Produsent

3.009,-

Lysis MKII Polyphonic Synth Fuzz Machine The LYSIS MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!! Building on the foundation of SGFX’s original LYSIS design, the LYSIS MKII pushes the envelope even further with a number of new features and functionality that helps to increase player interaction and versatility. Bursting with possibilities, LYSIS MKII is designed to meld the world of stringed instruments with that of synths. The LYSIS MKII applies thick, resonant filters, multiple polyphonic voicings and sweeping LFO’s, all drenched in an analog square-wave fuzz to your instrument of choice. Main Features: Octave Fuzz Pedal with LFO ramping/breaking modulation Discrete analog square wave fuzz circuit with FET preamp Polyphonic pitch shifting – delivers octave down, octave down/up and octave down/fifth voicings Selectable HP/LP filters with adjustable resonance 3 waveform modes (triangle, sine, square) with 11 presets each – for a total of 33 modulation settings Tap Tempo control with speed ramping & LFO braking Soft touch true bypass switching Expression/CV control assignable to any parameter via internal DIP switches Top-mounted jacks – for ease of pedalboard mounting Hand-made in Montreal, Canada At the core of the LYSIS MKII is a discrete FET preamp and high-gain fuzz circuit. This feeds into SGFX’s digital polyphonic voice and filter generator, then back into a discrete transistor output stage, offering the best of both analog and digital signal processing. While the high-pass and low-pass filters carry over from the previous generation, they are now controlled by SGFX’s new tap tempo LFO. This is now loaded with 33 different triangle, sine and square waveshapes coupled with 3 preset resonance settings for your choice of soft modulation or heavy, rhythmic sweeps. The Voice selector has been expanded to include the previous octave down setting, as well as a new octave down/octave up voicing and SGFX’s Super Power Chord featuring octave down/fifth pitch shifting. Combined with a feature-rich, yet easy-to-use control set, the LYSIS MKII quickly becomes an extension of your instrument and an inspirational toolbox. There’s nothing left to do but to plug in and let the LYSIS MKII sweep you off to synth/fuzz nirvana and enjoy punishing octave-down fuzz, rich, gooey filter sweeps or anything in between.

Dunlop JH1D Jimi Hendrix ...

2.895,-

Denne vintage wahwah er en 100% autentisk reproduksjon av pedalen som Jimi Hendrix brukte på 60-tallet. Lyden er helt fantastik og pedalen er en fryd for øynene med sin svarte Italienske aluminiumfinish. Jimi Hendrix™ Signature Wah JH1D Reproduces Jimi's unmistakable and legendary wah-wah tone The tone heard on famous Hendrix wah-wah classics like "Voodoo Child (Slight Return)" The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day, few players' names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms. The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like "Up From the Sky," "Voodoo Child (Slight Return)," "Little Miss Lover" and "Still Raining, Still Dreaming." The Jimi Hendrix Signature Wah reproduces these timbres, and more, with startling accuracy. Throaty and expressive, it will fire your imagination. The vintage classic look features a sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound, everything about this wah just screams Hendrix. Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

Ibanez TS808HWV2 Hand Wired ...

