SolidGoldFX BETA-V Bass ...

2.450,-

SolidGoldFX BETA-V Bass Preamp with Drive The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX’s top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. Yes, we all know the convenience of a lightweight “sub 10 lbs” bass head that pumps out 500 watts and a neo cab that doesn’t require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, With the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience. Main Features: • Bass Preamp and Overdrive effects pedal • Designed to capture the warmth and grit of vintage tube amps • Low-Pass filter with 2 settings o 0 - no low pass filter o 1 - mid bump o 2 - mid scoop • Drive control, from mild grit to warm overdrive • Active 2-band post-Gain EQ • True-Bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (center -, 2,1 mm, 13 mA current draw at 9 V) Our classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a center bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses. Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the center. Dialing in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

SolidGoldFX AURRAS Optical ...

2.562,-

SolidgoldFX AURRAS Optical Vibraphase The AURRAS Optical Vibraphase by SolidGoldFX is a powerful effects pedal named after the goddess of sound that meets the legacy of its predecessor the Athena Vibraphase in a harmonious blend of legendary, vintage Uni-Vibe textures and innovative, modern prowess. Main Features: • Optical Phase-Shifter effects pedal • 100% analog audio path from input to output • 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators • Dry Mix for tones and textures ranging from soft Vibrato to lush Uni-Vibe like sounds. • Dual LFO setup powered by a microprocessor, providing limitless sonic flexibility • 2 modes for increased versatility o Frequency Offset - adds rhythmic patterns by slowing down the second LFO o Phase Offset - fine-tunes the throb by introducing asymmetry between the LFOs • On-board tap tempo, speed ramping and expression pedal input • Soft-touch relay-based True bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 25 mA current draw at 9V) Rich, Energetic Soundscapes AURRAS Optical Vibraphase is a 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators offering a clearer signal with minimal distortion while simultaneously isolating the audio path from any possible LFO interference. The dual LFO setup, powered by a microprocessor, provides limitless sonic flexibility. Drawing inspiration from albums such as Band of Gypsys or the Dark Side of the Moon, the AURRAS delivers the lush modulation and heavy pulse that have shaped Rock & Roll history. Comprehensive Tone-Shaping Controls With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes. While the AURRAS features a 100% analog audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping. Set your effect with the Speed knob, Expression Pedal, Tap Tempo, or by using the Ramp function. You can ramp up your LFO speed by simply holding the Tap Tempo footswitch, which will automatically ramp up to double your speed. You can also ramp down your LFO speed by simply holding down the Bypass Footswitch. This will automatically decrease your speed to half. Repeat this process as many times as you’d like to achieve the desired speed. Let’s talk about LFO Offset AURRAS runs on a pair of opto-isolators each operating on an independent LFO. While most Phaser or Modulation pedals use a single LFO to create their effect, independent LFOs can open a new array of effects by offsetting their symmetry. The OFFSET ADJ knob and OFFSET MODE FREQ|PHASE knobs work in tandem. For a more conventional effect, turn the OFFSET ADJ mode fully counterclockwise, allowing both LFOs to be in sync with no offset. The FREQUENCY OFFSET adds rhythmic patterns by slowing down the second LFO, while the PHASE OFFSET fine-tunes the throb by introducing asymmetry between the LFOs.

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SolidGoldFX 76 Octave Fuzz ...

