Mikrofoner

Hovedbilde Shure SM81 LC Kardioide Kond. ...

6.195,-

Klassiker til hihat og overhead - eller til kor. Shure SM81LC er en klassisk kondensatormikrofon for instrumenter. Bredt frekvensområde 20-20000 Hz gjør den egnet til variert studio- og PA-bruk. SM81LC har stillbart basskuttfilter. En klassiker til overhead! Features The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available. 0 Hz to 20 kHz frequency response Flat response curve for accurate reproduction of sound sources Low noise and high output clipping level Low distortion over a wide range of load impedances Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds Low RF susceptibility Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff 0 dB/10 dB lockable attenuator switch Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc) Rugged steel construction for durability Field-usable over wide range of temperature and humidity conditions Specs Type Condenser (electret bias) Frequency Response 20 to 20,000 Hz Polar Pattern Cardioid (unidirectional) response-uniform with frequency, symmetrical about axis Output Impedance Rated at 150 ohms (85 ohms actual) Recommended minimum load impedance: 800 ohms (May be used with loads as low as 150 ohms with reduced clipping level) Output Configuration and Connector Balanced, transformer-coupled output; male XLR connector Sensitivity (at 1,000 Hz) Open Circuit Voltage: -45 dBV/Pascal (5.6 mV (1 Pascal = 94 dB SPL) Clipping Level (at 1,000 Hz) 800 ohm Load: -4 dBV (0.63 V) 150 ohm Load: -15 dBV (0.18 V) Total Harmonic Distortion Less than 0.5% (131 dB SPL at 250 Hz into 800 ohm load) Maximum SPL (at 1,000 Hz) 800 ohm load: 136 dB (attenuator at 0) 146 dB (attenuator at -10) 150 ohm load: 128 dB (attenuator at 0) 138 dB (attenuator at -10) Hum Pickup -3 dB equivalent SPL in a 1 mOe field (60 Hz) Self-Noise (equivalent sound pressure levels; measured with true rms voltmeter) 16 dB typical, A-weighted 19 dB typical, weighted per DIN 45 405 Signal-to-Noise Ratio 78 dB (IEC 651)* at 94 dB SPL *S/N ratio is difference between 94 dB SPL and product's equivalent self noise (SPL A-weighted). Overvoltage and Reverse Polarity Protection Max. external voltage applied to pins 2 and 3 with respect to pin 1: +52 Vdc Reverse polarity protection: 200 mA max. (diode-clamped) Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 Cartridge Capacitance 54 pF Low Frequency Response Switch Positions Flat; -6 dB/octave below 100 Hz; -18 dB/octave below 80 Hz Attenuator Switch Positions (Lockable) 0 or -10 dB Power Supply Voltage: 11 to 52 Vdc, positive, pins 2 and 3 Current Drain: 1.2 mA max. Environmental Conditions Temperature: Storage: -29 degrees to 74 degrees C (-20 degrees to 165 degrees F) Operating: -6.7 degrees to 49 degrees C (20 degrees to 120 degrees F) Humidity: Storage 0 to 95% relative humidity at room temperature (72 degrees to 80 degrees F, 22 degrees to 27 degrees C) Case Steel construction with vinyl metallic paint finish and stainless steel screens Dimensions See User Guide Weight Net: 230 grams (8 oz) Packaged: 740 grams (1 lb 10 oz)

Shure Super 55 Deluxe Vokal ...

3.995,-

Super 55 kombinerer umiskjennelig design fra 55SH Series II, med moderne forbedringer med hensyn til lydkvalitet takket være ny kapsel med superkardioidekarakteristikk. Ideell for scene, studio eller fotoshoots. Type: Dynamic Frequency Response: 60 to 17,000 Hz Polar Pattern: Supercardioid Construction: Chrome-plated die casting Net Weight: 0.656 kg

Sontronics APOLLO 2 Stereo ...