3.350,-

Ibanez Hand-Wired Tube Screamer V2 ? TS808HWV2. TS808HWV2 er en pedal som rett og slett ikke trenger noen nærmere introduksjon enn "det er en TS808". Sannsynligvis verdens mest kopierte pedaldesign og en lyd som har blitt hørt på flere plater og liveopptredener enn noen kan telle. En lyd som du umiddelbart kjenner igjen når du hører den. En kremaktig, jevn lyd med mye sustain. TS808HWV2 er en hand-wired, ekte bypass-versjon av den klassiske 808. Alle komponenter er av beste kvalitet, håndloddet og koblet sammen med Mogami OFC-kabel. TS808HWV2 er "The Mother of All" TS808s, den beste du kan finne. Pedalen fungerer både som en enkel overdrive-kilde eller som en boostpedal på en allerede overstyrt lyd. Alene kommer du fra en marginal crack (nesten ren til du skjærer litt hardere) til en moderat overstyrt lyd med enorm sustain uten at det blir voldsomt forvrengt eller overdrevet komprimert. Som boostpedal trykker den ganske hardt om du vil og resultatet er selvfølgelig avhengig av hva slags lyd du booster. Mange metallplater er spilt inn med en TS-pedal foran forsterkeren. Som eneste overdrive kilde har den ikke nok gain til å være et metallmonster. Da er TS for en helt annen skole. TS808HWV2 inneholder den samme JRC4558D IC-brikken og den samme analoge kretsen som de tidlige modellene. Dette er ikke som originalen, det er originalen. Pedalen er True Bypass, signalet går gjennom helt upåvirket når pedalen slås av. Drives enten med 9 volts batteri eller med ekstern AC adaper (selges separat). • Kontroller: Drive, Tone, Level. • Størrelse mm: 72 (B), 133 (L), 60 (H). • Vekt: 545 gr.

MXR M101 Phase 90 Pedal

1.695,-

Phase pedal som du blant annet hører på Eddie Van Halens plater. Fungerer også bra med bass, keyboards og vokal. Phase 90 M101 Rich, warm analog tone Add shimmery velocity and dramatic swooshing to your tone The timeless phase shifter used on many classic recordings This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between. Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

SolidGoldFX AURRAS Optical ...

2.562,-

SolidgoldFX AURRAS Optical Vibraphase The AURRAS Optical Vibraphase by SolidGoldFX is a powerful effects pedal named after the goddess of sound that meets the legacy of its predecessor the Athena Vibraphase in a harmonious blend of legendary, vintage Uni-Vibe textures and innovative, modern prowess. Main Features: • Optical Phase-Shifter effects pedal • 100% analog audio path from input to output • 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators • Dry Mix for tones and textures ranging from soft Vibrato to lush Uni-Vibe like sounds. • Dual LFO setup powered by a microprocessor, providing limitless sonic flexibility • 2 modes for increased versatility o Frequency Offset - adds rhythmic patterns by slowing down the second LFO o Phase Offset - fine-tunes the throb by introducing asymmetry between the LFOs • On-board tap tempo, speed ramping and expression pedal input • Soft-touch relay-based True bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 25 mA current draw at 9V) Rich, Energetic Soundscapes AURRAS Optical Vibraphase is a 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators offering a clearer signal with minimal distortion while simultaneously isolating the audio path from any possible LFO interference. The dual LFO setup, powered by a microprocessor, provides limitless sonic flexibility. Drawing inspiration from albums such as Band of Gypsys or the Dark Side of the Moon, the AURRAS delivers the lush modulation and heavy pulse that have shaped Rock & Roll history. Comprehensive Tone-Shaping Controls With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes. While the AURRAS features a 100% analog audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping. Set your effect with the Speed knob, Expression Pedal, Tap Tempo, or by using the Ramp function. You can ramp up your LFO speed by simply holding the Tap Tempo footswitch, which will automatically ramp up to double your speed. You can also ramp down your LFO speed by simply holding down the Bypass Footswitch. This will automatically decrease your speed to half. Repeat this process as many times as you’d like to achieve the desired speed. Let’s talk about LFO Offset AURRAS runs on a pair of opto-isolators each operating on an independent LFO. While most Phaser or Modulation pedals use a single LFO to create their effect, independent LFOs can open a new array of effects by offsetting their symmetry. The OFFSET ADJ knob and OFFSET MODE FREQ|PHASE knobs work in tandem. For a more conventional effect, turn the OFFSET ADJ mode fully counterclockwise, allowing both LFOs to be in sync with no offset. The FREQUENCY OFFSET adds rhythmic patterns by slowing down the second LFO, while the PHASE OFFSET fine-tunes the throb by introducing asymmetry between the LFOs.