1.479,-

2.490,-

76 Octave-up Fuzz. NB! Tilbudspris gjelder kun 1 stk. igjen på lager! While the Western world was preoccupied with its Fuzz Faces, Tone Benders and others, the Eastern world was bubbling up with plenty of fuzzes of its own. This very distinct era in fuzz history gave us many treasures that have been crowned fuzz legends—the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others. Our 76 offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks, such as a quiet signal or fragile wiring. On its face, the 76 gives you a multi-voiced germanium-equipped fuzz unit that gives you hints of octave-up snarl while it ruthlessly pummels your amp with hair and fangs. Aside from standard volume and fuzz controls, and unlike the original Standard Fuzz, the 76 also gives you a texture control that sweeps the midrange, effectively giving you many flavors of fuzz across several positions. A three-way color switch offers a little frequency scoop, but the center position is off, for full-frequency fuzz madness. The internals contain two DIP switches that alter the character of the unit. The first, clip, changes the clipping stack from the stock Standard Fuzz arrangement of two germaniums into a hybrid germanium-silicon arrangement. Engaging this switch opens the sound up, increases crunch and definition for a searing lead tone. The other switch, Dark, engages a treble cut on the input, which helps to prep the incoming signal for the fuzz onslaught. This switch should be engaged if the 76 follows a bright dirt pedal or a jangly set of pickups. The new Standard Fuzz is here and is a forced to be reckoned with, leveling audiences with its punishing buzzsaw grind and unbridled harmonics. The 76 is your favorite fuzz nerd’s favorite fuzz.     KNOBS: Fuzz: Turning the Fuzz up ranges from a little crunch to more gain than you could ever want. Texture: This control adjusts the mid frequency of the 76. Go from a deep scoop to a mid-drenched grind with a simple twist Level: Adjusts the output volume, with more than enough on tap. TOGGLE SWITCHES: Color: Switches between three different frequency ranges, from scooped to full-frequency fuzz tones. UNDER THE HOOD: Clip (internal DIP): When on, the 76 employs germanium diodes for a spongier signal and a harder clipping threshold. When off, a silicon-germanium combo is employed, opening the fuzz signal up a little more. The default is on. Dark (internal DIP): When on, the 76 cuts a good amount of treble from the input signal, useful for single-coils and wicking away treble from anything before it. When off, the treble cut is lifted. The default is off. AUXILIARY: Input: Instrument or other pedal goes here. Output: Amplifier or other pedal goes here. True bypass footswitch: Turns effect on and off. POWER: The 76 requires a center-negative 9VDC power adapter with at least 5mA of current (not included). Almost all power supplies meet this requirement. DIMENSIONS: 4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)

SolidGoldFX 76 MK II ...

2.450,-

SolidGoldFX 76 MKII Multi-Voiced Silicon Octave-Up Fuzz While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, the Orient was bubbling up with gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others. Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummeling your amp with hair and fangs, while the top mounted jacks and new JFET Preamp stage all helps to make the pedal easily fit into any modern setup. Main Features: • Silicon Octave Fuzz pedal • Inspired by the Ibanez Standard Fuzz circuit - for maximum fuzz awesomeness • Uses a JFET Preamp stage and a quartet of high-gain Toshiba transistors (new) • Octave bypass switch - intended to tame the wild • Dual independent Texture and Color tone stacks for precision audio sculpting o Color toggle switch for switching between three different frequency ranges from scooped to full frequency fuzz tones o Texture control sweeps the mid-range for many flavours of Fuzz • Soft-touch True bypass switching and top-mounted jacks (new) • Made in Montreal, Canada • Powered by 9V DC PSU  (centre -, 2,1 mm, 10 mA current draw) Armed with a JFET input and built around a specific set of Toshiba transistors, the 76 MKII’s dual Texture and Color tone controls allow you to precisely sculpt your fuzz while the octave switch allows you to dial back the octaves and overtones for a smoother finish. All of this translates to a surprisingly varied and delicious fuzz feast, with everything from stabby robotic clangs, synthetic soaring leads, absolutely crushing doom chords as well as more warm and enveloping drives just a single stomp away. Topped off with silent, soft touch true bypass switching and top jacks, the 76 MKII is everything you need if you’re looking for a musical yet powerful fuzz capable of leveling Tokyo! Here’s to the new Standard Fuzz.

SolidGoldFX Commodore ...

