Avantone MixCube Passive Mini ...

3.999,-

While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Engineering Objective To build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions & revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected "industry-standard reference monitor" we began by replicating its basic size, function, and sonic character. We wanted to take it up a notch though... First, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Second, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Amplification & Wiring Recommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.< Placement When positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications System Type: Dynamic Shielded Full-Range Pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms SPL / Sensitivity: 93dB @ 1w / 1 meter Recommended Power: From 10-200 watts Driver: 5.25" cast aluminum frame Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: 3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs) Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5"

Avantone CLA10 Passiv ...

8.599,-

The Iconic Studio Monitor System is back. Avantone Pro, in conjunction with the expertise of legendary mixer Chris Lord-Alge, have designed the most faithful reproduction of the world’s most iconic studio monitor. Now everyone can mix on the monitors that define “the hitmaker sound”. A tremendous amount of design work and exacting detail have finally made the “white cone” monitors available to everyone! We also created what the world has always asked for — an active-powered version: the CLA-10A! The Original Drivers for the Original Sound Since the “white cone” studio monitor was discontinued, the supply of aftermarket components have become more and more expensive and less and less available. Avantone Pro has created a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with modern environmental requirements. The “White Cone” has Returned! The AV10-MHF tweeter dome went through a difficult engineering process to get the exact phenolic resin doping to match the original performance curve. The AV10-MLF woofer uses custom tooled mechanical parts that mirror the original. We worked closely with one of the original vendors of the original cone to get the exact same stiffness and weight. The only difference from the original is that we use a pressed cone as opposed to a lapped. This allows for tighter matching in every cone we build — meaning this is the first time matched pairs have been available! Both replacement drivers are physically and dimensionally exactly the same as the originals and are “bolt in” hassle-free installation. The CLA Monitor Family — Only from Avantone We’ve worked tirelessly to bring this classic monitor system back to the world — but it took more than just recreating a single speaker. A tremendous amount of attention has been put into every detail: matching the original MDF and wood veneer for the cabinet, matching the original winding dimensions/value/dc resistance of the inductors, profiling the most popular amplifier pairings of the original, just to name a few things. All of this development has culminated into a slew of monitor solutions. The CLA-10 and CLA-10A: the iconic “white cone” monitors, in both passive and active configurations. The CLA-100 and CLA-200: reference amplifiers with the perfect voicing to compliment the CLA-10 and original “white cones.” AV10 MHF and AV10 MLF: the classic “white cone” drivers — now available for the first time in decades as direct replacements for the original. AV10 MXO: replacement crossover for original Yamaha™ NS10M™ studio monitors. The white cone in the black box™ Specifications System Type: Passive - full-range two-way stereo pair Frequency Response: 60Hz-20,000Hz (Accessible musical range) Power Capacity: Program – 60W, Maximum – 120W Sensitivity: 90dB SPL (1W, 1m on axis) Components: Low Frequency: AV10-MLF 18cm cone High Frequency: AV10-MHF 3.5cm soft dome Cabinet: 10.4 liter sealed design, 18mm MDF with real wood veneer Cabinet Dimensions: 381.5mm x 215mm x197.5mm ( 15”x 8 ½”x 7- ¾ ” ) Cabinet Weight: 6.3kg / 13.9 Lbs (each) Warranty: 5 Year Limited Warranty to original purchaser

Avantone Gauss 7 Aktiv ...

