Daredevil Pedals Drive-Bi ...

2.990,-

DRIVE-Bi - Dual Gain Distortion -op amp powered gain circuit -2 channels of distortion, low & Hi -natural amp sound and rich harmonics The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end, saturation, and output compression for huge warm tones. This is one of the most natural sounding gain pedals on the market. Great for solo boosts as well. VOLUME – Controls effect output GAIN – Amount of circuit drive HI / LOW – Selects between both channels of gain -True bypass, runs on 9V battery or DC supply “I just picked up your Drive-Bi pedal …I’ve had over a hundred pedals over the years, but this is honestly the best dirt pedal I have ever played. I don’t know how you did it but something magical happens when you adjust the two knobs. I can’t get a bad sound out of it and to think it doesn’t even have a tone knob! Awesome job on this one, you now have a new forever fan!” -Jeff M.

Daredevil Pedals Northern ...

2.990,-

Daredevil Pedals Northern Creeper Med to High-Gain Silicon Fuzz The Northern Creeper is a true Daredevil Pedals original - now with updated new artwork this is the exact same classic circuit as the original. Balanced, gritty, sweet, and loads of sustain, it contains one of the best all-round fuzz tones, reminiscent of early 70s fuzzes by Shin-ei or Maestro. It stays tight for chords, crunches when you want it to and covers a huge range of vintage fuzz colors and tones. All hand wired with silicon transistors and true bypass, the Northern Creeper is an original circuit design and one of the oldest pedals in the Daredevil lineage. This is what you hear in your head when somebody mentions Vintage Fuzz. More output, even tone response and more gain. Big, gritty, blown out and saturated, but tight enough to hold its own in a live setting. The Northern Creeper has a raspy, crunchy edge and loads of sustain with a little bit of low-end sag. You can even get a more starved feel using the “ol’ dying battery” approach. It also really opens up and adds a bit of harmonics with a cranked tube amp. Toss one in your boogie van and spread some fuzz! Main Features: • Silicon Fuzz Effects Pedal • Medium to High-Gain vintage-style original circuit • Stays tight for chords, crunches when you want it to, covering a huge range of vintage fuzz colors and tone • Balanced EQ range for great lows and lots of mid bite • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Premium ...

2.990,-

Daredevil Pedals Premium Hand-Crafted Transistor Overdrive The Premium is a hand-wired, transistor-based Overdrive, inspired by the classic Colorsound power boosts of the early 70s. This pedal carries a bright control tone stack, more gain and increased low end, making it sweet for bass as well. While the Post knob controls the volume, Pre controls the gain and the Bright control adds more bite as you turn it up. The drive the Premium offers sounds like a very natural amp-style gain. It's open and raw, gets great feedback when cranked and stacks very well. These are nowhere in the realm of TS overdrives, so if that's what you want, look elsewhere. Warm and bluesy, saturated full stack crunch, bright gain boost for solos - it's in there. Main Features: • Natural Overdrive Effects Pedal • Transistor-driven circuit that offers any style of gain, from low to high • Inspired by the classic early 70’s Colorsound power boost • Offers warm and bluesy saturated full-stack crunch and bright gain boost for solos • Stacks well with other pedals and amps • Small, pedalboard-friendly format • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Death By Audio Absolute ...

2.490,-

OUR MOST INSANE PEDAL YET This might be our most insane pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. You can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit until your signal eats itself. Push it to the maximum and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance.  CONTROLS Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing.  Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. . SPECIFICATIONS Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.

Death By Audio Apocalypse ...

3.950,-

FUZZ TO THE NEXT LEVEL   The Apocalypse is our jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to a selectable post-amplifier. The user can toggle through its five signal paths and choose their desired apocalyptic sound. To further refine it, control the sweepabale frequency equalizer and design your tone to your liking.  Use this pedal as a boost for solos, an amp simulated recording DI, your main sound, a bass blitzer, or run anything into it you want to beef up, blast out, or supercharge. CONTROLS Rotary Selector:   Twin-T Scoop: A circuit adding bass and treble simultaneously. Quieter volume than the rest.   War Fuzz: A very full and dynamic distortion with rich harmonics and sustain.   Dual J-FET: Similar to the War Fuzz setting using dual J-FETs to get its sound.   Octave Rect: Sums the bottom and top halves of a waveform to create an octave up.   Gain x1000: The gain is cranked super high on this post amp causing erratic results. Vol: Adjusts the output volume of the pedal. Drive: Controls the volume of the initial preamp inside the pedal. Turn it up to get more distortion and fuzz or pull it back to get cleaner overdrives and boosts.  Sweepable Frequency Equalizer: This is a special tone knob designed to function as a multitude of tone controls simultaneously . Its range is extreme, starting with a bass booster that fades into a mid scoop, followed by a mid boost, and eventually into a few stages of treble-boosting to give you a beautiful bright sound.  . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.46" (including hardware). Weight: 20 oz.  Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5.8 mA.