SolidGoldFX NU-33 Vinyl ...

3.009,-

There are very few things that we enjoy more around here than guitars and records. What could be more satisfying than putting your mitts on your favorite instrument or spinning a record and watching the needle drop on a limited color pressing? We love vintage guitars for very much the same reasons we love listening to vinyl. While they might not play as great as a shiny new high-end, precision built custom axe, their magic lies in their flaws. Every ding and scrape tells a story, every little bit of player wear and lacquer checking lends a feeling and leads to inspiration. Same goes for records.... a little bit of noise and static pops add ambiance, allowing the listener to get lost in the music while mesmerized by the rotating platter.... its not so much about fidelity but rather warmth and texture to create a mood. We set out to combine our love for guitars with our love for records and the result is the NU-33. Named after the Greek letter symbolizing spatial frequency and the RPMs of a turntable, the NU-33 is a lo-fi Vinyl modulator like no other. Designed to capture the vibe of some our favorite records such as a particularly worn out copy of Black Sabbath's Master of Reality and an original pressing of Led Zeppelin I with just the perfect amount of static, the NU-33 serves up chorus and vibrato mixed with tastefully engineered hiss, crackle and pops to give your riffs just the right touch of vintage flair. The controls allow you to choose how much or how little flutter to add to your tone, color it with 2 additional filter modes, shape it with 3 different waveforms and dial in the mix with an analog blend; you can easily make this pedal sound as pretty and lush or as dark and sombre as you please. Once we were finally happy with the way it sounded, it was time to pepper it with all the fun bits! Crammed in this little box is a manual mode to create a doubler ranging from 15ms to 50ms, an internally assignable expression pedal/CV input, multi-function foot switches for tap tempo and speed ramping, top jacks, relay based true bypass switching and a hold-to-skip function with 3 selectable speed presets to create a unique sonic stutter. Well, with all that said, and whole lotta painstaking work leading up to this point, the NU-33 is finally here and all that's left to do is to get lost in its immersive waves and textures.

Black Sheep G-Fuzz Mini Pedal

699,-

Black Sheep G-Fuzz Germanium Fuzz-pedal för old school rockmusik Ever since Goree Carter released his 1949 single ”Rock Awhile”, distortion has been the most favored guitar effect in history. Before overdrive/distortion pedals, cranking a small tube amp to max, or even slicing the speaker cone with a razor blade, was common practice to achive the sought after distortion sound. Since the first Fuzz-pedals of the 1960’s, a world of great pedals has built the foundation of rock music as we know it today. Black Sheep pedals are proud to offer boutique quality pedals at prices every guitar player can afford. Black Sheep G-Fuzz is a Vintage Fuzz pedal that achieves classic fuzz tones of the late '60s/early '70s era. It's simple controls allow the G-Fuzz to do one thing and do it well, taking you from classic rock to contemporary fusion. Fuzz has been applied to guitar signals for decades to weave a unique musical texture - either by itself, or to aggravate the input of an already overdriven tube amp. This compact pedal's two pots - Volume and Fuzz – let’s you effortlessly dial up anything from relatively tame silken fuzz to snarly, sputtery, and full-on nasty fuzz tone. Its full metal casing makes it durable and road ready, and like most great effects pedals it has true bypass. G-Fuzz gives you that classic late 60’s sound at an affordable price. Information Effect Type Germanium Fuzz Analog/Digital Analog Mono/Stereo Mono True Bypass Yes Memory Location - Chassis Aluminium Power Supply 9V DC Pow Consumption 5 mA Dimensions 50x90x37 mm Remote/Expr In No

Dunlop SC95 Slash Cry Baby ...

