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Universal Audio Solo/610 ...

16.495,-

Universal Audio Solo/610 Classic Tube Single Channel Mic Pre Den prisbelønte preampen 610 er Solid Tube og gir en varme man knapt kan tro! Når produsenter snakker om "BRA LYD" snakker de som regel om rør, men rør er ofte tungt og uhåndterlig. Det er ikke denne! Universal Audio tok utgangspunktet i sin berømte 601 og gjorde en Portabel Class A mikrofon preamp som er lett og portabel, men med en fantastisk lyd. "The Solos get the highest marks in the three 'p's: performance, price and portability', it doesn't get much better than this." SOLO/610 Classic Vacuum Tube Mic Pre & , DI Box The SOLO/610 delivers the classic Putnam 610 console sound to the single channel format in a rugged, highly versatile form factor, at a price every project studio can afford. The all-tube SOLO/610 provides the silky vintage warmth of the original UA 610 console used by artists ranging from Sinatra to Van Halen. The SOLO/610 will flatter the cheapest to the most esoteric microphone with its signature sound. Unlike stationary rack gear, the SOLO/610 can be conveniently used in the control room or recording room, on stage or desktop, due to its portable "go anywhere" design. Functionally lean but sonically mean, the SOLO/610 was carefully created to maintain all of the character of its vintage predecessor, and has the same solid build and audiophile components professionals expect from its more expensive UA siblings like the 2-610 and M610. - Classic Putnam 610 console Mic Preamplifier and DI - Legendary all-tube sound finally at project studio price - Gain, Level, and impedance selection for maximum tonal variety - Portable design for studio, desktop or stage - Rugged construction-steel chassis - DI features like Thru and Mic/Line level output - UA build quality and heritage, hand-assembled in USA 
Voodoo Lab GCX 8-Loop ...

6.490,-

GCX – Guitar Audio Switcher with 8 Audio Loops and Phantom Power Add True Bypass to Any Stompbox or Rack Effect in Your Rig! Get total control over your pedals, rack effects, amp & channel switching and more with the GCX Guitar Audio Switcher. You can use each of the eight loops for true bypass effect switching, A/B switching to select amps and preamps, or to control any type of footswitch function such as amp channel switching. GCX loops have no active circuitry, and use the finest gold relays sealed in nitrogen, so your tone will stay pure and dynamic no matter what kind or how many effects you use. Combine the GCX Guitar Audio Switcher with a Ground Control Pro to form a complete switching system that has been the touring and recording pro’s choice for over 15 years! 8 true bypass audio loops Premium gold contact relays ensure sonic transparency 2 front-to-back feed-throughs Choose between buffered and passive inputs A/B switching to select amp and preamps Controls any footswitch function Phantom powers Ground Control Pro via MIDI cable Hand-built in the U.S.A.  
Warm Audio WA-DI-P Passiv DI ...

