Lyd

3.890,-

SSL SiX CH ( SiX Channel strip) The SSL SiX Channel is a single-width 500 Series mini channel strip using the SuperAnalogue channel processing features from SSL’s SiX console including the Mic-pre, low and high frequency EQ, as well as the single knob compressor. The SiX Channel is a simple way to add additional Mic/Line inputs to the line level inputs of any professional audio device, including the Stereo channels of the SiX console. It is also a flexible way to create a professional modular mixer from a ‘summing’ 500 Series rack unit. SuperAnalogue Pre-Amp input: A wide gain range, ultra low noise SuperAnalogue design provides both Line and Mic facilities with a “Line” gain range switch to cover a wide range of source levels. The nominal Line Input impedance is 10 kΩ. This can be changed to 1 MΩ using the Hi-Z switch. The 1MΩ impedance makes this input suitable for very high impedance sources such as passive guitar pickups without the need for an external DI box. Other Features; · Switched 12 dB/oct, 75 Hz High Pass Filter (HPF) · Polarity Switch (ø) inverts the polarity of the rear XLR Mic Amp rack input. · A five segment LED meter shows the output signal level in dBu EQ: The EQ is a gentle, broad stroke two-band design with high and low shelving filters at 3.5 kHz and 60 Hz, adjustable from +15 dB to -15 dB of gain. Each band can be independently switched between shelving and bell curves. The bell curves change centre frequency to operate at 5 kHz and 200 Hz giving greater versatility from the two controls. COMP: A versatile ‘one knob’ channel compressor with features that give powerful and versatile performance from its deceptively simple controls. A three LED meter indicating the amount of gain reduction being applied. The circuit has automatic make-up gain to maintain signal level for the full range of threshold settings. Key Features: SuperAnalogue Mic Pre with 48V, Polarity and HPF Front Panel TRS Line Input with 1MΩ Hi-Z switch. Switched 2 band EQ with indepandantly Switched single knob compressor with variable threshold. 5 frequency selectable High-Pass Filter and Dedicated Output Trim. Tech Specs: Module signal: Mono Pre-Amp Gain: Variable from +6 to +72 dB (Mic), -3 to +63dB (Line) Mic Pre EIN: Typically 129dB THD+N: <0.0015% CMRR: >80dB (Mic), >70dB (Line)

SSL 500-Series UltraViolet ...

6.230,-

SSL ULTRAVIOLET Equaliser The SSL 500 Series ULTRAVIOLET Stereo Equaliser takes the acclaimed min¬imum phase-shift EQ section from Fusion and puts it into the 500 Series format. The ULTRAVIOLET EQ takes things a little further than Fusion by adding two dedicated mid-bands, with a unique Focus control, for ultimate EQ flexibility. An ideal partner to the legendary 500 Series SSL Bus Compressor, the ULTRAVIOLET EQ draws on the SSL legacy of careful selection of frequencies and response curves to create a musical and intuitive EQ designed to quickly dial in a radio-ready sound for your mix. Focus Mode: Focus mode allows the user to ‘hone in’ on problem frequencies or specific frequencies they want to accentuate or attenuate. Pressing the ‘Focus’ switch in, automatically narrows the chosen Q setting further and increases the range of gain available beyond the normal +/-9 dB operation. In true flexible SSL workflow fashion, it transforms this sweet sounding, musical SSL EQ into a more surgical tool. Key Features: 4-Band SSL Stereo EQ Minimum-Phase High and Low shelving bands inherited from Fusion. 2 fully parametric SSL Mid-Bands, with ‘Focus’ mode. 5 frequency selectable High-Pass Filter and Dedicated Output Trim. Tech Specs: Module signal: Stereo LF Shelf EQ: +/- 9dB Gain at 30, 50, 70, 90Hz HF Shelf EQ: +/- 9dB Gain at 8k, 12k, 16k and 20kHz. HMF Parametric EQ: +/- 9dB Gain 400Hz-6kHz LMF Parametric EQ: +/- 9dB Gain 100Hz-1.1kHz Switchable HPF: OFF, 30, 40, 50Hz Gain Trim: +/- 12dB Switched Bypass: Yes