3.095,-

CRYBABY som virker på lavere frekvenser, LEDlys på begge sider. True bypass. Limited Edition. Slash Cry Baby® Classic Wah Wah SC95 Tuned to a lower frequency Featuring a custom-wound resonance inductor True hardwire bypass Throughout his career, Slash has used the Cry Baby to create his trademark epic solos that he weaves into his groundbreaking gritty, blues-influenced rock. We worked closely with him to design the Slash Cry Baby Classic, custom-voiced for the raw, expressive sound that influenced a generation of guitar players. Tuned to a lower frequency and featuring a custom-wound resonance inductor, this wah- wah has a huge dynamic range and a wide sweep. Two side-mounted blue LEDs indicate ON/OFF status, viewable from any angle onstage, so you can always tell when the effect is on. The Slash Cry Baby Classic also features high quality components, such as a true hardwire bypass switch and a long-life pot, and comes in housed in a heavy duty die-cast casing featuring custom Slash artwork and a distressed hot-rod paintjob.

MXR M102 Dyna Comp Pedal

1.695,-

Tight Compressor med kontroller for følsomhet og utgang. Dyna Comp® Compressor M102 In-line compressor “evens out” the signal to your amplifier Useful for increased sustain with stable dynamics Nashville studio standard One of the most popular compressors of all time, the Dyna Comp is the secret weapon on many stars' pedalboards. This box will produce that percussive, clicky sound on a clean guitar that you've heard on so many pop hits. It also adds smooth sustain to lead lines. Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

SolidGoldFX Oblivion Quad ...

3.009,-

If you think you have Flangers all figured out and placed neatly in your little square genre-defined box, then get ready to have your world turned upside down by the OBLIVION QUAD FLANGER. An otherworldly vast sonic sea awaits you with this device, as every turn of a knob and flick of a switch unlocks mind-melting tones. From epically lush modulated movements to intense regenerating alien airwaves, lo-fi bit-crushed textural landscapes and much more, Oblivion is not here to capture a snapshot of the past, it’s here to open portals to the future! With the OBLIVION, you have the traditional Speed, Range and Regen controls, but where this pedal really shines is in the three distinct Flange modes available. We start with a classic Flanger and throw in Thru-Zero capabilities to pull you in and out of space. To push things a little bit further, we then came up with the Bi-Flange mode - offsetting a pair of modulating delay lines for even more sweeping movement. That sounded great, so we said “Let's do it! Carpe diem! You only live once… how about four delay lines?”. BOOM! The quad-flange mode adds those four (yes four!) independent delay lines for massive swooshing tsunamis of ominous textures. To make things even more interesting, each of these three Flangers have their respective Degrade modes, introducing a lo-fi element unique to this pedal that grants you access to eyebrow raising textures, reminiscent of ring mods or robotic overtones. Once all of that was accomplished we set out to cram in tons of flexibility for even more fine tuning. A Blend control helps to adjust your wet and dry mix for light and polite Chorus sounds or for a full-on swirling whirlpool of Flange. Expression and CV capabilities, with internal Dip Switches, add even more variation and control. Not to mention the multi-function foot switch capabilities for Tap Tempo, Speed Ramping and LFO Braking. With top-mounted jacks and soft touch, relay True Bypass switching, this pedal truly has it all. So, what are you waiting for? Jump on into the sea of the OBLIVION, where growing layers of waves filled with the push and pull of the tide are waiting to wash over you.

Black Sheep Greenizer ...