1.630,-

WA-DI-P Passiv DI Box Uansett om du spiller gitar, bass, keyboard eller noe annet strengeinstrument behøver du en DI-Box som ikke tapper instrumentets tone. WA-DI-P er en Passiv DI-Box med CineMag USA Transformatorer og er bygget for å tåle en live scene like bra som i studio. En Passiv DI-Box passar best til instrument eller lydkilder med aktiv elektronik. _____ A DI Box Like No Other - Available In Both Active And Passive Circuit Options Whether you play guitar, bass, keyboards or another stringed instrument, you'll need a direct box that won't diminish your instrument's tone, like the Direct Box Active and Direct Box Passive from Warm Audio.  Built around world-famous CineMag USA Transformer topology and engineering, like no other DI Boxes in the world. Constructed with top-tier discrete components housed in rugged aluminum chassis' that include switches, knobs and connectors that are all designed to withstand heavy abuse on the road or in the studio. Every aspect of our direct boxes are designed for maximum sonic integrity, from the custom-wound CineMag USA transformer to the rugged metal knob and switches.  You can expect warm, rich tone even after long cable runs, and the extruded aluminum enclosure ensures a long life span.  When you need to convert an instrument-level signal to mic-level, with sonic quality as your top priority, you'll be well-served with the Direct Box Active and Direct Box Passive from Warm Audio. Warm Audio DI boxes offer the rare versatility of having an onboard variable pad knob which attenuates your input signal all the way from -3dB to -30dB, which will easily tame any instrument input source. Both of our Direct Boxes offer a Thru-put jack that is jumpered to the input jack. It is a convenience jack allowing you to send your instrument's signal to a second place in addition to the live mixer or recording device. Our Direct Boxes can also take a recorded signal at line level and send it to another line input while simultaneously sending signal out of the XLR mic level output of the Direct Box. Connecting electronic instruments such as guitar, bass, keyboard, or drum machines directly to a PA or recording system. Simply put, a DI box converts the high impedance, unbalanced output signals to low impedance, balanced output signals. By doing so, the instrument signals are now converted to the proper voltage level for the PA or recording system - which greatly reduces and/or eliminates connections which could cause tonal shifts and distortion. Direct Box Active is best for instruments with passive pickups, especially acoustic instruments.  The Direct Box Active can also operate in "passive" mode. Direct Box Passive is best for balancing the signal of instruments with active electronics, but still performs extremely well on passive pickups by producing a frequency range that exceeds the bandwidth of most passive DI boxes on the market. -CUSTOM-WOUND CINEMAG USA OUTPUT TRANSFORMER -CONVERTS INSTRUMENTS TO MIC-LEVEL SIGNALS WITHOUT SIGNAL DEGRADATION -IDEAL SOLUTION FOR PLUGGING YOUR INSTRUMENT DIRECT INTO ANY MIC PRE -TOP-QUALITY CLASS A COMPONENTS WITH GOLD-PLATED TRACES ON CIRCUIT BOARD -RUGGED ALUMINUM CONSTRUCTION -PAD: VARIABLE FROM -3 TO -30DB -BALANCED OUTPUT: 600 OHMS, MIC LEVEL -INPUT IMPEDANCE: 1 MEG OHMS -THD: .01% FROM 20HZ TO 50HZ. LESS THAN .003% FROM 50HZ TO 20KHZ -FREQUENCY RESPONSE: 10HZ TO 90KHZ +/- 0.5DB
Warm Audio WA12 MKII Black ...

4.790,-

WA12 MKII Black 1-Kanals Mic Preamp/DI Leter du etter en høykvalitets mikrofonpreamp till en bra pris som gjør litt mer enn bare høyere volum? Da er WA12 MKII helt rett for deg. Versjon 2 av Warm Audios populære mikrofonpreamp kommer med +71db gain og 2 stk. USA CineMag transformatorer, mer headroom, lavere støy og funker perfekt for alle typer innspillinger. _____ The WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard. When developing the WA12 MKII our ears played a big part in the design process. Using CineMag USA transformers and an all discrete signal path ensured that the WA12 MKII would have the building blocks to compete with the best sounding preamps on the market. We are very proud to offer such a robust/professional design in a small and affordable package. -PREMIUM GRADE INPUT AND OUTPUT USA CINEMAG TRANSFORMERS. -FULLY DISCRETE DESIGN WITH A ROBUST 71DB OF GAIN. -UTILIZES A DISCRETE 6-PIN SOCKETED 1731 STYLE OPAMP. CAN BE REPLACED WITH OTHER 6-PIN "2520 FOOT-PRINT" OPAMPS FOR VARYING TONE/FLAVOR. -20DB PAD -TONE BUTTON – SWITCHES THE INPUT IMPEDANCE FROM 600 OHMS TO 150 OHMS. CHANGES THE TONE OF BOTH THE MIC AND HI-Z INPUTS. -MIC LEVEL BALANCED INPUT: XLR. -2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL. SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND DISCRETE OPAMP. GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1/4″ OUTPUT JACK. -BALANCED OUTPUTS: XLR AND 1/4″/TRS. -48 VOLT PHANTOM POWER. -LED METER GAIN INDICATION. -OUTPUT ATTENUATION CONTROL (AFTER THE CINEMAG OUTPUT TRANSFORMER) ALLOWS FOR DRIVING THE PREAMP AND TRANSFORMERS INTO SATURATION.
Warm Audio WA76 Fet ...

