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Hovedbilde EarthQuaker Devices Ghost ...

2.580,-

Ghost Echo™ Vintage Voiced Reverb You hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you! Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix, but we like to think of it more as how scary the overall effect is. *Not actually haunted. Or are they? Switching This device is true bypass and uses electronic relay-based switching. Audio will not pass without power. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

EarthQuaker Devices Grand ...

2.450,-

Grand Orbiter V3 The Grand Orbiter V3 is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has a three-way toggle switch to select between the ranges of modulation: Rate 1 is slow sweep mode, Rate 2 kills the LFO and allows you to use the Grand Orbiter as a fixed resonant filter and Rate 3 is fast sweep mode. So no matter what starlit galaxies you wanna go to, Grand Orbiter is definitely the right vessel for your intergalactic travels! • Four-stage OTA-based Phaser and Vibrato - Switchable via phase/vibrato mini-toggle • Rate toggle selects between three LFO speeds - Slow, Fixed and Fast • New Flexi-switch - allows for traditional latching or momentary operation • True bypass - Silent soft-touch switching • All-analog signal path • Top-mounted jacks - for effortless pedalboard implementation The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal’s tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the “Phase/Vibrato” switch. When in “Vibrato” mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

EarthQuaker Devices Hizumitas ...

2.300,-

Hizumitas Fuzz Sustainar Hizumitas was designed for the one and only Wata from the legendary experimental band Boris, one of the heaviest bands ever to come out of Japan. The trio of guitar sorceress Wata, drummer and vocalist Atsuo, and double-neck bassist, guitarist and vocalist Takeshi has almost 100 releases filled with genre and brain-melting music. In their nearly three decades together, Boris has infused doom, hardcore, thrash, noise-core, ambient, free improv, drone, psychedelia, and more into their extensive discography. Boris is also known for their unique collaborations with mutually adventurous artists, including American Doom mongers Sunn O))), noise legends Merzbow, Keiji Haino, and Ian Astbury of The Cult. Wata, always seen and heard on stage wielding her black Les Paul Custom, mixes killer riffs with searing, fluid, or jaggedly melodic leads and controlled walls of feedback, often with help from an EBow. It's a connection of chaos and melody that has enchanted Boris fans worldwide and influenced many bands that have followed in their considerable wake. Simply stated, no other band sounds like Boris, and no other guitarist rocks like Wata. But with EQD's Hizumitas fuzz on your pedalboard, you can carve out your own singular, mega-heavy tone. Main Features: • Faithful sonic recreation of Wata from Boris’ crushing go-to fuzz: the Elk BM Sustainar • Offers loads of heavy distortion and smooth sustain with an underlying grit • Excellent response to different pickup types and playing dynamics • Unique Tone and Sustain controls greatly impact the distortion’s character • Offers plenty of output Volume - unity is around 9-10 o’clock; everything above that is set to destroy • All-analog signal path • True bypass • Silent relay-based switching • Powered by regular 9 V DC PSU (centre -, 2,1 mm, ~10 mA current draw) Hizumitas is a faithful recreation of Wata's go-to distortion pedal, the Elk BM Sustainar. The Elk is a Japanese variant of the very well-known "Triangle" BMP. The designers at EQD tried several vintage BMP's during development, found that each pedal was wildly different and realized that to truly capture the magic they needed the original. Wata graciously sent her beloved pedal halfway around the world, and EQD discovered that it had something special the others didn't have: heavy saturation with a gritty edge and massive bottom while maintaining a clear and dynamic tone with enough mids and top end to cut through any sludge. The studious wizards at EQD have built all of those characteristics into the Hizumitas. This fuzz/distortion brings loads of heavy distortion and smooth sustain and an underlying grit that sounds like the speakers are on the verge of ripping apart while delivering amazing and unexpected clarity from such an aggressive sounding pedal. The Sustain control has a wide range of saturation, meaning even small changes will significantly affect the overall tone. Hizumitas responds excellently to all types of pickups and playing dynamics. Your power chords will sound huge and heavy, while open chords will be dynamic with fantastic note separation, and single note leads will come across smooth and powerful, especially with the neck pickup. The Tone control can drastically change the character of the distortion in conjunction with the tone. Bass frequencies are boosted clockwise, and treble frequencies are boosted counter clockwise. The tone control can go from an aggressive mid-range grind to piercing highs as you turn it counterclockwise. As you turn it clockwise, the mids become less present, the highs are tamed, and a humongous, thundering low end comes to the forefront. The Volume control offers massive output gain with unity at around 9-10 o'clock and beyond that, prepare to hear and feel the power of Hizumitas.