2.226,-

SolidGoldFX Commodore BluesBreaker-Style Low to Mid-Gain Overdrive We’re back with the second installment of our retro themed slider laden stomp boxes - the Commodore Overdrive! Inspired by another one of our all-time favorites, the classic Marshall BluesBreaker and crossbred with our beloved Imperial MKII, we are excited to present you with this wonderfully versatile and natural sounding drive. • Overdrive pedal based on the early 90’s Marshall Blues Breaker • Cool retro-themed design with sliders • Specially tuned, low to mid-gain asymmetric clipping drive circuit - for organic and natural sounding drive ranging from sweet and mellow to hot and spicy • True bypass switching and top-mounted jacks - for ease of pedalboard mounting • Hand-made in Montreal, Canada • Powered by a regular 9-18V DC PSU (centre -, 2.1 mm, ~10 mA current draw) So, what is the Marshall BluesBreaker and what makes it so awesome? The Marshall BluesBreaker was released in the early 90’s alongside the ShredMaster and DriveMaster ped-als. Offered in the large black box format, it was aimed at capturing the crunch and breakup of the earlier model 1962 JTM45 based combo amp famously dubbed the Bluesbreaker after be-ing used by Eric Clapton during his time with John Mayall and the Blues Breakers. The pedal offered a beautiful and natural sounding overdrive and has since become a favorite amongst builders and players alike, with original units now fetching close to 4 figures. The Commodore offers a fresh spin on an old-school heavyweight by mating a specially tuned, low to mid-gain BB style drive circuit with the super sculpting output section of our Imperial MkII. Carefully selected component values and asymmetric clipping offer an organic and natu-ral sounding drive ranging from sweet and mellow to hot and spicy, while the Tone and Con-tour sliders allow you to dial in anything from black panel spank to Vox-ey chime and British growl. Set the Drive down low for tone sculpting or boost applications or crank it up for some extra sizzle. Use the Tone and Contour sliders to accentuate or scoop your highs, mids or lows and stack it with other fuzzes or drives for extra flavor and variety. You can power it from any standard negative center 9 V DC power supply or up the voltage to 18 V DC for extra headroom. No, we’re not your parents and so we’re not here to tell you what to do, but trust us when we say as this pedal contains so much sonic goodness, maybe you should just leave it always on? Your tone will thank you! Finally, the Commodore package is complete with dual LED indicators, top jacks, true-bypass switching and of course, our retro sliders with vintage inspired artwork.

SolidGoldFX EM-III Multi-head ...

2.590,-

SolidGoldFX EM-III Compact Delay Powerhouse Welcome to the new SolidGoldFX EM-III Multi-Head Octave Echo; the smallest, most powerful and by far the most versatile SolidGoldFX delay pedal to date. Building on SGFX’s Electroman Delay legacy, the EM-III manages to both echo the past, present and future. With EM-III’s wide-ranging yet ultra-intuitive control set, warm analog-voiced echoes, precise and modern delay, as well as experimental and futuristic sound designs, are all just a single stomp away. Main Features: • Multi-Head Tape Delay pedal, with Octave and Modulation • 70 to 1000 mS delay time with Tap Tempo • Color Knob - for crisp and bright tape echo to super thin lo-fi repeats • Warp feature - for instant self-oscillation Wall-of-Sound Swells • Glitch feature - replicates snapping tape sounds • Switchable True Bypass/ Buffered Trails modes • Top-mounted jacks - for ease of pedalboard mounting • Hand-made in Montreal, Canada • Powered by a regular 9 V DC PSU         (centre -, 2,1 mm, ~70 mA current draw) At your feet (or fingers) you have a multi-head tape style echo, with the ability to add in a signal an octave lower to the primary delay head. This can result in dancing, rhythmic delays with body and gravitas, as well as bold washy soundscapes. These two core features are controlled via a single mini-toggle. Flick it left to select between 1, 2 or 3 delay heads or flick it right to toggle the octave effect on and off. From there, just set your Delay Level, Repeats and Time via the knobs or tap in your preferred tempo via the soft-click tap tempo switch and let the good echo times roll. The EM-III also sports delay modulation introduced via the Flutter control. Keep it at center position for no modulation. Dial it left for a slow and dreamy chorus-like modulation or right for a faster vibrato, letting you create lush oceanic movement, tape-style crinkles, eerie tension and beautiful dissonance. The color knob allows you to engage both high-pass and low-pass filtering. Dead-center you have a pristine full-frequency digital delay. Dial it to the left and you cut the highs, creating warm, murky analog-esque repeats. Dial it to the right and you suck out the lows for crisp and bright tape-style repeats or super thin lo-fi delays. EM-III also brings interactive warp and glitch features to the tonal table by pressing and holding either Tap, Bypass or both at the same time. Hold Tap to increase the repeats until self-oscillation, creating a swelling wall of sound. Hold Bypass to replicate the sound of a tape motor on the fritz and a tape reel snapping, or hold both for glorious noise seances that will act as the perfect song/set closer. Additional features include soft-touch, relay based, true bypass switching with the option of buffered trails, top jacks and up to a full second of delay time. Designed to inspire and evoke emotion, EM-III can sound as pretty and cheerful or as dark and macabre as you wish. We invite you to tune up, plug in and immerse yourself in the EM-III experience.