30.250,-

SONTRONICS APOLLO 2 stereo ribbon microphone Since we first released our ground-breaking APOLLO phantom-powered stereo ribbon microphone a decade ago, it became a must-have for studio owners, venues, composers and sound stages all round the world, from Glyndebourne Opera House to the Malibu studio of composer Trevor Morris, from Paul Epworth’s Church to Abbey Road Studios (where their pair of APOLLOs is used almost daily on their Steinway grand piano and over the orchestra or choir for most of the Hollywood soundtracks recorded in Studio One). Following years of development with our other microphones, and our exciting experiments with higher and higher quality components (resulting in our multi-award-winning, beautifully crafted ARIA and MERCURY valve microphones), we decided to apply and incorporate these same improvements to our ribbon microphones. And so APOLLO 2 has landed (along with SIGMA 2 and DELTA 2) to take your recordings to an astoundingly high level. Like the original, our APOLLO 2 boasts two highly sensitive ribbon elements set in an X-Y Blumlein configuration, ideal for all stereo miking applications. APOLLO 2’s uniquely designed, laser-welded cylindrical grille enables the microphone to capture a truly stunning and superbly accurate three-dimensional image. This means APOLLO 2 is perfect not only for orchestral, choral and piano recordings, but also for capturing the ambience and character of your entire recording space. APOLLO 2 also works amazingly well as an overhead microphone for drums and percussion or smaller instrument and vocal ensembles, giving natural, expansive results with perfect detail and clarity in the high frequencies and a balanced depth and fullness to the mids and lows. If required, either of the two ribbon elements can be used in isolation, enabling APOLLO 2 to behave as a mono microphone. Getting the best results from APOLLO 2 is effortless! Thanks to its phantom-powered circuit design and custom-wound, UK-made transformers, it requires very little gain and no EQ. Furthermore, our engineers have incorporated RFI (radio frequency interference) filters into the electronic design (ours are the only ribbon mics in the world to have this feature) to ensure that APOLLO 2's signal is kept crystal clear, whether being used in a recording studio or a live venue. APOLLO 2 is designed as a distance recording microphone and should be used with care as the ribbon elements are very exposed and extremely delicate. However, with sensible placement and careful handling, APOLLO 2 will bring you immense satisfaction for many years to come. For more information about using and caring for your APOLLO 2 or servicing your ribbon elements, see our User Guide here. The microphone is supplied in a sturdy, foam-padded ABS flightcase together with its unique shockmount and stereo cable.  APOLLO 2 really will take your breath away and impart a professional quality to your recordings that you didn’t imagine was possible! APOLLO 2 HIGHLIGHTS - phantom-powered stereo ribbon microphone  - made in the UK  - two ribbon motors fixed in X-Y Blumlein formation  - incredibly open, natural sound  - ideal for studio or live use  - LIFETIME WARRANTY RECOMMENDED FOR… - overhead and room miking  - vocal/choral ensemble & opera  - chamber and orchestral work  - piano  - drumkit & percussion overhead - acoustic guitar

Sontronics Aria Rør ...

15.588,-

Sontronics - Aria Valve/tube condenser microphone Valve/tube condenser microphone Launched in 2014, our Sontronics ARIA valve/tube cardioid condenser microphone was developed and designed by Sontronics founder and designer Trevor Coley specifically for getting the best from your vocals, and is already becoming a modern classic thanks to its beautifully smooth and balanced tone. Our multi-award-winning Sontronics ARIA will give you stunning, beautiful results on every recording, thanks to its silky-smooth characteristics, its accurate response and our trademark Sontronics high-frequency roll-off. And following the development of our new MERCURY variable-pattern valve microphone, we’ve now been able to refine and improve ARIA even further*, to take its quality to the next level. As designer Trevor Coley explains: “Using only premium-quality, branded components in our UK-made circuits, we have been able make considerable improvements to ARIA’s signal-to-noise ratio and reduce its self-noise to incredibly low levels for a tube microphone. The new and improved ARIA delivers even greater levels of precision and clarity and we’re confident that you’ll love it!” “ARIA is incredibly smooth with bags of character… it easily competes with any vintage valve mic!” PAUL EPWORTH, PRODUCER (Coldplay, U2, Florence + The Machine, Adele) Housed inside the chromed grille is a large, 1.07-inch, edge-terminated capsule that captures all the detail and subtleties of any male or female vocal (sung or spoken) while the hand-selected European 12AX7/ECC83 tube lends a character that you’d expect to find in a classic vintage valve mic. For that extra level of control, the accompanying SPS-2 power supply unit boasts pad (0, -10dB) and filter (linear, 75Hz) switches as well as a tube-ready LED, letting you know when the mic is warmed up and at its best to record. Inside the unit is a pro-quality, medical-grade electricity filter to ensure that the power supply is pure and interference-free. During ARIA’s development, it was beta-tested by top artists and musicians including producer/writer Paul Epworth (Adele, Florence & The Machine, Paul McCartney), singer/songwriter PJ Harvey, and also several engineers at Abbey Road Studios, all of whom now admit they can’t live without their ARIAs! These and other users have all told us that ARIA’s sound and quality is easily matched to mics (both modern and vintage) that cost ten times more. The result is a go-to microphone that’s a must-have if you’re serious about achieving the best results from vocals but that will also give beautiful results on piano, acoustic guitar, cello and other instruments as well as voiceover and broadcast. Sontronics ARIA really will take your breath away! The ARIA microphone is supplied in its own velvet-lined wooden box, which comes in an aluminium flightcase together with its elastic spider-style shockmount, a ring mount and the SPS-2 power supply, connecting cable and power lead. Like all our mics, Sontronics ARIA is covered by our no-nonsense LIFETIME WARRANTY. ARIA HIGHLIGHTS: valve/tube condenser mic incredibly smooth sound designed to give amazing results on male and female vocals beta-tested with Paul Epworth, PJ Harvey and several engineers at Abbey Road Studios covered by LIFETIME WARRANTY RECOMMENDED FOR: male & female vocals voiceover cello, violin & viola piano acoustic guitar drum overheads Specs: Frequency response: 20Hz – 20kHz Sensitivity: 18mV/Pa -33dB ±1.5dB (0dB = 1V/Pa @ 1,000Hz) Polar pattern: Cardioid Pad: 0, -10dB Filter: Linear, 75Hz Impedance: ≤200 Ohms Equivalent noise level: 18dB (A-weighted) Max SPL (for 0.5% THD @ 1kHz): 125dB Power supply: SPS-2 115/230V *Phantom power NOT required* Connector: 8-pin connector (mic), 3-pin XLR-M (power supply) Dimensions: 230 x 55 x 55mm (mic) Weight: 744g (mic), 1155g (mic with shockmount), 1880g (power supply) Comes with: wooden box (for Aria mic), shockmount, cables, SPS-2 power supply, aluminium flightcase

