Produsent

3.395,-

Dunlop JC95FFS CryBaby J Cantrell Firefly Wah Spesialutgave inspirert av Jerry Cantrells nye soloplate Brighten Selvlysende elementer skiller seg ut og skinner i kontrast til pedalens støpejernsfinish Skreddersydd for en tight, kraftig hæl-ned-tone Robust sidekontrollknapp for å finjustere tærne ned-frekvensen Perfekt for å finne Jerrys berømte wah-tone Utforsk mørket, det lyse og hver nyanse i mellom med den nye Jerry Cantrell Firefly Wah.Denne spesialutgaven av Jerry Cantrell Cry Baby Wah er inspirert av den innflytelsesrike og produktive frontmannens siste soloplate, Brighten. Glow-in-the-dark design på toppen, fronten og bunnplaten skiller seg ut og lyser i kontrast til pedalens dempede støpejernsfinish – inspirert av albumets utforskning av mørke og lys.Lydmessig er denne pedalen skreddersydd for en tight, punchy hæl-ned-tone med en robust sidekontrollknapp for å finjustere tå-ned-frekvensen – perfekt for å finne Jerrys kraftige wah-ladede licks.

Dunlop JCT95 Justin ...

5.095,-

Dunlop JCT95 Justin Chancellor Cry Baby Wah • Kombinerer 3 av Justins mest brukte effekter • UK Filter • Modifisert Cry Baby Wah krets • Vintage Fuzz som kan parres med de andre effektene • Juster volum og Q • Juster intensitet, volum og EQ for fuzz Justin Chancellor Cry Baby Wah er et multiverktøy av dimensjoner. Her får du 3 effekter i samme boks. Midrange-filter, wah-krets og vintage fuzz spesielt spesifisert av Justin Chancellor, som med sin flerdimensjonelle rolle i TOOL har utfordret hva det betyr å være bassist. Utforsk nye soniske steder med JCT95

Dunlop JDF2 Hendrix Fuzz Face ...

2.895,-

Dunlop JDF2 Hendrix Fuzz Face Pedal This Fuzz Face Distortion is constructed to vintage specs, featuring the original Germanium PNP transistor design for a rich, creamy fuzz sound. This pedal can only be powered by one 9-volt battery (not included). In stompbox lore, the Fuzz Face Distortion sits among the icons. Its uncanny ability to add harmonic richness and "hair" around clean tones at lower settings is as satisfying as the full-on roar it wields when dimed and raging. With a roster of power users that includes guitar legends and modern heroes from David Gilmour and Jimi Hendrix to Eric Johnson and Joe Bonamassa, the Fuzz Face has a unique, unmistakable sound no matter the player. This particular Fuzz Face Distortion is constructed to vintage specs, featuring the original Germanium PNP transistor design for a rich, creamy fuzz sound.

Dunlop JHF1 Jimi Hendrix Fuzz ...

3.095,-

En reproduksjon av 1969-70 Dallas Arbiter Fuzz Face som for eksempel bruktes på den klassiske plata ”Band of Gypsys”. Bygget med en uslåelig BC108 silikon-transistor. Dette er fuzzpedalen som virkelig stikker ut fra pedalbrettet! Et must for alle Hendrix og Fuzzfanatikere… Jimi Hendrix™ Fuzz Face® Distortion JHF1 Meticulously faithful reproduction of Jimi's 1969-70 Dallas Arbiter Fuzz Face Built around the toneful BC108 silicon transistor Carefully matched to the original specs Hendrix was the master of fuzz, an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his brief but blazing career. The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys. Dunlop's engineering department examined hoards of vintage Fuzz Faces, honing in on a few units which possessed that unmistakable Jimi voodoo. The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail, a handwired brown circuit board with no solder mask and circuitry carefully matched to the original specs. The look is 100% accurate too, that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish. A truly playable collectable for any Hendrix or Fuzz Face fanatic. Power: Single 9 volt battery.

Dunlop KH95X Kirk Hammett ...