SolidGoldFX If 6 Was 9 MkII ...

2.562,-

If 6 Was 9 MKII BC183 Silicon Fuzz If there’s one pedal that captures the history of sonic rebellion and the soul of classic rock, then the Fuzz Face is it. Bold and raunchy when fed power chords, velvety smooth and angelically soaring when presented with lead lines and with an almost too-good-to-be-true volume knob cleanup, which allows for the best clean tones you’ve ever heard, the Fuzz Face is truly a multi-faceted tonal treasure. Jimi Hendrix, Eric Johnson, Stevie Ray Vaughan and Pete Townsend all carved their undying legacy with this iconic fuzz machine and with our If 6 Was 9 MKII, you can instantly tap into those legendary tones or go far beyond to discover your own saturated signature sound. Main Features: • Silicon Fuzz pedal • Based on the Dallas-Arbiter Fuzz Face circuit • Uses two BC183 transistor – for soulful fuzz tones between mushy compression of Germanium and brash sound of Silicon • Variable voltage pump supplies power between 5 to 15VDC internally • Thick balanced bass response and tight fuzz tone • Tone toggle switch chooses between tight and thick fuzz voicings • Bias knob for varying the operational voltage – for a huge range of tones from compressed and nasty to big and bold Saturation control trims the circuits input for better cleanup or impedance matching • Soft-touch True bypass switching and top-mounted jacks • Hand-made in Montreal, Canada • Powered by opt. 9V DC PSU (centre -, 2,1 mm, 20 mA current draw) It’s been at least 10 years since we launched our original If 6 Was 9 BC183 and improving on this solid design was no small feat. SGFX’s pedal pays tribute to all the players who contributed to the pantheon of rock, with specially selected components to get your mojo working. We put two BC183 devices in each one, which is widely regarded as a happy medium between the potentially mushy compression of germanium and the brash sawmill-like fuzz of silicon. The tone of the If 6 Was 9 MKII is just that - smooth and refined, without falling apart on chords and with loads of sustain on single-note work. The MKII includes all the soulful fuzz tones of the original BC183, but incorporates a variety of new features aimed at bringing this vintage inspired design into the modern age. What really sets the new If 6 Was 9 MKII apart is the power supply. Fuzz Face tone has been whittled down to such a precise science that players now know what voltage at which they prefer their Fuzz Face to be run. Eric Johnson famously kept a box full of batteries drained to various degrees. We have equipped this fuzz with a variable voltage pump, supplying anywhere from 5 to 15VDC from a single 9V power source. No need for a box full of questionable batteries anymore, just set the knob to your preferred supply voltage and get as much fuzzy compression or meaty breakup you desire consistently, every time. This, in conjunction with the bias control, will allow for any shade of fuzz ranging from gated and sputtery, to smooth and dynamic, then all the way to bold and punchy. The new saturate control trims the circuit’s input for better cleanup, signal chain integration or impedance matching, ideal for use with a wah pedal. Finally, soft-touch true bypass switching and top jacks really bring this fuzz face into the 21st century. That was a lot of tech babble, we know. At the end of the day If 6 Was 9 MkII is just here to help you with what you do best: plugging in and rocking out!