EarthQuaker Devices Hoof V2 ...

2.580,-

Free Range Fuzz Tones The Hoof V2 is Earthquaker DevicesÕ flagship fuzz, and when you hear it youÕll instantly know why. Loosely based on a classic green Russian muff-style circuit, and featuring a unique hybrid Germanium/Silicon design, the Hoff V2 is set to spit out rich, smooth fuzz tones full of natural harmonic overtones and enough sustain to make Santana stop in his tracks and take note. Ê Hybrid germanium/ silicon fuzz - for rich and smooth fuzz tones Ê Hand tested NOS germanium transiostors Ê Shift knob selects center frequency of the Tone control Ê True bypass - Silent soft-touch switching Ê Analog dry-through Ê Top-mounted jacks - for effortless pedalboard implementation The Hoof has a wide gain range, providing everything from dirty and organic amp-like overdrive, to monstrous fuzz madness. This, paired with the ÒShiftÓ control allows you total tonal access, as the ÒShiftÓ knob works with the ÒToneÓ control to alter the overall frequency response of the Hoof. Use the ÒShiftÓ to boost the highs for a glassy, cutting top-end; use it to cut out some low-mid mud; use it to add some thick stoner rock sludge; use it on bass; use it to combat the muff-style fuzzÕs notorious Òmid scoop;Ó. The HoofÕs distinctive, fuzzy character is tight and controlled without sacrificing any Òguts,Ó so to speak, so even the gnarliest fuzz tones will sit well in the mix. Every NOS Germanium transistor in the Hoof V2 is hand-matched to exacting specifications for pedal-to-pedal concistency, guaranteeing that every single Hoof V2 will rock equally hard! The Hoof V2 has a fully analog signal path and new electronic relay based true-bypass switching. It is powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel and has a current draw of 10ma. Each Hoof V2 is built one-at-a-time by real life human beans with four fingers and a thumb waiting in line for the horsey rides at the rustic frontierland amusement park of Akron, Ohio, USA.

EarthQuaker Devices ...

2.300,-

Hummingbird V4 Repeat Percussions / Tremolo Welcome to the new Humminbird Repeat Percussion tremolo! The Hummingbird V4 is a choppy, sawtooth tremolo modeled on the vintage repeat percussion unit and similar to those found in old Valco and Vox amplifiers. • Repeat percussions / Tremolo - Vintage choppy, sawtooth tremolo tones • Dark, dreamy, murky delay sounds reminiscent of vintage oil-can and tape units • Variable waveshape LFO - adjustable from triangle through square wave • New flexi-switch - allows for latch and momentary operation • True bypass - Silent soft-touch switching • All-analog dry signal path • Top-mounted jacks - for effortless pedalboard implementation The Hummingbird V4 is capable of producing everything from classic 50s style shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost! To make things even more fun and expressive, the new Flexi-Switch allows you to use the pedal in momentary mode for sudden accentuations of parts with slow subtle airwaves or bursts of aggressive and fast choppy synth-like trem tones. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. The Hummingbird V4 is all analog, true bypass and handmade one at a time on a gilded cloud in Akron, Ohio.

EarthQuaker Devices Ledges ...

