Ashdown ABM 1200-EVO IV UK ...

18.259,-

Made In UK! The ABM 1200 EVO IV teams the ABM preamp with a gut-rumbling 1200W power stage delivering huge bass tones for the biggest of stages. Whether live or in the studio ABM has become relied upon by many of the highest profile bassists in the world. Immediately identifiable on stages around the world thanks to it's glowing VU meter. Over the past 20 years the Ashdown ABM range has become the industry standard for bass players in pursuit of real bass tone, versatility, power and tour proven reliability. Now in its fifth incarnation, ABM EVO IV pairs class-leading preamp sophistication with uprated powerhouse performance and an all-new 9-band EQ - available in three head versions rated at 300W, 600W and 1200W. Made in UK Power - 1200 Watts Impedance - Minimum 4 Ohms Switch Passive/Active Flat/Shape Switch Switch to change from 3-band to 9-band EQ Mute Switch Pre/Post EQ switch Effects : - Sub Harmonics - Tube Drive - Dynamic Compression Optional FS-4 Footswitch to enable/disable Valve Drive Plus, EQ, Dynamic Compression and Sub Harmonics.

Ashdown ABM-EVO-V-750 UK ...

19.479,-

Made In UK! It’s now 25 years since UK-based Ashdown Engineering shook up the bass world with the ABM (Ashdown Bass Magnifier) bass amp. With its distinctive vintage VU meter and a simple but versatile EQ section combining straightforward rotary controls with miniature sliders, the ABM partnered solid bass tone with variable tube grind and a feature set that gave players just what they needed to perform on stage and in the studio. Over the years, the ABM platform has evolved with the times and the latest evolution is the new ABM EVO V, the sixth version of what continues to be the bass amp of choice for leading players around the world, including the Foo Fighters’ Nate Mendel, Biffy Clyro’s James Johnston, and Shavo Odadjian from System of a Down. Traditionally sporting an ice-blue front panel, the ABM EVO V looks very different, moving to an all-black design that acknowledges the trend towards a more anonymous backline, although the trademark Ashdown illuminated VU meter remains very much in evidence. Indeed, the EVO V is the first ABM to feature VU meters for both input and output signals. Under the hood, it’s all about power and headroom. A new 750-Watt output section is the most dynamic ever used in an ABM, gifting the amplifier with stunning power and response. All the much-loved ABM features remain in evidence including 9 band EQ, 12AX7-powered Valve Drive, on-board compressor, and sub-harmonic control, with the UK-built EVO V adding mains voltage switching, temperature controlled low noise cooling and a transformer-isolated DI output. “Like everything we do, the ABM EVO V is developed in response to the needs of our customers” comments Ashdown MD Dan Gooday. “An increasing number of players have been asking if we can bridge the dual output sections of our ABM 1200 head. The new ABM EVO V answers that need for more power and dynamics.” - Category : Bass amp head - Dimensions (mm) : 489 x 336 x 155 - EQ : [ampli_eq_9bandes] - Effects loop : Yes - Footswitch input : Yes - Headphone output : No - Input : jack, aux jack, [G_entree_boucle_effet_jack], footswitch - Number of effects : 3 - Output : XLR DI, Tuner jack, Cabinet 2 x Speakon, Line out jack - Pedalboard included : No - Power : 750 W - Pre-amp tubes : 12AX7 - Weight (kg) : 13 kg

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Ashdown CTM 100 Valve Head ...

