Tsakalis Audioworks SIX ...

2.349,-

Tsakalis Audioworks Six Booster, Overdrive, Distortion For many years we have wanted to create a truly mind-blowing overdrive / distortion pedal that would be small and practical yet would offer huge powerful tones, natural feel and flexibility. And of course, to do that we needed reference. So we decided to combine all the good stuff found in the legendary Timmy, Blues Breaker and King Of Tone pedals, and try to come up with that extra something that would take things even further. The Six - Booster, Overdrive, Distortion is the culmination of a long period of modifying and prototyping and countless hours of testing and swapping ICs, capacitors and diodes. Not willing to stop experimenting until we had a pedal that would really speak to us in the studio and on stage, we decided to completely nerd out and try some unconventional methods. It was during this process that we discovered something really innovative… Looking for that magic ingredient, we decided to think out of the box and removed all the capacitors from the audio path (coupling capacitors), which resulted in a more natural feel than ever before and respect to the original tone of the guitar without any added compression or color that would be coming from the coupling capacitors. By applying what we call cap-less technology®, you can really hear the character of your instrument and consequently your own hands! Main Features: • Boost / Overdrive / Distortion Effects Pedal • 6 modes of Booster-Overdrive-Distortion selectable by a rotary switch o Booster (BS) - Clean boost that easily breaks up at higher settings o Overdrive 1 (OD1) - smooth overdrive with apparent mids o Overdrive 2 (OD2) - more compressed and “creamy” version of OD1 o Distortion 1 (DS1) - naturally responsive amp-like distortion. o Distortion 2 (DS2) - DS1 with added bite and sustain o Overdrive 1 into Distortion 2 (OD1 + DS2) - Chunky dirt tone with unique attitude • Featuring Cap-less Technology® - removing all coupling capacitors from the audio path – for more natural feel and emphasized character of your instrument • Integrated switchable voltage doubler - increases internal operating voltage 18V - for more headroom and amp-like response • True Bypass Switching • Handmade in Athens, Greece • Powered by 9V DC power adapter (2.1 mm, center -, 10 mA current draw) The Six Boost Overdrive Distortion is powered by a 9V supply (center-), and features an advanced internal power supply with a voltage doubler, letting you choose 9V or 18V be the dedicated toggle switch. Just like with tube amps, increasing the voltage means more headroom. At 18V, the pedal behaves more like an amplifier with tons of headroom and a slight difference in the Overdrive and Distortion modes, which tend to have more clarity. At 9V it sounds “dirtier” even at lower volume and in Booster mode it starts to break up more easily.

Tsakalis Audioworks Room #40 ...

2.685,-

Tsakalis Audioworks Room #40 Marshall Mojo in a Box Heavily inspired by the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP™ & JCM800™ (2203/2204). Over the years, we have had many different types of Marshall amps on our workbench, some for repairs and others for customization. Being huge fans of the sound of these classic amplifiers, that still continues to excite us through the music of so many artists, we decided to try and capture its mojo – the true essence of the soul of this sound – and carefully place it in a little box. Thus the Room #40 was born! Using JFET technology, we tried to stay loyal to the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204). Main Features: • Overdrive / Boost Effects Pedal • 2 types of Marshall style circuits o PLEXI (19) o JMP & JCM800 (22) • Variac voltage control from 7.5V to 21V – for re-creating the legendary “brown-sound” • Classic Marshall 3 band EQ • Versatile Presence control for matching pedal to darker or brighter amps • Gain Boost controlled by a foot-switch and a dedicated trimmer • True Bypass Switching • Handmade in Athens, Greece • Powered by 9V DC power adapter (2.1 mm, center -, 30 mA current draw) We emphasized on emulating the compression and sag coming from the power amp section, when these amps are pushed to the edge, while at the same time giving access to two famous mods, mod #39 (PLEXI) and mod #34 (JMP™ & JCM800). Of course the manifestation of our love for the late great Eddie Van Halen, who created the so called “brown sound” using an ohmite variac (variable transformer used to lower or raise the voltage going into the amplifier), could not be absent from this endeavor. Finally, we incorporated the Presence control to make the sound adjustable to any circumstance, regardless of whether you are plugged into the front of an amp that may or may not have a bright cap or even straight to a power amp.

Tsakalis Audioworks Ocean V2 ...