3.750,-

KH95X KIRK HAMMETT COLLECTION CRY BABY® WAH The Kirk Hammett Collection Cry Baby Wah delivers the heavy metal legend’s signature wah tones in a special edition purple sparkle finish. The Kirk Hammett Collection Cry Baby Wah delivers the heavy metal legend’s signature wah tones in a special edition purple sparkle finish. “I always feel a great energy when I play my purple sparkle Ouija guitar,” Kirk says. “I thought it would make a killer, sonically spiritual connection to have a pedal with that same outwards vibe.” Based on Kirk’s own Cry Baby Rack Wah settings, this pedal recreates the sound that he used to fire up the licks that revolutionized metal solos. The response is even from heel to toe with an arresting midrange wail and a thick top end—perfect for fast, melodic runs over hard-charging riffage. Dare to step into the footprint of a giant. Own a piece of the legend: the Kirk Hammett Collection Cry Baby Wah from Dunlop.

Dunlop LN95 Leo Nocentelli ...

3.395,-

Dunlop LN95 Leo Nocentelli Mardi Gras Cry Baby Wah • Fang lyden av funkmesteren • Kult designet i dyp lilla metallic, glitrende gull og "cash-money" grønt • Lavere frekvens for varme melodiske toner The Cry Baby Mardi Gras Wah er en hyllest til funkmesteren Leo Nocentelli – gitarist og grunnlegger av det legendariske bandet The Meters. Pedalen er kledd i dyp lilla metallic, glitrende gull og "cash-money" grønt med sverdliljesymboler. LN95 har en lavere frekvens for å skape de varme melodiske tonene Leo er kjent for å servere. Nå kan du lage den samme soulfood-funken som Leo med like mye magi i fingrene.

Dunlop QZ1 Cry Baby Q Zone ...

2.550,-

Få den fete resonansen av en Cry Baby Wah i låst posisjon i formen av en vanlig effektpedal. Akkurat som på Cry Baby 95Q kan du høye gainsignalet ut og forandre formen på lyden fra bred til smal med volum og Q zone knottene. Peak-knotten fungerer som wah wah hjulet og bestemmer frekvensen på effekten. Finn den perfekte posisjonen og sett igang. Dette trikset er det mange gitarister som bruker som sitt hemlige våpen for å få skape den fete resonansen i tonene… uten å være redd for at du skal sparke til pedalen og ødelegge det hele. Se Video her.

EarthQuaker Devices A/B Box

1.340,-

EarthQuaker Devices - A/B Box The EarthQuaker Devices® A/B Box is a simple, compact tool that lets you choose between two of almost anything. Due to its completely passive design, there is no circuitry between the input and outputs, meaning it can be used in both directions. Use it to switch between two amps! Switch between two channels on a multi-channel amp! Use it as a tuner out/mute switch! Switch between two instruments! Run a dry path and a wet path! The time to passively choose is now!

EarthQuaker Devices Acapulco ...

1.820,-

Hey there, treasure hunters! The Acapulco Gold is a dirt-simple distortion Device based on the power section of a cranked vintage Sunn Model T, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs! Since tone is in the hands, we decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That's it. The rest is at your fingertips. Want less gain? Turn down your guitar's volume knob. Need a darker rhythm tone? Roll back your guitar's tone control. Easy, right? With your guitarÕs volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone. How about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist! The Acapulco Gold is all-analog, true bypass, and built one-at-a-time by a wandering expedition of prospectors and speculators in dusty Akron, Ohio, USA Ð the hamburger capital of the world. The Acapulco Gold uses silent, relay-based soft-touch switching. Audio will not pass without power.

EarthQuaker Devices ...