19.999,-

20.699,-

Like it’s big brother, the CTM-300, our CTM-100 takes it’s sonic cues from the classic valve heads of the past and pairs its 100W all-valve design with modern features, construction and reliability. Built tough for life on the road Built tough the CTM-100 head is housed within an 18mm Marine grade birch ply cabinet that features heavy duty flip style handles and an internal fan to keep things cool. This is an amplifier that is built to last using only the finest components to ensure years of trouble-free performance night after night. Classic all-valve tone With a classic five valve preamp configuration and a fully-loaded power section consisting of 2 x KT88 output valves, the CTM-100 is easily up to the job of delivering it’s powerful tones at small to medium-sized gigs night after night. Flexible tone shaping From mellow ‘60s bass tone to growling ‘70s-style bass, straight through to thick and powerful modern tone, the CTM-100 covers a huge range of sonic ground. Hit the Mellow button to engage smooth, warm, clean tones – or punch it out to dial-in pure valve overdriven growl. Standard tone controls give you a wide range of uber-musical sounds, while Deep, Mid Shift, and Bright switches let you fine-tune your tone to the situation. The EQ section is a passive tone circuit - meaning if all controls are at zero there will be no sound through the amp. All the controls are highly interactive, giving you the possibility to dial in exactly what tone you want. Don’t be scared to dial the pots all the way to get the most from the controls. Valve life preserver Saving costly and time consuming trips to the Tech and keeping your amp sounding better for longer, the CTM-100 features user adjustable bias for both output valves which can be set by engaging the bias mode of the dual function VU meter on the front panel. Each output valve is individually fused and user replaceable without removing the unit from its case (meter also indicates valve or fuse failure). Tube-driven DI & Effects Loop To get your tone direct to the desk in the studio or on stage, the CTM-100 features a valve-driven, transformer-derived DI output with an isolated ground to deliver maximum sonic purity and consistent output night after night. Similarly, the front-mounted effects loop is also valve-driven for maximum tonal preservation. Specifications Power Output 100 Watts Power Requirement 115-240 Volts Speaker Outputs 3 x Jack 8/4/2 Ohm DI Output Valve Driven Transformer Derived Impedance Minimum Impedance 2 Ohm EQ Passive EQ Section. Bass, Middle and Treble plus shape push buttons Effects Send Jack Effects Return Jack Pre-Amp Tubes 2 x ECC832 2 x ECC82 Output Tubes 2 x KT88 H x W x D (mm) 279 x 590 x 254 Weight (kg) 18.8

Ashdown CTM 300 Valve Head ...

29.990,-

Taking inspiration from the classic tube heads of the past, Ashdown presents the all-tube CTM-300, a 300W valve masterpiece that melds classic tones with modern features, construction and reliability. Built tough for life on the road Handbuilt in the UK Ashdown Custom Shop the CTM 300 head is housed within an 18mm Marine grade birch ply cabinet that features heavy duty flip style handles and an internal fan to keep things cool. This is an amplifier that is built to last using only the finest components to ensure years of trouble-free performance night after night. Classic all-valve tone With a classic five valve preamp configuration and a fully-loaded power section consisting of 6 x KT88 output tubes to provide the huge grunt, warmth and headroom bassists crave, this is a serious bass amplifier to be called into action when only the best will do. Flexible tone shaping From mellow ‘60s bass tone to growling ‘70s-style bass, straight through to thick and powerful modern tone, the CTM-300 covers a huge range of sonic ground. Hit the Mellow button to engage smooth, warm, clean tones – or punch it out to dial-in pure valve overdriven growl. Standard tone controls give you a wide range of uber-musical sounds, while Deep, Mid Shift, and Bright switches let you fine-tune your tone to the situation. The EQ section is a passive tone circuit - meaning if all controls are at zero there will be no sound through the amp. All the controls are highly interactive, giving you the possibility to dial in exactly what tone you want. Don’t be scared to dial the pots all the way to get the most from the controls. Tube life preserver Saving costly and time consuming trips to the Tech and keeping your amp sounding better for longer, the CTM-300 features user adjustable bias for each individual power tube which can be set by engaging the bias mode of the dual function VU meter on the front panel. Each output tube is individually fused and user replaceable without removing the unit from its case (meter also indicates tube or fuse failure). Tube-driven DI & Effects Loop To get your tone direct to the desk in the studio or on stage, the CTM-300 features a tube-driven, transformer-derived DI output with an isolated ground to deliver maximum sonic purity and consistent output night after night. Similarly, the front-mounted effects loop is also tube-driven for maximum tonal preservation. Specifications Power Output 300 Watts Power Handling 750 Watts Power Requirement 115-240 Volts Speaker Outputs Speakon/Jack Frequency Response 35Hz - 18Khz High Instrument Input 450MV Low Instrument Input 150MV DI Output Valve Driven Transformer Derived Output Impedance 2 Ohm Minimum EQ Passive EQ Section. Bass, Middle and Treble plus shape push buttons Effects Send Jack Effects Return Jack Pre-Amp Tubes 1 x ECC83 1 x ECC832 1 x ECC99 2 x ECC82 Output Tubes 6 x KT88 H x W x D (mm) 266 x 590 x 336 Weight (kg) 28.2

Ashdown Head Of Doom Geezer ...

