Red Panda Bit Mixer 3-Input ...

2.069,-

Red Panda Bit Mixer 3 Input Pedalboard Mixer The Bit Mixer is a small, high-quality mixer designed for pedalboards. It features ultra-low distortion, low noise op amps. High-impedance inputs are designed for guitar, but work with line level signals as well. Each input has a volume knob that goes from off to unity gain. It has a small footprint of only 11 x 7 cm, and works with standard pedal power supplies from 9-18 V. The Bit Mixer is always on when power is connected. An internal LED is visible below the power jack. Use it to connect multiple instruments to one amp, to combine parallel effects chains and/or for a clean blend or analog dry path. Main Features: • Pedalboard signal mixer • Designed for use with guitars as well as line level signals • 3 separate high-impedance input channels with individual volume controls up to unity gain • 1 output • Ultra-low distortion low noise up-amps • Small pedalboard footprint • Designed and assembled in USA • Powered by a regular 9-18V DC PSU      (centre -, 2,1 mm, 40 mA current draw)

Red Panda Bitmap 2 Bitcrusher ...

4.128,-

Red Panda Bitmap 2 Bitcrushing Fractional Bit Reduction and Sample Rate Modulation The Bitmap 2 is a bitcrusher with fractional bit reduction and sample rate modulation. The Bitmap 2 adds waveshaping, wavefolding, and a window comparator for extreme digital distortion to your arsenal of tones. A drive control handles everything from single coil guitars to synthesizers, with +8 dBu maximum signal level and enough gain to sound like an overdriven mixer channel. Modulation and envelope control create dynamic, responsive distortion and digital artifacts. The Bitmap 2 is tuned to provide maximum sustain without sputtering on staccato notes. Less extreme settings add layers of nonlinearities that interact in subtle ways, giving you the warmth and grit of 8- and 12-bit samplers. Sample rate reduction turns your guitar into 8-bit video game sounds or twists scales into inharmonic melodies. Sample rate modulation adds subtle motion or morphs your guitar into entirely new textures. The Bitmap 2 works with guitar, bass, synthesizers, drum machines, and other instruments or line level sources. Main Features: • Bitcrusher pedal with fractional bit reduction and sample rate modulation • Fractional bit reduction from 24-bits down to 1-bit • Sampling rate reduction from 48 kHz down to 110 Hz • Sample-rate modulation with triangle, square, and random waveforms • Adjustable wavefolding and waveshaping functions • Mix control to maintain bass or add subtle crushing • Envelope control over sampling rate or mix • Drive control to accommodate single or dual coil pickups and line-level signals • 4-pole lowpass filter • Stereo input/output (TRS) • Soft touch bypass (momentary or latching), user replaceable • Aux. footswitch assignable to tap tempo or preset selection • Assignable expression pedal, remote switch, remote tap, or MIDI port • Additional parameters via MIDI (USB or TRS) • MIDI clock synchronization • Presets (4 on front, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameter • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)

Red Panda Context 2 Reverb ...

4.128,-

Context 2 1980’s Rack Unit inspired Algorithmic Reverb The Context is a reverb pedal inspired by 1980’s rack mount reverbs.  It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb.  Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold.  In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm.  It gives you a mix of different modulation types from 1980’s and early 90’s reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs.  Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards.  Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980’s reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping.  The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station.  The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects.  The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI.  The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. • Reverb pedal inspired by 1980’s rack units reverbs • 8 reverb algorithms • ROOM - fast buildup, good for thickening sounds • HALL - slower buildup with longer initial delay • CATH(edral) - emulates a large, reflective space • GATE(d) - gated reverb with non-linear decay • REV(erse) - reverse reverb • PLATE - bright, dense studio plate reverb • SPRING - spring reverb • GRAIN - granular reverb • Reverb modulation with different character specific to each algorithm • Additional built-inDelay effect on top of Reverb - accessible via the shift button • Adjustable Pre-Delay and Decay • Separate High/Low frequenc damping knobs - adjusting dynamics for ducking expansion  reverb or more reverb with adjustable recovery time and threshold • Reverb Hold/Freeze Function for infinite Sustain accessible by holding down both footswitches • Independent note divisions for delay time, reverb predelay, and tremolo speed • Stereo input/output (TRS) • Soft touch bypass (momentary or latching), user replaceable • Aux. footswitch assignable to Tap tempo with independent note divisions for delay, predelay, and tremolo rate • Assignable expression pedal, remote switch, remote tap, or MIDI port • Additional parameters via MIDI (USB or TRS) • MIDI clock synchronization • Presets (1 on front, 4 via remote footswitch, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameter • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)

