Orange Rocker 32 Combo ...

11.890,-

Orange Rocker 32 er ein heilt unik rørforsterkar. 2 stk. 10" høgtalere og doble effektreturer for muligheten til å spela enten Wet/Dry eller i Stereo i samme kombo. Perfekt for deg som tar dine pedaler på allvor eller bare vil ha ein fantastisk forsterkar for alle anledninger. Stillbar mellom 15 og 30w. _____ Many of today’s guitarists are looking for the best partner for their pedalboard but ultimately end up with an amp that’s lifeless and lacking in character. With the Rocker 32 however, we’ve nailed the perfect pedal amp. What makes the Rocker 32 so special? Simple. It’s an all-valve stereo guitar amp in a compact and portable combo format. The Rocker 32 can be run just like a ‘normal’ combo – straight in or with standard mono effects loop connections. Even before you start experimenting, you’ll soon realise that this is not just another bland, soulless pedal platform, but a serious amplifier in its own right. The Rocker 32 has classic Orange mojo in abundance and its 2×10" configuration means a full and fat delivery whilst keeping the footprint small. There’s even some clever circuitry under the hood to give the amp a wider spread of sound than most regular twin speaker combos. At the heart of the Rocker 32, though, is its stereo effects loop which opens up a world of limitless possibilities for your pedalboard. If you’re into epic panning delays and massive soundscapes, connect the Rocker 32 for full stereo operation for enormously spatial tones that wash over the audience. If you’re more old-school, you can patch your pedals in ‘wet/dry’ mode, with your effects appearing on one speaker and your clean guitar tone on the other. This makes for great separation and clarity on stage. The front end of the Rocker 32 is one-of-a-kind. The Natural channel features just one control (Volume), and has been carefully voiced to bring out every nuance of different guitars, pickups and pedal combinations. There is plenty of clean headroom here but this channel also loves to be hit with overdrive and distortion stomps. The Dirty channel has a more familiar look to it with a three band EQ, gain and master volume controls, and can be set clean or adjusted for different flavours of British crunch. There’s also a handy half power mode to drop the volume level if you like to push the EL84 output valves a bit harder for more saturation. This switches the Rocker 32 from the full 30 Watts (15W a side) down to a more home-friendly 15 Watts (7W a side). Type: Stereo-Rørkombo Effekt/Rør: 30/15w EL84 Kanaler: 2 EQ: 3-Bånd (crunchkanalen) Høgtalere: 2 x 10" Voice of the world Reverb: Nei Effektloop: Ja, Dobble for wet/dry Vekt: 23 kg Mål: 58 x 46 x 29 cm

AER MM200 Monte Montgomery ...

23.650,-

The AER MM200 is an AER amplifier, customized to Montes needs. For straightforwardness acoustic attack or smooth Fingerstyle. 2 x 100 watts of power to handle big dynamics, high volume and the use of effect pedals Look at the images, listen to Monte Montgomery, it will fit in your backline, even if you are a fingerpicker or a Hardcore Troubadour. This is what Monte Montgomery says USA, Guitarplayer My AER MM 200 has been a constant partner onstage with me for the last 7 years. It continues to be a solid workhorse from the standpoint of dependability and consistency. It’s punchy, articulate and focused and does a truly fantastic job of producing the clarity that I need for pulling off everything from feathery harmonics to aggressive heavy fretwork. Plus, it’s so compact and easy to travel with. I also love the EQ section of this amp. Occasionally I’ll need a bit more ‘highs’ to help my tone cut through certain live situations, and the EQ section responds in a way that doesn’t push the treble into an unpleasant ‘thin’ zone but, rather assists the treble frequencies with a pleasant ‘warmth’ that I really appreciate. My AER MM 200 will continue to be a mainstay in my rig for many more years to come. TECHNICAL SPECIFICATIONS Channel 1 6.3 mm (1/4”) input jack socket as high impedance line input stage with pad (high/low attenuation) and switchable 9 V phantom power, gain control Channel 2 combined XLR/6.3 mm (1/4”) input jack socket as high-quality line or balanced microphone input stage 48 V phantom power, gain control Equalizer three band tone controls for channel 1 and two band tone controls for channel 2 Effects digital effect processor with 4 presets: 2 x reverb, delay, chorus Power amp 2x 100 W / 4 ohms, dynamic control Analog signal processing subsonic filter, low distortion RMS limiter Speaker system 2 x 8” (200 mm) extended range Features adjustable aux in, tuner, line out, adjustable DI-out, external effect loop via send/return, headphones footswitch for effects, footswitch for mute Dimensions 420 mm x 360 mm x 300 mm (16.5“ x 14.2“ x 11.8“), HxWxD Weight 15 kg (33.1 lbs)

AER Compact 60 IV Mahogany ...

