Produsent

Hovedbilde MXR M85 Bass Distortion Pedal

2.550,-

MXR Bass Distortion gir en stor, flerrende tone med massevis av trykk i bunn. Full kontroll over ”clean/dirty” miksen med separate Dry og Wet volumkontroller.

MXR M87 Bass Compressor Pedal

3.395,-

Ta favoritkompressorn din fra studioet til scenen med nye MXR M87 bass Compressor. En komplett oppsettning av kontroller gjør det enkelt å finjustere soundet fra ubemerket limiting til steinharde komprimerende effekter. Denne førsteklasses nøytrale kompressoren gir deg full dynamikk helt til signalet når toppen!

MXR M89 Bass Overdrive Pedal

2.550,-

MXR Bass Overdrive har et helt nytt design som gir deg en varm, rør-lignende overdrive. I tillegg til volum, tone og drive kontroller har den også en clean kontroller slik at du kan blande den rene tonen med overdrive lyden. Dette gir deg en skikkelig buldrende bass overdrive.

MXR M94SE Fat Sugar Drive ...

2.195,-

MXR M94SE Fat Sugar Drive Få Sugar Drive Pedals brede utvalg av overdrive-toner i et klassisk MXR-chassis Blander inn et rent signal for å beholde personligheten til lyden din Mer headroom for dynamisk og åpen lyd Fra skjør boost til full distorsion Veksle mellom true og bufret bypass Spesialutgave i rosa metallic finish Med MXR Fat Sugar Drive får du Sugar Drives allsidige palett av klare og transparente overdrive-toner i MXRs klassiske chassis for de som foretrekker dets originale utseende istedet for mini.Pedalens allsidighet kommer fra dens unike Drive-kontroll som gjenskaper en forsterkers overgang fra ren til skitten. Dette gjøres ved å blande det rene signalet ditt gjennom noe som kalles en spenningsdobler, som øker den totale fyldigheten og åpner opp lyden fra pedalen. På den måten kan du få alt fra en skjør boost til full gass spreng røra distorsion.Fat Sugar Drive er innstillt på ekte bypass som standard, men for puristene som vil ha bufret bypass i stedet, bare fjern bunnplaten og trykk på den interne bufferen, lukk den og begynn å spille. Denne spesialutgaven kommer med en spesiell rosa glitrende finish.

MXR MC403 CAE Power System

4.695,-

MC-403 Power Supply er den ultimate strømforsyningen for musikere. MC-403 er utstyrt med høykvalitets transformatorer sikrer stille drift og overlegen ytelse. Den fungerer like godt på pedalbordet som i rack(1 unit, rackører medfølger). Alle utganger er seperat isolert, linært regulert og kortslutningsbeskyttet. Alt dette i et robust chassis, noe som sikrer deg mange års problemfri drift, selv ved røff håndtering 2 x 9VAC / 8 x 9VDC / 4 x 18VDC / 2x 6.5-15.0VDC (kabler medfølger) The MC403 Power System-a collaboration between Bob Bradshaw and the MXR design team-is truly the ultimate power supply. The MC403 powers more types of pedals and electronics at one time than any previous power supply unit available. High quality, high performance toroidal transformers ensure quiet operation with superior performance capabilities. Designed for maximum flexibility, the MC403 can be used on pedal boards or rack mounted in a single rack space with the front mount bracket (included). All multi-tap outputs are completely isolated, linear regulated, and shortcircuit protected. Enclosed in a heavy-duty housing, the MC403 is designed for years of rugged road or studio use.

MXR TBM1 Tom Morello Power 50 ...