2.680,-

Afterneath Eurorack Module Otherworldly Synth Reverberation Machine The Afterneath Eurorack Module brings the otherworldly sounds from the effects pedal world right into your modular synthesizer. Featuring one main audio input, one main audio output, an audio send and return for the Reflect feedback path and nine controls, four of the Afterneath Module’s parameters are controllable via CV and each has been equipped with a dedicated inverting attenuator. With these features, a completely analog dry signal path and a totally digital wet signal path, the Afterneath Module is an ambient powerhouse and an instrument unto itself, helping to push the already unflappable Afterneath into a whole new realm. Main Features • Same otherworldly reverb algorithm built from an adjustable cluster of short delays in a 16HP Eurorack format • Ranges from scattered individual delays to an immersive wash of atmospheric reverb • New voltage control over the Drag parameter with 9 unique modes of user-selectable sweep: Unquantized, Unquantized with Slew, Unquantized Volt/Octave, Chromatic, Major, Minor, Pentatonic, Octaves & Fifths, Octaves • Features audio send and return for the Reflect feedback path • Drag, Mode, Diffuse, and Length parameters are controllable via CV, each with dedicated inverting attenuators • Features Dry Kill switch to eliminate the dry signal from the output, leaving only the wet signal • Capable of pseudo-stereo operation by using the Reflect Send as an additional output • All analog dry signal path and a totally digital effect signal path • Current Draw: 95 mA from the +12v rail, 0 mA from both the -12v and +5v rails • Width: 16HP The Afterneath Module further expands upon EarthQuaker’s wildly popular Afterneath pedal with the addition of voltage control over the Diffuse, Length and Drag controls. We have also added an entirely new voltage-controlled “Mode” parameter that changes how the Drag responds to knob and CV changes. When adjusting the Drag via the knob or CV, you will notice a change in character, fidelity and decay length of the effect. There is also a noticeable change in pitch for the sound that is in the Afterneath’s buffer. As with the Afterneath pedal, high settings of the Reflect and Length controls result in self-oscillation, where the pitch of the oscillation is set by the Drag control. There are nine modes that govern the behavior of the Drag control and its effect on the pitch of the sound in the buffer: • Unquantized - Smooth, unquantized response over the entire operating range of the Drag parameter. • Unquantized with Slew - Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or CV changes, but then quickly catch up. • Unquantized Volt/Octave - Smooth and unquantized, yet scaled to align with the 1V/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage-controlled oscillator. • Chromatic Scale - Quantized to 1V/octave, so that it jumps to intervals within the Chromatic scale. • Major Scale - Quantized to 1V/octave, so that it jumps to intervals within the Major scale. • Minor Scale - Quantized to 1V/octave, so that it jumps to intervals within the Minor scale. • Pentatonic Scale - Quantized to 1V/octave, so that it jumps to intervals within the Pentatonic scale. • Octaves and Fifths - Quantized to 1V/octave, so that it jumps to octaves and fifths of the original pitch. • Octaves - Quantized to 1V/octave, so that it jumps to octaves of the original pitch. Beyond modulated delay and reverb effects, modes 3-9 extend the possibility of using the Afterneath Module as an interesting voltage-controlled oscillator. Another new feature found only in the Afterneath Module is a Dry Kill switch that allows access to a 100% wet signal. Perfect for when you are using the module as an effect send from your mixer or digital audio workstation! Last, but certainly not least, we have added a Reflect Send and Reflect Return jack. This not only allows external processing of the Afterneath’s Reflect feedback path, but also gives the user access to a phenomenal pseudo-stereo effect. In addition to patching from the main output, you can also patch from Reflect Send jack (For example, using the main audio output as your left channel, and the Reflect Send as your right channel). This provides a wide, immersive, ambient stereo image. This is a great trick for when using the module as an effects send for your favourite modular, mixer or DAW. Additionally, the Reflect Return jack can be used as an additional audio input. The Reflect knob will act as an attenuator for any signal that is patched into the Reflect jack. Each and every Afterneath Eurorack Module is built by a mix of robots and human beans in the torch-lit cave community of Akron, Ohio.

EarthQuaker Devices ...

