisingly stable and may be mounted virtually anywhere: trees, bike frames, skateboards, car doors, ski-poles, backpacks, motorcycles...  when you think of a thrilling new angle, ActionPod® is there to get you the shot!  The 5-link, 7” long arm is micro-adjustable, allowing you to frame each shot perfectly.  The strong spring clamp ensures a solid, yet quick to position base that can be moved using one hand. ActionPod® also works with any small device up to 3 lbs that is equipped with a ¼-20 (camera-type) thread: camera flash units, radar detectors, GPS units, on-board lights etc.

Dinkum Systems FlexiMount

569,-

FlexiMount™ is a quick-clamping microphone mount with a strong base and 9-link, 11” long arm, which may be accurately positioned for optimum audio results.  It’s the perfect device for the fast set-up required by roadies, documentary filmmakers, audio engineers or on-the-go podcasters. FlexiMount™ attaches easily to surfaces such as mixing board tables, C-stands, lighting grids, or drum kits - the indestructible plastic clamp features 2” wide jaws lined with soft rubber and super-grip pivoting tips that will not scratch or damage gear.  The strong and flexible arm does not require tools to lengthen or shorten it: simply pop apart and press back together to get the length you want.  Can be bent into nearly any shape or position and attached to a standard ⅜”-16 microphone shock mount or most pro audio RF antennas.   Make your mount do double duty with our range of interchangeable heads and bases, designed to meet all sorts of on-set challenges. SPECS: length-adjustable 11” arm comes with ⅜”-16 threaded top, holds up to 2lbs.  Weight 10.6 oz.

Dinkum Systems Phone Grip

589,-

The Dinkum Systems Phone Grip for Dinkum DS5102 device has multiple ¼-20 & 3/8” threads and can be easily attached to the Action POD (DS3006), Action POD Pro (DS3143) or the Flexi Mount (DS3013) – not included - to provide a convenient way to hold phones, monitors, and other items steady for field viewing. Use this grip device for holding phones, monitors, and other items steady for field viewing, macro photography, positioning devices like GoPros, audio / video receivers, video transmitters, lights, cables, microphones or giving you a third hand for anything else. Accommodates surfaces up to 1" - 2" thick,  Weight 4 oz.

KMA Guardian of the Wurm ...