Sontronics CORONA Dynamisk ...

3.500,-

CORONA Dynamisk Art Déco-inspirert mikrofon Ideel for sang (live eller studio), tale, gitarforsterkere, trommer, slagverk, saxofon, blås og munnspill. Den dynamiske kapselen er montert med fire fjær rundt en metallsirkel som beskytter mot vibrasjoner. Designet, utviklet og bygget i Storbritania. Livstidsgaranti ved registrering. SONTRONICS CORONA dynamic microphone The stunning new Sontronics CORONA is a beautifully designed dynamic microphone designed for use on stage or in the studio. Boasting a tight supercardioid polar pattern, the Sontronics CORONA was developed with vocals in mind (after so many people asked us if our retro-inspired HALO could be used by singers) and gives stunning results on sung and spoken vocals. CORONA has been carefully crafted to also deliver outstanding results on guitar amps, drums, percussion, saxophone, brass and other instruments. Designed, developed and built in the UK, our CORONA offers excellent presence and depth, precise detail across the entire frequency range and class-leading off-axis rejection. Furthermore the microphone requires no EQ, making CORONA brilliantly reliable and easy to use, whether for live performance or studio recordings. The Sontronics team is very excited to finally release the CORONA, as the Art Deco-inspired mic has been in the pipeline for a long time as founder and designer, Trevor Coley, explain... "The CORONA has existed in our minds and as a prototype for so long, we're proud to say it's finally out there! "Back in 2011, when we released our HALO dynamic mic for guitar amps, people almost immediately started to ask us if it could be used by singers, thanks mainly to its eye-catching good looks. Although a lot of people do use HALO for voice, it isn't ideal because of its tailored frequency response and for reasons related to its capsule housing, but we kept getting asked the question so I did something about it. "When we were working on our SOLO handheld mic a couple of years ago," continues Coley, "I decided to take the same supercardioid capsule and house it in a retro-inspired design to create a vocal mic that sounded as good as it looked, although it wasn't quite that easy. Several pages of the sketchbook, a few 3D-printed models, a lot of physics calculations and months of beta-testing later and the CORONA was born. It really is a stunning mic, in looks and sound, and we can't wait to see and hear people using and enjoying it!" CORONA is supplied in a sturdy, hard-shell flightcase so it can be protected from the rigours of gigging and touring and, like all Sontronics microphones, CORONA is covered by our Lifetime Warranty. Thanks to its exceptional perforamnce as well as its striking and retro-inspired good looks, CORONA is an indispensable modern classic. CORONA HIGHLIGHTS - supercardioid dynamic mic  - ideal for live or studio use  - superb rejection  - requires no EQ  - retro-inspired styling  - comes in hard-shell flightcase  - covered by LIFETIME WARRANTY RECOMMENDED FOR… - sung vocals (live & studio)  - spoken word  - guitar amps  - drums & percussion  - saxophone & brass  - harmonica CORONA SPECIFICATIONS  - Polar pattern: Supercardioid  - Frequency response: 50Hz - 15kHz - Sensitivity: -50dB ±2dB - Impedance: ≤600 Ohms - Connector: Three-pin XLR - Power: Phantom power NOT required - Dimensions: 162 x 113 x 62mm - Weight: 797g - Comes with: hard-shell flightcase

Sontronics Delta 2 ...