SSL 500-Series VHD+ Preamp

7.870,-

SSL VHD+ Variable Harmonic Drive (VHD) Mic Preamplifier The VHD+ Pre is an immensely versatile recording and processing device. It can deliver ultra clean SSL SuperAnalogue™ grade recordings but also features a switchable VHD mode. SSL’s patented Variable Harmonic Drive (VHD) system uses a 100% analogue signal path to generate rich harmonic distortion. As you increase VHD input gain, the Variable Harmonic Drive process introduces either 2nd or 3rd harmonic distortion or a blend of the two to your source material. At lower gain settings it adds gentle valve-style warmth or a touch of transistor edge. As the gain is increased the more extreme the distortion becomes until at high gain settings it delivers fierce trashy bipolar transistor style grunge. This new 500 series version features front and rear inputs with four different impedance selections making it an extremely versatile mic pre and DI box for a wide range of microphones and instruments. The Mic Amp provides up to +75 dB of super clean gain. The VHD switch along with the Drive control provides a variable mix of 2nd to 3rd order harmonics to add warmth and colour to the signal. A Trim control provides +/- 20dB of output trim, which allows the Mic Pre to be ‘driven’ and then the output dialled back to prevent overload of the next module in the chain. An 18dB/Octave High Pass Filter provides a way to filter low frequencies such as floor rumble and is switched to bypass it from the signal path. The front panel 1/4” Tip/Ring/Sleeve (TRS) Jack Socket provides a convenient way to connect instruments when the module is fitted in a rack. This balanced input overrides the rear XLR and has a 10KΩ input impedance and features an automatic -10dB level pad to allow for typically louder balanced line level signals. The Jack input can also be used with unbalanced (TS) cables such as those from synthesizers or guitars. The input level and impedance are switched to 0dB and 1MΩ respectively (for very high impedance sources such as guitar pick-ups) with selection of the HI-Z switch. The rear XLR and front Jack inputs have different impedances available by using the Hi-Z switch and allow for a wide variety of sources. The rear XLR input impedance changes from 1.2 KΩ to 10KΩ for Hi and Lo Z Microphones. The front panel Hi Z switch changes the front Jack input impedance from 10KΩ for line sources such as keyboards to 1MΩ for sources such as electric guitars and basses. Signal level is indicated with a tri-colour LED and the scale of the LED can be set between two -3dB overload points at +16 and +21dBu to allow for operation with +18dBu or +24dBu operating levels. Key Features Ultra clean SSL SuperAnalogue grade preamp VHD system adds controllable 2nd or 3rd harmonic distortion Switchable LF Filter (15Hz to 500Hz) +48V Phantom Power with status LED Pad for use with line level source material Front TRS Jack input with ultra Hi-Z switch for Instrument DI Signal polarity invert switch