3.395,-

MXR TBM1 Tom Morello Power 50 Overdrive • Tom Morellos signatur-sound • Innstillingsmuligheter tatt direkte fra forsterkeren • FX-loop • Autentiske forsterkerlyd gjenskapt fra bunnen av • MOSFET-teknologi I mer enn 30 år har nøkkelen til Tom Morellos rå, hardtslående lyd-DNA vært forsterkeren hans. MXR Power 50 Overdrive fanger lyden og funksjonaliteten til Toms rigg for bruk med hvilken som helst rigg, enten du har en enkel combo eller en avansert high-end topp med kabinett. Autentisk forsterker lyd gjenskapt fra bunnen av.Power 50 Overdrive bruker MOSFET-teknologi for å gjenskape Preamp-trinnene i Toms forsterker og skaper forsterkerlignende egenskaper som har en uhyggelig evne til å gjenskape store, røffe toner. Tom bruker utelukkende forsterkeren sin for sine karakteristiske vrengtoner, og når du tråkker ned Power 50 Overdrive vil du forstå hvorfor.Et komplett utvalg av innstillingsmuligheter tatt direkte fra forsterkeren.Power 50 Overdrive er utstyrt med samme grensesnitt som Toms forsterker, med Gain, Bass, Middle, Treble, Volum og Presence slik at du kan replikere hans eksakte innstillinger eller stille inn lyden etter eget ønske.Bli med i loopen.Tom kjører alle effektpedalene sine gjennom forsterkerens FX-loop, som gir signalkjeden en unik tonal vri. Power 50 Overdrive gjenskaper den samme funksjonen, slik at du kan gi signalkjeden samme preg. Hvis du har Cry Baby® Tom Morello Wah, er det her du kan koble den til og prikke Toms wah-tone.En frittalende stemme av et moderne ikon.MXR Tom Morello Power 50 Overdrive gjenskaper en av de mest ikoniske gitartonene fra den moderne rock 'n' roll-æraen. Tom brukte et halv-stack for å finjustere den lyden, og nå kan du koble den direkte til pedalbordet ditt."Power 50 Overdrive emulerer forsterkeroppsettet mitt som jeg har brukt siden 1988," sier han. "Jeg har laget 21 studioalbum, og den forsterkeren, den toppen og kabinettet, og den tonen har vært på 21 av dem. Det har vært mitt signatur-sound siden min karrieres første dag. Hvis du vil ha lyden som har vært med hele veien trenger ikke finne en topp og et kabinett fra 1988. Den lyden kan du få med Power 50 Overdrive, uansett hvilken innstilling du har."Tom Morello

Nobels CHO-mini Compact ...

1.150,-

Nobels CHO-mini Compact Stereo Chorus Pedal The pocket-sized, yet feature packed, the Nobels CHO-mini pedal combines an outstanding selection of chorus tones, all in a budget-friendly and space-saving enclosure. With a heritage of building chorus units in the past, Nobels has engineered this all new pedal to offer maximum versatility, in a super compact package. Providing a skilfully curated selection of ageless chorus effects, CHO-mini delivers a wealth of sonic possibilities, with either a mono or spacious stereo image. The achievable tones are far beyond the pedal’s modest footprint and is an excellent addition to any type of setup. Main Features: • Mini Stereo Chorus Pedal • Three distinct Chorus modes - Chorus 1, Chorus 2 and Flanging • Tap Tempo • Selectable Mono or Stereo (via TRS) inputs and outputs • Selectable True or Buffered Trails Bypass modes • Glow in the Dark pointer knobs • Metal Enclosure • Includes 4 x Integrated fold-out Mounty-P Mounting Plates • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 58 mA current draw, not included) The CHO-mini features three carefully crafted, yet distinct chorus flavours. All three modes faithfully capture those iconic modulation tones that have shaped music across genres, past and present and are simply selected by the pedal’s convenient mode switch, right on the face of the pedal. “Chorus 1” This emulates the coveted and well-established bucket-brigade style of chorus pedal tones from the 70s. You know “THAT” Chorus sound that is instantly recognisable from many popular recordings. “Chorus 2” Based on a different flavour of stereo chorus, “Chorus 2” allows for a higher rate towards the end of the control range, enabling pleasing vibrato like textures. “Flanging” While not a flanger tone in a traditional sense, this mode emulates another extremely popular (and rare and expensive in its original form) chorus pedal from the 70s, in its subtle flanging mode. Think of this as a comb-filter phasing of the signal (like feedback on a delay), focussing on its luscious general character and without becoming too extreme. Adding to its flexibility, the CHO-mini features full tap tempo functionality, but in a single switch design. Simply holding the footswitch for approximately two seconds enters the pedal into “Tap Tempo Mode”, following which the pedal will respond to rhythmic tapping instantly. Further defying expectations based on its compact appearance, there are dedicated toggles for selection between mono and stereo (TRS) operation as well as true or buffered bypass modes, making the pedal suitable for almost any musical situation, anywhere, any time. As with all other current Nobels pedals, the CHO-mini features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. With its full metal enclosure and Glow in the Dark pointer knobs, the CHO-mini is a pint-sized powerhouse that’s built for performance!

