Darkglass Microtubes B7K ...

4.890,-

Darkglass Microtubes B7K Ultra AUX Dette er den mest påkostede og avanserte pedalen i Microtubesserien. Den har den fantastiske driven fra B3K og EQ'en fra B7K. Utover dette så har Darkglass lagt til ett par switcher for at du lett skal treffe rett i mellomregisteret +Aux tilkobling m.m. The Microtubes B7K Ultra features all the versatility and sonic possibilities its predecessor is known for plus amazing features: (1) A dedicated Footswitch to engage the overdrive section independently. (2) A Master volume to control the overall unit level. (3) Three way toggle switches for each mid control, with a total of 6 different mid frequencies at your disposal the B7K Ultra allows you to create and tailor your tone to perfection: From crisp, punchy clean preamp to obliterating high gain distortion, and everything in between. The B7K is an universal tone crafting machine.

Darkglass Microtubes Infinity ...

5.790,-

Microtubes Infinity kan være den ultimate Darkglasspedalen, hvilket og betyr at det kan være den ultimate basspedalen. Darkglass har samlet deres mest brukte drivekretser: B3K, Vintage og X i samma pedal. Dessuten har man lagt til flerbåndskompressor, IR funksjoner og tillgang til Darkglass Suite. Detta gir deg uendelige muligheter. Infifnty! Often, we find ourselves asking identical questions. What distinguishes a pedal, amp, or accessory as essential? If we get to choose only one piece of gear to take on tour: how would we want it to be? This pedal is a response to our one quest, stapling what it takes to make professional gear by our standards: A vast canvas on which any musician can reveal their utmost potential. Meant for those who care about quality, versatility, and a robust proposition. Without concessions or shortcuts. The Microtubes Infinity shares the footmark of our programmable line, packed with our three legendary Microtubes distortions: B3K, Vintage, and X. Moreover, it allows multiband compression on every mode, blending Impulse responses between distortions while adding extra controls via the Darkglass suite for an endless number of features: An infinity of possibilities.

Darkglass Microtubes Vintage ...

2.510,-

Darkglass Microtubes Vintage Pedalens slogan er: No tubes, no problems. En overdrivepedal som trinnløst kan gå fra en varm 70-talls rør lyd via 80-tallet til ett mer metallisk 90-tallslyd på en pott som helt korrekt kalles ”ERA”. The Vintage Ultra is the result of the finest engineering process we have ever accomplished. 40 years ago it was necessary to carry a massive amp to have a rich, tight and articulate sound for bass players. Today, all you need is a super portable preamp which enables on one side a massive clean sound, and from the other side, a tasty saturated sound. This is a true elixir for low end lovers.

Darkglass Microtubes X Bass ...

2.630,-

Darkglass Microtubes X Distorting bass has always been a very challenging engineering endeavor: in order to achieve a punchy, and aggressive distortion that is also full and fat-sounding you need to reconcile two contradicting conditions: The tightness comes from attenuating bass frequencies before saturation, which will also result in a very thin signal. But boosting the lows will result in additional, unwanted fuzz. The Microtubes X is our solution to that problem in a very compact form: The signal is split by two variable low-pass and high-pass filters at the very very beginning. The high-pass signal (mostly mids and treble) is distorted using CMOS circuitry, just like our older Microtubes pedals. The low pass-signal (all bass) is left untouched. Letting the high side be all crunch, attack, and rich harmonics while mixing back the lows to add gargantuan size to the overall mix. The result is virtually unlimited fullness, size, aggression, and definition, regardless of how old the strings, and boomy or thin instruments. The Microtubes X offers all of this in a compact form, with very few controls to tweak, making it almost impossible to dial wrong.

Darkglass Microtubes X Ultra ...