10.033,-

Sontronics - Delta 2 Phantom-powered ribbon mic for guitar amps & brass Phantom-powered ribbon mic for guitar amps & brass A decade after we launched the world’s first ribbon microphone designed specifically to handle higher SPL sources, its successor, the Sontronics DELTA 2, has arrived. The original DELTA, along with our HALO dynamic mic for guitar amps, has become a must-have for many studios and live guitarists, from Bernard Butler to Radiohead’s Ed O’Brien, from Steve Stevens to Aerosmith, and when it comes to build quality and perfect sound reproduction, the new DELTA 2 turns the dial up to 11! Like the original, DELTA 2 is not only the perfect partner for guitar amplifiers but also ideal for use with other high-SPL sources, such as trumpet, trombone and tenor sax. Compared to our SIGMA 2, DELTA 2’s reduced sensitivity enables it to capture incredibly powerful signals without overloading its internal preamp circuit. Its rugged build and multi-layer baffling make it ready for life on the road as well as in the studio. DELTA 2 sounds even more stunning than the original, capturing amazing clarity and detail in the higher frequencies, together with astonishingly powerful mid and low tones. The DELTA 2 does an incredible job of capturing every element of your guitar sound, whether you’re recording solo parts in the studio or miking up your amp on stage. DELTA 2 captures the true tone of whatever instrument you’re recording, allowing it to sit perfectly in the mix without requiring excessive gain or EQ. Hand-built in the our Sontronics HQ and featuring our own unique circuitry, the DELTA 2 boasts UK-made electronics including a custom-wound premium-quality transformer (made in our hometown of Poole, England), and the same excellent ribbon motor as the original DELTA. The electronics uniquely incorporate RFI (radio frequency interference) filters that filter out unwanted radio frequencies, making DELTA 2 (and our other ribbon mics) even more suited to live use than before. Ours are the only ribbon mics in the world to boast this feature! Our DELTA 2 is supplied with our unique-design shockmount in a rugged ABS flightcase which protects from all the rigours of touring and live use, but also keeps the mic safe and sound between studio sessions. DELTA 2 is the best sounding ribbon microphone you can put in front of your guitar amp, trumpet, trombone or saxophone, and once you’ve heard it, you’ll never look back! HIGHLIGHTS: phantom-powered ribbon mic made in the UK designed to handle high SPL rugged build gives great results both live and in the studio unique Sontronics shockmount LIFETIME WARRANTY RECOMMENDED FOR: guitar amps & cabinets brass and saxophone drums Specs: Polar pattern: Figure-of-eight Frequency response: 20Hz – 15kHz Sensitivity: 6mV/Pa -45dB ±1dB (0dB = 1V/Pa @ 1,000Hz) Impedance: ≤200 Ohms Equivalent noise level: 10dB (A-weighted) Max SPL (for 0.5% THD @ 1kHz): 140dB Power: Phantom power 48V required Connector: 3-pin XLR Dimensions: 164 x 72 x 35mm Weight: 470g (906g with shockmount) Comes with: shockmount, flightcase

Sontronics DM-1B ...

5.016,-

The Sontronics DM-1B is a large-diaphragm condenser microphone originally designed for kick drum during a three-year project that also resulted in our DM-1S for snare and DM-1T for tom tom. Developed with the help of top producers, recording engineers and drummers, all three microphones have become must-have tools for anyone serious about capturing that perfect drum sound, whether for live performance or in the studio. Thanks to its incredible sensitivity and its ability to handle high sound pressure levels of up to 155dB, DM-1B delivers outstanding results on kick drum, capturing all the attack, resonance and energy like nothing you’ve heard before! DM-1B also sounds stunning when used with all kinds of bass instruments, from bass guitar cabinets and double bass to tenor sax and tuba. The DM-1B is an ‘end-fire’ microphone meaning its cardioid capsule faces out of the top end of the mic. To get the best possible sound from your kick drum, this end should be placed facing the front head of the drum or even pushed slightly inside the soundhole. Whether you’re using the DM-1B in a Glyn Johns-style mic set-up (see our Support page for more on drum miking advice) or using it together with DM-1S and DM-1T on snare and toms plus overhead or room mics, the DM-1B will reproduce all the energy you hear from your kick drum, wherever you are: on stage, at home or in a professional studio. Positioned in front of your bass guitar cabinet or at the bell of your sax, bass clarinet or brass instrument, the DM-1B will sound sublime on all kinds of low-end sources, even male vocals too!

Sontronics Drum Pack ...