SSL Alpha 8 Audio Interface

6.650,-

ALPHA 8 High-performance 8 x 8 AD/DA converter with Analogue, ADAT, S/PDIF and USB I/O The ultimate audio interface expander Building on the acclaimed Alpha Link range, ALPHA 8 is an 8-in/8-out professional-grade analogue to digital, digital to analogue converter, perfect for expanding your audio interface via ADAT and S/PDIF. Alternatively, you can configure ALPHA 8 to address all analogue and digital I/O simultaneously via USB, giving you an 18-in/18-out audio interface. Featuring class-leading conversion, flexible routing, and impeccable audio performance, ALPHA 8 unlocks the full potential of your setup. The compromise is over Using next-generation 32-bit/192 kHz converters, ALPHA 8 brings SSL-grade audio performance to your studio. With huge dynamic range, stunningly low THD+N and crosstalk, and exceptionally low noise floor, ALPHA 8 delivers line-level heaven for your analogue outboard processing, samplers, synths and drum machines. The compromise is over – capture your sound with the quality it deserves. Input Dynamic Range: 120 dB, Output Dynamic Range: 123 dB Input THD+N: -110 dB, Output THD+N –108 dB Analogue agility and digital dominance ALPHA 8 is capable of many different routing configurations to suit your specific needs, making sure you can get the most out of all the digital and analogue I/O it offers. Whether you need a simple bidirectional Analogue <> ADAT/SPDIF converter, an aggregate 18-in/18-out USB audio interface, or a mixture of the two, ALPHA 8 provides flexible routing options for its analogue and digital I/O. The great connector The operating level of each analogue input and output can be individually adjusted to +9, +18, +20 or +24 dBu operating levels, ensuring optimal signal integrity and maximising headroom for devices connected to ALPHA 8. Whether it’s 19" rack gear, analogue mixers, 500-series modules, or monitor controllers, ALPHA 8 ensures every connection to your equipment is fully optimised. On the digital side, Word Clock in and out, ADAT, and S/PDIF clocking options ensure ALPHA 8 provides outstanding digital audio handling, guaranteeing jitter-free, rock-solid integration in your studio environment whilst elevating the performance of your creative space. SSL 18 + ALPHA 8 While ALPHA 8 is the ultimate audio interface expander for producers and engineers looking to bring SSL sound and quality to their existing set-up, ALPHA 8 is also the perfect companion to SSL 18. Instantly expand SSL 18’s I/O via ADAT adding 8 channels (1 x ALPHA 8) or 16 channels (2 x ALPHA 8s). Perfect for effortlessly integrating additional analogue outboard processing, analogue mixers and more. Expand your workflow ALPHA 8’s flexible analogue and digital routing unlocks a multitude of workflow possibilities. Create hardware insert paths for 500 Series modules, outboard EQs, compressors, or hardware FX. Use the S/PDIF I/O for integrating external metering or amp simulators. Alternatively, make Alpha 8 your primary interface, seamlessly connecting analogue and digital devices to your DAW via USB-C. For electronic music producers, ALPHA 8’s outputs are capable of outputting Control Voltage to control synthesisers, modular rigs and CV-enabled FX pedals. SSL Production Pack: SSL has been helping world-class artists, producers and engineers make great music and audio for decades. They know it’s crucial to have the right tools for the job, so SSL has partnered with some of the industry's key brands to offer you the SSL Production Pack, bundled free with registered ALPHA 8 audio interfaces. Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, fuel your creativity and bring your productions to life with the SSL Production Pack (worth over $1100). CA Complete Access 6 Month Trial Included with ALPHA 8 　 As an eligible SSL interface owner, claim 6 months FREE Complete Access subscription. Featuring every plug-in from Solid State Logic, Slate Digital and Harrison Audio, Complete Access gives you all of the software tools you need to make your next hit. Key Features: The ultimate audio interface expander and the perfect partner for SSL 18. High performance, next-generation 32-bit / 192 kHz conversion. Class-leading dynamic range, THD+N and crosstalk audio performance. 8 balanced line inputs and outputs. Up to 8 channels of analogue to ADAT and ADAT to analogue conversion. Configurable operating levels for each input and output to best match your external equipment: +24/+20/+18/+9 dBu. DC-coupled outputs are perfect for sending control voltages to synthesisers and modular rigs. 10 digital inputs and outputs (8 channels of ADAT, 2 channels of S/PDIF). Up to 2 channels of analogue to S/PDIF and S/PDIF to analogue conversion. Up to 2 channels of S/PDIF to ADAT and ADAT to S/PDIF conversion. S/PDIF available on coaxial or optical connectors. Flexible conversion configuration. The physical outputs can be fed with a mixture of analogue, digital and USB audio signals, providing a great level of flexibility. 18-in / 18-out USB audio interface. Use ALPHA 8 as an aggregate USB audio interface Record and playback to all 8 analogue and 10 digital I/O via USB. High-current front panel headphone confidence check – audition any individual input or output (or stereo pair). Choose from 3 different settings to optimise for your headphones – Standard, High Impedance, High Sensitivity. Dedicated front panel input and output meters. Word Clock in and out & input termination switch. Clock internally, or from incoming ADAT, S/PDIF or Word Clock SSL Production Pack Software included – worth over $1400.

SSL BiG SiX Rack Ears

920,-

Rack skinner for SSL BIG SIX mikser.

SSL BIG SiX Superanalogue ...