2.970,-

Afterneath V3 Enhanced Otherworldly Reverberation Machine EarthQuaker Devices has taken everything that was great about the original Afterneath and made it even better: 9 new Modes, CV/expression pedal control over the Drag parameter, Trails/No Trails Switching, helping to push the already unflappable Afterneath into a whole new realm. The Afterneath V3 sounds a lot like it looks - a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard (or sorceress, if you prefer) and the cave is your instrument’s signal, vast, expansive and magical. Do you go inside? Roll a D20 to proceed! • Same otherworldly reverb algorithm built from an adjustable cluster of short delays • Ranges from scattered individual delays to an immersive wash of atmospheric reverb • New control over the Drag parameter with 9 unique modes of user-selectable sweep. These new modes of operation push the already unflappable Afterneath into a whole new realm: 1. Unquantized: Smooth, unquantized response over the operating range 2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or cv changes, but then quickly catch up 3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage-controlled oscillator 4. Chromatic Scale: Quantized 1v/octave to the chromatic scale 5. Major Scale: Quantized 1v/octave to the major scale 6. Minor Scale: Quantized 1v/octave to the minor scale 7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale 8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths 9. Octaves: Quantized 1v/octave to omit all but octaves • Flexi-Switch™ - allows for momentary and latching-style operation from a single footswitch • Silent soft-touch switching with True Bypass • Tails/No Tails switching • Voltage or expression pedal control jack for the Drag parameter • All analog dry signal path and a totally digital effect signal path • Powered by regular 9 V DC PSU (centre -, 2.1 mm, ~100 mA current draw) Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics. Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal… Will you cast “Length,” which controls the decay length of the reverb? What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counter-clockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex. Overwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counter-clockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb! Elsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counter-clockwise and the delay lines will begin to pull apart for a scattered ping-pong delay effect. The Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV. The “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counter-clockwise for less. Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath V3 does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb. The Afterneath V3 features a completely analog dry signal path, totally digital delay path, buffered bypass with Flexi Switch Technology and a tails/no tails option on bypass. Each and every Afterneath V3 is built by a mix of robots and human beans in the torch-lit cave community of Akron, Ohio.

EarthQuaker Devices Aqueduct ...

2.580,-

Aqueduct Wild Vibrations Aqueduct uses a short delay line with eight modulation modes to deliver gentle amp-like rolling pitch-wobbles, steady kosmiche pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, and anything else your pitch-warped brain can picture in your murky mind’s eye. • True pitch-shifting vibrato • Eight different modulation modes • Easily conjure everything from swampy vintage vibrato, synthy pulses, touch-sensitive chorus and flanger sounds and wild tactile tremolo bar-like pitch bends. • Flexi-switch for latch and momentary operation • True bypass • Silent soft-touch switching - with all-analog dry signal path With eight modulation modes to choose, Aqueduct offers a variety of pitch-shifting vibrato tones adaptable to nearly any musical situation. Sine, Triangle, Ramp, and Square modes provide tried-and-true pitch modulation for players wanting to add subtle and organic textures to their music. Random mode introduces a “warped record” effect at low settings and rolls the dice on an unpredictable assortment of greasy pitch-bends as the Depth is increased. For players on the hunt for a dynamic and touch-sensitive Vibrato experience, Aqueduct’s Envelope modes allow for interactive control over the Depth, Rate, and pitch of the vibrato by simply playing harder or softer. Envelope-Controlled Pitch mode (Env P) is equipped with a wet/dry blend expanding the tonal possibilities beyond vibrato to include chorus, flanger, and tactile tremolo bar-like pitch bends. We’ve lovingly nicknamed it “the My Bloody Valentine setting.” Aqueduct’s intuitive control set make it easy for pedal novices and tap-dancing pedalheads alike to dial in swampy vintage-inspired vibrato, synthesizer- like sonar pulses, touch-sensitive pitch modulation, and more. Rate adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation. It is also the latest pedal to feature EarthQuaker Devices proprietary Flexi-SwitchTM feature which allows users to select between momentary and traditional latching-style switching in the moment and on the fly. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Each and every Aqueduct is completely constructed with human hands in Akron, Ohion, USA.