Death By Audio Crossover Fuzz ...

4.290,-

Death By Audio Crossover Fuzz Savage Dual-Band Fuzz     A screaming, swirling filter-fuzz monster, the Crossover Fuzz takes your signal, slices it into high and low frequencies, to then absolutely wreck each band with Death By Audio's signature fuzz. Just like a crossover circuit on a rampage, it gives you independent control over each half of your sound (highs and lows). This lets you shape, destroy and reimagine your tone like never before. Main Features: • Crossover Fuzz pedal • Dual inputs and outputs, allowing for a wide range of pedalboard configurations, amp setups, and creative experimentation • Dedicated knobs to control Frequency, Resonance, Gain and Volume • Ability to control the filter frequency with an expression pedal or 0-5V external CV to automate panning, filtering, stereo sweeps, and more • Internal switch to change the colour set of the LEDs. - Sky Light: Low-pass = Yellow / High-pass = Cyan - Cyber Light: Low-pass = Red / High-pass = Blue • Top-mounted Jacks • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 120 mA current draw, not included) Want to blow through the mix on stage? Crank the Freq knob to sweep two analog resonant filters in tandem, carving out sonic space with surgical precision or dialling in chaotic, oscillating madness. Adjust the volume of your highs and lows separately for gritty tone sculpting or dial in your dream EQ. With its High and Low inputs and outputs, you can use the Crossover Fuzz like no other fuzz on the planet: split your signal to different amps, isolate frequencies for creative effect routing or use it as a stereo panner that slings frequencies across the room. You can even control the filter sweep with CV or expression and the LED display reacts in real time to show you exactly where your crossover sits. Bonus: it looks sick on a dark stage!

Death By Audio Evil Filter ...

4.999,-

FOR THE TRULY WILD Psycho HP/BP/LP filter with a sleek, laser etched enclosure. Can be pushed past the limit into octaves up, down, and folding envelopes. Its medical grade IC chip creates a hyper precise filter that sounds like no other. The Evil Fuzz takes signals into a much darker dimension, offering an inverted compression toggle to push sounds even further into the depths. Using the CV/Expression input, you can control the filter cutoff frequency with an expression pedal or synthesizer.   CONTROLS Filter Freq: Cutoff frequency of the filter. Numbers shown are in Hz.  Filter Output: Volume of the filter section of the pedal. Filter Selector: Selects between the different filter types -  Low Pass,  Band Pass, and  High Pass.   Filter Resonance: Sets the resonance of the filter in conjunction with the Resonance Switch. WARNING: Will self oscillate at high levels! Resonance Switch: Sets the range of the Filter Resonance knob between Normal and High.  Fuzz Output: Volume of the fuzz section of the pedal. Fuzz Type Switch: Choose between two different fuzzes -  lower for a cleaner, more driving fuzz,  higher for a blasted out, blooming, insane fuzz.  EXP/CV Input: Plug in CV control (~0-3.0v) or an expression pedal for external control of the Filter Freq knob. The Filter Freq knob sets the range for the EXP/CV input. . SPECIFICATIONS Dimensions: 7.75" x 4.72" x 2.4" (including hardware). Weight: 25 oz.  Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 21 mA.

Death By Audio Fuzz War Pedal

2.440,-

THE FUZZ OF ALL FUZZES Holy smokes, you all really really love the Fuzz War.  Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe. This Death By Audio pedal has hand spray painted graphix covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest sounding sustaining fuzz pedal we have ever heard. CONTROLS Volume: Controls the overall output level. Fuzz: Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz. Tone: A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs. . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.5" (including hardware). Weight: 18 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 1 mA. 

Death By Audio Germanium ...