23.350,-

BiG SiX combines production tools from iconic SSL studio consoles with the latest in hybrid workflow. G-Series Bus Compressor with renowned ‘Auto’ release, E-Series EQ, glorious sounding mic pres with channel processing, and advanced monitoring and routing, all designed on a SuperAnalogueTM foundation and brought together with full USB integration. BiG SiX is the essential SSL studio. SuperAnalogue design Initially developed for the SL 9000 Series consoles to take analogue performance to the next level, SuperAnalogueTM technology is at the heart of BiG SiX and is fundamental to what sets it (and SiX) apart from other desk-top mixers. SuperAnalogueTM technology is the sum of an applied design philosophy, constant invention, and dedication to optimizing every detail of our precision audio products. There are many contributing aspects, including our bespoke circuits, ground-breaking low-noise gain control, servo-coupled amplifier stages, and many more. USB interface BiG SiX contains a class compliant USB 96 Khz / 24 bit interface to connect to a PC or MAC. The interface is paired with 16 high quality A/D and D/A converters that are connected to the SuperAnalogueTM signal chain in BiG SiX. The first 12 channels are split across the first 12 inputs/outputs and can be switched pre/post fader. USB channels 13-16 route to/from External inputs and Master buses. Alternatively, sends 9/10 and 11/12 can be fed from the stereo cue buses. Perfect for additional ITB processing. Preamps Fast, detailed and very, very punchy. BiG SiX’s SuperAnalogueTM preamps are capable of comfortably handling a wide variety of microphones (including ribbon) thanks to their super wide gain range. They feature a dedicated line input with Hi-Z, 48V, high pass filter and polarity switch, and will get the absolute best out of your new and vintage instruments and line level sources. Channel compressor Smooth, refine and add character with classic SSL channel compression. The compressors program dependent attack time (8ms – 30ms), release time around 300ms and the gentle 2:1 ratio allow the compressor to work across a wide variety of content and makes up one of the three compression flavours BiG SiX offers 3 band SSL EQ The channel EQ on BiG SiX has its roots in SSL’s classic E series, matching its EQ curves on the broadest setting. It is a broad stroke three-band design with high and low shelving filters at 3.5 kHz and 60 Hz, adjustable from +15 dB to -15 dB of gain and a fixed Mid Frequency control at 700 Hz. The HF and LF bands can be independently switched between shelving and bell curves, and can be found on every channel of BiG SiX.

SSL Connex USB Mikrofon

776,-

SSL Connex is an advanced USB microphone from Solid State Logic. SSL Connex has four mic capsules, one facing out from each side of the pyramid shape to form a quad microphone array. Tailored audio processing modes are available for different applications, e.g., making calls in all major video conferencing applications as an individual or in a round table setting, podcasting, or recording vocals or instruments. The mic array is automatically mixed down for use in traditional video conferencing settings. The discreet mic capsule signals are also available for creating immersive recordings. SSL Connex can be used on any flat surface or mounted to a mic stand or camera tripod and, coupled with the two metre USB cable provided, allows for flexible placement in almost any scenario. The front-mounted stereo headphone output is perfect for attending video calls, monitoring recordings or simply used to enjoy being immersed in one’s favourite music reproduced through SSL Connex’s studio quality audio converters. The audio processing in SSL Connex is derived from the same DNA and heritage as the SSL’s large format mixing consoles; the technological centrepieces for countless hit records produced in recording studios throughout the world for over 40 years. SSL Connex encapsulates all of SSL’s engineering expertise in studio quality mic preamp, EQ and compressor circuit design in a unique form factor to produce a USB microphone like no other! Key features: Advanced USB microphone with high quality quad microphone array for conferencing, content creation and recording. Studio quality processing using SSL EQ and dynamics algorithms. Four pre-set user modes: -Solo (directional; e.g. for conference calls, podcasting, streaming) -Group (e.g. round table discussions) -Vocal (e.g. recording singing, narration, rapping) -Music (e.g. recording loud sources) Automatic smart mixer to make sure everyone’s heard. High power 3.5 mm headphone output for crystal clear audio Microphone Loopback option for ambient monitoring Touch controls to adjust headphone level and mute the mic ‘Cough Switch’ and ‘Push To Talk’ features for temporarily muting/unmuting the mic Backlit RGB illuminated Solid State Logic logo indicates mic mute and user mode 1⁄4” thread in base with mic stand thread adapter for flexible mounting 2 m USB Type C to C cable and USB Type C to Type A adapter included USB powered Compatible with Windows and Mac OS Works with Laptop or tablet

SSL Delta-Link MADI OptiCoax ...