5.190,-

Microtubes X Ultra Dette er en videre utvikling av den allerede mangfoldige X7 modellen. Featuring all the great controls that its predecessor has that allows users to select exactly what frequencies they want to compress and saturate for the low and treble respectively, but with four major additions providing an additional layer of flexibility, while maintaining the same compact footprint, making it an extremely complete tool for the modern bassist: 6-band Graphic EQ: Low Shelf, 250Hz, 500Hz, 1.5kHz, 3kHz and High-Shelf for ultimate character sculpting over the mid register. Impulse Response Cabinet Simulation: Our award-winning cabinet simulation module has been added to the already uber versatile multiband distortion engine and graphic equalizer making it a complete rig-in-a-box for studio and live performing. Auxiliary Input: Perfect for quiet practice, you can now connect your PC or mobile device to your pedal to play along with your favorite songs, and backing tracks while using the headphone output! Clean channel: Pressing on the Distortion footswitch will bypass the low pass filter, leaving the full range, clean signal, compressor, EQ and cab-sim engaged, so you can now switch from a crystal clean to massive distortion with a simple stomp.

Darkglass Microtubes X7 Bass ...

3.840,-

Darkglass Microtubes X7 Distorting bass has always been a very challenging engineering endeavor: in order to achieve a punchy, and aggressive distortion that is also full and fat-sounding you need to reconcile two contradicting conditions: The tightness comes from attenuating bass frequencies before saturation, which will also result in a very thin signal. But boosting the lows will result in additional, unwanted fuzz. To solve this paradox, audio engineers have been using multiband distortions in the studio for a few decades now. The Microtubes X7 is our solution to that problem in a very compact, yet flexible form: The signal is split by two variable low pass and high pass filters at the very very beginning. The high pass signal (mostly mids and treble) is distorted with a CMOS chip, just like our older Microtubes pedals. The low-pass signal (all bass) is left clean and then compressed. Letting the high side be all crunch, attack, and rich harmonics while mixing back the compressed lows to add gargantuan size to the overall mix. The result is some remarkable, almost unlimited fullness, size, aggression, and definition, regardless of how old the strings, and boomy or thin instruments. The Microtubes X7 offers all of this plus a 4-band graphic equalizer with perfectly tailored mid controls for maximum flexibility, with unbalanced parallel, affected and direct outputs.

Darkglass Vintage Deluxe v3 ...

3.970,-

Vintage Deluxe I grunnen samme fantastiske rørlignende overdrivepedal som Vintage Microtubes men her har de lagt til bl.a. en 4 bånds EQ, direct out, parallel out og pakket det i en litt større boks. The Vintage Deluxe features the warm, tube-like tones of the Microtubes Vintage and adds a 4-band active EQ, parallel output and balanced line driver. It delivers the natural dynamic response and organic compression of classic tube amps and tape machines, fitting four decades of legendary tones into a package that will fit in your gig bag.  

Darkglass Vintage Ultra v2 ...

4.290,-

Vintage Ultra V2 AUX Kanskje den ultimate preampen for de fleste basister. Dette er Darkglass mest avanserte pedal og det de har gjort er egentlig att de har stappet en 40kg rørforsterkers lyd i en boks på 10 x 12 cm. Den nye Versjon 2 har Impulsrespons-modeller av basskabinett hvilket gjør det til en drøm å koble den direkte til PA. Denne versjonen har også hodetelefonutgang og Aux tilkobling. The upgraded Vintage Ultra with Aux in features: (1) Single user loadable cabinet simulation impulse response. (2) Micro-USB B port to connect to PC/Mac to load a different Virtual Cabinet through the Darkglass Suite. (3) 3.5mm headphone output with cabinet simulation. (4) Balanced XLR output with switchable cabinet simulation. (5) A 3.5mm stereo input that allows you to practice with backing tracks from e.g. your smartphone or laptop.