15.540,-

AER Compact 60 IV Mahogany stained m/bag Laminert Mahognyfarge Inklusiv bag. The Compact 60/3 has proven that there is an all-round, small, powerful and yet simple to use complete solution for stage, studio and home use that works up to the highest demands and standards of acoustic players. 60 watts, dynamic control 8" (200 mm) twin cone speaker Twin channel 3 and 2 band EQ Digital effect processor with 4 presets (2 x reverb/delay/chorus) 6,5 kg (14.30 lbs) Compact 60 AER`s storselger Nr 1 Tokanals kompakt akustisk forsterker. 8" dobbelkonet høyttaler, 60W/4 ohm, 4 digitaleffekter, 3-bånds EQ, line, phones-, di-out, effekt-loop, fantommating, footswitch, effect on/off...

Mapex T850 Trommestol rundt ...

2.275,-

Mapex T850 Throne Round Seat En klassisk rund trommestol i meget bra kvalitet Mapex 800 Series Thrones are designed to be a solid foundation for any player. Rugged double-braced legs and threaded spindle construction provide ultra-reliable support and comfortable supportive seat features keep any drummer feeling good through even the most intense playing. Compared to a traditional direct-contact seatmount, the 800 Series Ultra-Secure ClampMount features a 2-piece locking hinge whichboth disperses the drummer's weight evenlyand offers greater stability. Once adjusted to the desired height, the Spindle Lock secures the spindle in place fora sturdy playing experience. Enlarged and extra durable slip-proof feetkeep the throne in place on any surface. The 14" x 4" round top cushion throne packs premium comfort with no-nonsense features. The wide double-braced tripod base stabilizes the playing experience, the threaded steel spindle height adjustment is easy and convenient to adjust while the included Spindle Lock provides a reliable and secure setting. • 35,5 x 10cm Thick Round Top Cushioned Seat • Soft Vinyl Covering • Ultra-Secure Clamp Mount • 51- 66cm Threaded Steel Spindle Height Adjustment with Spindle Lock • Double-Braced Tripod Legs • Extra Large Slip-Proof Feet

Mapex T875 Trommestol med ...

3.075,-

Mapex T875 Throne Saddle with backrest Stabil trommestol med sadelformet sete, ryggstøtte & fire dobbelstagede ben. Meget solid! Mapex 800 Series Thrones are designed to be a solid foundation for any player. Rugged double-braced legs and threaded spindle construction provide ultra-reliable support and comfortable supportive seat features keep any drummer feeling good through even the most intense playing. Compared to a traditional direct-contact seatmount, the 800 Series Ultra-Secure ClampMount features a 2-piece locking hinge whichboth disperses the drummer's weight evenlyand offers greater stability. Once adjusted to the desired height, the Spindle Lock secures the spindle in place fora sturdy playing experience. Enlarged and extra durable slip-proof feetkeep the throne in place on any surface. With its 17" x 4" saddle-style cushioned top and adjustable back rest, the T875 throne is the pinnacle of support and comfort. The sloped leg openings of the biomechanically shaped seat provide a free range of motion while the raised center and back edge help the player to maintain balance. The addition of a 4th ove • 43 x 10cm Thick Saddle-Style Cushioned Seat • Soft Vinyl Covering and Adjustable Back Rest • Ultra-Secure Clamp Mount • The 48 to 63,5cm Threaded Steel Spindle HeightAdjustment with Spindle Lock • Double-Braced Quad Legs • Extra Large Slip-Proof Feet

Sennheiser BA 2015 Oppladbar ...

950,-

The BA 2015 rechargeable battery pack powers bodypack transmitters and receivers of the evolution wireless G3 100, 300 and 500 Series, 2000 Series, Tourguide SK 2020-D and EK 1039. It contains two rechargeable NiMH cells and is inserted into the battery compartment instead of two standard AA cells. The battery pack features an integrated sensor which indicates the battery status, monitors temperature during recharging and avoids the charging of non-rechargeable batteries. Long operating times Recharging via convenient charging unit High-quality NiMH cells Capacity 1500 mAh Voltage 2 x 1,2 Volt

Kali Audio IN-UNF 3-veis ...