Nobels DEL-mini Compact ...

1.150,-

Nobels DEL-mini Compact Stereo Delay Pedal The diminutive, yet feature packed, Nobels DEL-mini delay pedal combines an outstanding selection of delay tones in a budget-friendly and space-saving enclosure. While Nobels has a heritage of past delay units, this newly engineered pedal offers maximum versatility in a super compact package. Providing an expertly curated selection of timeless delay effects with either a mono or spacious stereo image, DEL-mini delivers a wealth of sonic possibilities, far beyond its modest size and is an excellent addition to any size of setup. Main Features: • Mini Stereo Delay Pedal • Three distinct Delay modes - Tape, Analog and Digital • Tap Tempo • Selectable Mono or Stereo (via TRS) inputs and outputs • Selectable True or Buffered Trails Bypass modes • Glow in the Dark pointer knobs • Metal Enclosure • Includes 4 x Integrated fold-out Mounty-P Mounting Plates • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 58 mA current draw, not included) Featuring three carefully crafted delay flavours, Tape (up to 553 ms), Analog (up to 402 ms) and Digital (up to 1000 ms), all three modes all faithfully capture the iconic delay tones that have shaped music across genres, past and present. Each mode is simply selected by the pedal’s convenient mode switch right on the face of the pedal. Adding to its flexibility, the DEL-mini features full tap tempo functionality, but in a single switch design. Simply holding the footswitch for approximately two seconds enters the pedal into “Tap Tempo Mode”, following which the pedal will respond to rhythmic tapping instantly. Further defying expectations based on its compact appearance, there are dedicated toggles for selection between mono and stereo (TRS) operation as well as true or buffered bypass modes, making the pedal suitable for almost any musical situation, anywhere, any time. As with all other current Nobels pedals, the DEL-mini features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. With its full metal enclosure and Glow in the Dark pointer knobs, the DEL-mini is a pint-sized powerhouse that’s built for performance!

Nobels MOD-mini Compact ...

1.150,-

Nobels MOD-mini Compact Stereo Modulation Pedal A journey back in time, the new Nobels MOD-mini combines an outstanding selection of modulation effects in a deceivingly compact housing. Featuring intuitive switching and versatile option for seamless performance, the MOD-mini brings infectious modulation to your signal. Providing a skilfully curated selection of ageless modulation effects, MOD-mini delivers a wealth of sonic possibilities, with either a mono or spacious stereo image. The achievable tones are far beyond the pedal’s modest footprint making it an excellent addition to any type of setup. Main Features: • Mini Stereo Modulation Pedal • Three distinct Modulation modes: Tremolo, Phaser and U-Vibe • Tap Tempo • Selectable Mono or Stereo (via TRS) inputs and outputs • Selectable True or Buffered Bypass modes • Glow in the Dark pointer knobs • Metal Enclosure • Includes 4 x Integrated fold-out Mounty-P Mounting Plates • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 100 mA current draw, not included) The MOD-mini features three carefully crafted, yet distinct flavours of modulation. All three modes faithfully capture those iconic modulation tones that have shaped music across genres, past and present and are simply selected by the pedal’s convenient mode switch, right on the face of the pedal. From the pulsating Tremolo of the swinging 60s to the funky Phaser and U-Vibe grooves of the 70s, MOD-mini takes you into a sonic time warp. Adding to its flexibility, the MOD-mini features full tap tempo functionality, but in a single switch design. Simply holding the footswitch for approximately two seconds enters the pedal into “Tap Tempo Mode”, following which the pedal will respond to rhythmic tapping instantly. Further defying expectations based on its compact appearance, there are dedicated toggles for selection between mono and stereo (TRS) operation as well as true or buffered bypass modes, making the pedal suitable for almost any musical situation, anywhere, any time. As with all other current Nobels pedals, the MOD-mini features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. With its full metal enclosure and Glow in the Dark pointer knobs, the MOD-mini is a pint-sized powerhouse that’s built for performance!