Red Panda Particle 2 Granular ...

4.128,-

Particle 2 Granular Delay and Pitch Shifting Synthesis in Real Time Particle 2 is a granular delay / pitch shifting pedal. It chops your signal into small grains and then rearranges, shifts, and mangles it, using the techniques of granular synthesis in real time. Results range from radical pitch and delay modulation to shimmering repeats to time stretching, stutter, and glitch sounds. Five delay and three pitch modes give intuitive control over random delays, bubbling textures, time stretching, and rhythmic glitches. Take a unique approach beyond conventional delay, pitch, flanging, and chorus sounds.  Freeze notes with adjustable threshold for stutter, punch in, or drone-line effects.  Lock multiple parameters to tap tempo or MIDI sync with independent note divisions for intricate rhythms.  Access all parameters via MIDI, tablet, or “modeless” front-panel operation for full control over granular processing. The Particle 2 is performance friendly, with controls spaced for real-time tweaking and designed so you can explore new sonic territory while remaining in control.  Use the assignable expression pedal or DIY-friendly remote switch for hands-free control.  The Particle 2 is pedalboard-friendly with all jacks on top.  With full MIDI control, stereo input/output, and +8 dBu maximum input level, it is also at home in modular setups or the studio. Main Features: • Granular Delay and Pitch Shifting Pedal • 3 pitch modes: detune, density, LFO • 5 delay modes: random, density, LFO, random pitch, reverse • Modes can be combined for control over all granular parameters • Adjustable grain size and density • Pitch shift +/- 1 octave • Delay 0-2.5 seconds • Feedback with adjustable lowpass filter • Auto-freeze/stutter with adjustable threshold • Tap tempo/momentary freeze footswitch • Independent tap divisions for delay time, grain size, grain density, and LFO • Soft touch bypass (momentary or latching), user replaceable • Stereo input/output (TRS) • Assignable expression pedal, remote switch, remote tap, or MIDI port • Additional parameters via MIDI (USB or TRS) • MIDI clock synchronization • Presets (4 on front, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • TouchOSC template for iOS and Android • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)

Red Panda Raster 2 Advanced ...