SolidGoldFX Imperial MKII ...

2.226,-

Upon first glance at the Imperial MKII, you might be intrigued by its charmingly retro appearance. Inspired by the JEN Jumbo fuzz, which is one of our personal favorite vintage fuzzes, the Imperial MKII’s four sliders, textured black paint and bold red graphics shows you can immediately tell that this pedal means business. If a ripping, royally raucous fuzz, with impeccable manners, is what you seek in your tone conquest or whether you are chasing those soaring Gilmour-esque leads that propel you to the far side of the moon, then look no further than the Imperial MKII. So, what is the JEN Jumbo Fuzz and what makes it so awesome? JEN Elettronica was an Italian manufacturer who made pedals for Vox, Dallas Arbiter and Sound City (among others), in addition to making equipment under their own brand. The Jumbo Fuzz was their spin on the venerable EHX Big Muff® that swapped the knobs out for sliders and added a nifty germanium noise gate. In terms of sound, the tuning of the Jumbo Fuzz lies somewhere in the Ram’s Head camp - not overly scooped or woofy, with a nice gain range - just a great sounding pedal! While the Jumbo’s noise gate is a great feature and gives this BMP variant a unique attack with practically zero noise, vintage units vary greatly from one unit to another, with some gating too much and others not at all. Capturing the Jumbo Fuzz’s vibe and redesigning the gate was essential to our Imperial redesign. Let’s dive in… True to the original SGFX Imperial, the MKII retains our high impedance JFET preamp, giving the low noise floor detail and definition you would expect from any SolidGoldFx pedal. Bass, guitar or synth, stick it anywhere in your effects chain and feel free to ride your volume knob for clean-up - the Imperial’s preamp will respond. While the tone stack is carried over from the original design, a new Contour slider replaces the mids switch, which changes the frequency of the high-pass filter in the tone stack. This allows you to boost or scoop your mids, with every shade in between.  About that noise gate, this is where the Imperial MKII really shines. We’ve swapped out the Jumbo Fuzz’s germanium transistor design with silicon devices and given it an improved envelope generator, to ensure consistency and response throughout. Having fine-tuned the attack and release, not only does the noise gate allow for virtually zero noise, but it also gives the pedal a unique, sharp attack with no loss of sustain at higher fuzz settings. Align this to a nice, dry attack at low settings, and Imperial MKII will pair great with other dirt boxes too. The noise gate will even allow you to add fuzz to a hollow-body, while controlling the howl and feedback should you choose. Finally, the Imperial MKII package is completed with dual LED indicators (one for bypass and the other indicating the gate status), top jacks, true bypass switching and, of course, our retro sliders and vintage inspired artwork.

SolidGoldFX LYSIS MKII ...

3.009,-

Lysis MKII Polyphonic Synth Fuzz Machine The LYSIS MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!! Building on the foundation of SGFX’s original LYSIS design, the LYSIS MKII pushes the envelope even further with a number of new features and functionality that helps to increase player interaction and versatility. Bursting with possibilities, LYSIS MKII is designed to meld the world of stringed instruments with that of synths. The LYSIS MKII applies thick, resonant filters, multiple polyphonic voicings and sweeping LFO’s, all drenched in an analog square-wave fuzz to your instrument of choice. Main Features: Octave Fuzz Pedal with LFO ramping/breaking modulation Discrete analog square wave fuzz circuit with FET preamp Polyphonic pitch shifting – delivers octave down, octave down/up and octave down/fifth voicings Selectable HP/LP filters with adjustable resonance 3 waveform modes (triangle, sine, square) with 11 presets each – for a total of 33 modulation settings Tap Tempo control with speed ramping & LFO braking Soft touch true bypass switching Expression/CV control assignable to any parameter via internal DIP switches Top-mounted jacks – for ease of pedalboard mounting Hand-made in Montreal, Canada At the core of the LYSIS MKII is a discrete FET preamp and high-gain fuzz circuit. This feeds into SGFX’s digital polyphonic voice and filter generator, then back into a discrete transistor output stage, offering the best of both analog and digital signal processing. While the high-pass and low-pass filters carry over from the previous generation, they are now controlled by SGFX’s new tap tempo LFO. This is now loaded with 33 different triangle, sine and square waveshapes coupled with 3 preset resonance settings for your choice of soft modulation or heavy, rhythmic sweeps. The Voice selector has been expanded to include the previous octave down setting, as well as a new octave down/octave up voicing and SGFX’s Super Power Chord featuring octave down/fifth pitch shifting. Combined with a feature-rich, yet easy-to-use control set, the LYSIS MKII quickly becomes an extension of your instrument and an inspirational toolbox. There’s nothing left to do but to plug in and let the LYSIS MKII sweep you off to synth/fuzz nirvana and enjoy punishing octave-down fuzz, rich, gooey filter sweeps or anything in between.