Nobels Mounty-P Set Pedal ...

59,-

Nobels Mounty P Set The Security Lock for your Pedal Small black, metal mounting plates to attach most pedal units to any surface! If you play live and are serious about your set up, then screw your effects down with Nobels Mounty-Ps. Velcro® is great if you are bedroom player or are constantly swapping your stuff around, but can be a liability for gigging and gathering hair and fluff. The Mounty-Ps cost next to nothing and are cleverly designed. No chance of you opening up your pedal case to find your carefully arranged pedals in a heap all scratched up. Mounty-Ps work with big heavy multi units all the way down to mini pedals. Nobels Mounyt-Ps, a much more elegant solution to hook and loop tape. One set consists of 4x Mounty-P´s plus 4 screws.

Nobels ODR-1BC Natural ...

1.150,-

ODR-1BC (Bass Cut) Natural Overdrive gets an upgrade Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for nearly 30 years. In fact, this top selling pedal has developed its own almost cult following since it was first designed and engineered in the eighties. When the original circuit was developed, there seemed to be countless overdrives on the market that had what many people describe as a ‘nasal’ tone, but Nobels worked hard on creating a very ‘open’ sounding pedal that works with you and your amplifier. The result was the ODR-1, German engineering at its finest with stacks of resistors and capacitors forming very precise filters and signal shaping, giving you a pedal that responds to your dynamics and adds texture to your tone in a very natural, musical way - all while allowing the character of your guitar to be fully retained. Step forward to 2020 with the latest model ODR-1BC. With numerous requests from the pedal community and professional players worldwide, Nobels have added the option of an internal Bass Cut switch under the battery cover to help tame your low end if needed. In standard mode though, you still get the full frequency response of the original that is perfect for warming up single coils etc. In addition, the internal power circuitry has been increased to allow for 9-18 V capability to provide extra headroom, if your playing styles and tone goals require it. These new features haven’t altered the fundamental tone and vibe, but have increased the versatility of the pedal massively for modern rigs. With the drive control, the distortion can be easily adjusted from almost clean to maximum drive. The circuit also works very well with your guitar’s volume control, so by backing off the volume you can clean up your tone. The tonal range is controlled by the Spectrum control tone pot with mid-click and fluorescent pointers on the Glow-in-the-Dark knobs. Turn the knob clockwise and it increases the bass and treble at the same time, while turning it counter clockwise has the opposite effect. The midrange stays untouched in either direction, to ensure a transparent yet warm tone wherever the Spectrum knob is placed. Main Features • Analog Overdrive Pedal • Bass Cut feature - helps to tame the low end - NEW! • Accepts 18 V power - allows for additional headroom - NEW! • Glow-in-the-Dark Knobs • Remote input jack - allows the pedal to be switched on/ off remotely • Controls: Drive, Spectrum/Tone and Level • Buffered Bypass • Solid metal housing • Low current consumption • Overhead battery compartment - allows for quick battery changes • Includes. 4x Mounty-P Mounting Plates • Powered by 9 -18 V DC PSU or PP3 9V Battery (centre -, 2.1 mm, ~11 mA current draw)

Nobels ODR-1X Natural ...

