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Beyer Dynamic DT 770 Pro 32 ...

1.890,-

Et av verdens beste hodetelefoner i 32 Ohm variant, genialt for bærbar lyd. Denne modellen er solgt i store volum til utallige fornøyde brukere! Closed reference headphone for control and monitoring applications. The three available versions: DT 770 PRO, 32 ohms, for mobile applications DT 770 PRO, 80 ohms, for recording applications within the studio DT 770 PRO, 250 ohms, for mixing applications in the studio  The DT 770 PRO is a closed dynamic headphone which has been designed for critical music and sound monitoring. The single sided cable makes the handling of the headphone easy. The cushion system allows the DT 770 PRO to be used comfortably for very long periods of time.  DT 770/880/990 History: The legendary DT 770/880/990 series has it's roots back in 1981, when the  DT 880 was launched - the first dynamic headphone with electrostatic characteristics. In 1985 the DT 770 and 990 models were introduced, completing the series and providing the market with a choice of closed (DT 770), semi-open (DT 880) and open (DT 990) types, for maximum flexibility. The first designs of these models had plastic head bands which, whilst strong, weren’t as robust as the range demanded. However, in the beginning of the 1990's the first professional models were introduced, with spring steel head bands, aluminium yokes and extremely robust ABS housings. Subsequently, the range has taken the world by storm and models are being used all over the world, from recording studios to live broadcast to the home user. ▲ Closed, diffuse-field studio headphone  ▲ "Bass reflex" technology for improved bass response  ▲ Comfortable fit due to rugged, adjustable, soft padded headband construction  ▲ Robust, easy serviceable construction as all parts are replaceable  ▲ Single-sided cable  ▲ Optionally also with built-in Limiter ▲ Velour, circumaural ear pads ▲ 3.0m (9.8 ft.) coiled cable ▲ Including drawstring bag
Beyer Dynamic DT 770 Pro 80 ...

1.890,-

Profesjonell studio hodetelefon. Ekstremt lukket (18dB) 5-35.000 Hz.80Ohm. Jevn frekvensgang gjør DT-770 egnet til kritisk lytting og vokal opptak. God plass til ørene gjør at de er behagelig å ha på mange timer i strekk. Robust konstruksjon som tåler mye juling! Utbyttbare øreputer. En lydopplevelse gjennom fenomenal bassrespons! Best i Test "Hardware.no" Closed reference headphone for control and monitoring applications. The three available versions: DT 770 PRO, 32 ohms, for mobile applications DT 770 PRO, 80 ohms, for recording applications within the studio DT 770 PRO, 250 ohms, for mixing applications in the studio  The DT 770 PRO is a closed dynamic headphone which has been designed for critical music and sound monitoring. The single sided cable makes the handling of the headphone easy. The cushion system allows the DT 770 PRO to be used comfortably for very long periods of time.  DT 770/880/990 History: The legendary DT 770/880/990 series has it's roots back in 1981, when the  DT 880 was launched - the first dynamic headphone with electrostatic characteristics. In 1985 the DT 770 and 990 models were introduced, completing the series and providing the market with a choice of closed (DT 770), semi-open (DT 880) and open (DT 990) types, for maximum flexibility. The first designs of these models had plastic head bands which, whilst strong, weren’t as robust as the range demanded. However, in the beginning of the 1990's the first professional models were introduced, with spring steel head bands, aluminium yokes and extremely robust ABS housings. Subsequently, the range has taken the world by storm and models are being used all over the world, from recording studios to live broadcast to the home user. ▲ Closed, diffuse-field studio headphone  ▲ "Bass reflex" technology for improved bass response  ▲ Comfortable fit due to rugged, adjustable, soft padded headband construction  ▲ Robust, easy serviceable construction as all parts are replaceable  ▲ Single-sided cable  ▲ Optionally also with built-in Limiter ▲ Velour, circumaural ear pads ▲ 3.0m (9.8 ft.) coiled cable ▲ Including drawstring bag
Beyer Dynamic DT 770M Pro ...

2.490,-

beyerdynamic DT-770M er et lukket headset beregnet for trommeslagere og lydteknikere i studio. Denne modellen er mer dempet enn den vanlige DT 770 pro 80 ohm og har ikke samme bruksområder. Mens den vanlige DT 770 pro i 32, 80 og 250 ohm kan benyttes til alle formål, er denne spesifikt rettet mot studio. Tekniske data   Transducer type Dynamic Operating principle Closed Nominal frequency response 5 - 30,000 Hz Nominal impedance 80 Ohm Nominal SPL 105 dB SPL Nominal T.H.D < 0.2% Power handling capacity 100 mW Sound coupling to ear Circumaural Ambient noise isolation approx. 35 dB(A) Nominal headband pressure approx. 6.5 N Weight (without cable) 300 g Length and type of cable 3 m / straight cable Connection Gold plated stereo
Beyer Dynamic DT 900 Pro X ...