8.190,-

WA76 1-Chanel Fet Compressor WA76 er en moderne reproduksjon av den klassiske 76 RevD kompressoren som var revolusjonerende når den kom og har siden hørtes på mange innspillinger. WA76 funker som en drøm på sang, trommer, elgitar osv og er med sitt klassiske ”All Buttons In” kallt the British Mode, for en aggressiv kompresjon og unike tone. _____ The WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable! All Buttons In The WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings. All-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering. We have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We’ve used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design. -UTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS. -TRUE TO THE CLASSIC '76 COMPRESSOR IN DESIGN AND PERFORMANCE. -COMPLETELY DISCRETE SIGNAL PATH. -MODELED AFTER THE D REVISION. -SUPPORTS THE FAMOUS "ALL BUTTONS IN" RATIO SETTING. -ULTRA FAST ATTACK TIME. -CLASS A LINE LEVEL OUTPUT AMPLIFIER. -INPUT IMPEDANCE - 600 OHMS, BRIDGES-T CONTROL (FLOATING). -FREQUENCY RESPONSE ± 1 DB 20 HZ TO 20KHZ. -XLR AND TRS INPUTS. XLR AND TRS OUTPUTS. -50DB OF GAIN. -LESS THAN 0.4% TOTAL HARMONIC DISTORTION FROM 50 HZ TO 20 KHZ WITH LIMITING. -SIGNAL TO NOISE RATIO IS GREATER THAN 74 DB AT +25 DBM. -EIN -104.1 DBM. -ATTACK TIME, 20 MICROSECONDS TO 800 MICROSECONDS. -RELEASE TIME, 50 MILLISECONDS TO 1 SECOND -METER PROVIDES DB GAIN REDUCTION AND DB OUTPUT. -WITCHABLE 115/230 VOLT IEC POWER INLET. -19″ RACKMOUNT CHASSIS, 2U.
Whirlwind DIRECT2 Passiv ...

4.225,-

Whirlwind DIRECT2 Passiv DI-box - 2-kanaler DIRECT2 kombinerer egenskaper fra to av Whirlwinds DIRECTOR ®-bokser i en smidig enhet. Perfekt for å overføre ubalanserte signaler fra stereo-keyboards, akustiske gitarer, CD-spillere, datamaskiner etc. 1/4" parallelle inn-/utganger med separat jord Ground Lift-switch for å eliminere støy og sus -20dB pad switch Benytter Whirlwinds metallisk avskjermede TRHL-M-transformatorer
Whirlwind DIRECTOR Passiv ...

2.475,-

Whirlwind DIRECTOR Passiv DI-box Instrument til mikser. Kan kobles direkte til høyttalerutgangen eller til instrumentet. Bryter for "Ground Lift", lavpassfilter og inngangsdemping 30 dB.
Whirlwind HOTBOX Aktiv DI-box

4.225,-

Whirlwind HOTBOX Aktiv DI-box. Drives med 2 stk. 9V batterier eller 48V fantommating. Bryter for valg mellom tapning til mikser fra instrument, line eller høyttalerutgang. Ground Lift bryter. LED-indikator for på/av.
Fishman PRO-PLT-201 Platinum ...

4.309,-

Completely redesigned from the ground up, the all-analog Platinum Pro EQ universal instrument preamp delivers incredibly accurate sonic detail for any acoustic instrument. A discrete, high-headroom Class-A preamp uses precision, high-speed circuitry for the highest fidelity and low distortion. Classic Fishman tone centers with sweepable mid is combined with a switchable guitar/bass EQ mode, making it more musical for bass instruments and more universal for recording and performing musicians. The new Platinum Pro EQ integrates critical performance features like adjustable volume boost and a balanced XLR D.I. output housed in a beautiful, road-ready design. The Platinum Pro EQ is built to be stomped on with durable foot switches that activate the adjustable volume boost or high-contrast chromatic tuner. It also includes a simple and effective analog soft-knee compressor, effect loop and precision sweepable notch filter. PRO-PLT-201 Features: 17 Volt, high-headroom, discrete Class-A preamp 5-band tone control with sweep-mid & low frequency filter EQ mode tailors EQ for bass or most other instruments Phase control and precision notch filter reduces feedback One-knob adjustable compressor smooths playing dynamics Integrated fully-chromatic digital tuner Volume boost foot switch with level control (+12dB) Balanced XLR D.I. with pre/post EQ setting and ground lift Specs: TONE SHAPING: 5-band EQ with Sweepable Mid, Adjustable Low-cut Filter FEEDBACK CONTROL: Sweepable Notch Filter and Phase Invert switch DIMENSIONS: 6.2” x 5.6” x 2.2” (158mm x 143mm x 54mm) POWER: 9 Volt battery (not incl.), Fishman: 910-R AC adapter (opt.) Audio IO: 1/4” instrument input 1/4” Amp output XLR Balanced D.I. output with Ground Lift switch
Bricasti M7V2 Stereo Reverb ...