8.852,-

DRUMPACK Trommemikrofonpakke Inneholder en DM-1B, en DM-1S, tre DM-1T, fire mikrofonholdere og ABS flightcase. Livstidsgaranti ved registrering. The new Sontronics DrumPack and DrumPack Plus pull together our award-winning DM-series drum microphones into two all-in-one, premium-quality miking options that no drummer or studio should be without. The five- and seven-piece condenser microphone sets will give absolutely stunning results across your whole drumkit, plus they save you more than 30% on buying the mics individually! The five-piece DrumPack (pictured right and above right) comprises a DM-1B for kick drum, a DM-1S for snare and three DM-1T mics for tom tom packaged together with four mic clips in a rugged, waterproof ABS flightcase. Meanwhile the seven-piece DrumPack Plus (pictured below right and above left) includes a DM-1B, a DM-1S and three DM-1T as above plus a pair of STC-10 pencil condensers for use as overheads or for solo percussion miking. "We were A/B testing the Sontronics drum mics set up against some thousand-pound mics and we had to keep checking the tracks because the Sontronics mics sounded as good if not better than the expensive ones. We were totally blown away!"  MARK RANKIN, Producer (Florence & The Machine, Adele, Plan B, Queens of the Stone Age) Sontronics' DM-series microphones were designed and developed over three years by founder Trevor Coley alongside top UK producers and drummers. Each microphone has been specifically tailored to capture the perfect sound from each of your drums and the mics have received rave reviews, awards and have appeared on the touring kits and studio set-ups of major drummers including Dave Grohl, Aerosmith's Joey Kramer, Muse's Dom Howard and Blur's Dave Rowntree. Sontronics DM-1B: The DM-1B large-diaphragm, end-fire cardioid condenser microphone is superb at capturing the entire dynamic range of your kick drum, thanks to its high sensitivity, extremely low self-noise, -15dB attenuation pad and ability to handle up to 155dB SPL. The DM-1B delivers outstanding results on kick drum but also sounds fantastic on bass guitar cabinets, low brass and woodwind, tenor and baritone sax and even male vocals. Sontronics DM-1S & DM-1T: The DM-1S for snare and DM-1T for tom tom are small-diaphragm cardioid condenser mics each with a -10dB pad and SPL handling of up to 135dB. They have been designed with subtle variations in their response to suit the exact sound of your snare and tom, catching every element of your sound from the crack of the first hit to the rattle and snap of the snare and the boom and resonance of your tom tom. Together with the DM-1B, they combine to deliver exceptional results on your drumkit, whether recording in the studio or performing in a live environment. Sontronics STC-10: The STC-10 cardioid condenser microphones (two of which are included in the DrumPack Plus set) boast two-stage pad and filter controls and an extremely precise response with Sontronics' signature smooth high-frequency roll-off. As a pair they are amazing as drumkit overheads, but they also sound stunning whether used individually for solo percussion, woodwind or stringed instruments, but also together for stereo-miking acoustic guitar, piano and ensemble. "The DM-1B sounds better than my vintage Neumann U47fet, which is saying something, and the DM-1S is one of the best close mics I have ever used. Amazing!"  ANDY GRAY, Producer/Composer (Gary Numan, Radiohead, Enter Shikari, TT3D, CSI Miami) The microphones are supplied in a rugged ABS flightcase, making them ideal for life on the road or from moving from studio to stage and back again, and are supplied with mic clips for each of the DM-1T, DM-1S and STC-10 microphones.

Sontronics Drum Pack Plus ...

11.661,-

Sontronics - Drum Pack Plus Complete set of 7 microphones for drums. The new Sontronics DrumPack and DrumPack Plus pull together our award-winning DM-series drum microphones into two all-in-one, premium-quality miking options that no drummer or studio should be without. The five- and seven-piece condenser microphone sets will give absolutely stunning results across your whole drumkit, plus they save you more than 30% on buying the mics individually! The five-piece DrumPack (pictured right and above right) comprises a DM-1B for kick drum, a DM-1S for snare and three DM-1T mics for tom tom packaged together with four mic clips in a rugged, waterproof ABS flightcase. Meanwhile the seven-piece DrumPack Plus (pictured below right and above left) includes a DM-1B, a DM-1S and three DM-1T as above plus a pair of STC-10 pencil condensers for use as overheads or for solo percussion miking. “We were A/B testing the Sontronics drum mics set up against some thousand-pound mics and we had to keep checking the tracks because the Sontronics mics sounded as good if not better than the expensive ones. We were totally blown away!” MARK RANKIN, Producer (Florence & The Machine, Adele, Plan B, Queens of the Stone Age) Sontronics’ DM-series microphones were designed and developed over three years by founder Trevor Coley alongside top UK producers and drummers. Each microphone has been specifically tailored to capture the perfect sound from each of your drums and the mics have received rave reviews, awards and have appeared on the touring kits and studio set-ups of major drummers including Dave Grohl, Aerosmith’s Joey Kramer, Muse’s Dom Howard and Blur’s Dave Rowntree. Sontronics DM-1B: The DM-1B large-diaphragm, end-fire cardioid condenser microphone is superb at capturing the entire dynamic range of your kick drum, thanks to its high sensitivity, extremely low self-noise, -15dB attenuation pad and ability to handle up to 155dB SPL. The DM-1B delivers outstanding results on kick drum but also sounds fantastic on bass guitar cabinets, low brass and woodwind, tenor and baritone sax and even male vocals. Sontronics STC-10: The STC-10 cardioid condenser microphones (two of which are included in the DrumPack Plus set) boast two-stage pad and filter controls and an extremely precise response with Sontronics’ signature smooth high-frequency roll-off. As a pair they are amazing as drumkit overheads, but they also sound stunning whether used individually for solo percussion, woodwind or stringed instruments, but also together for stereo-miking acoustic guitar, piano and ensemble. Sontronics DM-1S & DM-1T: The DM-1S for snare and DM-1T for tom tom are small-diaphragm cardioid condenser mics each with a -10dB pad and SPL handling of up to 135dB. They have been designed with subtle variations in their response to suit the exact sound of your snare and tom, catching every element of your sound from the crack of the first hit to the rattle and snap of the snare and the boom and resonance of your tom tom. Together with the DM-1B, they combine to deliver exceptional results on your drumkit, whether recording in the studio or performing in a live environment. “The DM-1B sounds better than my vintage Neumann U47fet, which is saying something, and the DM-1S is one of the best close mics I have ever used. Amazing!” ANDY GRAY, Producer/Composer (Gary Numan, Radiohead, Enter Shikari, TT3D, CSI Miami) The microphones are supplied in a rugged ABS flightcase, making them ideal for life on the road or from moving from studio to stage and back again, and are supplied with mic clips for each of the DM-1T, DM-1S and STC-10 microphones. DRUMPACK HIGHLIGHTS: award-winning condenser mics designed specifically for drums all you need for recording full kit supplied with mic clips and rugged ABS fightcase all microphones covered by our unique LIFETIME WARRANTY RECOMMENDED FOR: drumkit and percussion DM-1B: kick drum, orchestral bass drum, bass guitar cabinet, low brass and woodwind, tenor/baritone sax, male vocals DM-1S: snare drum, cajon, djembe DM-1T: tom toms, bongos, congas STC-10: overheads, stereo miking, acoustic guitar, individually for solo percussion, solo strings, theatre, video

