Tsakalis Audioworks TILAY Tape & Analog LoFi Delay
The TILAY (short for Time Layer) delay pedal reaches up to 650 milliseconds of delay time and features two types of delay, Tape & Analog selectable via a dedicated toggle switch. It uses both analog and digital worlds for best results. Α fully analog path featuring a high-speed FET op-amp and top-quality passive components to ensure the utmost respect to your original signal, combined in parallel with a digital device, which is responsible for the repeats of the delay. Tape mode simulates the tape saturation and brightness of the old school Tape Echo delay units. With an internal trimmer you can adjust the amount of tape saturation, like changing the tape size of the Tape Echo! Analog mode emulates the warmth and smoothness analog delays are well known for.
Main Features:
• Tape-Style and Analog-Voiced Delay Effects Pedal
• 2 modes of delay: o Tape - for tape saturation and brightness of the old school Tape Echo delay units o Analog - warmth and smoothness of well-known analog delays
• Fully analog dry path featuring high-speed FET op-amp and top-quality passive components – for an unadulterated dry signal
• True Bypass Switching
• Handmade in Athens, Greece
• Powered by 9-12V DC power adapter (2.1 mm, center -, 22 mA current draw)
 delay pedal reaches up to 650 milliseconds of delay time and features two types of delay, Tape & Analog selectable via a dedicated toggle switch. It uses both analog and digital worlds for best results. Α fully analog path featuring a high-speed FET op-amp and top-quality passive components to ensure the utmost respect to your original signal, combined in parallel with a digital device, which is responsi... "Pin It")
Our daily endeavor is to bring the sound that lives in our head to life.
For us, building pedals means to inspire musicians who inspire us.
It feels like yesterday when founder Chris Tsakalis was looking for feedback on his new custom built – tube driven overdrive, from players who he repaired gear for in Athens. That first attempt, that grew up to become the “Gravity Spot”, was the spark needed to gather the attention of the local musical society.
A few years later, and with a wide range of effects to share with the world, came our first international trade show in Frankfurt followed by the NAMM show.
We believe in the process of hand building and we plan to keep it that way. We believe in simple and easy to use pedals which provide the player with many different options without getting in his/her way. We believe in quality components. We believe in research. We believe in interaction. We believe in music.
This is not a job for us nor will it ever be. We live and breathe tone.
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