6.990,-

Introducing the Gauss 7 — a tribute to greatness. Classics never die — Avantone is proud to bring Gauss back to the world with the Gauss™ 7 reference monitor. Decades after the disappearance of the Gauss Speaker Company, the line has returned with a proper (low-end) bang. Gauss 7 mixes the old-school snap of vintage near-field monitors, with the bandwidth and frequency response of new-school monitors. Its GAU-AMT tweeter provides ultra-smooth response, with an impressive stereo-field — making hours of listening time only feel like minutes. The folded AMT driver can only be described as transparent and accurate, with detailed transients. The Gauss 7 system delivers a super-wide “sweet spot”, precise imaging, and an impressive, natural, and accurate mid-range response. Gauss 7 also features simple, yet very powerful acoustic-tuning controls. That, paired with the vertical dispersion of the GAU-AMT, means clean acoustic response in any room environment. Gauss: the legend is back. The GAU-AMT: a hi-fidelity AMT driver. At the heart of the Gauss 7 lies the custom GAU-AMT tweeter. The GAU-AMT provides the upmost detail, even to the most subtle of waveforms. The GAU-AMT’s delivers incredible stereo imaging, while maintainin a small vertical throw — this reduces unwanted acoustic reflections in a room, which helps minimize phase issues in an acoustic environment. GAU-AMT’s impressive transient response comes from it’s 65mm polyethylene terephthalate (PET) film folded membrane, — the result is far beyond what can be achieved in typical dome tweeter designs. PET film was chosen as it’s the lowest resonant-frequency film, and hosts the lowest crossover point — all while still providing exceptional high-range frequency extension. The GAU-AMT coil is aluminum-etched PET film that is folded. The assembly is mounted in its own enclosure to prevent the backwave pressure from woofer. The high-end frequency response (up to 22kHz) makes for an exceptional reference monitor for a massive range of music and sound materials. “Air frequencies” aren’t just audible, but very smooth. This not only provides an incredible reference monitor, but a monitor that’s built to listen to for hours-on-end. A unique woofer design with old-school snap, and new-school bandwidth. Gauss 7’s woofer takes great inspiration from our AV10-MLF “white cone” woofer, yet was still engineered from the ground up. The woofer cone is a pressed design, made of the same proprietary blend of wood pulp and glass fiber found in the CLA-10 series woofer (AV10-MLF) — but with a major increase of materials. This provides the hard snap, and fast transient response of the CLA-10, but with much more low-end. Tighter voicing isn’t going to be heard here — Gauss 7 provides a wide bandwidth for fantastic mid-range, and great low-end reference. The woofer’s motor structure is made of low-carbon 1008 steel — enabling the highest about of magnetic flux density between the pole piece and top plate. To top it off, the surround of the woofer is Japanese a uni-directional styrene-butadiene rubber (SBR), which optimizes the power and excursion of the woofer. A rear-firing bass port gives Gauss 7 a controlled, yet punchy low-end — tight response, without being the typical “over-hyped” low-end found other speakers in it’s price-range. Easy-to-use Acoustic Tuning controls. Balanced XLR and ¼” TRS inputs make connections a breeze, but it takes a bit more than just that alone to give a monitor studio-strength. The back panel of Gauss 7 has powerful, yet easy-to-use acoustic tuning controls — perfect for tuning the system to your room. A three-position Acoustic Placement switch allows you to optimize Gauss 7 to boundary spaces in your room. A three-position High Trim switch helps refine additional room issues. Each Gauss 7 has it’s own Gain control for proper system calibration. Specifications System Type: Active Full-Range Two-Way Stereo Pair Frequency Response: 30Hz-22,000Hz Cabinet: Bass Reflex design, hybrid medium-density fiberboard with real wood veneer LF Driver: 7” (178mm) Ferrite Motor HF Driver: 2.5” (65mm) AG-AMT LF Amplifier Power: 120 W HF Amplifier Power: 60 W Amplifier: Bi-Amped Class D SPL: 103dB (Peak) THD: 0.5% Controls: Gain (±6dB) / Acoustic Placement (-4dB, -2dB, 0db) / High Trim (-2dB, 0dB, +2dB) Inputs: Balanced TRS / XLR Power: 110V-240V ~50/60Hz Power Consumption: StandBy: <0.5 W / Full Output: 250 W Dimensions: 381mm H x 235mm W x 212mm D (15” H x 9.25” W x 8.35” D) Weight: 8.2Kg / 18 Lbs (Each)

Avantone CLA10A Aktive ...