Sontronics Mercury Vintage ...

22.416,-

Sontronics - Mercury vintage edition Valve/tube condenser microphone. Valve/tube condenser microphone Launched at the 2017 NAMM Show, our new Sontronics MERCURY is a premium-quality valve/tube condenser microphone designed to sound stunning on whatever you’re recording, from solo instruments, percussion and vocals to ensemble and orchestral work, overhead and room miking, voiceover and more. The mic picked up two awards in its first two reviews: a 10/10 Excellence award from Music Tech Magazine and the Editor’s Choice award from Pro Tools Expert, and won the Highly Commended award from Trusted Music Stores. MERCURY is also shortlisted for three other awards: MusicRadar’s Best In Tech awards, Sound On Sound magazine’s 2018 Gear Awards and Music Tech magazine’s Gear of the Year awards. Wish us luck! Designed by Sontronics’ founder Trevor Coley, and developed alongside top artists and producers as well as with the input of engineers at Abbey Road Studios, the MERCURY is hand-built here in our UK Sontronics HQ. Taking things a step on from our multi-award-winning ARIA, the Sontronics MERCURY employs the highest-grade components (most of which have less than 1% tolerance, unheard of for a microphone at this or any other price) and a hand-selected and tested, European-made ECC81/12AT7 vacuum tube, all of which result in absolutely impeccable results, whatever application you’re using it for. The MERCURY gives you an infinite choice of polar patterns from omnidirectional to figure-of-eight and everything in between, controlled via the sweepable control knob on the front of the power supply. The mic also has pad (0, -10dB) and low-cut filter (linear, 75Hz) controls and a professional power supply with medical-grade interference filter, and it boasts incredibly low self-noise for a valve microphone (less than 12dB, A-weighted), making this a must-have microphone for any studio serious about achieving the best quality results. “MERCURY was almost three years in the making,” says Sontronics’ designer and founder Trevor Coley, “and it truly represents the pinnacle of quality components and British engineering combined with our passion for making versatile, beautifully crafted microphones that don’t cost the earth. “We’ve already had some amazing feedback from top artists who loved working with the prototype so much that the bought the real thing, and MERCURY is regularly being compared to vintage valve microphones that cost up to ten times the price. Every studio should have one!” MERCURY HIGHLIGHTS: valve/tube condenser microphone variable polar patterns designed to sound stunning on whatever you’re working on beta-tested with top producers and artists including Gary Barlow covered by LIFETIME WARRANTY RECOMMENDED FOR: male & female vocals voiceover piano & strings acoustic guitar & guitar amp brass, woodwind & ethnic instruments drums & percussion ensemble, choral & orchestral room & overhead miking Specs: Polar patterns: Cardioid, omnidirectional, figure-of-eight Filter: 3-stage (linear, 75Hz, 150Hz) Pad: 3-stage (0dB, -10dB, -20dB) Frequency response: 20Hz – 20kHz Sensitivity: 16mV/Pa -36dB ±2dB (0dB = 1V/Pa @ 1,000Hz) Impedance: ≤200 Ohms Equivalent noise level: 18dB (A-weighted) Max SPL (for 0.5% THD @ 1kHz): 125dB Power: Phantom power 48V required Connector: 3-pin XLR (cable included) Dimensions: 194 x 53 x 53mm Weight: 618g (818g with shockmount) Comes with: shockmount, 2 spare elastics, popshield, 5-metre XLR cable, zip-up microphone pouch

Sontronics ORPHEUS ...