1.666,-

Nobels ODR-1X Next Generation Overdrive For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed. The new Nobels ODR-1X is the next generation of this now legendary overdrive, heralding a new chapter in the Nobels overdrive legacy. Due to popular demand, a convenient external bass cut pot has been added, as well as the option to change between true bypass or buffered bypass. For hi-gain aficionados, a new switchable hi-gain boost is also now available. This is capable of transforming ODR-1X into a true hard rock monster. With the ability to control both the gain boost and bypass remotely, along with the unique SPECTRUM tone control, fold-out Mounty-P mounting plates and knobs with fluorescent ‘Glow in the Dark’ pointers, the ODR-1X adds worthwhile flexibility and utility to a time-tested favourite. Main Features • Natural Analog Overdrive Effects Pedal • New Variable Bass Cut knob - helps to tame and adjust the low end • Remote input jack - allows the pedal to be controlled remotely • Spectrum Tone control - double filter tone control that simultaneously cuts/boosts bass and treble frequencies • Switchable between True Bypass and Buffered Bypass via internal switch • New Gain Boost switch with remote control option • Overhead battery compartment - allows for quick battery changes • Glow in the Dark pointer knobs • Includes 4x integrated Mounty-P Mounting Plates • Powered by a regular 9-18 V DC PSU or PP3 9V Battery (not supplied - requires centre - 2.1 mm, ~15 mA current draw) For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal’s bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels’ unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles. ODR-1X also now features the ability to switch between True Bypass and Buffered Bypass via a mini switch that is located within the top loading battery compartment. True Bypass gives the maximum tonal purity. While players who are using longer cable runs, can switch to Buffered Bypass mode to preserve high frequencies. No matter what Bypass mode you choose, you also have the functionality of being able to switch the pedal on and off and control the new Gain Boost feature remotely via the pedal’s TRS connection. The pedal operates at standard 9 V DC, however if run at 18 V, this allows ODR-1X to deliver increased dynamic headroom. As with all Nobels pedals, the ODR-1X features integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. Upgrade your overdrive experience and become a part of the new ODR generation!

Nobels ODR-Mini 2 Natural ...

890,-

Nobels ODR-mini 2 New Generation Mini Overdrive For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed. The new Nobels ODR-mini 2 is the next stage in the evolution of the legendary ODR-1’s little brother, the ODR-mini. Due to popular demand, this diminutive powerhouse now features a very useful bass cut feature as an external control. Added to this, the upgraded full metal housing, along with the integrated Mounty-P Mounting Plates, completes the worthwhile upgrades for this compact dynamo. Main Features • Natural Analog Mini Overdrive Effects Pedal • New Variable Bass Cut knob - helps to tame and adjust the low end • Spectrum Tone control - double filter tone control that simultaneously cuts/boosts bass and treble frequencies, with centre indent • New upgraded metal enclosure • True Bypass • Glow in the Dark pointer knobs • Includes 4x integrated Mounty-P Mounting Plates • Powered by a regular 9-18 V DC PSU (not supplied - requires centre - 2.1 mm, ~12 mA current draw) For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal’s bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels’ unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles. With its newly designed and upgraded full metal enclosure, the ODR-mini2 is capable of operating at either standard 9V or 18V for increased dynamic headroom. Along with all other Nobels pedals, the ODR-mini2 now also features 4 integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards. Upgrade your overdrive experience and become a part of the new ODR generation!

Old Blood Noise Alpha Haunt ...