2.990,-

beyerdynamic DT 900 PRO X Studio - Podcast - Gaming - HiFi Den nye referansen DT 900 PRO X. Pålitelig lyd møter høy ytelse og stor fleksibilitet. Tilbud gjelder kun 1 stk. på lager! Med den åpne DT 900 PRO X presenteres en studiohodetelefon som er egnet for profesjonell innspilling, miksing, Gaming, HiFi eller for ren musikknytelse. Selv om våre klassikere som DT 770 PRO eller DT 990 PRO regnes som en referanse i profesjonelle studioer rundt om i verden, kan den nye PRO X serien brukes enda mer fleksibelt. Årsaken til dette er den nyutviklede STELLAR.45 driveren som gjengir den beste lyden i studiokvalitet høyt og kraftig på alt av avspillingsenheter. Høy ytelse med en impedans på 48 ohm. STELLAR.45 driveren/elementet utvikles og produseres på fabrikken i Heilbronn.  Driveren leverer den allerede utprøvde beyerdynamiske lyden med enestående effekt. Årsaken til dette er en sterk neodymmagnet og en nyutviklet talespole. I kombinasjon med den nyutviklede trelags høyttalermembranen med et integrert dempingslag, skaper dette et svært effektivt driversystem som fungerer godt på alt, og for alle som vil ha best mulig lyd. Den nye membranstrukturen styrer den aksiale bevegelsen til talespolen og sørger for en stor toleranse for høye svingninger og høy yteevne. En annen fordel er den brede og naturlige raske frekvensresponsen på grunn av spolens lave vekt, det sikrer en pålitelig og forvrengningsfri lyd selv ved høye lydtrykk. Type: Åpen Puter: Utskiftbare velur puter Impedans: 48 ohm Frekvens: 5...40.000 Hz Medfølgende: 3 m og 1,8 m rett kabel med avtakbar 3-pins mini XLR og jackplugg (3,5 mm & 6,35 mm adapter) SPL: 100 dB
Beyer Dynamic DT990Pro 250 ...

2.190,-

beyerdynamic DT 990 Pro, åpen legende   Profesjonell allround hodetelefon for lytting i stua eller som arbeidshest om du jobber med musikk.   Pro modellene fra beyerdynamic har en ekstremt bra gjengivelse, god plass til ørene, og velurputer som gjør det behagelig å ha på mange timer i strekk. Øreputene er utbyttbare ved slitasje. DT 990 Pro versjonen blir brukt til mange ulike formål og har de siste årene vært en favoritt hos mange Gamere som bruker ekstern mikrofon. Som studio og HiFi hodetelefon har den vært en klassiker siden 1980.   Åpen modell  5-35.000 Hz 250 Ohm, trenger hodetelefonforsterker(Se under hodetelefonforsterkere på denne siden.)
beyerdynamic M 88 TG Vokal og ...

6.490,-

M-88 er en klassiker i PA og studio sammenheng. Opprinnelig konstruert for vokal, men mest benyttet i basstromme og til oppmikking av bass. Rekken av artister som har brukt denne er lang, men Phil Collins har spilt inn det meste av sin vokal med denne, og også brukt den live. David Bowie er en annen artist som har sverget til M-88.   Bruker du M-88 i basstromme MÅ du bruke pop-filter for å ungå brenning av elementet, f.eks. PS-88. TECHNICAL SPECIFICATIONS   Transducer type  Dynamic moving coil Operating principle Pressure gradient Frequency response 30 - 20,000 Hz Polar pattern Hypercardioid Rear attenuation at 1 kHz > 23 dB at 120° Open circuit voltage   at 1 kHz (0 dB =1 V/Pa)  2.9 mV/Pa Magnetic field suppression > 20 dB = 50 Hz Nominal impedance 200 O Load impedance = 1000 O Diaphragm Hostaphan® Casing  Brass Connection 3-pin XLR male Dimensions:   Length  181 mm Shaft diameter 25.5 mm Head diameter 48.5 mm Weight w/out cable 320 g
Black Lion Audio Auteur MK2 ...