3.150,-

Germanium Filter True Vintage Germanium Distortion The Germanium Filter is Death By Audio’s love letter to sticking a pencil in your speaker. Start with a console-style drive circuit, add in a dash of obsolete germanium transistors, and finish it off with a super intense DBA-style filter - BLAMO! You’ve got a sound heavy enough to crush on and sharp enough to slice a tomato. Main features: • Filtered Germanium Distortion Pedal • Based on a console-style drive circuit • Uses vintage Germanium transistors • Huge Gain range - Sweeps from mild overdrive to blasted-out fuzz • Filter section for detailed control of the drives frequency response - for huge low end,     scooped mids, and sharp, piercing highs • Controls interact with the guitar’s volume control • Internal Volume trimpot - for set-and-forget control of overall output level • True Bypass Switching • Compact footprint and top-mounted jacks for easy pedalboard mounting • Powered by regular 9 V DC PSU     (centre -, 2.1 mm, ~5mA current draw) The Filter control is extremely unconventional - it’ll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens! The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you’ve ever heard - only there’s no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Death By Audio Interstellar ...

2.690,-

SOUNDS LIKE A CRANKED 50s TUBE AMP The Interstellar Overdriver is a true overdrive pedal, designed to blast your amp with your sound. Beautifully transparent and based around a discrete circuit, this pedal is all about the natural, wonderful sound of turning an amp up too loud. It's specifically constructed to work the same way as old tube amps - the more you turn it up, the better it sounds. The drive knob sweeps from a slight boost to a beautiful, harmonically rich overdrive. For more control, kick back the output volume with the MASTER knob while retaining the sweetness. There are a lot of pedals out there attempting to do this simple, beautiful thing, but this one is the best. CONTROLS Master: Output volume of the effect. Overdriver: Sets the amount of gain, from a sweet boost to a nasty crunch.  . SPECIFICATIONS Dimensions: 4.75" x 4.05" x 2.17" (including hardware). Weight: 12 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 1 mA. 

Death By Audio Octave Clang ...

3.290,-

Death By Audio OCTAVE CLANG V2 Fuzz & Octave Up The OCTAVE CLANG V2 is a pseudo-ring/distortion/noise/octave pedal that creates its unique sound from a specially sourced transformer and precision-matched diodes. This generates extremely rich harmonics and pure totally analog octave up. The octave effect is created by adding two out-of-phase half-wave rectified copies of your signal together. This works well for single notes, but when complex chords and waveforms are presented to the circuit, it mangles and twists them in an organic and beautifully chaotic way. OCTAVE CLANG V2 provides up to 39dB of gain and features a powerful pre-gain tone circuit using a unique tilt EQ. Internally the pedal offers a Bias control that allows the distortion circuitry to be misbiased for an even rougher sound. Use this pedal as a great distortion pedal with the octave off, and then kick on the octave to bring down the house! Main Freatures: • Fuzz effects pedal with Octave-Up • Enhanced version 2 of Death By Audio’s OCTAVE CLANG circuit with switchable octave using specially sourced transformers and precision-matched diodes • Creates a unique pseudo-ring/distortion/noise/octave sound by adding two out-of-phase half-wave rectified copies of your signal together • Provides up to +39dB of gain • Powerful pre-gain tone circuit with tilt EQ. • Internal Bias control - allows misbiasing the distortion circuitry, for a rougher sound • True Bypass Switching • Top-mounted jacks for easy pedalboard mounting • Made in the USA • Powered by regular (opt.) 9 V DC PSU     (centre -, 2.1 mm, ~10 mA current draw)

Death By Audio Supersonic ...

3.890,-

A TRUE FREAK OF A PEDAL The Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with extremes of manipulation in mind. The controls interact with one another to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode, it can doom, and it can gloom. Possible sounds vary from (relatively) straightforward distorted guitar to shards of total insanity.  CONTROLS Bias: Biases the output transistor to change the overall sound structure. Density: Increases the Q range input into the fuzz while also adjusting the oscillation frequency in Osc. mode. Fuzz: Increases the intensity of the output. Filter: Sweeps the high frequencies of the output. Level: Master output volume. Gate/Oscillation Toggle: In Gate mode, the fuzz tone is more standard and gated. In Oscillation mode, the signal self-oscillates for noisemaking and bizarre fuzz tones.  . SPECIFICATIONS Dimensions: 4.72" x 3.84" x 2.06" (including hardware). Weight: 13 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 2 mA.

-7%

Diamond DRIVE Two-Stage ...