65.295,-

Bricasti-designet Modell 7 Stereo Reverb-prosessor Bricasti Design Model 7 sørger for et høyt nivå av musikalitet og enkel kontroll som kan tenkes i en prosessor dedikert til en etterklangsoppgave. Et moderne digitalt design med høy oppløsning, som bruker et fantastisk utvalg av de nyeste DSP-prosessorer, gir en plattform for det neste trinnet i reverb-behandlingsalgoritmer. En separat, helt differensiell analog seksjon og dedikert transformatorbasert lineær strømforsyning gir de fineste analoge spesifikasjonene av ethvert produkt av sitt slag. Et eksepsjonelt sterkt chassis i rustfritt stål og et frontpanel i aluminium, kombinert med et klassisk display med høy synlighet og menneskelig grensesnitt for å fullføre et varig design. Hvert designelement i Model 7 er en nøye vurdert uttalelse om vår visjon om hva utviklingen av etterklangsbehandling i sin mest klassiske form kan være. Med en dyp forståelse og en lidenskap for å flytte vitenskapen om etterklang fremover, gir Model 7 en palett med lyder som omfatter de kjente så vel som nye. Lytt til den nye referansen i etterklangsbehandling. Digital Section Design Features and Performance AES 24 Bit Digital I/O AES single wire 192k supported Self-clocking to incoming sample rates 44.1k to 192k 6 State of the art dual core Analog Devices DSPs Analog Section Design Features and Performance < 20 Picoseconds Jitter Input level adjustable in 2 dB steps Balanced XLR analog I/O 24-bit conversion Dual D/A Fully-balanced, DC-coupled analog input and output circuits Analog Input A/D Dynamic Range >116 db, A-Weighted THD+N <.001 % Frequency Response: 10 Hz - 20 kHz ± < 0.05 dB CMRR: > 100 dB @ <= 1 kHz Maximum Input Level: +24 dBu Minimum Input Level for 0 dBFS: +4 dBu Analog Output D/A Dynamic Range: > 116 dB, A-Weighted THD+N: < 0.001% Frequency Response: 10 Hz - 20 kHz ± < 0.05 dB Maximum Output Level: +24 dBu      
Samson S-MAX MDA1 Aktiv ...

620,-

MDA1 er perfekt for å kjøre lengre signaler til mikser i miljøer med mye interferens. En inngangsdemper lar deg tilpasse MDA1 til en mengde ulike signaler, mens en jordløft gjør det mulig å fjerne ytterligere forstyrrelser. MDA1 drives via 48V Phantom eller ett 9V batteri. Perfekt for gitar/elbass Metallchassis -15dB pad Jordløft Drives via phantom 48v eller 9v batteri
MXR M235 Smart Gate PRO Rack

8.495,-

MXR® SMART GATE® PRO RACK UNIT M235 This brilliant rack piece features the same great noise reduction as the pedal, but with the added features of two discrete channels, a Sync function, selectable ground lift, and remote switching capabilities. This brilliant rack piece is the big brother to the Smart Gate pedal. The Smart Gate Pro Rack Module features the same great noise reduction as the pedal, with three selectable ranges (Hiss, Mid, and Full) and a precise threshold trigger. But the Pro features several upgrades and enhancements. For starters, the Pro has two discrete channels, making it possible to set one channel to Hiss and minimal Threshold level (for clean tones) and one to Full and a higher Threshold level (for high-gain lead tones). There is also a Sync function that links the two channels for quieting a stereo signal. Add to this the true hardwire-bypass on each channel, selectable ground lift, and remote switching capabilities (with status-indicating LEDs) and the Smart Gate Pro starts to look like a real genius.
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