SolidGoldFX NU-33 Vinyl ...

3.009,-

There are very few things that we enjoy more around here than guitars and records. What could be more satisfying than putting your mitts on your favorite instrument or spinning a record and watching the needle drop on a limited color pressing? We love vintage guitars for very much the same reasons we love listening to vinyl. While they might not play as great as a shiny new high-end, precision built custom axe, their magic lies in their flaws. Every ding and scrape tells a story, every little bit of player wear and lacquer checking lends a feeling and leads to inspiration. Same goes for records.... a little bit of noise and static pops add ambiance, allowing the listener to get lost in the music while mesmerized by the rotating platter.... its not so much about fidelity but rather warmth and texture to create a mood. We set out to combine our love for guitars with our love for records and the result is the NU-33. Named after the Greek letter symbolizing spatial frequency and the RPMs of a turntable, the NU-33 is a lo-fi Vinyl modulator like no other. Designed to capture the vibe of some our favorite records such as a particularly worn out copy of Black Sabbath's Master of Reality and an original pressing of Led Zeppelin I with just the perfect amount of static, the NU-33 serves up chorus and vibrato mixed with tastefully engineered hiss, crackle and pops to give your riffs just the right touch of vintage flair. The controls allow you to choose how much or how little flutter to add to your tone, color it with 2 additional filter modes, shape it with 3 different waveforms and dial in the mix with an analog blend; you can easily make this pedal sound as pretty and lush or as dark and sombre as you please. Once we were finally happy with the way it sounded, it was time to pepper it with all the fun bits! Crammed in this little box is a manual mode to create a doubler ranging from 15ms to 50ms, an internally assignable expression pedal/CV input, multi-function foot switches for tap tempo and speed ramping, top jacks, relay based true bypass switching and a hold-to-skip function with 3 selectable speed presets to create a unique sonic stutter. Well, with all that said, and whole lotta painstaking work leading up to this point, the NU-33 is finally here and all that's left to do is to get lost in its immersive waves and textures.

SolidGoldFX Oblivion Quad ...