2.490,-

Ledges Tri-Dimensional Reverberation Machine Ledges is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it’s everything you’ve ever wanted and needed out of a reverb. The three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb’s longest setting is the Hall (H) reverb’s shortest setting, the Hall reverb’s longest setting is the Plate’s (P) shortest setting, and the Plate’s longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals™-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever. Main Features: • Reverb effects pedal • From classic, standard reverb tones such as 80s slapback reverb to bigger room everb styles and truly big, boomy and echoey cathedral-like hall reverb sounds at the turn of a knob • 3 effects modes o Mode R: The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up o Mode H: The Hall setting becomes really big, boomy, and echoey with distant reflections o Mode P: The Plate setting creates bouncy reflections that recycle and reverberate forever • 2 modes of operation: o Live Mode – Green LED- pedal will operate exactly where the controls are set, any changes will have no effect on the presets unless saved o Preset Mode - red LED - recalls stored settings for each control, actual control settings will be ignored • 6 easily user-editable and accessible preset slots • Silent soft-touch relais-based switching with Buffered Bypass and trails • Flexi-Switch Technology for latching and momentary operation • EXP jack with user-assignable expression pedal or Voltage control pedal control over any parameter • All-analog dry signal path and digital effect signal path • Made in Akron, Ohio, USA • Powered by regular 9 V DC PSU (centre -, 2,1 mm, 75 mA current draw) Ledges can go from an ‘80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you’ll hear clearly by adjusting your gain. In addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.

EarthQuaker Devices One to ...

1.480,-

EarthQuaker Devices - One to Four Splitter The One to Four Splitter allows you to take one input and send it through four buffered outputs for unlimited creative potential. This device features a unity gain buffer on each output for maximum punch and clarity. These buffered outputs have a flat frequency response with a high 1MOhm input impedance and a low 100 Ohm output impedance. This ensures that your signal won’t lose any quality and will sound just like you intended. Even long cable runs are no match for the One to Four Splitter.

EarthQuaker Devices Organizer ...

2.870,-

The Vital Organ The Organizer V2 is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique "Guitorgan". It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. - Polyphonic organ emulator - tracks chords and single notes flawlessly - "Choir" control acts as octave regeneration control for two octaves up/down - Improved circuitry for better performance and lower noise - True bypass - Silent soft-touch switching - Analog dry-through - Top-mounted jacks - for effortless pedalboard implementation Wether you`re going for a full-on Ray Manzarek psychedelic solo vibe, simple supporting bass notes or a crystalline ambient shimmer, the Organizer and its intuitive control set is sure to deliver every time. Use the Lag control to introduce more space between your dry signal and the effected signal for cool polyrhythmic octave effects, or use the unique Choir control to introduce either a shimmering two octaves up signal, a bone-shaking two octaves down signal or both at the same time for out of this world organ tones. The Organizer V2 tracks chords as well as single notes perfectly all over the neck on both guitar and bass. Not only can the Organizer V2 be used on strings, it has been widely used on everything from vocals and synths to horns and drumsÉ If it makes sound, the Organizer V2 can handle it! The Organizer V2 has a fully analog dry signal path, fully digital wet path, new electronic relay based true-bypass switching and anew upgraded circuitry for even better performance and lower noise. It is powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel and has a current draw of 65ma. Each Organizer V2 is built by hand in Akron, Ohio, USA.

EarthQuaker Devices Passive ...

1.630,-

EarthQuaker Devices - Passive ABY Box The EarthQuaker Devices® Passive ABY Box is the perfect solution if you can’t decide when and where you would like your signal to go. In its most basic form, this passive little box is commonly used to run a single input out to two destinations and lets you choose between using either individually or both at the same time. The most common problem an ABY is used to solve is one input being sent out to two amplifiers, but it doesn’t have to stop there! Because of its completely passive circuitry it can also be used in reverse to choose between two inputs to a single output. Use it to simultaneously run two different instruments to one input! An oboe and a bass, a keyboard and a harmonica, a lute and a modular synth… you know, whatever! This compact little device has a small footprint and won’t take up much real estate on your board and is built using high quality parts that will withstand years of use and keep going.

EarthQuaker Devices Plumes ...