Death By Audio Bass War Pedal

2.650,-

Death By Audio Bass War DBA’s Flagship Fuzz Pedal, now for Bass The Bass War was born with a clear mission: to take Death By Audio’s legendary Fuzz War and craft it into the ultimate weapon for bass. We didn’t just tweak the formula, we reimagined it from the ground up, infusing classic circuit designs with our own twist. The result? A harmonically rich octave fuzz that doesn’t just deliver - it dominates, with exceptional gain, a wide tonal range and a MIX control that puts the power of mind-blowing bass fuzz at your fingertips. This pedal isn’t here to play nice, it’s here to push boundaries. The super-extended control ranges let you sculpt your sound from a gritty, grinding drive all the way to a thick, bone-crushing distortion. The FUZZ knob is your key to unlocking everything from a subtle growl to an all-out sonic assault. The TONE knob is your secret weapon, acting like a notch filter that lets you sweep through a massive arsenal of fuzz tones, each one rich, heavy, and impossible to ignore. And with the MIX control, you can blend just the right amount of fuzz with your clean bass, keeping your sound powerful and balanced, no matter how intense things get. The Bass War isn’t just another Fuzz pedal, no it’s your ticket to a bass tone that demands attention and leaves its mark. If you’re ready to take your sound to the next level and carve out your own sonic territory, the Bass War is your go-to pedal. Plug in and let your bass do the roaring. Main Features: • Octave Fuzz effects pedal for Bass • Bass version of DBA’s flagship Fuzz War • Controls with extended ranges offering massive versatility:      Fuzz: Provides up to +64 dB of gain      Vol: Output Level up to +27 dB      Tone: Deep Notch Filter with wide range from 98 Hz to 3.3 kHz      Mix: Blends between clean sound and Fuzz • True Bypass Switching • Top-mounted jacks for easy pedalboard mounting • Made in the USA • Powered by regular 9 V DC PSU or 9 V Battery (centre -, 2.1 mm, ~33 mA current draw - not included)

DigiTech Bass Whammy Pedal

2.895,-

DIGITECH Bass Whammy Legendary pitch shifting effect pedal for bass guitar Classic/Chords switch Classic and Chords (polyphonic) tracking modes for added musical flexibility Legendary pitch shifting effect pedal for bass guitar Classic/Chords switch Toggle between single note and chordal Whammy modes, providing rock solid pitch shifting effects. Classic and Chords (polyphonic) tracking modes for added musical flexibility The next generation Bass Whammy uses the most advanced pitch detection and polyphonic note tracking technology to create the world’s best pitch shifting effect pedal optimized for bass. The Bass Whammy maintains the classic settings from the original with many modern upgrades. With two different tracking modes, Classic and Chord, the Bass Whammy gives players the ability to recreate the shift glitch effects from the original or get the smooth pitch shift effect. Chord mode uses advanced polyphonic tracking algorithms for a more exact and smooth pitch shift effect while Classic maintains the tracking artifacts of the original Whammy. The Bass Whammy is true bypass, MIDI controllable, and uses a 9V DC power supply to easily integrate into your existing pedalboard.

Dunlop CBM105Q Cry Baby Bass ...

2.495,-

Cry Baby 105Q har vært den mest populære wah wah-pedalen for bass-gitar i flere år. CBM105Q er halvparten så stor som 105Q og har til forskjell fra sin større variant et aluminiumchassi. Denne pedalen er nøye designet for å beholde og utfylle din low-end med volum- og Q-kontroller for og ytterligere finjustere din wah-lyd. Auto-return switching.

Dunlop GCB105Q Cry Baby Bass ...

2.550,-

Crybaby designet for bassister. Har justerbar Q-verdi og blir brukt av blant annet Flea, Danny Saber og Rex! Cry Baby® 105Q Bass Wah 105Q Optimized for bass frequencies Separate Q and Volume controls Auto-off switch The first wah pedal designed by bass players for bass players. The 105Q incorporates a proprietary potentiometer* and custom EQ circuitry, specifically optimized for bass frequencies. The Cry Baby Bass Wah applies the wah effect to the mids and highs only, leaving a strong fundamental to hold down the bottom—so you can take solos or throw in fills without ever disturbing your low end. This amazing pedal is used by Flea, Justin Meldal-Johnsen, Doug Wimbish, Robert Trujillo and more. Save

Dunlop JCT95 Justin ...