699,-

Black Sheep Greenizer Overdrive Overdrive pedal inspirerad av den klassiska Tube Screamer The Black Sheep Greenizer is a clone of the classic Tube Screamer, cloned from the end of the 1970's Tamura S. Design, followed by the TS808 by Ibanez, one of the most cloned pedals ever. The Greenizer hits the bulls-eye with this version of a vintage style tube screamer tone. It is a lot like the tube pusher but has a softer more vintage "round" sound and tone, not as hard and heavy as the tube pusher. It has a Boost and normal gain stage toggle switch, the normal is your standard tube screamer all the way and the boost gives you a little more warmth and edge. Both modes sound fantastic, clean and clear. There has been plenty of TS808 and Tamura clones that have had an underlying static sound in the tone and though they sounded good, they did not sound as good as the Greenizer as it is clean and clear OD with warmth and Body. The compact inner circuitry is designed with a 3PDT True Bypass switch ensuring an unaltered tone when the pedal is not engaged. A true bypass switch has the ability to perform a true bypass of the internal hardware circuit of the pedal, meaning the signal goes straight from the IN to the OUT and does not "suck" the tone out of your signal path. Greenizer has a full thick tone and clean clear hard driving edge when dialed up. It does not suck bass or body out of your guitar tone when engaged. Black Sheep effect pedals pack an incredibly big sound into a small and affordable package. Information Effect Type Overdrive Analog/Digital Analog Mono/Stereo Mono True Bypass Yes Memory Location - Chassis Aluminium Power Supply 9V DC Pow Consumption 8 mA Dimensions 50x90x37 mm Remote/Expr In No

MXR M104 Distortion+ Pedal

1.695,-

Klassisk distortion som fikser alt fra varm rørdistortion til klassisk fuzztone med lang sustain. Distortion+ M104 Germanium-powered, soft-clipped distortion Go from warm, tubey overdrive to gnarly fuzz Classic early ’80s hard rock tone This little yellow box is responsible for those great distortion sounds heard on so many classic recordings. Set the Distortion control low and crank the Output knob to drive the front end of your amp for cool blues tones, or max out the Distortion knob for classic early ’80s hard rock tone. There still isn't any distortion unit on the market that sounds like the Distortion+. Power: Dunlop ECB003 AC Adapter or Single 9 volt battery "When I was 15, I first arrived at my potential sound with an MXR Distortion+, a Memphis LP copy and a Fender Princeton amp." - Slash

SolidGoldFX Supa Funk ...

2.450,-

SolidGoldFX Supa FunkFlawlessly Funky Filter Designed for some serious stank, The Supa Funk is an old-school, dual-band envelope filter, but with some totally modern twists! Featuring a responsive and articulate attack generator plus an expanded control set, it also features our new Color knob that blends in a second low-pass filter to help you to go from a classic bom-chicka-wow-wow funk, all the way to rich, throaty and vocal filter sweeps. So, plug in and mash that stomp switch if you’re ready to get down and boogie... you supply the groove and this little box will bring the funk! Main features: • Dual blendable low pass filters • Tunable analog envelope generator with depth, frequency and attack controls • Direction switch for forward or reverse sweeps • Suitable for guitar, bass, synth/keys and other electronic applications • All analog audio path • True bypass switching and top-mounted jacks - for ease of pedalboard mounting • Hand-made in Montreal, Canada • Powered by a regular 9V DC PSU (centre -, 2,1 mm, less than 20 mA current draw) It’s no secret that we like to get funky here at the SolidGoldFX HQ, as we’ve already cut our tone teeth on former filter devices, the Funkzilla and Funk-lite. Supa Funk is the distillation of everything that we learned from our previous filter fests, helping us to bring you a pedal that perfectly captures the groovy tones of the past, while filtering out all of yesteryears shortcomings. Hence you get superb dynamic and smooth filter tones, that perfectly follow and embellish every single nuance of your playing. While the blendable second low-pass filter enables you to create filter tones so rich that they will make Jeff Bezos weep. Housed in a compact and intuitive package, the pedal’s 5 knobs and a single toggle lets you determine if you’re slinging out subtle low- pass sweeps or shooting sonic lasers. Depth adjusts the width or peak of the envelope effect, letting you go from shallow waves to super sweeps in seconds flat. Freq sets the center frequency of the filter, where counter-clockwise lets you hone in on those beefy and dubby tones, while clockwise will give you brighter tones that really cut. Attack adjusts both decay time and sensitivity. Going clockwise allows the envelope to trigger with ease and keeps it open for longer, while counter-clockwise lets you tame the trigger sensitivity and keep the filter decay shorter and snappier. Turning Attack fully counter- clockwise turns off the envelope, to allow you to dial in fixed filter tones with the Frequency knob - great for creating filtered lo-fi tones or classic cocked-wah sounds. Color blends in the second low-pass filter. Going counter-clockwise will give you brighter and sharper filter tones, while turning that bad boy clockwise will bring out all the chewy growl and girth you could ever want. Finally, the Level pot lets you determine how loud you want the funk (we recommend LOUD), while the Direction toggle lets you get classic forward sweeping filter tones to the left, and shooting futuristic filter rockets to the right. To complete its all analog funkariffic tonal pallet, the Supa Funk is housed in a beautiful 70’s retro themed enclosure with top mounted jacks and soft touch true-bypass switching and is built entirely by a passionate team of gearheads in SolidGoldFX’s Montreal shop.