1.720,-

Plumes Small Signal Shredder The Plumes is a low to medium gain overdrive based on the trusty lime-green overdrive that has been an industry staple since its inception. This is the kind of overdrive that works in conjunction with a good valve amp to create the warm saturation people like to call “transparent”. While this circuit has been the foundation of countless other overdrives available today, we feel the Plumes has a few twists and turns to make it unique enough to stand out. • Unique approach to a classic tube-like overdrive circuit - offers more headroom, lower noise and far better signal integrity • Features 3 different clipping options: symmetrical LED, asymmetrical silicon and no diode OpAmp drive • Re-imagined tone control - helps to sculpt low end, clear top end and focused midrange • All-analog signal path • Flexi-Switch™ - allows for momentary and traditional latching-style switching from a single footswitch • Silent soft-touch switching with True Bypass • Powered by regular 9 V DC PSU (centre -, 2.1 mm, ~25 mA current draw) The Plumes does away with the trusted JRC4558 OpAmp and the BJT buffers and replaces them with low noise JFET OpAmps for a more robust and precise signal with a significantly lower noise floor. The 9v power input is internally converted to +/- 9v for more headroom and a clarity that is almost three-dimensional. We’ve raised the input impedance to a whopping 10 megaohms for a stronger signal with more clarity and chime. We’ve also adjusted the cutoff of the tone control to deliver a more useful range of travel with more booming bass on the low end without sacrificing the cutting midrange and bright top end. Last, but certainly not least, the Plumes offers three different clipping options to ensure that it will work with a wide variety of gear and playing styles. Mode 1 is symmetrical clipping utilizing a pair of light emitting diodes. This is the crunchiest setting the Plumes has to offer. When played through a clean amp, it’ll deliver a reasonable facsimile of that classic crunchy valve amp tone. Mode 2 is clean boost mode. This eliminates the soft clipping diodes altogether and leaves you with straight OpAmp drive. This is perfect for pushing your clean tone out in front or driving the preamp of an already overdriven amp into tasteful breakup territory. Mode 3 is an asymmetrical silicon diode arrangement similar to the stock screamer but with more output and clean clarity; the tone some people describe as “transparent”. The Plumes features EarthQuaker Devices relay-based “soft touch” Flexi-Switch™ Technology for both momentary and latching footswitch operation as well as a very low 25mA current draw. Each and every Plumes is built one-at-a-time by delightful little hands in Akron, Ohio; the charred, black heart in the heart of it all…

EarthQuaker Devices Pyramids ...

4.990,-

Pyramids Stereo Flanging Device Built upon the same proprietary DSP architecture as the smash-hit Avalanche Run, Pyramids is a Stereo Flanging Device with five user-definable presets (a first for any EarthQuaker Devices pedal!), eight flanger modes, tap tempo, tap subdivision via the Rate & Tap mini-toggle, a multifunction Modify control, positive and negative feedback, and a variable Mix control, which is something you don’t see on a flanger every day. • True stereo flanging device with 8 Flanger modes • Five user-definable presets • Tap tempo and tap subdivisions • Flexi-switch for latch and momentary operation • True bypass - silent soft-touch switching with all-analog dry signal path • Stereo I/O and top mounted jacks • Expression and CV connectivity - ideal for both guitar and synth use Pyramids “Activate” foot-switch features EarthQuaker Devices’ exclusive Flexi-Switch™ technology. This relay-based true-bypass switching platform allows for momentary or latching operation, making it easier than ever to engage the effect to bedazzle individual notes or phrases! For standard latching operation, tap the foot-switch to activate the effect and tap again to bypass. For momentary operation, simply hold down the foot-switch for as long as you’d like to use the effect. Release the foot-switch to bypass. Pyramids eight flanger modes are: Classic: delivers the “classic” (duh) jet-plane liquid-silk flanging sound we all know and love. In this mode, Pyramids recreates the studio-quality sounds of old-school ADT (automatic double tracking) as heard on timeless recordings by those fabulous mop-tops from England (you know which ones) and on the most ripping double-tracked riffs to come from the New Wave of British Heavy Metal. Through-Zero: provides authentic tape-style flanging without all the calibration, biasing, demagnetising of heads, and so on that a real tape machine - two of ‘em, actually - requires. Use Through-Zero Mode to achieve intensified, swirling, dramatic phase cancellation and comb-filtering effects in stereo! Barber Pole (Up or Down): infinitely sweeping upward or downward flanging effect with no discernible beginning, middle, or end creating an “endless circular staircase” effect derived from the Shephard Tone auditory illusion popularised in television, video games, and film. Trigger (Up or Down): In this mode, Pyramids provides an infinitely upward or downward sweeping flanger that restarts the flange cycle with each new pick attack or by pressing the Tap/Trigger foot-switch. Step: sweeps up and down in stepped increments, producing a rhythmic flange effect similar to an arpeggiator and/or sequencer on a synth instrument. Random: sweeps up and down in random intervals, creating a chaotic flange effect similar to a synthesizer or envelope filter’s “sample & hold” function. To accommodate any input source, Pyramids includes stereo input and outputs which allow for a variety of routing options onstage or in the studio. Routing possibilities include: Mono in / Mono out - Mono in / Stereo out - Stereo in / Stereo out. In addition, Pyramids’ Trigger Up/Down modes allow for Side Chain Flanging, in which an external control source (drum machine, sequencer, CV) may be used to trigger the flanger while you play another instrument! In this configuration, the primary instrument is routed through the Right Input and Right Output while the control source is patched into the Left Input. Also, Pyramids’ Manual control may be modulated in all modes via expression pedal (sold separately). Each and every Pyramids is completely assembled, wired, and tested by total human beans in the Great Sphinx of Akron, Ohio, which, coincidentally, looks exactly like the cover of Iron Maiden’s Powerslave.