2.798,-

Auteur MKII 500 Mic Pre The Auteur MKII 500 is a single channel, 500 series preamp that features phantom power, phase, a 13dBu pad, and a Hi-Z input. The Auteur MKII 500 is one of the most “bang for your buck” 500-series preamps in existence! You get all of the sound of the 1⁄2 rack version, but with the addition of a Hi-Z input! It features an ultra-fast input stage that captures lots of detail and nuance, and a signal path transformer that adds some “beef” on the way out. Once you hear the Auteur MKII 500, you’ll want to load your 500 rack full of ‘em!
Black Lion Audio Auteur MK3 ...

5.016,-

Auteur MKIII – 2-Channel Transformer-Coupled Microphone Preamplifier Black Lion Audio has been known and trusted for years as the go-to masters of audio equipment modification — taking gear to new heights with uncompromising mods. Years of preamplifier modification have culminated into their own offering of Chicago-style sonic bliss: the Auteur mkIII — 2 channels of fast response, with fat low-end sound. The Auteur mkIII design starts with a modern front-end that’s best described as fast and transparent — perfect for capturing every nuance and detail. This is followed up by a vintage-inspired output-stage design coupled with a Cinemag transformer for massive, colorful sound. This design approach results in a preamp that’s a perfect jack-of-all-trades that sounds amazing on everything you can throw at it. Both channels have line level inputs for adding warmth and weight to keyboards, synths and even full stereo mixes. The Hi-Z switch makes for a stellar instrument input for direct capture of guitar and bass. Auteur mkIII features a tour-worthy chassis, that’s extremely portable. Not only is it great on the go, but it fits perfect on a desktop for smaller setups. Removable rack ears are also included, as Auteur mkIII can be racked in a 1/2U space. Every good mic needs a great preamp to bring out it’s best, and the Auteur mkIII is an exceptional offering for your entire microphone collection. Features 2-channel microphone preamplifier Modern IC-based front-end for fast and transparent sound Vintage-inspired transformer-coupled output-stage featuring Cinemag transformers for massive, colorful sound Line and Hi-Z input -10dB pad, 48v phantom power, and polarity reverse for each channel 62dB of gain Balanced TRS line outputs Removable rack ears included with 1U 1/2 rack compatibility
Black Lion Audio Auteur Quad ...

10.022,-

The Auteur Quad is the four channel version rack mount of our ever popular Auteur MK2 preamp. The Auteur Quad is the four channel version rack mount of our ever popular Auteur MK2 preamp. The Auteur preamp has become a studio staple over the last decade and is know for its fast, transparent IC based front end while also providing a fat, colorful back end via edcor transformers. This mixture of vintage and modern design approaches has led the Auteur to be known as the “Swiss army knife of preamps” that sounds great on everything. It especially shines on sources that require detail but also benefit from some thickness such as drums or vocals. Some of the major additions to the Quad over the 2 channel half rack unit would be the all new meters on all four channels as well as borrowing the loved DI circuit from our 500 series Auteur on the first 2 channels. This feature set as well as channel count gives you one of the most affordable preamps in the world at an unbelievable price.
Black Lion Audio B12A MKIII ...

4.853,-

Meet the Black Lion Audio B12A mkIII — the most portable 312A American-sound around! The B12A mkIII uses the same Cinemag input and output transformers as our B12A Quad for a whopping 70dB of gain. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain allow for perfect recall. Features • 1-channel preamp with USA Cinemag input and output transformers • Stepped gain control; front-panel DI • Phantom power, polarity-reverse, 18dB pad, hi-Z switch • External power supply minimizes noise • Convenient, rugged half-rack chassis • Designed and assembled in the USA
Black Lion Audio B12A Quad 4 ...

15.039,-

The B12A Quad is Black Lion Audio’s latest rendition of 312A-style gain with 70dB of bang! Housing four channels of Rock ‘n’ Roll punch in a 1U chassis, it delivers modern flair with solid vintage tone at an unbeatable price! Each channel of the B12A Quad has the same delicious Cinemag input transformer found in the venerable B12A Mk2, but also sports Cinemag output transformers, two front panel D.I.’s, output metering on every channel, and XLR/TRS parallel outputs in back! And if that doesn’t cook your noodle, the B12A Quad packs all of this punch at under $300/channel!
Black Lion Audio B172A - Dual ...

