Meinl PSTD2NBVF Pocket Steel ...

265,-

Meinl Sonic Energy Pocket Steel Tongue Drum A Major - PSTD2NBVF. Navy Blue. Venus Flower. Meinl Sonic Energy Pocket Steel Tongue Drum passer for enhver musikkelsker, lærer eller lydterapeut. Den har en kompakt størrelse som gjør den ideell for bruk på farten. Enten det er i studio, i klasserommet, på kontoret, på byen eller på salongbordet. Med en diameter på kun 3" (7,6 cm), kan den spilles på av hvem som helst og hvor som helst, uansett ferdighet. Takket være den forhåndsstemte skalaen er det ingen "feil toner" å spille. Lyden er behagelig og beroligende. Treklubbe med gummihode medfølger. • Skala: A5, B5, C#6, E6, F#6, A • Vekt: 3210 gram. • Høyde: 1.85"/ 4.7cm • Diameter: 3"/ 7.6cm • Farge: Navy Blue/ Marineblå. • Trekølle med gummihode medfølger. • Kropp i rustfritt stål.

Meinl SC80B Snarecraft Cajon

1.545,-

SC80B - Meinl Snarecraft Cajon. Prisgunstig cajon med to interne seider og justerbare øvre hjørneskruer for rett lydkarakter. • Høyde: 46cm. Bredde: 29cm. Dybde: 29cm. • Frontplate: Birch (Betula Pendula). • Kropp: Birch (Betula Pendula) 7 lag (9mm). • Interne seider. • Ergonomisk avrundede hjørner for bra spillefølelse. • Gummiføtter pluss lydhull på baksiden. • Passende bag: MSTCJB.

Meinl SRS1R-L Syntheitic ...

685,-

Synthetic Rainstick 39" (100cm) The MEINL Synthetic Rainstick is light in weight and extremely durable.  

Meinl SUBCAJ5WN Jumbo Bass ...

3.145,-

Meinl Subwoofer Cajon - SUBCAJ5WN. Spesialdesignet cajon med fremovervendt bassrefleks lydhull. Sider og rygg i miljøvennlig MDF og frontplate i Walnut. Lydhullet på forsiden fremhever bassregisteret og de interne seidestrengene gjør at også toppregisteret blir godt representert i frontplata. • Høyde: 50cm, Bredde: 34cm, Dybde: 31cm. • Frontplate: Walnut • Kropp: Eco-friendly Fiberboard. • Intern seide. • Fremovervendt bassport. • Passende bag: MCJB-L.

Meinl TMT1A-B Tamburin ...

625,-

Meinl Traditional ABS Tambourine - TMT1A-B. Ergonomisk håndholdt tamburin i ABS plast og med Aluminium Jingles. Tørr, fokusert lyd med god projeksjon. TMT1 tamburinene er lettspilte med godt gripevennlig håndtak. Kanten har små riller for en kombinert Guiro effekt, om man ønsker det. • Materiale: ABS Past. • 2 rader Aluminium Jingles. • Gripevennlig håndtak. • Farge: Blue (B).

Meinl TMT1M-WH ABS Tamburin ...

855,-

Meinl Traditional ABS Tambourine - TMT1M-WH. Ergonomisk håndholdt tamburin i ABS plast og med både Brass og Nickel Plated Steel Jingles. Lys, men varm lyd med god projeksjon. TMT1 tamburinene er lettspilte med godt gripevennlig håndtak. Kanten har små riller for en kombinert Guiro effekt, om man ønsker det. • Materiale: ABS Past. • 2 rader Brass + Nickel Plated Steel Jingles. • Gripevennlig håndtak. • Farge: White (WH).

Meinl TMT2M-WH Trommetamburin ...

995,-

Meinl Mountable ABS Tambourine - TMT2M-WH. Robust tamburin i ABS plast med 2 rader blandet Brass og Nickel Plated Steel Jingles, samt feste for standard L-Rod. Lyden er tørr og fokusert. Kanten har små riller for en kombinert Guiro effekt, om man ønsker det. Passer både for perkusjonister og trommesettspillere som ønsker litt tamburinlyd i oppsettet. Lett å montere og spilles på med stikker. • Materiale: ABS Past. • 2 rader Brass + Nickel Plated Steel Jingles. • L-Rod feste som passer standard perkusjonsholdere. • Farge: White (WH).