Black Sheep Holy War ...

699,-

Black Sheep Holy War Distortions-pedal för Heavy Metal, Doom, Thrash, Grindcore m.m. Ever since Goree Carter released his 1949 single ”Rock Awhile”, distortion has been the most favored guitar effect in history. Before overdrive/distortion pedals, cranking a small tube amp to max, or even slicing the speaker cone with a razor blade, was common practice to achive the sought after distortion sound. Since the first Fuzz-pedals of the 1960’s, a world of great pedals has built the foundation of rock music as we know it today. Black Sheep pedals are proud to offer boutique quality pedals at prices every guitar player can afford. Black Sheep Holy War is a compact Distortion pedal for all modern types of Metal music. The 3-way toggle switch offers Hi Boost, Boost Off and Lo Boost to suit any amp and type of Metal sound. It’s very simple to use, with Volume, Tone and Gain to fine tune your sound. It runs on any standard Boss-type power supply, 9V DC. With it’s tough aluminium chassis, and also chassis mounted DC inlet, you can take this pedal on a world tour without any hazzels. Holy War delivers a big and massive Metal sound at an affordable price. Information Effect Type Metal Distortion Analog/Digital Analog Mono/Stereo Mono True Bypass Yes Memory Location - Chassis Aluminium Power Supply 9V DC Pow Consumption 25 mA Dimensions 50x90x37 mm Remote/Expr In No

Ibanez TS9DX Turbo Tube ...

1.875,-

TS9DX Turbo Tube Screamer. TS9DX är en kunnigare syskon till klassiska TS9, den har samma krets som TS9an men med 3 extra ljud tillgängliga via en extra pott. Förutom TS9 ljudet har man en plus variant, en hot och turbo att välja på. De lägena gör i princip vad namnet indikerar att de gör, mer tillgänglig drive (gain) nivå, förändrad EQ kurva och/eller annan karaktär. Helt enkelt möjligheten till att välja ”mer”. TS9DX är utan tvekan den ljudmässigt bredaste i Ibanez TS serie. Tube Screamer är pedaler som används flitigt inom alla stilar av musik världen över, av både proffs och amatörer. Ibanez Tube Screamer serie är måttstocken för hur overdrivepedaler skall låta, världens mest kopierade ljud. Pedalen funkar både som ensam overdrive källa eller som en boostpedal på ett redan överstyrt ljud. Ensam får man från ett marginellt spräck (nästan rent till man klipper till lite hårdare) till ett moderat överstyrt ljud med ett enormt häng utan att det är jättedistat eller överdrivet komprimerat. Som boostpedal trycker den på ganska rejält om man vill och resultatet blir, självklart, beroende på vad det är för ljud man boostar. Många metalskivor är inspelade med en TS pedal framför förstärkaren. Drivs antingen med 9volts batteri (ingår) eller extern AC adapter (säljes separat).

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