2.674,-

GUARDIAN of the WURM Your Tone Must Flow, so Tame the Terror "The earth, once so tranquil and serene, started to shake more ominously than ever beneath her feet. After centuries of scaring the living daylights out of the ancestors, the monster-of-malice was back. She looked up with an imperious glance and faced her destiny, her irradiant eye focusing unwaveringly on the venerable creature ahead. Suddenly, the earth stood still and there fell a deep silence. She had tamed the beast! She was the long-foreseen saviour, the GUARDIAN of the WURM” Fusing together the powerful evolution of KMA’s highly regarded WURM Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, GUARDIAN of the WURM is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But through its highly tweakable control set, the pedal can be tamed to provide impeccable clarity to your riffs, making this the definitive dirt pedal for metal, prog-rock, shoegaze, indie and beyond. Features: • Distortion Pedal with Built-in Noise Gate • The next evolution of KMA’s top-seller WURM, the most extensive and configurable HM-2 style unit on the market • Easy-to-use, yet high-performance Blackmer® VCA-based Noise Gate • 3 different clipping styles: o Silicon (As HM-2) o Asymmetric (More grit and less drive compression) o Off (Diode lift, perfect for bass and baritones) • Clean Blend, for a tight low end • Highly configurable 4-band Active EQ, with variable centre-frequencies • 3 distinct types of HIGH MIDS frequency controls, to tailor your tone • External Trigger Input, allows Noise Gate control from an external source • FX-Loop between Distortion and Noise-Gate, for signal-chain flexibility • Internal control for an input filter, signal-trigger source and Noise Gate response • Relay-based soft-switching, with variable Gate switching modes • Made in Berlin, Germany • Power by opt. 9 V PSU    (9 V DC, centre -, 2.1 mm, >150 mA max. current draw) Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. We’ve never tried to hide the fact that the WURM Distortion is our unabashed sonic love letter to this filthy box of doom and gloom, taking the essential ingredients of this classic, while in the process developing a way more flexible metal-distortion pedal. While WURM absolutely nails that Swedish death-metal chainsaw sound, the pedal is not all about that and is adept for so many other genres. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and others have all made their mark with this style of distortion. With GUARDIAN of the WURM, we’ve evolved our take on this venerable circuit and added a bunch of really useful new features. Whether you’re playing guitar, baritone, bass or synths through this pedal, we’re sure you’ll appreciate the immense flexibility on offer here. So let’s dig in. We of course kept the iconic active HM-2 dual band EQ section, but added two more bands, giving a much wider range of tones to tailor your evil and gritty distortion sound. Each band now has a dedicated centre-frequency control on the front of the pedal, allowing you to quickly and easily change and fine-tune your tone. The EQ-STYLE mode, now also on the front of the pedal, helps you carve out even more tonal variation. Selecting HM-II mode will get you that classic ‘chainsaw’ high-mids character. However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. Selecting BOTH fattens and doubles up the tone stacking, allowing you to rank the LOWS and the HIGH MIDS and rip that Swedish forest even more to shreds. To adjust the extent of drive compression, you can choose between 3 different clipping styles. Silicon (Si) delivers the original compression, for rich harmonics and singing leads. Asymmetric (A-S) increases the headroom and gives you more grit by retaining complex harmonics, while the OFF position lifts the sound of the Diodes for a slight compression and way more clarity, which is perfect for baritone guitars or bass. Plus, the Clean Blend feature helps to preserve your natural core tone. Simply twist the BLEND control to mix in the original unprocessed signal, allowing the initial pick attack of your tone to breathe. It is also especially useful when running the GUARDIAN of the WURM into an already distorted high-gain amp. When talking about high-gain, we all know drive circuits like this at full tilt can be noisy malice monsters. To get a grip on the potential noise floor, we designed a sophisticated, yet easy to use Noise Gate. This is based on a high-performance Blackmer® VCA and provides lightning fast and precise performance. Simply set the Threshold to taste via the GATE control and enjoy the silence. Fast palm-mutes? No problem. Decaying notes? Dead simple to accomplish. For even more tweakability, we fitted an internal DIP switch to change the trigger-source from pre- or post-Distortion or even pre-Noise Gate. Pre-Noise Gate? Well, that’s because we added a TRS FX-Loop that works between the Distortion and the Noise Gate sections, allowing you to insert whatever fun noise-making pedals you might wish between them. You can also use this feature to place the Noise Gate section in your amplifier’s FX-Loop. Those who like to experiment with sound designs might even use the Noise Gate in other ways, for instance by using an external trigger source. No problem, the EXT TRIG jack hooks up to your source of choice. In extreme settings, the WURM can sometimes begin to feedback, which can’t even be suppressed by the Noise Gate. To tame that high-frequency content, flip the internal dip-switch to activate the input filter to help smoothen things out. Yup, we did think of everything. But wait, there is more! As the cherry on top, we added relay-based soft switches and also two different activation modes to suit the needs of different players. “Independent mode” is exactly what it says on the tin. Both sides of the pedal can be switched on and off independently via the TERROR or TAME switches respectively. However, in “Synced mode” the entire pedal is switched on and off via the TERROR switch. In this mode the Noise Gate can also be switched in and out of the circuit as desired. Changing between modes is really simple to do. Just hold down both switches while connecting the pedal to the power supply, and you’re good to go. Once set, GUARDIAN of the WURM will remember the setting, even when powered off. So here it is. Crank it up and you will feel the rage of the ancient WURM, while the GUARDIAN will help you tame that beast when needed, making GUARDIAN of the WURM your perfect pairing for an evil and gritty tone that never gets out of control… unless YOU want it to! m/

Sterling By Music Man Ray34 ...

16.650,-

Sterling by Music Man Ray34, Vintage Sunburst The Ray34 pays tribute to the original Music Man StingRay Bass. The Sterling by Music Man StingRay Ray34 is an essential for any bassist. Featuring a roasted neck, a modern contoured body, 3-band active preamp, and an alnico humbucking pickup, the StingRay is built to deliver one of the most iconic bass sounds with a classic look and a contemporary feel. Body Wood: Nyatoh Neck Wood: Roasted Maple Fretboard Wood: Roasted Maple Tuning Machines: Open Gear Hardware: Chrome Neck Joint: 6 Bolt Frets: 21 Fretboard Radius: 12” Pickups: Alnico Humbucker, SBMM Design Bridge: Fixed, SBMM Design Including Sterling by Music man gig-bag

VOX V212C Kabinett 2 x 12"

6.895,-

VOX V212C Kabinett fra VOX. 2 x 12" Celestion G12M Greenbacks. Speakers: 2x Celestion G12M Greenback 12" (8Ω) Input Jack: INPUT Dimensions: W x D x H (mm): 705 x 266 x 571 / 27.76" x 10.47" x 22.48" Weight: 22.5 kg / 49.61 lbs.

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