6.990,-

Kali Audio IN-UNF 3-veis studio monitor system. To satelitter og subwoofer. IN-UNF er eit 3-vegs, ”full-range”, studiohøyttalersystem som er designet for små rom der man enten på grunn av romakustikk eller naboers toleranse må holde volumet nede. IN-UNF gir deg referenselyd av høgste kvalitet og godt med ”headroom” på en armlengdes avstand. Systemet består av en bassenhet og to satelitter. Bassenheten anvender to stk. 4,5-tommer element, og satelittene anvender samme mellomregister/tweeter-enhet som finnes i Kalis hyllede IN-5 og IN-8 studiomonitorer. USB, optisk, 3,5 mm og balanserte Jack innganger. Hele systemet får plass på skrivbordet og gir samme full-range, uforvrengt lytteopplevelse omtrent som et par IN-8 på standard lytteavstand. Fleksibelt og enkelt. Bassenheten kan plaseres vertikalt f.eks bak en laptop eller skjerm, eller horisontalt f.eks som monitorbase for en skjerm. Kali Audio’s IN-UNF  is an ultra-nearfield desktop studio monitor system. It’s designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The IN-UNF presents full-range audio at reference levels at .8 meters, or about arm’s length. The entire system sits on your desk, and provides the same full-range, low distortion listening experience as a pair of IN-8s at standard listening distance. Flexible setup options allow users to easily integrate the IN-UNF in their existing deskscape; the bass unit can be placed vertically to sit behind a laptop or display, or horizontally to be used as a monitor riser for a display. The IN-UNF consists of three main pieces: a bass unit and two satellites. The bass unit houses two high-excursion 4.5-Inch woofers as well as the amplifier and other electronics for the system. The two woofers are horizontally opposed, so no net vibration is transferred to the desk or to anything sitting on the bass unit. The two satellites use the same coaxial midrange and tweeter as Kali’s acclaimed IN-5 and IN-8 studio monitors. The architecture of this element has been praised for its excellent stereo imaging capabilities. At the close range of the IN-UNF, the intimacy and detail of the stereo image is unrivaled. You’ll hear a more engrossing, lifelike picture of your mix than you’ve ever heard before. The bass unit also features a variety of inputs to meet all your audio needs. Via the USB-C connector, which supports 24-bit resolution and 48k sample rate, you can connect computers, phones, and tablets without the need for an outboard interface or DAC. Optical and 3.5mm inputs provide support for both digital and analog connection to consumer devices like game consoles and receivers. For connection to standard pro audio devices, stereo TRS inputs are provided. The IN-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass, mids, and treble to your preferences. The IN-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum. Specs: - Powered:Yes - Amplifier Class: D - Power Configuration: 2-Channel, Each Channel Bi-amped - HF/Midrange Power Per Channel 60 W - LF Power Per Channel 100 W - LF Driver: 4.5-Inch Long-Excursion Woofer - Mid-Range Driver: 4-Inch Optimized Profile Paper - HF Driver:  1-Inch Textile Dome - Frequency Response: (-10 dB) 39 Hz - 25 kHz - LF to Mid-Range Crossover:  280 Hz - Mid-Range to HF Crossover: 2800 Hz - SPL: 85 dB Continuous at .8 Meters with 20 dB Headroom - Max SPL: 103 dB Stereo Inputs - USB-C (Digital) - Optical (Digital) - 3.5mm (Unbalanced, -10 dBV) - TRS (Balanced, +4 dBU) In the box: - IN-UNF Bass/Input Unit - 2 x Midrange/HF Satellites - 2 x Satellite Stands - Power Cable - USB-A to USB-C Cable - Quickstart/Setup Guide

Darkglass Microtubes X7 Bass ...

3.840,-

Darkglass Microtubes X7 Distorting bass has always been a very challenging engineering endeavor: in order to achieve a punchy, and aggressive distortion that is also full and fat-sounding you need to reconcile two contradicting conditions: The tightness comes from attenuating bass frequencies before saturation, which will also result in a very thin signal. But boosting the lows will result in additional, unwanted fuzz. To solve this paradox, audio engineers have been using multiband distortions in the studio for a few decades now. The Microtubes X7 is our solution to that problem in a very compact, yet flexible form: The signal is split by two variable low pass and high pass filters at the very very beginning. The high pass signal (mostly mids and treble) is distorted with a CMOS chip, just like our older Microtubes pedals. The low-pass signal (all bass) is left clean and then compressed. Letting the high side be all crunch, attack, and rich harmonics while mixing back the compressed lows to add gargantuan size to the overall mix. The result is some remarkable, almost unlimited fullness, size, aggression, and definition, regardless of how old the strings, and boomy or thin instruments. The Microtubes X7 offers all of this plus a 4-band graphic equalizer with perfectly tailored mid controls for maximum flexibility, with unbalanced parallel, affected and direct outputs.

Darkglass Microtubes B7K ...

3.740,-

Darkglass Microtubes B7K Dette er ein vidareutvikling av Darkglass utrolig fremgangsrike B3K. Man har først og fremst lagt til ein 4-bånds EQ. Dette gjør ein allerede fantastisk overdrive/preamp om mulig endå meir allsidig. Tru ikkje at dette er ein pedal kun for High gain situasjoner, Dra ned driven og få ein meir levande rørlignande lyd i din transistor eller class D forsterkar. The Microtubes B7K takes the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.

Darkglass Microtubes X Bass ...

2.630,-

Darkglass Microtubes X Distorting bass has always been a very challenging engineering endeavor: in order to achieve a punchy, and aggressive distortion that is also full and fat-sounding you need to reconcile two contradicting conditions: The tightness comes from attenuating bass frequencies before saturation, which will also result in a very thin signal. But boosting the lows will result in additional, unwanted fuzz. The Microtubes X is our solution to that problem in a very compact form: The signal is split by two variable low-pass and high-pass filters at the very very beginning. The high-pass signal (mostly mids and treble) is distorted using CMOS circuitry, just like our older Microtubes pedals. The low pass-signal (all bass) is left untouched. Letting the high side be all crunch, attack, and rich harmonics while mixing back the lows to add gargantuan size to the overall mix. The result is virtually unlimited fullness, size, aggression, and definition, regardless of how old the strings, and boomy or thin instruments. The Microtubes X offers all of this in a compact form, with very few controls to tweak, making it almost impossible to dial wrong.

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