EarthQuaker Devices Rainbow ...

3.250,-

Rainbow Machine V2 Soundwaves Over The Rainbow Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no natural sounds that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators. • Polyphonic Pitch Shifting Modulator - From a Major 3rd up to a Perfect 4th below • Can create thick doubling, lush chorus, oil-can delays and wild polyphonic harmonies • New recalibrated Magic control - Wider range of available sounds • New V2 flexi-switch - allows for latching and momentary switching • True bypass - Silent soft-touch switching • Top-mounted jacks - for effortless pedalboard implementation The Rainbow Machine V2 has been completely re-imagineered from the pixie dust-covered ground up to be more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, silent flexiswitch footswitches on both the Activate and Magic functions, and best of all, has more Magic! The Rainbow Machine is built around a DSP pitch warping engine that’s designed to be slightly imperfect; colored with digital remnants of the cosmic dust we’ve picked up across the multiverse. That is to say it’s a cold digital beast made to pretend it has feelings. The Pitch control adjusts the frequency of the polyphonic pitch-warped harmony from a fourth below your input, to a third above, and every atonal pitch in-between. Noon is the unison position. Use the Primary function control to adjust the volume of the polyphonic harmony. You may add in an accompanying octave or thicken the modulation by bringing up the Secondary function control. The Tracking control adjusts the lag time between the wet and dry signals, and the Tone control rolls off some treble for a darker, vintage sound. Clockwise is bright, counterclockwise is dark. With the Rainbow Machine engaged, hold down the Magic footswitch, get weird, and then let go to return to your boring old Magic-less guitar tone. Or, press the switch like normal, and the Magic remains engaged until you press the switch again. Ditto for the Activate switch. Press and hold to use the Rainbow Machine as a momentary effect, then let go to bypass; or feel free to press the switch like normal and use the Rainbow Machine like you would any other effects pedal. Each and every Rainbow Machine V2 is harvested by hand in the (pixie) dusty Rainbonium mines of sunshiny Akron, Ohio, USA.

EarthQuaker Devices Sea ...

2.580,-

Sea Machine™ Super Chorus The Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That’s a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that’ll help you reel in the big one. The Sea Machine ain’t no one-trick seahorse. With a mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you’re a bass player who fancies themselves a fan of the classic 80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven. Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

EarthQuaker Devices Silos ...