18.529,-

B172A Hybrid F.E.T. Opto Compressor Black Lion Audio, having hit the mark with the widely adored Seventeen compressor, has struck again, combining the Seventeen’s F.E.T. circuitry with a worthy optical section in the B172A! This unit combines the two separate ’76 and 2A circuits into a single unit that allows you to route the signal in any order you like to be able to provide this very useful compression technique. Every so often, two incredible things, wholly enjoyable on their own, combine to form a pair so sweet and complementary, that it becomes hard to think of one without the other… Sonny & Cher, Lennon & McCartney, Snoop Dogg & Dr Dre and perhaps the greatest and most literal “dynamic duo” of all time – the 1176 and LA-2A! The 1176 and LA-2A when used together, have become a studio stable for decades, often wired in series with each other so that one catches the audio’s peaks and the other does the heavy compression. Black Lion Audio, having hit the mark with the widely adored Seventeen compressor, has struck again, combining the Seventeen’s F.E.T. circuitry with a worthy optical section in the B172A! This unit combines the two separate ’76 and 2A circuits into a single unit that allows you to route the signal in any order you like to be able to provide this very useful compression technique. The Seventeen’s success put pressure on BLA to pair the already proven F.E.T. side with an equally formidable optical mate. The challenge was met on the B172A through the creation of a custom T4B “opto” element called the “T4BLA”. BLA’s lengthy experience in modifications lent designers the proper patience and mindset to tweak subtleties in the optical element until it was a supreme asset in the design. With a heavy attention to detail and design, the T4BLA is designed to be the single best T4B optocell available today. Flexibility was a main goal of the B172A since its initial concept. While many engineers agree on the benefits of using both compression types, the order in which to do so is still debated. The AB-BA switch on the B172A allows for quick internal routing of the signal. The two compressors can also be used completely independent of each other when utilizing the 3rd position (link off) on the AB-BA switch. Each circuit also has stereo linking so a pair of B172A’s can be used in stereo. As always, a painstaking amount of time has been spent on choosing the best possible transformers needed for the circuit. Featuring a Cinemag input transformer on the LA-2A side, BLA’s own Chicago-wound output transformers on both circuits, high-grade signal path and decoupling capacitors, the B172A gives studio owners ultra convenient access to a pair of high quality dynamics processors that have stood the test of time while also providing a tool never before available in a single box.
Black Lion Audio B173 MKII ...

5.372,-

Meet the Black Lion Audio B173 mkII — the most portable 1073 British-sound around! The B173 mkII uses the same Cinemag input and output transformers as our B173 Quad for a whopping 70dB of gain, a revamped gain stage, and a lower noise floor for cleaner, lower distortion sound. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain and variable output attenuation allow for perfect control over transformer saturation. Features • 1-channel preamp with USA Cinemag input and output transformers • Stepped gain control; variable output attenuator • Front-panel DI, phantom power, polarity-reverse, 18dB pad, hi-Z switch • External power supply minimizes noise • Convenient, rugged half-rack chassis • Designed and assembled in the USA
Black Lion Audio B173 Quad ...

18.020,-

Please give a warm welcome to all 70dB of Black Lion Audio’s latest iteration of 1073-style gain, the B173 Quad! Rather than “just another clone,” the B173 Quad seamlessly combines vintage character with modern sensibilities in a stylish 2U chassis with a feature set to satisfy the most demanding of audio engineers. A revamped gain stage and lower noise floor pave the way to a cleaner, lower distortion sound, while Cinemag input and output transformers keep things smooth and warm. Two front panel D.I.’s impart a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain and variable output attenuation allow for perfect control over transformer saturation. Metering on all 4 channels displays how hot your output signal is hitting the parallel TRS/XLR outputs, and an external power supply keeps noise out of your tracks! At under $375/channel, there’s no reason not to add a B173 Quad to your front end arsenal, or two!
Black Lion Audio Bluey 500 ...

8.374,-

Black Lion Audio - Bluey 500 FET Limiting Amplifier Bluey 500 is the 500-series version of the lauded Black Lion Audio Bluey. The original “Bluey” is Chris Lord-Alge’s not-so-secret weapon; the heavily-modified 2U compressor to the stars that’s been heard on countless hits. Having undergone years of odd fixes, modifications, and upgrades, the original Bluey was a singular and unique piece of studio unobtainium — until Black Lion Audio got their mitts and voltmeters on it. After working with Chris to reverse-engineer untold years’ worth of mods, component replacements, and upgrades, Black Lion Audio was able to make the legendary Bluey sound available to the world with the introduction of the original 2U Bluey compressor. Of course, they added a few features along the way without sacrificing what makes Bluey what it is. Black Lion firmly believe that everybody deserves a li’l Bluey in their life, so they’re proud to bring the world another li’l Bluey — the Bluey 500 — ready to add that unmistakable blue-striped mojo to your 500-series rack. You get all the squeeze, heft, and grit of the original Bluey in just two 500-series slots — a fraction of the original’s footprint.
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