Meinl TMT2R Trommetamburin ...

765,-

Meinl Mountable ABS Tambourine - TMT2-R. Robust tamburin i ABS plast med 2 rader Nickel Plated Steel Jingles og feste for standard L-Rod. Lyden er lys og distinkt. Kanten har små riller for en kombinert Guiro effekt, om man ønsker det. Passer både for perkusjonister og trommesettspillere som ønsker litt tamburinlyd i oppsettet. Lett å montere og spilles på med stikker. • Materiale: ABS Past. • 2 rader Nickel Plated Steel Jingles. • L-Rod feste som passer standard perkusjonsholdere. • Farge: Red (R).

Meris 440 - 500 Series Mic ...

7.596,-

Meris 440 500-Series Mic Preamp Get Big Studio Console Sound on your Tracks The Meris 440 Mic Preamp is a unique boutique 500-Series studio preamp with a difference. With an integrated, pedal friendly built-in effects loop attenuated to guitar-pedal level, means that whatever your mic is recording, you can now use your guitar pedals to add effects to the signal. Designed to be the ultimate mic pre for guitar, the 440 is just as capable as a mic pre for vocals, percussion and other instruments as it is with handling acoustic and electric guitar transients. Cinemag I/O Transformers for an extremely fat mic pre-tone Built in Effects loop – connect your favourite pedals in-line or use as a superior Bass D/I High Pass Filter that selects between 80Hz and 200Hz Custom 7kHz or 4kHz High Shelf Filter to achieve the optimum tone for your instrument recording 20dB Pad, Phase Reverse and 48V Phantom Power switches Designed and Built in Los Angeles, California U.S.A. The Meris 440 is designed and built in L.A., California and contains only the highest quality components available today, like legendary Cinemag input and output transformers and hybrid-discrete OpAmps that receive and drive each respective transformer section. These all unite to create highly sought after classic American tone reminiscent of famously popular mic preamps made in the 1970s. The all-analogue signal path benefits from a customised 4kHz or 7kHz high shelf switch, 20dB pad and full control over the 60dB of gain and output levels. The levels of creativity you can go to with the Meris 440 are only hindered by your imagination! With immaculate attention to detail, the Meris 440 is solidly built and the front panel controls are clearly laid out and labelled, making it extremely easy to use. Plugging your guitar pedal into the effects loop means you can now add your favourite reverb or delay effects into the signal chain, distortion-free and without the need for any intermediary equipment. The effects loop input also doubles as a super-clean and smooth sounding D.I. for direct recording, adding to its versatility. Specifications: Gain: Up to 60dB of gain at the input stage High Pass: 12dB / octave High-Pass: 80Hz or 200Hz corner frequency Shelf: High-Shelf boost: + 3dB at 4kHz or 7kHz corner frequency Frequency handling: 20Hz to 20kHz flat frequency response (+/- .3 dB) with all filters disengaged Self-Noise: -130dBu EIN (A-weighted) Input Impedance: 1Meg Ohm input impedance at Return/D.I. input Additional switches: 20dB Pad, Phase Reverse/polarity switch and 48V Phantom Power controls Signal path: Premium components throughout the all-analogue signal path

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Meris Enzo Multi-Voice ...