2.461,-

Tsakalis Audioworks Ocean V2 3 Flavours of Reverb The Ocean V2 was designed to produce studio quality classic and ambient reverb, enabling you to set different moods without having to sacrifice too much precious pedal-board space due to its small size. It offers a wide range of textures, from thick, endless hall reverb to symphonic shimmer and vintage spring reverb. Main Features • Reverb Effects Pedal • 3 types of studio-quality reverb o Hall – from small room to haunted hall o Shimmer – for infinite reverb pads and overtones o Spring – classic vintage reverb of a spring tank • Size, Storm and Diffuse controls to adjust three mode specific reverb parameters • Mix control to adjusts the wet level • Internal trimmer for adjusting master volume of the pedal • True Bypass Switching • Handmade in Athens, Greece • Powered by 9-12V DC power adapter (2.1 mm, center -, 56 mA current draw) Ocean V2 features three different reverb type modes, all customizeable via Size, Diffuse and Storm controls. • Hall mode (HL) Choose from echo similar to that of a small room all the way to a long “haunted” hall. • Shimmer mode (SH) From classic hall reverb to symphonic – almost infinite reverb with pads and overtones. • Spring mode (SP) Classic vintage spring reverb similar to that of an actual spring reverb tank. From very short and small room reverb effect, to vintage surf and all the way to glorious splash & ‘boingy’ spring reverb. The Mix control lets you adjust the level of the reverb volume in respect to the dry signal. Also, an internal trimmer lets you adjust the master volume of the pedal, in case that any volume drop or boost is caused by the reverb effect (default adjustment at unity gain when Mix control is all the way off). Another very important aspect of the Ocean V2 is that it does something that many reverb pedals fail to accomplish. It respects your signal and preserves your sound signature! Tsakalis Audioworks Ocean V2 3 Flavours of Reverb The Ocean V2 was designed to produce studio quality classic and ambient reverb, enabling you to set different moods without having to sacrifice too much precious pedal-board space due to its small size. It offers a wide range of textures, from thick, endless hall reverb to symphonic shimmer and vintage spring reverb. Main Features • Reverb Effects Pedal • 3 types of studio-quality reverb o Hall – from small room to haunted hall o Shimmer – for infinite reverb pads and overtones o Spring – classic vintage reverb of a spring tank • Size, Storm and Diffuse controls to adjust three mode specific reverb parameters • Mix control to adjusts the wet level • Internal trimmer for adjusting master volume of the pedal • True Bypass Switching • Handmade in Athens, Greece • Powered by 9-12V DC power adapter (2.1 mm, center -, 56 mA current draw) Ocean V2 features three different reverb type modes, all customizeable via Size, Diffuse and Storm controls. • Hall mode (HL) Choose from echo similar to that of a small room all the way to a long “haunted” hall. • Shimmer mode (SH) From classic hall reverb to symphonic – almost infinite reverb with pads and overtones. • Spring mode (SP) Classic vintage spring reverb similar to that of an actual spring reverb tank. From very short and small room reverb effect, to vintage surf and all the way to glorious splash & ‘boingy’ spring reverb. The Mix control lets you adjust the level of the reverb volume in respect to the dry signal. Also, an internal trimmer lets you adjust the master volume of the pedal, in case that any volume drop or boost is caused by the reverb effect (default adjustment at unity gain when Mix control is all the way off). Another very important aspect of the Ocean V2 is that it does something that many reverb pedals fail to accomplish. It respects your signal and preserves your sound signature!

Tsakalis Audioworks Nerve ...

2.349,-

Tsakalis Audioworks Nerve MKII Dual High Gain Distortion Nerve MKII is a High-GainDistortion pedal specially made for aggressive styles. Two channels with independent Gain and Volume controls sharing a 4-control standard American style EQ. Perfectly matched JFET stages, give an unbelievable result, touching the color of British and American style amps. Quick response and touch sensitive, makes this pedal unique for extreme styles. Full and juicy tone perfect for both Rhythm and Solos. A dedicated toggle switch for Channel 1, selecting between High and Low gain settings, and a dedicated insert jack (FX loop) for channel 2 makes the pedal ideal for almost any use.. Specs • Dual High-Gain Distortion Effects Pedal • 2 Channels of silicon Distortion • JFET stages for an unbelievable amp-style feel • Individual Volume and Gain controls for each channel • Amp-style Low, Mid, High & Presence controls for EQ • Toggle switch for High – Low gain settings for CH1 • TRS Insert jack (FX Loop) for CH2 – for adding other effects pedals in line with channel 2 • True Bypass Switching • Handmade in Athens, Greece • Powered by 9V DC power adapter (2.1 mm, center -, 6 mA current draw)

Tsakalis Audioworks Multicab ...