12.299,-

The Iconic Studio Monitor System is back. Avantone Pro, in conjunction with the expertise of legendary mixer Chris Lord Alge, have designed the most faithful reproduction of the world’s most iconic studio monitor. Now everyone can mix on the monitors that define “the hitmaker sound”. A tremendous amount of design work and exacting detail have finally made the “white cone” monitors available to everyone! And now the world has finally gotten what it always asked for — an active-powered version: the CLA-10A! Black box. White cone. High-range frequency. It’s not known as the world’s best — it’s known for being the world’s best reference — the sound that creates hits. The Original Drivers for the Original Sound Since the “white cone” studio monitor was discontinued, the supply of aftermarket components have become more and more expensive and less and less available. Avantone Pro has created a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with modern environmental requirements. The “White Cone” has returned — with lots of power! The AV10-MHF tweeter dome went through a difficult engineering process to get the exact phenolic resin doping to match the original performance curve. The AV10-MLF woofer uses custom tooled mechanical parts that mirror the original. We worked closely with one of the original vendors of the original cone to get the exact same stiffness and weight. The only difference from the original is that we use a pressed cone as opposed to a lapped. This allows for tighter matching in every cone we build — meaning this is the first time matched pairs have been available! Both replacement drivers are physically and dimensionally exactly the same as the originals and are “bolt in” hassle-free installation. Available For the First Time in an Active Configuration. One of the most common questions asked about the CLA-10A’s is which version of the originals are they based on, and the answer is: all of them! The CLA-10A’s have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate anything from the Vertical “m” model to the horizontal “Studio” model and everything in between. No more debate over the best tissue paper to use — VTPC has you covered! Avantone Pro decided to stay traditional with a linear power supply implementing a massive old school toroidal transformer in order to maintain the legacy sound. The CLA-10A uses a monolithic Class AB amplifier. At low power, THD is a phenomenal 0.005%; at rated load it is 0.1%, yielding excellent performance compared to class D amps. The system yields a rock solid 200WRMS. The CLA Monitor Family — Only from Avantone We’ve worked tirelessly to bring this classic monitor system back to the world — but it took more than just recreating a single speaker. A tremendous amount of attention has been put into every detail: matching the original MDF and wood veneer for the cabinet, matching the original winding dimensions/value/dc resistance of the inductors, profiling the most popular amplifier pairings of the original, just to name a few things. All of this development has culminated into a slew of monitor solutions. The CLA-10 and CLA-10A: the iconic “white cone” monitors, in both passive and active configurations. The CLA-100 and CLA-200: reference amplifiers with the perfect voicing to compliment the CLA-10 and original “white cones.” AV10 MHF and AV10 MLF: the classic “white cone” drivers — now available for the first time in decades as direct replacements for the original. AV10 MXO: replacement crossover for original Yamaha™ NS10M™ studio monitors. Specifications System Type: Active Full-Range Two-Way Stereo Pair System Frequency Response: 60Hz-20,000Hz (Accessible Musical Range) Components: Low Frequency: AV10-MLF 18Cm Cone, High Frequency: AV10-MHF 3.5Cm Soft Dome Cabinet: 10.4 Liter Sealed Design, 18mm MDF With Real Wood Veneer Cabinet Dimensions: 381.5mm X 215mm X197.5mm (15”X 8 ½”X 7- ¾ ”) Weight: 8.2Kg / 18 Lbs (Each) Shipping Weight: 18.5 Kg / 40.5 Lbs SPL: 104dB Peak Musical Output: 110dB (Music Program Material) Amplifier: 200W Class Ab Linear Supply THD: 0.05% At 1Khz, 1W Balanced Inputs: Combination XLR & Phone Jack Unbalanced Input: RCA Phono Jack Volume: +0dB, -120dB VTPC: Variable Tissue Paper Control Fc 1.8Khz +6dB, -30dB. Power: On/off Switch Ground Lift Switch Power: 115Vac/230Vac Selectable Power Consumption: StandBy: 3W Full Output: 250W

Black Lion Audio B173 MKII ...