3.999,-

4.464,-

Enzo – Synth Pedal Supreme Synth Soundscapes Tilbud gjelder kun 1 stk. på lager! Have you ever wanted to discover new tonal inspirations but either struggled with the way regular synth-style pedals either tracked on notes or that they could just sound weak and lifeless? Well look no further, as finally the ultimate synth pedal has landed and it will send your tone beyond the horizons! The Meris Enzo is a multi-voice synthesizer that will perfectly track your guitar for tight monosynth leads, complex chord polyphony, or multi-note sequenced arpeggiation with tap tempo and all without the need for a special pickup! Also, Enzo is not limited to just guitars. In fact, you can use the pedal pretty much on any instrument or line-level signal. Whether you choose to transform your beats on a drum machine, synthesize vocals or completely transform additional synths, loops or any other type of audio, Enzo’s complete synthesizer tool palette takes your sound to a whole new realm. In addition, Enzo holds one of the most musical custom 6-mode filter section ever developed, a built-in compressor, dual delay line, ring modulator, portamento options, multiple envelope types, vast MIDI capabilities and the ability to seamlessly morph between sounds via an external expression pedal. Enzo is not just another synth pedal, it’s an instrument that will inspire your creativity and musicality for years to come. Features: Colossal Multi-Voice Dual Oscillator Synth architecture with selectable waveforms Two Tap Delay with Time, Feedback, Modulation, and special two stage level control Three Synth modes: Poly Synth, Mono Synth, and Arpeggiated Synth Two Distinct Tunable Envelope Types: Triggered and Envelope Follower Tunable Portamento Time for smooth transitions between synth notes and pitch shifts Sustain control for extending your volume envelope all the way to endless synth hold Adjustable Compressor with Threshold and Mix for your input signal (Dry mode) Custom 6 mode filter with frequency, bandwidth (resonance), and envelope Wide ranging Ring Modulation with ability to assign envelope control Digitally controlled Analog mix control Stereo input and output Switchable input / output headroom level for Guitar or Synth / Line level Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack (presets, automation, beat clock) Premium analog signal path and 24-bit AD/DA w/32-Bit floating point DSP Designed and built in Los Angeles, California U.S.A. Standard 9 V power (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Meris Enzo X Modular ...

8.156,-

Meris Enzo X Modular Instrument Synthesizer A supernova expansion from the original Enzo pedal, Enzo X is the highest quality and most flexible polyphonic synthesizer ever created in a pedal format (with no pickup installation required). Combining 5 synth modes, Enzo X incorporates each of these into a modular system UI/architecture from both the award-winning LVX and MercuryX pedals. In addition to being a 6-voice poly synth, Enzo X includes 3 reverbs which are adapted from Mercury X (Prism algorithm), 5 Drives (including Bitcrush), a full stereo 2.5 second Delay and 5 modulation types. To make this complex system immediately intuitive to navigate, Meris again leveraged the simple and easy to use UI first developed for LVX. Unveil the Universe Within. Main Features: • Modular Instrument Synthesizer architecture pedal • 5 Synthesizer modes including Mono, Polyphonic and Dry Processing modes • Polyphonic Pitch Detection with no special pickup necessary • Synthesizer playable via instrument input OR MIDI keyboard • 6 Fully Polyphonic Voices available simultaneously • ADSR Envelope Generators for both Amplitude and Filter • Configurable Oscillator and Filter types • SAW, TRIANGLE, and SQUARE Waveforms selectable per Oscillator w/ Cross Modulation • Intuitive, Award Winning Color Screen based User Interface adapted from LVX and MercuryX • Expressive Hold Modifier Switch for on the fly control • 99 Preset Locations in 33 Banks • Favorite Preset Bank for instant access to your 3 favorite presets • Instant Access Tuner with configurable Reference and Output mode • Deep Modifier Section lets you route control signals to processing parameters • All New Processing Elements including Meris custom Flanger and Phaser • Digitally controlled Analog mix bus • Stereo input and output with separate jacks for each • Switchable input/output headroom level for Instrument or Synthesizer / Line levels • MIDI In and Out over standard MIDI Din Jacks • Assignable Expression Pedal control for multiple parameters simultaneously • Dedicated Expression Pedal Jack • MIDI implementation for Continuous Control Parameters • MIDI Preset Send and Receive • MIDI beat clock synchronization • Advanced ARM Processor • Premium analog signal path and 24-bit AD/DA w/32-bit floating-point DSP • Premium Analog Devices JFET input section • Dimmable screen and logo light • Designed and built in California, U.S.A. • Powered by standard 9 V power (9 V DC, centre -, 2.1mm, ~ 280 mA current draw - not supplied)

Meris Hedra - 500 Series ...