3.021,-

Tsakalis Audioworks MultiCab MK4 Cabinet Simulator / Pre-amp The MultiCab MK4 offers 8 custom-made virtual guitar cabinet presets and natural room ambience combined with pre-amp type, power-amp voicing, cabinet back type and microphone type voicing controls. All carefully blended to deliver the cab sim every player has been looking for. No frustrating menus, simply plug in and enjoy one of the handiest tone-tools out there. Maintaining the simplicity and the functionality of the highly praised MK3.5 version, we redefined our cab-simulation process delivering even better performance, clarity and dynamics to your tone. All this with the added ability to store your favorite cabs to the 8 presets via USB and the dedicated PC / MAC / LINUX app ”T.A.W. Editor”. Main Features: • Cabinet Simulation and Pre-Amp Effects pedal • 8 presets of virtual guitar cabinets • Offers Natural room ambience -  for emulating a 3rd microphone, placed away from the cabinet, that captures the reflections from the room • 2 types of pre-amp with tone control • 2 types of power amp voicing • 3 types of cabinet back • 3 types of microphone voicing • Through out • Balanced XLR and line out • 3.5 mm Headphones out – for silent practicing • 3.5 mm Auxiliary in - for jamming along your favorite tunes • Type B USB 2 connector for serial communication with PC/MAC & T.A.W. Editor app • 55+ free proprietary cabinet simulations covering a vast variety of coveted speaker cabinets available online • Handmade in Athens, Greece • Powered by 9-12V DC power adapter (2.1 mm, center -, 115 mA current draw at 9V DC, 125 mA current draw at 12V DC) Go direct to the PA and the audio interface from your pedalboard with MultiCab MK4 and create a lightweight rig. Use it as an amp DI between your amp and the cabinet to send your true tube tone to the PA. Pair it with a dummy load to practice your tube amp silently at home with headphones and jam with backing tracks by using the AUX input. The MultiCab MK4 lets you do all the above and more without having to deal with any complex menus and sub-menus. An easy plug’n’play set-up lets you dial in the perfect settings in a matter of minutes. A mixture of elements from both analog and digital worlds were used to achieve the most realistic response. While developing the MultiCab MK4 we made a conscious decision not to use IR technology. This way, and in conjunction with parallel analog audio path, we managed to create a unit that minimizes latency up to 1.2 ms, providing the most genuine and direct experience possible. It features 8 presets each pre-loaded with a different virtual guitar cabinet heavily inspired by some legendary and iconic guitar amps and cabinets. Each virtual cab in the MultiCab MK4 has been created by recording the actual real cabinet itself in the T.A.W. HQ, using a selection of different microphones. Through trial and error, we’ve managed to recreate each cab’s tone and feel as accurately as possible. The MultiCab4’s always active analog path is responsible for the pre-amp modes, power amp voicing, cabinet back type and microphone type voicing. The pedals parallel digital path is responsible for the virtual guitar cabinets and room ambience. Its pre-amp section was designed with 2 JFET stages for a tube like response and touch, featuring a versatile tone control and 2 modes (CLEAN & HOT). MultiCab4’s power section mimics the voicing and feel of a power amp in a push pull topology loaded with EL34 or 6L6 tubes, while the cabinet type section features 3 selections of cabinet back types (CLOSE, SEMI-OPEN & OPEN). Finally, the microphone section is responsible for the microphone type providing 3 types of microphone voicing (DYNAMIC, RIBBON & BOTH) With the AMBIENCE control you can adjust the level of natural room ambience. Imagine having a 3rd microphone, placed away from the cabinet, that captures the reflections from the room in which the cab is placed. Dial it past noon for a warm and small sized reverb effect. The T.A.W. Editor application is a simple and user-friendly application through which set up your Multicab 4 device. More specifically, you can determine which cabinet will be assigned to each one of the 8 available slots of your device. Just drag and drop the cab you want to load from the right side of the app to the desired preset number on the left side and you are ready! Many other features such as rename a cab, mark a cab as favorite, import new cabs, create bundles of 8 cabs to name few, are available and easy to be done.