7.672,-

ORPHEUS Kondensatormikrofon med tre karakteristikker. Orpheus er en kondensatormikrofon med tre karakteristikker: Omni, Kardioide eller 8-tall. Ideel til f.eks. kvinnelige sangere, akustisk gitar, rom-atmosfære/ambience eller ett par som overhead for trommer etc. Levereres i en lekker treboks. With omni-directional, cardioid and figure-of-eight patterns, as well as a 10dB cut/boost function, Sontronics ORPHEUS is the perfect choice for practically any studio or live application. Its low self-noise and unmistakable presence allow you to record the subtlest of instruments or voices without the need to edit afterwards. The highly sensitive 35mm dual-diaphragm capsule is suspended in its own special mount, almost floating in the large, spherical basket. ORPHEUS's body is cast from zinc alloy, which gives a very low resonance, helping to keep the signal tight and accurate. Sontronics ORPHEUS is supplied in a luxury, velvet-lined wooden case and really does sound as good as it looks. When used as a room mic or for drum overheads, either on its own or in a pair, ORPHEUS will totally blow your mind!

Sontronics Podcast Pro ...

2.750,-

PODCAST PRO Dynamisk superkardiode mikrofon. PodcastPro er spesifikt designet for podcast, broadcast, radio, gaming og voiceover. Innebygget pop-filter. Designet, utviklet og bygget i Storbritania. Livstidsgaranti ved registrering. Podcast Pro is a dynamic microphone designed specifically for podcast, broadcast, radio, gaming and voiceover applications. The Podcast Pro has a tightly focused supercardioid pickup pattern, giving excellent clarity and depth on all spoken (and sung!) with superb side rejection. With its three layers of internal protection and integrated fine-mesh pop filter, the Podcast Pro provides superb control of extraneous noise or rumble and helps control unwanted sibilance or plosives. This mic is guaranteed to give broadcast-quality professional results on any sung or spoken voice, whether you’re broadcasting from a professional radio studio or recording podcasts on the go or in a home set-up. Easy to set up and position, and compatible with any desktop or floor-standing mic stand, the Podcast Pro’s XLR connection allows it to plug straight into any interface, mixer, computer or gaming console and be ready to go in seconds. Available in seven different colours, the British-made Sontronics Podcast Pro is supplied with its angled yoke mount and the microphone is covered, like all Sontronics mics, by Sontronics’ unique Lifetime Warranty. Whether you’re recording for podcast, radio, voiceover or even capturing instruments, the Podcast Pro will deliver the best results, every time. HIGHLIGHTS - Dynamic supercardioid microphone - Specifically designed for podcast, broadcast, radio, voiceover and gaming - Captures superb clarity and depth - Inner protection reduces noise and sibilance - Fitted with integrated pop filter - Great results on sung vocals and instruments too - Available in black, grey, purple, blue, green, gold and red - Covered by Lifetime Warranty

Sontronics Saturn 2 ...

16.809,-

SATURN 2 Kondensatormikrofon med 9 karakteristikker. Perfekt for sang, piano, akustiske instrument med mer.. En av SATURN 2's viktigste forbedringer er dens økte opptaksformål, med totalt ni karakteristikker: de fem indikert på frontpanelet – omni, subkardioide, kardioide, hyperkardioide og 8-tall – pluss fire mellomliggende posisjoner. Frontpanelet har brytere for høypassfilter (75Hz, 125Hz) og pad (-10dB, -20dB). Med sin høye følsomhet, eksepsjonelt lave egenstøy og Sontronics legendariske myke diskant, er SATURN 2 designet for å være arbeidshesten for alle innspillingssituasjoner. Uansett om det er sang, tale, piano, akustiske instrument, ensamble eller helt enkel romatmosfære, gir SATURN 2 deg perfekt resultat, utan att du behøver røre EQ'en. _____ SATURN 2 is the second generation of the original award-winning and best-selling Saturn that went out of production in 2015. The all-new SATURN 2 is a triumph of British design and engineering. The original proprietary circuit design has been further improved through the use of the finest electronic components with super-low tolerances, resulting in a pristine and accurate response. The body, switchgear, shockmount and the iconic ring are all precision engineered and hard-anodised to military spec, to ensure a stunning, durable finish. One of SATURN 2’s key improvements is its expanded pickup functionality, featuring nine polar patterns in total: the five indicated on the front panel – omni, subcardioid, cardioid, hypercardioid and figure-of-eight – plus four intermediate positions. The patterns, selected using the new digitally controlled encoder, are indicated by a blue LED or a pair of LEDs if you’ve chosen the intermediate pattern. The front panel also features switches for the two-stage filter (75Hz, 125Hz) and pad (-10dB, -20dB). With its high-sensitivity, exceptionally low self-noise and the Sontronics’ legendary super-smooth top end, SATURN 2 is designed to be THE precision workhorse for any recording environment. Whether it’s vocals, speech, piano, acoustic instruments, ensemble or simply room ambience, SATURN 2 delivers mix-ready results, with absolutely no need to touch EQ. Designed, developed and hand-built in the UK and covered by our unique Lifetime Warranty, the new SATURN 2 sounds as incredible as it looks. It will totally blow you away!

Sontronics Sigma 2 ...