7.596,-

Powerful in Execution Put Hedra 500 into your studio rack and re-voice your melody palette in real time. 3 voices, in rhythm, combine with your original voice to create angelic harmonies. Each voice can be delayed and fed back for classic studio fattening, detuning, or extreme warping.  Explore pitch locked harmony, either smooth or hard stepped and use your voice as an instrument. Add sonic unease and texture by micro tuning each voice or with our original glide mode to slide between pitches. 3-Voice Rhythmic Pitch Shifter Selectable Pitch Correction Types to Re-Voice your Melodies in RealTime Hard Stepped Pitch Correction available Individual Controls for Pitch and Time Offset for each Voice (3 Voices Total) Micro Tune control creates gentle chorus-like detuning, classic studio fattening, and extreme warping Chromatic or Key Driven Harmony with Selectable Scale Types 520 mS tap tempo synced delay with selectable pitch feedback Our Original Glide Mode slides between pitches at the speed you choose Choice to sweep through Intervals smoothly or hard step for dramatic pitch effects Switchable Half Speed and Auto Swell for advanced textures Digitally controlled Analog mix control Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Balanced I/O, extremely low noise floor and high headroom for a pristine studio signal path Color – raw brushed aluminum with clear coat Designed and built in Los Angeles, California U.S.A.

Meris Hedra 3-Voice Rhythmic ...

4.464,-

Hedra – 3-Voice Rhythmic Pitch Shifter Rhythm Prism Every action has a reaction. A single stone thrown can create riveting ripple effects, while a humble key-turn can unlock a flurry of otherwise before unseen and unheard events. This is the magic Hedra bestows upon you and your instrument, seeing you unearth new harmonic sonic chain reactions with every single note played. The Meris Hedra is a 3-voice rhythmic pitch shifter capable of adding 3 harmony voices to your instrument and with Tap tempo synchronised delay available for each voice, this beauty far transcends the realms of standard pitch-shifting. In addition, pitch glide, micro tuning, 4 individual delay configurations, adjustable pitch correction and midi keyboard control all combine in making Hedra an instrument and sonic experience like no other. You can keep it simple and just use Hedra as a standard chromatic pitch-shifter. Or you can begin to pile on the intervals and slip into its dancing diatonic dreamscapes, via its 6 different scales and wealth of rhythmical subdivisions. Now turn up the Glide control and hold down TAP for auto-swelling synthy portamento shifts – or bump up the pitch regeneration – and you’ll be floating away on clouds of shimmering sci-fi effects. Hook a MIDI Keyboard or a MIDI Sequencer up to Hedra and turn your source instrument into a mind-bending tapestry of harmonies and hard-tuned pitch glides. Although it adds an entirely new dimension to the humble 6 (or more) string instrument, Hedra is not limited to just guitars. In fact, you can use the pedal on pretty much any instrument or line-level audio signal you want. Whether you choose to totally transform your beats on a drum machine, harmonise vocals or completely alter additional synths, loops or any other type of audio, Hedra’s advanced pitch-shifting palette is sure to transport you and your sound to entirely new sonic worlds. Features: Advanced 3-Voice Rhythmic Pitch Shifter – from standard pitch-shifting to intricate dancing harmonies Individual controls for Pitch and Time Offset for each voice Chromatic or Key-Driven Harmony – with 6 selectable scale types via ALT control 4 Delay Line Configurations with unique Feedback Routing – for infinite sound design options Unique Keyboard Control via MIDI – puts a live quartet under your fingertips Micro Tune – creates gentle chorus-like detuning, classic studio fattening and extreme warping Glide Mode – slides between pitches at the speed you choose Choose to sweep through Intervals smoothly or hard step for dramatic pitch effects Switchable Half Speed and Auto Swell for advanced textures Digitally controlled Analog mix control Stereo input and output Switchable input / output headroom level for Guitar or Synth/Line level Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack (presets, automation, beat clock) Premium analog signal path and 24-bit AD/DA w/32-Bit floating point DSP Designed and built in Los Angeles, California U.S.A. Standard 9 V power (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Meris LVX Modular Delay ...