5.372,-

Meet the Black Lion Audio B173 mkII — the most portable 1073 British-sound around! The B173 mkII uses the same Cinemag input and output transformers as our B173 Quad for a whopping 70dB of gain, a revamped gain stage, and a lower noise floor for cleaner, lower distortion sound. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain and variable output attenuation allow for perfect control over transformer saturation. Features • 1-channel preamp with USA Cinemag input and output transformers • Stepped gain control; variable output attenuator • Front-panel DI, phantom power, polarity-reverse, 18dB pad, hi-Z switch • External power supply minimizes noise • Convenient, rugged half-rack chassis • Designed and assembled in the USA

Black Lion Audio B12A MKIII ...

4.853,-

Meet the Black Lion Audio B12A mkIII — the most portable 312A American-sound around! The B12A mkIII uses the same Cinemag input and output transformers as our B12A Quad for a whopping 70dB of gain. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain allow for perfect recall. Features • 1-channel preamp with USA Cinemag input and output transformers • Stepped gain control; front-panel DI • Phantom power, polarity-reverse, 18dB pad, hi-Z switch • External power supply minimizes noise • Convenient, rugged half-rack chassis • Designed and assembled in the USA

Black Lion Audio Revolution ...

3.990,-

USB 2 Channel Portable Recording Interface – Modded Out Of The Box! Revolution 2×2 is built with the most cutting edge, high-end ICs. High-end Vishay, Nichicon, and Wima capacitors are used throughout the entire circuit. All internal gain-staging has been optimized for the very lowest signal-to-noise ratio. All of the analog I/O has not only been built with the finest components, but are fully decoupled and balanced — right to the very core of the convertor! Most manufacturers do not follow this practice, and that allows extra noise contamination during both capture and playback. Revolution 2×2 – USB 2 Channel Portable Recording Interface – Modded Out Of The Box! Black Lion Audio have been revered as the “king of audio mods” for years, and have modded countless recording interfaces over the years. But since the very beginning, we’ve been asked when we would create our own interface. So, we planned, engineered, and worked — all in secret, for years. It took an impressive amount of design to revolutionize bus-powered, studio-grade interfaces. Now we are responding with Revolution 2×2: the ultimate in portable recording interfaces. Revolution isn’t another run-of-the-mill interface from big brother — it’s the interface the world has always asked for. Don’t just settle for “the cheap and portable” – get an interface that can do more than just start a demo, but actually finish a top-level record from start to finish. Specifications • 24bit, 192KHz USB C interface • Bus Powered • Macro MMC clocking • Analog circuit design utilizing Nichicon, Vishay and Wima capacitors • PG-i power filtering technology • USB Class Compliant • Revolution Software Suite Revolution Software Suite • Studio One Artist • Izotope Elements Suite including Nectar, Neutron, Ozone and RX • BrainWorx BX Digital • Lindell 6X500 Studio One Artist • Mac and PC compatible • Unlimited tracks • Multilingual • 3rd party plugin support

Fender Bassman 500 Head ...

5.350,-

Flightcase designet spesielt for Fender Bassman 500 Head/topp 2 x Butterfly låser 3 x Kraftige håndtak Hengslet lokk Fullt skumforet Utvendige mål ca. 701mm(L) x 331mm(D) x 331mm(H) Vekt ca. 9 Kg Inngravering av logo eller navn og plate med label for merking med tusj, kan velges som tillegg. Kvalitet produsert i Norge! VossMusikk.no er din leverandør av flightcaser, rack, transportkasser, pedalbrett, stativflighter, mikrofonkasser, backline flighter, instrumentkasser, keyboardflighter, DJ-flighter, flatskjermkasser, laptop-flighter og så mye, mye mer. Kun fantasien setter grenser for hva vi kan lage flightcase til.

Whirlwind MS-6-M-NR-075 ...

5.595,-

Whirlwind MS-6-M-NR-075 For 6 mikrofoner, D3F/A3M. 22,5 meter.  

Whirlwind MS-6-M-NR-050 ...

9.295,-

Whirlwind MS-6-M-NR-050 For 6 mikrofoner, D3F/A3M. 15 meter.  

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