7.100,-

MADI Opti-Coax MADI (Multi-channel Audio Digital Interface) is an established standardised audio format that can carry up to 64 channels of audio in a single cable connection. MADI is available in two different cable/connection formats; MADI Optical (Optical Fibre cable with SC type connectors) or MADI Coaxial (Coax’ cable with BNC connectors). The SSL ‘MADI Opti-Coax’ is a handy format converter box designed to convert up to 64 audio channels bi-directionally (64 IN & 64 OUT) between the MADI Optical and MADI Coaxial formats. Its front panel is equipped with one set of MADI SC type optical input & output connectors and one set of MADI BNC coaxial input & output connectors. Conversion takes place in real time with no latency and no audio degradation. In addition to simple format conversion MADI Opti Coax can be used to extend cable distance coverage from 50m for the MADI Coax format to 2km for the MADI Optical format. MADI Opti-Coax is housed within a rugged all metal case and is extremely simple to use. Key Features MADI optical to coax converter MADI coax to optical converter Real time operation (no latency) Extends your MADI distance coverage: from 50m (coax) to 2 km (optical)

SSL Fusion Stereo Master ...

19.460,-

Fusion is an all-analogue 2U stereo outboard processor created for the modern hybrid studio. Fusion introduces five completely new analogue colouration tools designed to bring the perfect combination of added tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse that only real analogue circuits can provide. The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of studio consoles; pristine mic pre’s, classic Channel EQ & Dynamics, the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the unique SSL summing bus. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor.

SSL PureDrive Octo 8-kanals ...

23.330,-

SSL PureDrive Octo 8-kanals Mic Preamp PURE DRIVE OCTO harnesses the renowned SuperAnalogue PureDrive™ microphone preamp technology originally featured in Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes it available in an 8-channel 2U rackmount unit. SSL's contemporary-classic recording console, ORIGIN, introduced the PureDrive™ microphone preamplifier. This innovative preamp retains the clarity and punch of previous SSL designs while offering the added versatility of switching its character to a warm, harmonically rich, and driven tone that varies with gain. ORIGIN, along with the PureDrive™ microphone preamp, has made its mark in the world's premier studios. Whether it's capturing the delicate nuances of a piano concerto in PURE mode or imparting warmth on a drum recording when set to DRIVE, the PureDrive™ microphone preamp has become an essential tool in some of the most prestigious studios and recording facilities due to its flexibility and superb sonic signature. PURE DRIVE OCTO continues the legacy into rack format, delivering eight microphone preamps with ORIGIN’s renowned PURE and DRIVE modes, but takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE OCTO offers four mic preamp input impedance options, enabling engineers to explore various tonal possibilities or match the mic pre's impedance closely to the microphone. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a High Pass Filter. PURE DRIVE OCTO stands as one of the most capable and feature-rich outboard microphone preamplifiers available, introducing a host of new sonic possibilities and workflows for the discerning producer and recording engineer. 3 DRIVE Flavours, 1 Mic Pre PURE DRIVE OCTO is a testament to SSL's commitment to progressive analogue circuit design. No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE OCTO, increasing product longevity, and allowing impeccable ‘matching’ between all channels – not just a stereo pair. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings. Each of PURE DRIVE OCTO’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive. Clean mode delivers the highly regarded, ultra-low noise floor, linear SSL preamp that is recognised for its ability to faithfully capture the sound of the source with exceptional clarity and detail. Classic Drive is the symmetrical mode that generates predominantly odd harmonics; the same drive sound found on the ORIGIN console. Asymmetric Drive offers up a new colouration option, specifically designed for the PURE DRIVE range, making the even harmonic content dominant and providing more pronounced thickness, colouration and softening of transients. Advanced Connectivity PURE DRIVE OCTO's advanced connectivity opens a world of recording possibilities. Its comprehensive selection of analogue and digital I/O offers microphone preamps with exceptional performance and flexibility, whether you're tracking a band in a world-class studio or adding warmth to stems in a production scenario. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card. PURE DRIVE OCTO features eight rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE OCTO’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment. PURE DRIVE OCTO's versatile digital connectivity features an integrated USB soundcard providing eight channels of audio into your DAW up to 32-Bit/192 kHz. Four AES/EBU output pairs, and ADAT out, offering eight channels at 24-bit/48 kHz, or up to four channels at 24-bit/192 kHz via SMUX. The AES and ADAT outputs can even be individually repurposed to be fed from the onboard USB soundcard as outputs from your DAW. Finally, there's an auto-ranging word clock input and output for robust digital clocking. Specs: 8 channel high-performance PureDrive™ mic preamps　 +48V phantom power, polarity invert and 3rd order hi-pass filter Stepped Gain control up to +65 dB Gain　 31-step Trim control, with precise 1 dB increments – overdrive the signal with the Gain control and then reduce to a suitable level using Trim.　 3 modes for each preamp – Clean, Classic Drive and Asymmetric Drive　 Mic/Line Input Switching　 Mic via XLR　　 Line via choice of TRS Jack or dedicated D-Sub connectivity　 4 x front panel Hi-Z/DI Instrument unbalanced inputs with automatic input detection　 4 mic preamp input impedance options – explore new tonal possibilities from your dynamic and ribbon microphones　 Balanced analogue outputs/insert sends for external processing　 +24 dBu professional line level insert returns/ADC inputs　 Analogue to digital connectivity via ADAT, AES and USB Ability to switch ADAT and AES connections to source audio from DAW outputs (USB) instead of the A/D converter　 USB soundcard mode　 OCTO – 8 in / 24 out (@44.1/48 kHz)　　8 x analogue / 8 AES + 16 ADAT outs　 Stepped pots and digitally controlled analogue electronics for precision, stereo matching and ease of recall　 Up to 192 kHz and 32-bit conversion, professional I/O levels (+24 dBu = 0 dBFS).　 Selectable Auto-Sleep mode　 Auto-ranging Wordclock In and Out