3.009,-

If you think you have Flangers all figured out and placed neatly in your little square genre-defined box, then get ready to have your world turned upside down by the OBLIVION QUAD FLANGER. An otherworldly vast sonic sea awaits you with this device, as every turn of a knob and flick of a switch unlocks mind-melting tones. From epically lush modulated movements to intense regenerating alien airwaves, lo-fi bit-crushed textural landscapes and much more, Oblivion is not here to capture a snapshot of the past, it’s here to open portals to the future! With the OBLIVION, you have the traditional Speed, Range and Regen controls, but where this pedal really shines is in the three distinct Flange modes available. We start with a classic Flanger and throw in Thru-Zero capabilities to pull you in and out of space. To push things a little bit further, we then came up with the Bi-Flange mode - offsetting a pair of modulating delay lines for even more sweeping movement. That sounded great, so we said “Let's do it! Carpe diem! You only live once… how about four delay lines?”. BOOM! The quad-flange mode adds those four (yes four!) independent delay lines for massive swooshing tsunamis of ominous textures.  To make things even more interesting, each of these three Flangers have their respective Degrade modes, introducing a lo-fi element unique to this pedal that grants you access to eyebrow raising textures, reminiscent of ring mods or robotic overtones. Once all of that was accomplished we set out to cram in tons of flexibility for even more fine tuning. A Blend control helps to adjust your wet and dry mix for light and polite Chorus sounds or for a full-on swirling whirlpool of Flange. Expression and CV capabilities, with internal Dip Switches, add even more variation and control. Not to mention the multi-function foot switch capabilities for Tap Tempo, Speed Ramping and LFO Braking. With top-mounted jacks and soft touch, relay True Bypass switching, this pedal truly has it all. So, what are you waiting for? Jump on into the sea of the OBLIVION, where growing layers of waves filled with the push and pull of the tide are waiting to wash over you.

SolidGoldFX Supa Funk ...

2.450,-

SolidGoldFX Supa FunkFlawlessly Funky Filter Designed for some serious stank, The Supa Funk is an old-school, dual-band envelope filter, but with some totally modern twists! Featuring a responsive and articulate attack generator plus an expanded control set, it also features our new Color knob that blends in a second low-pass filter to help you to go from a classic bom-chicka-wow-wow funk, all the way to rich, throaty and vocal filter sweeps. So, plug in and mash that stomp switch if you’re ready to get down and boogie... you supply the groove and this little box will bring the funk! Main features: • Dual blendable low pass filters • Tunable analog envelope generator with depth, frequency and attack controls • Direction switch for forward or reverse sweeps • Suitable for guitar, bass, synth/keys and other electronic applications • All analog audio path • True bypass switching and top-mounted jacks - for ease of pedalboard mounting • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (centre -, 2,1 mm, less than 20 mA current draw) It’s no secret that we like to get funky here at the SolidGoldFX HQ, as we’ve already cut our tone teeth on former filter devices, the Funkzilla and Funk-lite. Supa Funk is the distillation of everything that we learned from our previous filter fests, helping us to bring you a pedal that perfectly captures the groovy tones of the past, while filtering out all of yesteryears shortcomings. Hence you get superb dynamic and smooth filter tones, that perfectly follow and embellish every single nuance of your playing. While the blendable second low-pass filter enables you to create filter tones so rich that they will make Jeff Bezos weep. Housed in a compact and intuitive package, the pedal’s 5 knobs and a single toggle lets you determine if you’re slinging out subtle low- pass sweeps or shooting sonic lasers. Depth adjusts the width or peak of the envelope effect, letting you go from shallow waves to super sweeps in seconds flat. Freq sets the center frequency of the filter, where counter-clockwise lets you hone in on those beefy and dubby tones, while clockwise will give you brighter tones that really cut. Attack adjusts both decay time and sensitivity. Going clockwise allows the envelope to trigger with ease and keeps it open for longer, while counter-clockwise lets you tame the trigger sensitivity and keep the filter decay shorter and snappier. Turning Attack fully counter- clockwise turns off the envelope, to allow you to dial in fixed filter tones with the Frequency knob - great for creating filtered lo-fi tones or classic cocked-wah sounds. Color blends in the second low-pass filter. Going counter-clockwise will give you brighter and sharper filter tones, while turning that bad boy clockwise will bring out all the chewy growl and girth you could ever want. Finally, the Level pot lets you determine how loud you want the funk (we recommend LOUD), while the Direction toggle lets you get classic forward sweeping filter tones to the left, and shooting futuristic filter rockets to the right. To complete its all analog funkariffic tonal pallet, the Supa Funk is housed in a beautiful 70’s retro themed enclosure with top mounted jacks and soft touch true-bypass switching and is built entirely by a passionate team of gearheads in SolidGoldFX’s Montreal shop.

SolidGoldFX Surf Rider IV ...