8.156,-

Meris LVX Modular Delay System LVX is a Modular Delay System which breaks the paradigm of pre-set delay types in favor of freedom and flexibility. A completely new UI and user experience has been designed from the ground up to make LVX immediately intuitive to navigate. The architecture of LVX allows ultimate creative freedom to design a custom delay. The pedal features discrete processing elements and control signal modifiers that can be connected as desired for nearly infinite flexibility in crafting custom sounds. Make room for new memories. Main Features: • Modular Delay System architecture pedal • 2540 mS of Highly Configurable Dual Delay • Advanced ARM Processor • Configurable Delay Structures, Types, and Processing Elements - for the ultimate customization in delay processing • Intuitive Colour Screen based User Interface • Always Available True Stereo 60 Second Looper • 99 Preset Locations in 33 Banks • Favourite Preset Bank for instant access to your 3 favourite presets • Instant Access Tuner with configurable Reference and Output mode • Deep Modifier Section lets you Route Control Signals to Processing Parameters • True Stereo Processing Elements (Poly Pitch Shifter operates in mono) • All New Processing Elements including Preamps, Granulize, Cassette, Poly Pitch, and more • Includes Processing Elements from the Meris family: Polymoon, Hedra, Enzo, and Ottobit Jr. • Selectable Note Divisions for each side of the stereo Dual Delay • Digitally controlled Analog mix bus • Stereo input and output with separate jacks for each • Switchable input/output headroom level for Instrument or Synthesizer / Line levels • MIDI In and Out over standard MIDI Din Jacks • Assignable Expression Pedal control for multiple parameters simultaneously • Dedicated Expression Pedal Jack • MIDI implementation for CC Parameters, Preset Send and Receive, beat clock sync • Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP • Premium Analog Devices JFET input section • Dimmable screen and logo light • Designed and built in California, U.S.A. • Powered by standard 9V power      (9V DC, centre -, 2.1mm, ~ 280 mA current draw)

Meris Mercury7 - 500 Series ...

7.596,-

Meris Mercury7 500-Series Reverb Off-World Ambience The Meris Mercury7 Reverb is the world’s first 500 Series Algorithmic DSP reverb unit and uses a premium analogue signal path, alongside 24-bit AD/DA with 32-bit floating-point DSP to deliver its out-of-this-world reverb. Inspired by Vangelis’ majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury 7 Reverb is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms. From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you’re looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver! Handcrafted Algorithmic Reverbs Analog Mix & Dry Signal Path Intra-Tank Pitch Regeneration High & Low Frequency Damping Extensive Modulation Capability Variable Auto Swell Envelope Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Stereo and Surround Linkable Designed and Built in Los Angeles, California U.S.A. With this dedicated hardware DSP reverb, you get all the reliability and pro level headroom necessary in modern studios (up to 21dBu / 30volts peak to peak, 116dB signal-to-noise ratio) without any load on your CPU/DAW. Plus, it has real knobs allowing you to sculpt the perfect reverb in real-time. As with all Meris products, the Mercury7 Reverb is designed and manufactured in Los Angeles, California U.S.A, to the highest specifications. The algorithmic reverb has been developed in house by their engineering team, who for many years have been responsible for some of the best sounding DSP in the known galaxy. The Mercury7 is truly something special. From the first note you play through this magic blue box, the tone and saturation you get from it is just spectacular. It’s very versatile, offering everything from sparkly-clean shimmer ‘verbs to dark and moody hall reverbs. It also features modulation should you want to delve deeper. Stereo, you ask? Not a problem. With two Mercury7 modules you can live in stereo sweetness using the stereo link cable. Then the left unit’s controls will control the right, or you can set them individually, as you please. Specifications: AD/DA: 24 Bit DSP: 32 Bit floating DSP hardware S/N Ratio: -116 dB Signal to Noise ratio Signal path: Premium analogue signal path throughout I/O: Burr-Brown precision balanced input and output drivers Mono / Stereo: Stereo and Surround linkable (requires link cable) True Bypass: 100% Analogue bypass Power consumption: <100 mA total power consumption

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