EarthQuaker Devices Arrows V2 ...

1.630,-

Arrows V2 Preamp Booster The Arrows V2 is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. • Preamp Booster pedal - Built on all-discrete analog circuitry • Designed to be stacked; Adds additional gain channel to dirt pedals • Dirt-simple to use - One knob to rule them all! • Brightens dark sounding neck pickups • Boosts midrange and tightens up low-end • True bypass - Silent soft-touch switching • New enclosure w. Top-mounted jacks - for effortless pedalboard implementation The Arrows V2 boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. While the new V2 enclosure, with its top-mounted jacks, make fitting the pedal even into the most crowded pedal board a breeze. Use the Arrows V2 to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

EarthQuaker Devices Astral ...

3.350,-

Astral Destiny An Octal Octave Reverberation Odyssey We’d like to take this opportunity to welcome you and your instrument of choice to a vast new world of octave reverberation. Unrelenting, radicalized reverb for the modern world; an array of haunting, unearthly delights and ethereal sonic sorcery designed to take you on a deep journey through both time and space. This is your new destiny should you choose to accept it (which we assume you have if you’ve gotten this far…). Anyhow, welcome to your new Astral Destiny. The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect. Main Features: • Powerful modulated octave reverb pedal • 2 modes of operation Live Mode – all controls operate manually Preset Mode – recalls stored settings for each control • 8 reverb modes with 8 user editable presets: Abyss – Huge reverb with no octave effect Shimmer - Adds an upper octave to the reverb tail Sub - Adds a lower octave to the reverb tail Sub Shimmer - Adds an upper and lower octave to the reverb tail Astral - Adds an upper and lower octave combined with a regenerating tail Ascend - Upward pitch bending; best used on sustained notes and chords Descend - Downward pitch bending; best used on sustained notes and chords Cosmos - Adds a regenerating fifth to the reverb tail; best used on sustained notes and chords • Stretch feature - doubles the reverb length while adding an adjustable pitch bending effect • Assignable expression control • Silent soft-touch switching with True Bypass • Buffered bypass switching with Tails/No Tails operation • Voltage or expression pedal control jack for any parameter • All analog dry signal path and a totally digital effect signal path • Powered by regular 9 V DC PSU (centre -, 2,1 mm, ~100 mA current draw) Astral Destiny features a completely analog dry signal path, totally digital delay path, buffered bypass with and two different bypass states - Tails or Full Bypass. Tails Mode, which the is the pedal’s stock setting, allows the reverb to naturally decay after the effect is bypassed, slowly letting you drift back from your ethereal dream state into the waking world. Full Bypass, on the other hand, will cut the reverb effect completely when the effect is bypassed and instantly throw you back into cold clutches of reality. Let your fate spin out of control by pressing the Stretch footswitch doubles the length of the reverb effect while adding a temporary change in pitch. While a short tap will immediately change the pitch, holding the Stretch footswitch depressed gives you a temporary pitch bending effect with the speed of the of the pitch bending effect created by holding the Stretch footswitch easily adjusted by turning the Length knob. While the Astral Destiny offers two different modes of operation, it ships in Live Mode, where each control will operate manually, laying out your fate for you, clearly visible. Preset Mode in contrast lets you chose from one of the 8 unearthly, ethereal factory preset reverb fates, 1 for each reverb mode, the Astral Destiny comes with. Each of these can be edited or completely overwritten just like when the ancient Fates plucked or cut the strings of ones destiny. Save settings for Length, Depth, Rate, Tone, Mix as well as EXP assignment and Stretch length and recall them instantly. Any of the Astral Destiny’s 8 reverb modes can be used as the basis for each of the 8 presets. But beware! - There is no undo for preset saving, so make sure you are not overwriting your favorite sound, especially when you are saving presets from Live Mode! – Once the string of your fate is cut, there is no turning back on your destiny. Freely express any aspect of your Astral Destiny - Shipping with the EXP jack mapped to the Depth control, the expression control can also be swiftly assigned to Length, Rate, Tone, or Mix, plus different EXP assignments can be saved in each preset and you can also use Control Voltage with the EXP Jack. Each Astral Destiny is built one at a time by a team of Los Angeles-based robots and a handful of real life humans in the occupied Erie territory presently known as Akron, Ohio.