2.590,-

2.790,-

Tilbud gjelder kun 1 stk. på lager. Diamond DRIVE J-Drive Reborn Soaked to the bone in legendary Diamond DNA, the new generation Diamond DRIVE is built on a foundation of signature drive and EQ soundblocks. Distilling the most desirable and functional elements from the almighty J-Drive, Blaze, and Fireburst pedals, the Diamond Drive combines a warm and wide-ranging overdrive built around a Premium Sound Burr-Brown Op-amp with a dual band, post-gain active EQ. Main Features • Overdrive Effects Pedal • Original Diamond J-Drive Style Gain Circuit with Burr Brown Integrated Circuit • Dual Band Active Post-gain Baxandall EQ inspired by the Diamond Fireburst Fuzz • Selectable warm switch for soft treble shelving filter • Soft-touch, True Bypass switching and top-mounted jacks • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, 17 mA current draw) The new Diamond Drive was designed to nail the most demanding sessions. The Warm toggle will tame an overly bright amp or give your tone just the right amount of cream, while the wide-ranging Bass, Treble, and Drive controls will deliver anything from a touch of hair to amp-sizzling overdrive. Sculpt your driven tones to perfection. Housed in a compact enclosure with top jacks, 9-18V DC operation and soft-touch relay based true bypass switching system, the Diamond Drive might finally be the last overdrive you’ll need.

Diamond F-OCTAVE Vintage ...

2.890,-

Diamond F-Octave Vintage Octave Fuzz Originally launched in 2017, the F-Octave returns to the Diamond lineup with its signature high-gain silicon fuzz, crafted in tribute to the legendary Foxx Tone Machine of the 70s. The F-Octave picks up the fuzz legacy delivering raw, expressive tones with a character all its own. At its heart F-Octave is a finely tuned, discrete analog fuzz circuit designed for rich harmonic content and dynamic response. The layout is simple and intuitive, staying true to the spirit of classic stompboxes, but with added flexibility to shape your sound. Main Features • Analog Silicon Fuzz and Octave Effects Pedal • Octave Toggle Switch - for selecting between two types of fuzz     Up: Fuzz only     Down: Fuzz and Octave Up • Fuzz Control for setting the amount of fuzz you want • Tone Control for boosting or cutting high frequencies in your tone, ranging from +/- 6 dB at 750 Hz • LPF Control for adding in a soft roll-off to the high frequencies, at 2 KHz +/- 3 dB • Level Control to adjust the overall output level • Top-mounted jacks and soft touch relay switching • True Bypass • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, ~20 mA current draw) Engage the octave mode to unlock searing, upper-register harmonics that cut through any mix with vintage attitude and synth-like texture. Switch it off, and you're greeted with a warm, fat fuzz - full of woolly midrange and smooth compression, perfect for leads, chords, or riff-driven grooves. Shape the sound of your fuzz with the LPF and TONE knobs and highlight the upper octave. Start with the LPF fully clockwise and the TONE control at noon for a balanced foundation. From there, tweak the TONE control to emphasize your ideal frequency - counterclockwise for warmer or darker tones, clockwise for a brighter fuzz, and adjust the LPF to smooth out and refine your tone to perfection. The F-Octave's octave-up effect shines with single notes, delivering killer tones that cut through - especially above the 12th fret. Break new ground by using it for heavy chording, creating gnarly random overtones as the octave circuit searches for the root note. Double-stop bends produce a twisted multi-octave sound, with the high octave climbing while a subtle sub-octave slowly drops in pitch. Switch off the octave for a more straightforward fuzz. The F-Octave plays beautifully with both guitar and bass, making it a versatile tool whether you're chasing stoner rock saturation, garage grit, or classic psych tones. Roll your volume back and explore everything from sputtery breakup to thick sustain. Crank it, and it howls. This is fuzz the way it used to be: bold, unpredictable, and endlessly fun. Plug in, switch on the octave, and rediscover why fuzz never went out of style.

DigiTech DOD Carcosa Fuzz ...

1.535,-

DigiTech DOD Carcosa Fuzz Pedal Analog fuzz Tones that range from porcine fatness to desiccated shards A Modern Classic Wide Range of Silicon Fuzz Tones Demhe/Hali Mode Makes it Very Versatile Analog fuzz with tones that range from porcine fatness to desiccated shards A Modern Classic The Carcosa Fuzz may have been born out of ’70’s era fuzzes, but it has become a modern classic. The wide-ranging and interactive controls along with the visage of the King in Yellow will keep you exploring all the nooks and crannies of lost Carcosa. Wide Range of Silicon Fuzz Tones The wide range of usable gain with the Before control, and the powerful biasing of the After control allow it to fit into a wide range of musical styles and applications. The Carcosa has a bright character, but the Hi-Cut keeps it under control. Demhe/Hali Mode Makes it Very Versatile Demhe/Hali mode allows the Carcosa to blend well with dirty or clean amp channels. It can also be used as a bright dirty boost that can get into treble booster territory. If you are running a hot amp and need definition for solos, the Hali mode has you covered. The doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness. The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.

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