3.009,-

Alpha Haunt Fuzz - Highly-tweakable Fuzz Pedal with EQ. Alpha Haunt is a fuzz. OK that’s simple enough so far, but Alpha Haunt also has twelve (!!) highly interactive controls which mean things got a bit more involved now. Most of the fuzz buzzwords are here – huge and sustaining, gated and sputtering, mid scooped, mid boosted, bright, dark, clarity, utter lack of clarity and splatty. This is basically the fuzz motherlode being thrown at you and the whole pack is at your disposal. You are the alpha now. Highly tweakable fuzz pedal – endless worlds of fuzz at your disposal 3-band EQ sliders – perfect your place in the mix with full control over lows, mids and highs Clean blend via Enhance control – retains string clarity and low-end response Made in the USA Powered by 9V DC PSU (9V DC, centre -, 2.1mm, ~30mA current draw) Building and expanding on the classic Haunt Fuzz, one of Old Blood Noise Endeavors’ first sonic excursions, the Alpha Haunt explores the vast variety of sounds you can coax from a single fuzz circuit. With its extensive control set, the Alpha Haunt gives the user the ability to dial in a wide swath of fuzz textures – from wide open overdrives, squashed sputters to wild disintegrating synthy textures. The controls that truly set the Alpha Haunt apart from the large fuzz pack out there, are the ultra-powerful 3-band EQ sliders, Enhance, Bias and Gate knobs. Found a nice foundational fuzz sound in there you like, but feel you could use more string clarity? Turn up that Enhance knob, and hear the sweet ring of your clean tone get blended in parallel to the fuzz. This feature also means you have a fuzz pedal that plays extremely well with bass, synth, drum machines or whatever you may feel like throwing at it. You’ve got the sound, but you need to find your place in the mix? Well, those three big sliders to the right should do the trick then. Bring up the treble for biting and cutting stings of fuzz, or bring up the lows and mids to unleash the sonic sledgehammer and bring down the house. Crave more unique textures than just straight up fuzzstortion? Bring up the Gate and Bias and hear your sound compress, sputter, scream and swell up like a monster trying to break free of its sonic shackles. Perfect for synth-like sounds, velcro-esque rips and sputters or crumbling lo-fi tones. You’re fully in charge now of your fuzz sound. So, take control, lay waste to your fuzz foes and create a new fuzzy landscape, reborn around the immense powers and possibilities within the Alpha Haunt Fuzz.

Old Blood Noise Bathing ...

4.690,-

Bathing Liminal Delay Exploiting an algorithmic similarity, Old Blood Noise Endeavors unveils Bathing, a feature-rich pedal that features what the brand have named “Liminal Delay”. This effect is not just a classic delay, a modulation or even a multi-tap reverb. It is all of those things at once. Taking inspiration from OBNE’s “phase repetition” in their Dweller pedal, Bathing takes this difficult-to-describe effect and highlights all its magical features through a wide control set, low noise floor and an expansive stereo field. With features like MIDI, expression control and presets, to store and recall your favourite Liminal Delay sounds, Bathing allows you embark on a sonic adventure, only to then find it to be your new home. Main Features: • "Liminal" Delay pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Central Delay Time, Tone and Feedback • Additional controls for the number of Stages the delay passes through, including the Rate, Depth and Shape of the modulating character of those stages • Independent controls for dry and wet volume • Separate subtle Stereo Chorus control • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external temp syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Algae (standard), Orchid and Ink • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) The core sound of Bathing is determined by a central delay line, divided into many stages called “all-pass filters”. The Time control sets the central delay time. Use the Stages control to set the number of all-pass stages that the delay runs through, from anything between two to twelve stages. At shorter time settings, this increases the intensity of the phase/flange effect. At medium or longer time settings, more repeats are created both before and after the central delay time. Feedback sets the feedback of the delay, taking the output and feeding it back into the input. This can create longer trails and increased resonance. The Filter applies a combination of low pass and high pass filtering to the output of the delay, as well as the delay feedback loop, with the darkest sound to the left and the brightest sound to the right. The LFO affects the character of the delay repeats. When Time is very short, it acts like a modulation effect (think phaser or flanger). When Time is set longer, it moves anywhere from a single repeat at the central delay time out to a scattering of many diffused repeats around that time. In Mono-in, Stereo-out or full Stereo modes, the LFO is offset on the left and right to create a variety of stereo effects.

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