5.095,-

Dunlop JCT95 Justin Chancellor Cry Baby Wah • Kombinerer 3 av Justins mest brukte effekter • UK Filter • Modifisert Cry Baby Wah krets • Vintage Fuzz som kan parres med de andre effektene • Juster volum og Q • Juster intensitet, volum og EQ for fuzz Justin Chancellor Cry Baby Wah er et multiverktøy av dimensjoner. Her får du 3 effekter i samme boks. Midrange-filter, wah-krets og vintage fuzz spesielt spesifisert av Justin Chancellor, som med sin flerdimensjonelle rolle i TOOL har utfordret hva det betyr å være bassist. Utforsk nye soniske steder med JCT95

EarthQuaker Devices Blumes ...

1.720,-

Blumes® Low Signal Shredder Blumes® is an all-analog tri-mode soft clipping bass overdrive that carries the torch of the classic screamer circuit but has a voice all its own. While embodying most of the characteristics and features of our beloved Plumes® Small Signal Shredder, this modified circuit has double the gain and a deeper bass response to retain all the low end. It utilizes internal bipolar power, which gives you more dynamics and all the headroom you could ever desire. The end result is a three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. Controls: Gain: This controls the amount of drive.
 Tone: More bass to the left, more middles in the middle and more treble to the right. Level: This controls the output volume. Clipping Modes (3-Way Toggle):
 Symmetrical LED clipping: more crunch and compression. No clipping: wide open OpAmp drive for clean boost. Asymmetrical silicon diode clipping: more transparency with a loose feel. As a bass player, we understand that you often feel neglected within the hierarchy of band constructs, despite the fact that you hold down the rhythmic foundation and make everyone sound better. So that’s why this marvelous yellow box was created specifically for you. But fear not, 6-stringers, this is also the perfect pedal for all of your deep overdrive needs, especially you drop-tuned masters. We see you. This all-analog tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its bipolar power, you'll get more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. While embodying most of the kick ass characteristics and features of the Plumes, we went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end. At lower gain settings, you’ll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that’s where the similarities stop. Now you’re in bass country, baby! Get ready to shake some walls and field some angry calls from your neighbors (just send them to voicemail). And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs. Mode 1 is symmetrical LED clipping that utilizes a pair of light emitting diodes. This is the crunchiest setting the Blumes has to offer. This signal is less compressed and way more open with tons of output for when you really want to go wild. Mode 2 is a clean pure OpAmp gain boost mode. This eliminates the soft clipping diodes altogether and leaves you with straight OpAmp drive. This will be the loudest output with the fullest frequency response, and can be used as a clean boost when the Gain control is set below 11 o’clock. Mode 3 is an asymmetrical silicon diode arrangement similar to the stock screamer but with more output and clean clarity, which provides more transparent tone. Using this mode gives a warmer low-end response and lower output. It’s fuzzier with half the output and is the most compressed. If you like the fuzzy ends of distortion with a clean undertone, you’ll love this setting. We guarantee it. TECH SPECS Dimensions 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs Current Draw 25 mA Input Impedance 10 MΩ Output Impedance 100 Ω Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES! Artwork Artwork by Jamie Stillman

Electro Harmonix Bass Big ...

1.050,-

Electro Harmonix Bass Big Muff Electro Harmonix Bass Mig Muff. Spesielt tilpasset for lavere frekvenser med switch for bass boost hvis du virkelig vil få bakken til å skjelve. Dry/Wet output. The Prodigy reborn with underworld instincts comes to life wielding the drive of the original classic Big Muff Pi and the earthy support of a bass tailored design with no loss of low end. This is the pedal that bass players who loved the Big Muff sound have been waiting for.

Viser 76 til 90 (av 209 produkter)