16.950,-

Introducing the Ashdown ‘Head of Doom’ Geezer Butler Signature Bass Amp Head. Hand built in the UK Custom Shop, the Head of Doom was designed around Geezer Butler’s very requirements. The Ashdown and Geezer Butler story began three years ago after extensive talks with Geezer’s long standing tech, Terry Welty. Black Sabbath’s ‘The End’ farewell tour was approaching and Geezer was extremely specific about his bass sound for the band’s departing tour. Ashdown designed a rig for Geezer to leave a bold statement with, encapsulating a music career spanning 50 years into one sound to remember the almighty Black Sabbath by. The Head of Doom is for bass players who seek classic, driven bass tones with phenomenal power. Stripped back, the Head of Doom is built on Ashdown’s flagship ABM range; offering tried and tested tone and rock-solid reliability. Versatile EQ The Head of Doom features a sophisticated 9-band EQ, with familiar Bass, Middle & Treble controls and six sliders allowing precision cut and boost in the regions the standard controls can’t reach, providing a huge range of tonal variation and the tailring of the perfect tone. The EQ can be switched in via footswitch taking the player from a flat fretless sound to their favourite EQ setting instantly. Sub-Harmonic Doom Once heard – never forgotten. The Sub-Harmonic generator adds an octave below the notes being played bringing fullness to any bass part. The Sub level is independently controllable, thickening the sound and providing more DOOM to your tone as required. Sub Harmonics are also controllable via footswitch. This feature was added so Geezer could power his 12 on stage cabinets ensuring the quality of signal was maintained. The Number of the Beast The Head of Doom has a deadly power section rated at 600 Watts RMS with two Neutrik speakon outputs. The power section has a minimum load of 4 ohms. The slave input on the rear is designed to be fed by the transformer-isolated outputs if running multiple heads from one input source. More heads - more doom! From the top, the Head of Doom features a single instrument input linked to a passive/active selector switch. The passive input option (switch out) is high sensitivity and high impedance to suit the output from passive basses. Dual VU Visual Monitoring Perhaps the most obvious feature on the Head of Doom is its twin set of VU meters - the first Ashdown amplifier head of its kind. Not only does the head look like a daemon on stage, the second VU meter allows for output level visual monitoring. Now bass players can find the sweet spot for their instrument via the familiar input level VU. From there the player can tweak their tone via an experienced 9-band EQ and use the shape control to further sculpt their tone, all the while monitoring the output level at the same time via the second VU. Professional Connections The Head of Doom is loaded with connectivity. A tuner output, line out, transparent FX loop and a line input for the connection of an external sampler or sound source. Output muting cuts the signal from the DI output but leaves the tuner output ‘live’, allowing the player to tune up in silence. A pair of Neutrik Jack/Speakon sockets with a minimum 4 ohm load provide flexible partnering options so that the Head Of Doom can be used to power a single 8 ohm cabinet, a pair of 8 ohm cabinets or a single 4 ohm cabinet. The Head of Doom’s ins and outs continue even further, as mentioned earlier with three dedicated transformer isolated outputs with the option to slave from the dedicated slave input. Added Doom The ‘Doom’ control increases the current to the amp’s 12AX7 pre-amp valve stage, like voltage through an electric chair, resulting in the richest harmonic distortion designed specifically for bass guitar. Used in conjunction with the amps impressive EQ section, there isn’t much this amp can’t deliver. The Doom level control can be pre-set and kicked in and out via footswitch. Specifications Power Output 600 Watts Power Requirement 115-230 Volts Speaker Outputs 2 x Jack/Speakon outputs Frequency Response -3dB @ 17Hz und 30KHz High Instrument Input Impedance 3.9m Ohms, input range 150mV Low Instrument Input Impedance 10k Ohms, input range 300mV - 40V p-p Line Input Impedance 22k Ohms, input level 0dBu nominal DI Output 600 Ohm balanced, Level 0dBu nominal Tuner Output Impedance 22k Ohms, Level 0dBu nominal Impedance Minimum 4 Ohms Effects Send Impedance 22k Ohm, Level 0dBu nominal Effects Return Impedance 22k Ohms, Input Level 0dBu Nominal Output Tubes 1 x 12AX7 H x W x D (mm) 139 x 45 x 304 Weight (kg) 10.5

Ashdown RM 500-EVO III 500 W ...

