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MXR DD25v2 Dookie Drive Pedal v2

Art.nr: 156067
MXR DD25v2 Dookie Drive Pedal v2 This pedal recreates the sounds of the two heavily modified amplifiers—represented as separate and blendable High Gain and Crunch Gain circuits—that Billie Joe Armstrong used to get his dirty-yet-articulate sound when recording Green Day’s groundbreaking record, Dookie. This version features special edition artwork that contrasts the most explosive element of the Dookie album cover with a brushed aluminum casting for a look that's sleek yet rugged. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). Billie Joe Armstrong 's guitar tone on Green Day's groundbreaking album Dookie sounded dirty and punchy with the perfect amount of articulation to express the musicality of his fast, melodic riffs. He got that sound by running his signal through two heavily modified amplifiers—one scooped with a ton of gain and the other with a well-defined midrange. When it came time to mix the record, the band blended the two signals together in different ratios to match the vibe of each track.

2.995,-

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MXR DD25v2 Dookie Drive Pedal v2

This pedal recreates the sounds of the two heavily modified amplifiers—represented as separate and blendable High Gain and Crunch Gain circuits—that Billie Joe Armstrong used to get his dirty-yet-articulate sound when recording Green Day’s groundbreaking record, Dookie. This version features special edition artwork that contrasts the most explosive element of the Dookie album cover with a brushed aluminum casting for a look that's sleek yet rugged.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Billie Joe Armstrong's guitar tone on Green Day's groundbreaking album Dookie sounded dirty and punchy with the perfect amount of articulation to express the musicality of his fast, melodic riffs. He got that sound by running his signal through two heavily modified amplifiers—one scooped with a ton of gain and the other with a well-defined midrange. When it came time to mix the record, the band blended the two signals together in different ratios to match the vibe of each track.


https://www.jimdunlop.com/mxr-dookie-drive-pedal-v2/

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