2.490,-

EarthQuaker Devices Silos Multi-Generational Time Reflection Device Hey there, fellow Time Travelers! Are you tired of trying to fit all of your favorite delays onto your already overflowing pedalboard? Did you constantly have trouble choosing just one pedal to serve as the catalyst of your echo-centric musings? Had you wished that a pedal company would give you more bang for your buck by merging multiple classic delay effects into one simple little box? Well hold on to your whammy bar, because your problems are solved now that you’ve found the new Silos - Multi-Generational Time Reflection Device! That’s right, we’ve taken a digital delay, an analog delay, and a tape delay and merged them all together as one pedal with six presets, a tap-tempo, and user assignable expression control. Take a moment to compose yourself, we totally understand. Main Features: • 3-mode Delay effects pedal • Inspired by EQD founder Jamie Stillman’s three favourite delay pedals • Up to 1 second of delay time • 3 effects modes o D - Digital Delay mode offers nearly infinite repeats that hold their fidelity while gradually rolling off the top end with each regeneration o A - Analog Delay mode is more mid-focused in the initial attack and gradually degrades while getting darker with each repeat o T – resembles an old, well-loved tape delay with all its glorious artifacts. Dark and moody with just a hint of distortion when you hit it just right • 2 modes of operation: o Live Mode – Green LED- pedal will operate exactly where the controls are set, any changes will have no effect on the presets unless saved o Preset Mode - red LED - recalls stored settings for each control, actual control settings will be ignored • 6 easily user-editable and accessible preset slots • Dedicated Tap Tempo footswitch • Silent soft-touch relais-based switching with Buffered Bypass and Trails • Flexi-Switch Technology for latching and momentary operation • EXP jack expression pedal or Voltage control pedal control over any parameter • All-analog dry signal path and digital effect signal path • Made in Akron, Ohio, USA • Powered by regular 9 V DC PSU (centre -, 2,1 mm, 75 mA current draw) Let us give you a little backstory; it all started when EQD founder Jamie Stillman was admiring his three favorite delay pedals from his personal collection and began ruminating on their vast differences. This sparked an ambitious foray into uncharted territory in finding a way to assemble them all together as one uncomplicated unit. After months of tinkering, his mission was accomplished and the Silos was born. With just four knobs, one three-way switch, one Save/Recall button, and two footswitches, he made the impossible possible and now your guitar playing shall reap the rewards! Each of the three modes offers up to one second of delay time which allows it to be a longer delay than our other delay pedals. From noon and back is 500 milliseconds to zero, which has its own character. From 500 milliseconds to one second of delay time, it’s an entirely different beast. Dial them in for shorter delay times where they really excel and add loads of atmosphere and vibes. Push them further for rhythmic delays that are perfect for strumming and adding extra ambiance for your riffs. And the tap tempo is truly precise and responsive so you can lock in your rate quickly within the first revolutions.

EarthQuaker Devices Spatial ...

2.490,-

Spatial Delivery® Envelope Filter with Sample & Hold The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. This baby has three modes with the switchable Up Sweep, Down Sweep, and Sample & Hold functions, along with Range, Resonance and Filter controls. Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, which alters the width of the frequency sweep. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you’ve got a real nice resonant, cut-through-the-mix lead tone. We took the already cosmic, original Spatial Delivery and added six available preset slots for you to store your preferred settings. Even the expression jack assignment can be saved and recalled in any of the slots so that the signature sounds you dial in are readily available with a quick tap of the switch. Save your settings confidently on the go thanks to the two modes indicated by the LED Save/Recall switch. Presets Spatial Delivery has six available preset slots for you to save and recall your favorite settings. The settings for each of the three controls, the Mode switch and the expression jack assignment can be saved and recalled in any of the slots. Operating Modes Spatial Delivery has two operating modes which are indicated by the color of the Save/Recall switch LED. In Live mode, the pedal will operate exactly where the controls are set and any changes will have no effect on the presets unless saved. In Preset mode, stored presets, including expression pedal mapping, are selected using the Preset switch, and the physical settings of the controls will be ignored. It’s never been easier to switch between Live and Preset modes on the fly, vastly expanding your sonic cosmos - no bending down required! User-Assignable Expression Control Use any TRS expression pedal to take control over the Range, Resonance or Filter controls. Controls: Mode Toggle: Toggles between Upward Sweep, Downward Sweep or Sample & Hold. Range: Adjusts the sensitivity of the envelope in Up and Down mode. In Sample & Hold mode, this controls the speed. Filter: Crossfades between high pass and low pass filters and allows you to get everything in between. High pass is fully counterclockwise, low pass is full clockwise and center is band pass. This is much more useful than a simple switch you would typically find on a multi-mode because it allows you to blend the filters for different sounds! Resonance: This is the filter feedback control, it adds more body and ring to the filter voice. Presets: Six available preset slots for you to save and recall your favorite settings! The settings for each of the three controls, the Mode switch and the expression jack assignment can be saved and recalled in any of the slots. TECH SPECS Dimensions 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs Current Draw 75 mA Input Impedance 500 kΩ Output Impedance 100 Ω Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES! Artwork Artwork by Matt Horak

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