8.549,-

ROOTMASTER-500-EVO III Delivering 500 watts of classic Ashdown sound in a lightweight, portable head, the Rootmaster 500 EVO III combines a flexible EQ, Sub Harmonic Generator, Compression, and Valve Emulated Drive with pro features like an Analogue Cab Sim DI output, balanced D.I., and monitor filters. This makes it a rugged, reliable choice for stage and studio alike. POWER • Power Output: 500 Watts • Power Requirements: 115–230 Volts • Impedance: Minimum 4 Ohms CONNECTIVITY & I/O • Speaker Outputs: 2 × Neutrik Speakon/Jack outputs • High Instrument Input: Impedance 3.9M Ohms, input range 150mV • Low Instrument Input: Impedance 10k Ohms, input range 300mV – 405V p-p • Line Input: Impedance 22k Ohms, input level 0dBu nominal • DI Output: 420 Ohm balanced, Level 0dBu nominal • Effects Send: Impedance 22k Ohm, Level 0dBu nominal • Effects Return: Impedance 22k Ohms, Input Level 0dBu nominal PERFORMANCE • Frequency Response: –3dB @ 17Hz and 30kHz • Signal to Noise: Better than 80dB (EQ flat) • EQ: • Bass: ±15dB @ 100Hz • Lo Mid: ±15dB @ 340Hz • Middle: ±15dB @ 660Hz • Hi Mid: ±15dB @ 1.6kHz • Treble: ±15dB @ 7kHz shelving • Distortion: Less than 0.5% THD DIMENSIONS & WEIGHT • Height: 89 mm • Width: 311 mm • Depth: 235 mm • Net Weight: 2.5 kg The Rootmaster 500 EVO III delivers a formidable 500 watts of output alongside a wide frequency response and responsive 5-band EQ. It gives bassists full control of their sound, ensuring tone that resonates both on stage and in the studio. Powerful yet lightweight, it's designed to meet the demands of modern players without compromise.

Ashdown RM 800-EVO III 800 W ...

9.650,-

ROOTMASTER-800-EVO III Delivering 800 watts of iconic Ashdown tone in a lightweight head, the Rootmaster 800 EVO III packs a versatile EQ, Sub Harmonic Generator, Compression, and Valve Emulated Drive for maximum flexibility. Rugged, reliable, and backed by a 5-year warranty, it also features an Analogue Cab Sim DI output for seamless live or studio use. POWER • Power Output: 800 Watts • Power Requirements: 115–230 Volts • Impedance: Minimum 4 Ohms CONNECTIVITY & I/O • Speaker Outputs: 2 × Neutrik Speakon/Jack outputs • High Instrument Input: Impedance 3.9M Ohms, input range 150mV – 20V p-p • Low Instrument Input: Impedance 10k Ohms, input range 300mV – 405V p-p • Line Input: Impedance 22k Ohms, input level 0dBu nominal • DI Output: 420 Ohm balanced, Level 0dBu nominal • Effects Send: Impedance 22k Ohm, Level 0dBu nominal • Effects Return: Impedance 22k Ohms, Input Level 0dBu nominal PERFORMANCE • Frequency Response: –3dB @ 22Hz and 25kHz • Signal to Noise: Better than 80dB (EQ flat) • EQ: • Bass: ±15dB @ 100Hz • Lo Mid: ±15dB @ 340Hz • Middle: ±15dB @ 660Hz • Hi Mid: ±15dB @ 1.6kHz • Treble: ±15dB @ 7kHz shelving • Distortion: Less than 0.5% THD DIMENSIONS & WEIGHT Dimensions • Height: 89 mm • Width: 311 mm • Depth: 235 mm • Net Weight: 2.5 kg The Rootmaster 800 EVO III is a precision-engineered amplifier designed for bassists who demand versatility. With its comprehensive EQ system, Ashdown Sub Harmonic Generator, Compression control, and Valve Emulated Drive, it adapts seamlessly to any style or setting, whether you're in the studio or commanding the stage.

Ashdown Tone Pocket Premium ...