Tsakalis Audioworks Molecular ...

1.678,-

Tsakalis Audioworks Molecular Boost Boost, Preamp, Buffer, Volume Pedal The Molecular Boost is a small but powerful and versatile stomp box. It can be used as a buffer, a booster, a pre-amp or a volume pedal and it can be placed anywhere in your rig. An internal voltage doubler ensures that the Molecular boost can handle any signal level, leaving the quality of your tone intact. A dual high speed FET op-amp is responsible for matching the impedance of most pickups and piezos and for accurately preserving the character of any instrument plugged into it, while driving even the longest cables without any signal loss. Enjoy a generous amount of boost from 0dB. to +18 dB by adjusting the easily accessible external knob. Use the four external dip switches on the left side of the Molecular to dive into some serious tone shaping and to access extra features such as the boosted frequency range (highs or mids), a high cut filter, and the XP input. Also, an internal switch allows selecting between True bypass and Buffered bypass modes, so that you experience zero signal loss even when the pedal is bypassed (buffered bypass mode). There is more! Connect any volume or expression pedal to the XP input to control the overall volume of the boosted signal when the pedal is engaged, or the unity level when the pedal is disengaged and in buffered bypass mode. Specs • Boost / Buffer / Pre-amp / Volume Effects Pedal • Designed to operate as a frequency or clean boost with up to +18db on tap • External DIP switches for selecting o  boost frequency range o high cut filter o XP input when in buffered bypass mode • Internal voltage doubler - for more headroom and amp-like response • Internal switch for selecting between True bypass or Buffered bypass switching • XP jack to connect an expression pedal for use as a Volume pedal • Handmade in Athens, Greece • Powered by 9V DC power adapter (2.1 mm, center -, 10 mA current draw)

Tsakalis Audioworks Galactic ...

2.685,-

Tsakalis Audioworks Galactic Multi Modulation Ever wondered what the universe sounds like?… We do… daily! So we decided to do our best and capture the sounds of the Cosmos in one crazy little box, the Galactic. We wanted to create a unique modulation pedal which, apart from providing you with our version of basic effects, lets you combine and blend them in a way that brings new textures to your sonic arsenal and creates potential for exploration! We chose five basic modulation effects - Phaser, Univibe, Vibrato, Rotary Speaker and Flanger - and made it possible for you to use them separately or in pairs, blending them together via a Blend control creating interesting effects from 3D chorus to many other spacey and yet to be named soundscapes. Find your sweet spot for each pair and discover an unexplored Galaxy of sounds and inspiration! Three expression input jacks let you control the Speed and Depth of the effects, as well as how you choose to Blend them, making your live performance easier and letting you experiment even on stage! Use the Galactic modulation to enrich your music with the sounds of the unknown! Main Features: • Multi-Modulation Effects Pedal • 5 basic modulation effects o Phaser o Univibe o Vibrato o Rotary Speaker o Flanger • 3 banks selectable by toggle switch • 6 preset pairs of effects (2 pairs per bank) switchable by footswitch • 3 independent expression inputs for Speed, Depth & Blend controls • Internal trimmer adjusting the overall tone of the pedal • True Bypass Switching • Handmade in Athens, Greece • Powered by 9V DC power adapter (2.1 mm, center -, 56 mA current draw)

Tsakalis Audioworks ...

2.349,-

Tsakalis Audioworks Experience Fuzz Octave Experience is a unique Fuzz & Octave up pedal that was designed to revive the sounds of the 60’s and 70’s with a modern touch. It features 2 stand-alone channels in series (fuzz and octave) which can be used individually or together, offering a wide range of dirty goodness! Main Features: • Fuzz / Octave Effects Pedal • 2 separately switchable stand-alone channels (fuzz & octave) • 2 vintage silicon transistor Fuzz with FET clipping – based on the legendary Jordan Boss Tone • From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analog synth & harmonica like sounds • True Bypass Switching • Handmade in Athens, Greece • Powered by 9V DC power adapter (2.1 mm, center -, 5 mA current draw) The Octave channel produces a classic and easy to manipulate octave up effect, sitar & harmonica like sounds, enhancing your tone with ringing octaves and micro-phonic feedback at the end of every note. It features separate volume and tone controls for a wide range of colors. The fuzz channel is based on the Jordan™ Boss Tone fuzz circuit and is capable of producing a wide range of tones. From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analog synth! It is equipped with 2 vintage silicon transistors with FET clipping for richness and detail and four controls (gain, volume, tone and damage) with which you can adjust the type of distortion. Combining the 2 channels is where the real Experience begins! Create your signature sound exploring the Experience’s endless tonal capabilities! Unleash your creativity and let the Experience do the rest...