2.562,-

SolidGoldFX Surf Rider IV Spring Reverb with Modulation The Surf Rider IV brings the surf and sand in a ground-up redesign that packs 3 distinct spring tank emulations, based on some of our favorite vintage spring-laden pieces. The available reverb modes include a tight tank, based on our 60s Reverberocket, the classic splash of our early silver panel Super Reverb and our SGFX fantasy tank, with a slightly exaggerated drip and decay for when you want Misirlou to sound certifiably otherworldly. Housed in a compact package, with expanded controls and added features like soft-touch bypass switching with trails, selectable momentary or latching modulation and top-mounted jacks, the Surf Rider IV is guaranteed to satisfy like a cool breeze in the sweltering heat. So, plug in honey bunny, crank it up and get your Dick Dale on! Main Features: • Compact Spring Reverb pedal with modulation • 3 distinct spring reverb tank emulations o Reverb-O-Rocket (left) – small and tight tank based on spring reverb found low-watt vintage combos and tape units o Super Reverb (center) – classic 60s surf rock spring reverb o Fantasy Reverb (right) – spring tank pushed to the limits with floppier springs and longer trails • Flutter style modulation of the reverb trails – switchable between momentary or latching via internal DIP switch • Multi-function footswitch switches the pedal on/off when tapped and engages flutter modulation when held down • Compact enclosure and top-mounted jacks - for ease of pedalboard mounting • Switchable Trails/Buffered Bypass – selectable via internal DIP switch • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (centre -, 2,1 mm, ~65 mA current draw) Sometimes the sequel is just better than the original - and that’s okay. It shows that the creator has learned something since the last dance, and boy have we learned a lot about spring reverb since our last Surf Rider. Therefore, we’re not afraid to admit that this is the best spring reverb pedal we’ve ever made. We just can’t wait for you to tap into all of the splashing, crashing and drippy magic inside our latest Surf Rider VI. Whether you add just a touch for a little extra depth and space or if you like your rig soaking wet and dripping with the sounds of a crashing waves, nothing quite captures the vibe of surf and summer like a good spring tank. So, here’s how you operate your new favorite splash machine. The pedal comes jam packed with 3 distinct spring reverb tanks, selectable via the 3-position toggle, each carefully crafted to give you the ultimate spring reverb experience. • Reverb-O-Rocket: Modelled after the shorter spring tanks found on our own ’62 Reverberocket and Space Echo, the Reverb-O-Rocket is designed to add depth and space to your sound, without soaking your rig. This tighter tank is crafted to emphasize the warmth of your guitar while maintaining a smooth and subtle spring reverb tail. • Super Reverb: Delivering the classic splash of our favorite 4x10 Fender, the Super Reverb is the ultimate amp style spring reverb emulation. Wider tails that bounce back and forth with that unmistakable metallic twerp. So get ready to be drenched in that classic 60s sound. • Fantasy Reverb: Put on your board shorts and dive into the Fantasy Reverb. If you like it soaking wet, dripping with ‘verb and splashy like a crashing wave, this is the one for you. A spring reverb where each characteristic of the attack and tail is pushed to physically impossible limits. Exaggerated decay, floppier springs and a thicker body are all there when you need to go to eleven. Surf Rider IV’s Decay knob sets the amount of time your signal bounces back and forth in the spring tank. If you turn it up all the way, your signal will clang, twerp and bounce with a huge tail. Level controls the volume of the reverb (wet) signal while the Dwell control adjusts how lively your spring tank will be. Turn it up all the way and get lost in the clangy ambience that a spring tank is famous for. Alternatively, just turn it down to get a warmer ‘verb. While the Body control sets how chunky the reverb is. Looking for a huge, echoey tail? Crank it all the way up! Want the reverberations to cut through the mix? Turn it down. Want to add even more movement to your surfing tones? Well Surf Rider IV also has you covered. The multi-function footswitch not only turns the pedal on or off, but when held down will activate a mild pitch modulation. Internal dip switches set the function of the bypass and modulation. The Speed and Depth of the modulation can also be adjusted to taste.