EarthQuaker Devices Aurelius ...

2.580,-

EarthQuaker Devices Aurelius Tri-Voice Chorus The Aurelius is not your run of the mill chorus pedal. This compact, beautifully cased wonder is a three mode chorus with six programmable presets and an expression control. Inspired by the 1970s CE-1 Chorus Ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else. Choose from Vibrato, Chorus and Rotary mode and manipulate their Width, Rate and Balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. Just one simple tap of the Preset (Save/Recall) and you can summon up to six settings of your choosing at will. Main Features: • Tri-voice Chorus/Vibrato/Rotary Speaker Emulation effects pedal • Inspired by the vintage 1970s CE-1 Chorus Ensemble pedal and the 1940s Leslie rotating baffle speaker system • 3 effects modes o V - traditional chorus/vibrato effect with triangle LFO modulating a short delay line o C - blend of chorus and flanger with more warmth and slower rates and a sine wave LFO o R – Rotary Chorus effect modeled after the sound of a Leslie speaker cabinet - combines both amplitude and frequency modulation for a doppler effect • 2 modes of operation: o Live Mode – Green LED- pedal will operate exactly where the controls are set, any changes will have no effect on the presets unless saved o Preset Mode - red LED - recalls stored settings for each control, actual control settings will be ignored • 6 easily user-editable and accessible preset slots • Silent soft-touch relais-based switching with True Bypass • Flexi-Switch Technology for latching and momentary operation • EXP jack expression pedal or Voltage control pedal control over any parameter • All-analog dry signal path and digital effect signal path • Made in Akron, Ohio, USA • Powered by regular 9 V DC PSU (centre -, 2,1 mm, 75 mA current draw) Welcome, fellow frequency chaser! Kudos to you for referring to the official manual of this majestic Device rather than diving into its powers blindly. Or equally likely, traveling down a YouTube pedal demo rabbit hole where you eventually find yourself watching a tutorial on how to make gnocchi from scratch at 3am. We can tell you’re a true tone aficionado, which is why we’re going to be straight with you: you’re about to embark on a magical journey with this mighty Aurelius pedal in front of you. You see, this is not simply your run of the mill chorus pedal. This compact, beautifully cased wonder is a three-mode chorus with six programmable presets and an expression control. Choose from Vibrato (V) Mode, Chorus (C) Mode, and Rotary (R) Mode and manipulate their Width, Rate, and Balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. Just one simple tap of the Preset (“Save/Recall”) switch and you can summon up to six settings of your choosing at will. Feeling pretty powerful now, aren’t you? Inspired by the 1970s CE-1 Chorus Ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else. We even took it way back to the 1940s and the advent of the Leslie speaker to boldly capture the sound of its rotating baffle system for the Rotary mode. We studied the way that the horn and the rotor moved on Leslie speakers and emulated the phasing and speeds of the low frequency oscillator, but we exaggerated the hell out of them to make it sonically suitable for guitar, bass or your instrument of choice. And by popular demand, like many of our pedals, we’ve equipped this with an expression control so you can use any TRS expression pedal to manipulate the Width, Rate or Balance. Put it in the Vibrato mode and you’ll have a really subtle chorus with a seasick vibrato and alternate quickly between the two seamlessly. And that’s only just one mode. The possibilities are endless. Think about it. This compact world of chorus in a box will fit on any pedalboard and is so intuitive and easy to use that you most likely won’t have to refer to this manual ever again. So, if we don’t see you back here, it’s been a pleasure and good luck with the gnocchi. Each and every Aurelius is hand crafted in Akron, Ohio, USA and is inspected by the spirit of speaker innovator Donald Leslie.

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