9.890,-

Sontronics - Sigma 2 Active ribbon microphone – British-produced. Phantom-powered ribbon mic 11 years after the introduction of the Sontronics SIGMA, one of the world’s first phantom-powered ribbon microphones, we are proud to release the stunning UK-made SIGMA 2. This, along with the new DELTA 2 and APOLLO 2, represents the pinnacle of ribbon microphone technology. The original Sontronics SIGMA has been one of our most popular microphones thanks to its incredible performance and value for money, and it quickly became a must-have in studios and venues around the world. Following our experiments with the highest quality components (which resulted in our beautifully crafted, multi-award-winning ARIA and MERCURY valve condenser mics), we decided to turn our attention to our ribbons, and after two years of investigation, significant investment and tireless testing, a new generation of unmatched quality ribbon microphones was born. Designed from the ground up, the new SIGMA 2 is hand-made in our Sontronics HQ and employs our own unique circuitry, Britsh-made electronics, including a premium-quality custom-wound transformer (made exclusively for us in our home town of Poole), precision-cut and molded British stainless steel mesh, and CNC-engineered metal internal and external parts. SIGMA 2’s circuitry incorporates RFI (radio frequency interference) filters that ensure that SIGMA 2’s signal remains interference-free and makes the microphone even more suited to live use than before. Ours are the only ribbon mics in the world to boast this feature! SIGMA 2 has extremely high sensitivity and incredibly low self-noise making it ideal for capturing vocals, speech, solo woodwind, stringed instruments and guitar amps*, presenting an exceptionally detailed, accurate, natural sound. Utilising the same super-sensitive ribbon motor as the original, SIGMA 2 offers stunning clarity and definition in the top end but now also boasts richer mid and low tones. A pair of SIGMA 2 (either spaced separately or in X-Y configuration) can be used for extremely effective overhead and room miking, upright or grand piano, string quartet and other ensembles. IGMA 2, as with any ribbon microphone, should be used with care as its ribbon element is very delicate. However, with sensible placement and careful handling, SIGMA 2 will give you incredible results time and time again. For more detailed instructions on using and caring for your SIGMA 2 or servicing your ribbon element, please see our User Guide here. SIGMA 2 is supplied with its unique-style shock-mount in a sturdy, foam-padded ABS flightcase, which will keep your mic safely stored between sessions or when transported from one venue to another. We guarantee you’ll fall in love with SIGMA 2. You’ve been warned! SIGMA 2 HIGHLIGHTS: phantom-powered ribbon mic made in the UK clear, natural, detailed sound fuller mid & low frequencies unique Sontronics shockmount LIFETIME WARRANTY RECOMMENDED FOR: vocals acoustic guitar guitar amps (use with care!) solo strings & woodwind piano in pairs for overhead & room miking Specs: Polar pattern: Figure-of-eight Frequency response: 20Hz – 15kHz Sensitivity: 18mV/Pa -33dB ±1.5dB (0dB = 1V/Pa @ 1,000Hz) Impedance: ≤150 Ohms Equivalent noise level: 10dB (A-weighted) Max SPL (for 0.5% THD @ 1kHz): 125dB Power: Phantom power 48V required Connector: 3-pin XLR Dimensions: 164 x 50 x 32mm Weight: 421g (841g with shockmount) Comes with: shockmount, flightcase

Sontronics SOLO Dynamisk ...

1.333,-

SOLO Dynamisk superkardioide håndmikrofon For sang, gitarforsterkere, trommer etc.. Funker like bra i studio som på scenen. Verdens første dynamiske mikrofon som designes, utvikles og lages i Storbritania. The SOLO has an extremely tight supercardioid pattern and gives excellent results on live vocals, guitar amps and drums, plus it works just as well in the studio as it does on stage. With superb off-axis rejection and requiring no EQ, the Sontronics SOLO is very easy to set up and use, whether you're a live sound engineer, a gigging vocalist with your own PA or a guitarist recording amps in your home set-up. In fact, during the testing stages of the mic in various venues with a range of musicians, the SOLO outperformed many other dynamic mics including some that cost four or five times the price of SOLO! Manufactured in Sontronics’ home county of Dorset, the SOLO is engineered from a solid piece of aluminium with black anodised finish and beautifully etched logo, and it feels substantial but not too heavy in the hand. The SOLO is supplied with a mic clip with a thread adaptor so it will fit any size mic stand, plus zip-up, leather-look pouch for simple storage and protection when moving from gig to gig. And like all Sontronics mics, the SOLO is covered by our Lifetime Warranty. SOLO is going to revolutionise the live sound scene and when you hear it, you won't believe your ears.... or the price! SOLO HIGHLIGHTS: - handheld dynamic mic  - tight supercardioid pattern  - excellent off-axis rejection  - requires no EQ  - comes with mic clip and pouch  - amazing quality & great value  - covered by LIFETIME WARRANTY RECOMMENDED FOR… - live vocals (sung, rap, MCing, etc)  - studio vocals  - guitar amp  - kick drum and snare drum  - hi-hat and other percussion  - harmonica

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