2.150,-

Tone Pocket Premium Bass Headphone Amplifier with Bluetooth The minuscule but mighty Tone Pocket is a premium bass headphone amplifier designed for home practice, studio and even stage applications. With a host of practical features including a comprehensive 3 band EQ(+/- 15db on each band)for effective tone sculpting, line input (to connect to your smart phone or music player). Analog to Digital conversion via the mini USB 2.0 output for direct recording into your favourite DAW with no latency. 48K / 44.1KHz sampling rate for both playback and recording gives crystal clear audio, plus a balanced line out so you can even connect directly to a PA. Lastly a 9v rechargeable battery allows 2 hours playing time between charges. From the top, the Tone Pocket is the answer to all of your practice/recording interface needs. USB recording The well-equipped rear panel of the Tone Pocket features a USB recording output for use with your favourite DAW, recorded with the truest digital conversion. When active, the USB socket also doubles as a charger for desktop use, keeping the unit charged via USB 5.1v -2.1A. (More charging options below) 2 hours of playing time. Loads of charging options. The Tone Pocket is powered by a rechargeable 9v battery (which can be changed if required), providing approx. 2 hours playing time. Simple EQ. Bold Tone. The Tone Pocket enhances the sound of your music delivered via your smart phone, offering more power with increased clarity and tone. The simple yet powerful rotary 3-band EQ controls the Bass, Mids & Highs, offering +/- 15dB on each band. Balanced Line Output The Tone Pocket ‘s balanced line output (on the rear) of the allows for connection to an amplifier or PA system. Small, yet tough Measuring in at 26mm (H) 108mm (W) and 95mm (D), The Tone Pocket fits perfectly in your back pocket, in your gig-bag or sat on your desktop. The Tone Pocket is constructed with a light weight black anodised alloy, ensuring durability and offering sleek looks with diamond polished detailing. What's in the Box? 1 x Tone Pocket in soft case 1 x USB to USB cable 1 x Auxiliary Cable 1 x 10v power supply 1 x Instruction Manual 1 x Self-adhesive Belt Clip 4 x Self-adhesive rubber feet USB CODEC SPECIFICATIONS: - Compliant with USB 2.0 Full Speed Operation - 48K / 44.1KHz Sampling Rate for Both Playback and Recording - Soft Mute Function - Embedded High Performance 16-Bit Audio DAC - Embedded 16-Bit ADC Input - Embedded 5V to 3.3V Regulator for Single External 5V Operation - Compatible with Win98 SE / Win ME / Win 2000 / Win XP and Mac OS9 / OS X without Additional Driver

Ashdown UK-ABM-300-EVO-IV ...

10.529,-

ABM-300-EVO-IV-UK: Classic Power, Refined Delivering 300 watts of pure bass power, the ABM-300-EVO-IV-UK combines heritage tone with modern control. Its class-leading preamp features the Variable Valve Drive Plus, giving players access to a broad tonal spectrum, from warm cleans to gritty overdrive, all foot-switchable for performance versatility. A brand-new 9-band EQ offers pinpoint tonal shaping, while the One Knob Compressor and Sub-Harmonic Generator ensure your bass remains rich, tight, and stage-ready. Professional connectivity, including FX loop, Line Input, and tuner out, make it a complete solution for live and studio applications. Built in Britain. Built to Perform. Hand-assembled at Ashdown’s UK headquarters in Essex, these amps represent a renewed dedication to in-house engineering and local manufacturing. Every ABM-IV-UK head is crafted with the same passion and precision that has defined Ashdownfor decades. - Category : Bass amp head - Dimensions (mm) : 146 x 488 x 336 - EQ : [ampli_eq_9bandes] - Effects loop : Yes - External cabinet output : Yes - Footswitch input : Yes - Input : jack - Output : 2 x jack, Cabinet 2 x Speakon - Power : 300 W - Pre-amp tubes : 12AX7 - Weight : 12,50 kg

Ashdown UK-ABM-600-EVO-IV ...

11.079,-

Ashdown ABM-600-EVO-IV-UK: Power Without Compromise. For players demanding more headroom and authority, the ABM-600-EVO-IV-UK offers600 watts of commanding power while retaining the full feature set of its 300W sibling. The enhanced 9-band EQ, signature VUmeter, and foot-switchable controls for ValveDrive, Compression, EQ, and Sub-Harmonics allow seamless integration into any performance setup. Built for the modern bassist yet faithful to its roots, the ABM-600-EVO-IV-UK represents the pinnacle of Ashdown’s amplifier design. Built in Britain. Built to Perform. Hand-assembled at Ashdown’s UK headquarters in Essex, these amps represent a renewed dedication to in-house engineering and local manufacturing. Every ABM-IV-UK head is crafted with the same passion and precision that has defined Ashdownfor decades. - Category : Bass amp head - Dimensions (mm) : 146 x 489 x 336 - EQ : [ampli_eq_9bandes] - Effects loop : Yes - External cabinet output : Yes - Footswitch input : Yes - Input : jack - Output : 2 x jack, Cabinet 2 x Speakon - Power : 600 W - Pre-amp tubes : 12AX7 - Weight : 12,50 kg