4.128,-

Red Panda Raster 2 Pitch and Frequency Shifting Digital Delay The Raster is a digital delay with a pitch and frequency shifter integrated into the feedback loop.  Forward or reverse delay can be shifted once or have continuously shifted repeats. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. The core of the Raster is a clean delay with up to 1600 milliseconds of delay time. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The feedback control has infinite repeats at 3 o’clock and chaotic, textured feedback loops at higher levels.  Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. The left and right delay times can be set as a ratio, so a single knob changes both in sync. The two delay channels can be arranged in series, parallel or ping pong. Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds.  The detune setting can dial in micro pitch shifts and chorused repeats.  The left and right channels can be shifted by the same amount, a ratio, or opposite directions. At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays. Beyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging.  It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart. The Raster’s modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). There are two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. Envelope and inverse envelope enable dynamic flanging and pitch bent delays. Stereo controls adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes. Capable of extreme sonic mayhem, the Raster can also be used with restraint to add unique character to your sound. The Raster 2 is performance friendly, with 6 knobs and 9 switches. The original Raster was praised for its knob response and immediacy, and the Raster 2 maintains that simplicity while adding flexible modulation and extensive stereo functionality. Alternate knob settings are related to the primary knob function, labeled, and off at the center position. Both footswitches can be latching or momentary, for instant pitch jumps or quick blasts of echo.  The bypass switch can also mute the output in bypass while always listening, to catch, repeat, and manipulate what you just played. While designing the Raster 2, we wanted to enable as many classic rack mount digital delay tricks as possible while keeping the fast and intuitive control that made the original Raster so fun to use.  Instead of multiple modes with generic knob names, all of the parameters are always available, so you can mix and match different effects and explore new sounds in between. Main Features: • Digital Delay Pedal with integrated Pitch and Frequency Shifter • 1600 ms stereo delay time in three ranges • 3200 ms forward delay available via editor • Micro pitch shifting and detuning • Tuned pitch shifting, +/- 12 semitones • Phase and frequency shifting • Repeats shifted once or continuously • Reverse delay • 7 modulation waveforms, envelope, and reverse envelope • Most parameters have left/right controls for stereo delay • Parallel, series, or ping pong structure • Tone control • Stereo input/output (TRS) • Soft touch bypass switch with selectable momentary, latching, or mute output • Shift footswitch momentary, latching, or assignable to tap tempo • Assignable expression pedal, remote switch, remote tap, or MIDI port • Full MIDI implementation with additional parameters (USB or TRS) • MIDI clock synchronization • Presets (4 on front, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)  

Red Panda Remote 4 Footswitch ...

1.390,-

Remote4 Remote and Preset Footswitch The Remote4 is a simple and easy to configure remote and preset switch with 4 footswitches that can access presets and extended pedal functions on Red Panda pedals. Its simple and ingenious design features scribble strips above each switch that can be labeled with a Sharpie and erased using isopropyl alcohol. Remote4 connects to the pedal via an included 6.3 mm TRS cable, and does not require power. The Remote 4 works with all Red Panda effects pedals that have USB. See your pedal’s documentation for specific functions. Main Features: • Remote and preset footswitch for Red Panda pedals • Simple, Easy to configure • 4 footswitches for accessing presets and extended pedal functions • Works with all Red Panda pedals • Scribble strips for custom labelling • Connects via 6.3 mm TRS cable (included) • Designed and assembled in USA • No powered required

Red Panda Tensor Looper Pedal

4.128,-

Red Panda Tensor Reverse and Tape Stop, Pitch Shifting, Time Stretching Creative Looping Tool The Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways.  Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change.  Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo). Intelligent randomization adapts to the knob settings.  The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. The Tensor is always listening, and can switch from bypass to effect with no gap or delay. Both foot switches have momentary and latching modes to inject pitch jumps, stutters, glitches, or instantly rewind what you just played. The Tensor is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing.  Add the Remote 4 or a MIDI controller for presets and additional looping functions. Features: • Looper pedal with reverse and tape stop, pitch shifting, time stretching effects • Tape speed from reverse to stop to forward • Realtime time stretch up to 4:1 • Loop time compression and stretch from 1:4 to 4:1 • Pitch shift from -2 to +2 octaves • Intelligent randomization • 9.4 seconds maximum loop time (4.7 seconds in stereo) • Overdub, replace, and dual buffer (next) loop modes • Forward/alternate/reverse loop direction • Additional looping functions via remote switch or MIDI • Momentary or latching foot switches • Assignable expression pedal, remote switch, remote tap, or MIDI port • +5.5 dBu maximum input level (adjustable to +8 dBu) • Stereo input/output (TRS) • MIDI (USB and TRS) • Presets (4 via remote switch, 31 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • TouchOSC template for iOS and Android • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)

SolidGoldFX Supa Funk ...