TUBE-TECH ME 1B Midrange ...

43.093,-

The TUBE-TECH ME 1B is a passive, all-tube midrange EQ based on the legendary Pultech MEQ5, featuring two boost- and one dip section. The bandwidth of the ME1B sections is designed broader than in the MEQ5 for ultra-smooth and musical equalization, perfect for vocals, instruments, speech and all other midrange sources. Mid frequencies have always been very important, when EQ’ing instruments and vocals to make a mix come together. TUBE-TECH ME 1B can shape the midrange frequencies in that very pleasant way, only a passive equalizer is capable of. Even extreme midrange boosts still sound open and warm without the slightest trace of harshness. ME 1B is the perfect partner for the PE1C program eq and works very well as a bus EQ for many different uses. The famous Motown sound? The ME1B is an important tool tool for adding that nice midrange to your recordings. The TUBE-TECH ME 1B is a passive tube based midrange equalizer developed tomatch and surpass the demands of even the most discerning studio engineers. The TUBE-TECH ME 1B Midrange Equalizer contains a low frequency boost section for peaking, a mid frequency attenuation for dipping as well as a high frequency boost section for peaking. The filter section is of the the passive type followed by a tube based push-pull amplifier to restore the gain. Input and output are balanced as well as fully floating. Input and output transformers come with a static screen between the primary and secondary wirings. Tube based push-pull amplifier Frequency response @ -3 dB: 5 Hz to 40 kHz Low Noise: < -80 dBU @ 0 dB gain CMRR: > 60 dB @ 10 kHz 5 LF peaks: 0.2, 0.3, 0.5, 0.7, and 1 kHz (0 to +10 dB) 11 MF dips: 0.2, 0.3, 0.5, 0.7, 1, 1.5, 2, 3, 4, 5 and 7 kHz (0 to -10 dB) 5 HF peaks: 1.5, 2, 3, 4, 5 kHz (0 to +8 dB) Input impedance: 600Ω No insertion loss Conductive plastic potentiometers In- and output are transformer balanced and fully floating

TUBE-TECH HLT 2A Equalizer ...

50.675,-

The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq. It’s the first time this combination of filters has been designed in the analog domain. The midrange T-Filter “tilts” the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a “go-to” equalizer in high-end mastering houses,smaller project studios, and everything in between. Like all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix. However, the functionality of the HLT-2A is unique in the Tube-Tech line – and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus. HLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi/Lo cut filters. The shelving EQ’s are designed around a high gain tube amplifier, and the T- filter and Hi/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch. The HLT2A furthermore features an overall bypass switch. The low and high cut filters are also passive with a slope of 6dB/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated. The unit is all tube based except for the power supply, input and output have fully floating transformers and all DC voltages are stabilized, except the anode voltage for the output stage. Tube based push-pull amplifier Freq. resp. @ -3 dB: 5 Hz – 55 kHz Low noise: < -80 dBU @ 0 dB gain CMRR: > 60 dB @ 10 kHz All-tube active/passive EQ FILTERS: Low cut: 18, 25, 40, 60, 85 Hz, 6db/octave Low shelving: 18, 37, 80, 180, 370, 800 Hz. Gain: +/‑12dB High shelving: 1, 2, 5, 10, 15, 22 kHz Gain: +/‑12dB T.-filter: 0,5, 1, 2kHz. Gain: +4/-7 dB High cut: 12, 15, 18, 20, 25 kHz, 6db/octave Tracking between channels: +/-0,3 dB Input impedance: >10 kΩ Output impedance: < 60Ω Conductive plastic potentiometers In- and output are transformer balanced and fully floating

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