2.450,-

SolidGoldFX Supa FunkFlawlessly Funky Filter Designed for some serious stank, The Supa Funk is an old-school, dual-band envelope filter, but with some totally modern twists! Featuring a responsive and articulate attack generator plus an expanded control set, it also features our new Color knob that blends in a second low-pass filter to help you to go from a classic bom-chicka-wow-wow funk, all the way to rich, throaty and vocal filter sweeps. So, plug in and mash that stomp switch if you’re ready to get down and boogie... you supply the groove and this little box will bring the funk! Main features: • Dual blendable low pass filters • Tunable analog envelope generator with depth, frequency and attack controls • Direction switch for forward or reverse sweeps • Suitable for guitar, bass, synth/keys and other electronic applications • All analog audio path • True bypass switching and top-mounted jacks - for ease of pedalboard mounting • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (centre -, 2,1 mm, less than 20 mA current draw) It’s no secret that we like to get funky here at the SolidGoldFX HQ, as we’ve already cut our tone teeth on former filter devices, the Funkzilla and Funk-lite. Supa Funk is the distillation of everything that we learned from our previous filter fests, helping us to bring you a pedal that perfectly captures the groovy tones of the past, while filtering out all of yesteryears shortcomings. Hence you get superb dynamic and smooth filter tones, that perfectly follow and embellish every single nuance of your playing. While the blendable second low-pass filter enables you to create filter tones so rich that they will make Jeff Bezos weep. Housed in a compact and intuitive package, the pedal’s 5 knobs and a single toggle lets you determine if you’re slinging out subtle low- pass sweeps or shooting sonic lasers. Depth adjusts the width or peak of the envelope effect, letting you go from shallow waves to super sweeps in seconds flat. Freq sets the center frequency of the filter, where counter-clockwise lets you hone in on those beefy and dubby tones, while clockwise will give you brighter tones that really cut. Attack adjusts both decay time and sensitivity. Going clockwise allows the envelope to trigger with ease and keeps it open for longer, while counter-clockwise lets you tame the trigger sensitivity and keep the filter decay shorter and snappier. Turning Attack fully counter- clockwise turns off the envelope, to allow you to dial in fixed filter tones with the Frequency knob - great for creating filtered lo-fi tones or classic cocked-wah sounds. Color blends in the second low-pass filter. Going counter-clockwise will give you brighter and sharper filter tones, while turning that bad boy clockwise will bring out all the chewy growl and girth you could ever want. Finally, the Level pot lets you determine how loud you want the funk (we recommend LOUD), while the Direction toggle lets you get classic forward sweeping filter tones to the left, and shooting futuristic filter rockets to the right. To complete its all analog funkariffic tonal pallet, the Supa Funk is housed in a beautiful 70’s retro themed enclosure with top mounted jacks and soft touch true-bypass switching and is built entirely by a passionate team of gearheads in SolidGoldFX’s Montreal shop.

Revv G8 Noise Gate Pedal

2.640,-

Revv G8 Hear the Silence Introducing the new Revv G8 Noise Gate. From slight noise cancellation to ultra-tight high gain, it's never been more effortless to have fine tune your sound. Completely natural, unaltered pick attack, separate Hold and Release controls for maximum decay shaping, and a transparent threshold that allows your tone to naturally bloom. Main Features: * Ultra-tight Noise Gate pedal * Based on the gate in the Generator 120 MK3 * Effortlessly cleans noise and focuses on specific frequencies * Hold, Release, and Threshold controls allow optimum control * Send/Return loop for gating pedals or creating a side chain * Easy to use format means more time focused on performing * True bypass for maximum clarity and zero signal loss * Top mounted Input and Output jacks * Built to last durable construction * Optimized for use with any Analog, Digital or Hybrid Rig * Black sparkle chassis with printed geometric design * Small single-space enclosure * Designed and built in Canada * Powered by opt. PSU     (9-12 V DC, centre -, 2.1mm, ~50mA current draw)

Avantone MixCube Passive Mini ...

3.999,-

While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Engineering Objective To build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions & revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected "industry-standard reference monitor" we began by replicating its basic size, function, and sonic character. We wanted to take it up a notch though... First, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Second, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Amplification & Wiring Recommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.< Placement When positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications System Type: Dynamic Shielded Full-Range Pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms SPL / Sensitivity: 93dB @ 1w / 1 meter Recommended Power: From 10-200 watts Driver: 5.25" cast aluminum frame Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: 3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs) Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5"

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