SSL PureDrive Quad 4-kanals ...

12.990,-

SSL PureDrive Quad 4-kanals Mic Preamp PURE DRIVE Pre's harnesses the renowned microphone preamp technology from Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes them available in 2U rackmount unit. PURE DRIVE QUAD takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE QUAD offers four mic preamp input impedance options. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a sweepable High Pass Filter. PURE DRIVE QUAD stands as one of the most capable and feature-rich outboard microphone preamplifiers available. 3 Flavours, 1 Mic Pre No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE QUAD, allowing impeccable ‘matching’ between all channels. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings. Each of PURE DRIVE QUAD’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive. Advanced Connectivity PURE DRIVE QUAD’s advanced connectivity opens a world of recording possibilities. Its comprehensive selection of analogue and digital I/O offers microphone preamps with exceptional performance and flexibility. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card. PURE DRIVE QUAD features four rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE QUAD’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment. PURE DRIVE QUAD’s versatile digital connectivity features an integrated USB soundcard providing four channels of audio into your DAW up to 32-Bit/192 kHz. Two AES/EBU output pairs, and ADAT out, offering four channels at 24-bit/48 kHz, or cascade two PURE DRIVE QUADs via its convenient ADAT LINK IN connection and access up to eight channels. The AES and ADAT outputs can even be individually repurposed to be fed from the onboard USB soundcard as outputs from your DAW. Finally, there's an auto-ranging word clock input and output for robust digital clocking

SSL SiX The Ultimate Desktop ...

14.490,-

The Ultimate Desktop Mixer. Legendary SSL studio tools redefined and streamlined. To the casual observer SiX looks like any other compact desktop mixer. Look a little closer and like all SSL consoles, SiX reveals a carefully considered feature set that is driven by an obsessive desire for total flexibility, to encompass every creative eventuality. It may be small but SiX is a classic SSL design. It carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful and intuitive. Inspired and rewarding. SiX is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting. SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag a go wherever you need it. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, two band EQ, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders. There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. Key Features: A fully professional condensed console for use in the studio, in post-production, on stage, and for podcasting. Benchmark SuperAnalogue™ audio performance Ultra low noise : ultra-low distortion : pristine sound Stunning Record Path Two SSL console grade SuperAnalogue mic pre’s Classic SSL Channel Processing Essential versions of SSL Channel EQ and Dynamics The unique Listen Mic Compressor Nothing slams drums quite like it! Professional Routing & Monitoring The hidden versatility of truly professional features 12 Input Summing at Mixdown 12 line level inputs with channel and Master Bus inserts Legendary Master Bus Compressor An essential version of the incredible SSL legacy Completely balanced signal path Everything except the headphone jack is fully balanced

SSL SSL 500-Series Bus ...

12.890,-

SSL G-COMP BUS COMPRESSOR Features Legendary SSL G Series Stereo Bus Compressor THE glue and punch maker Additional compression ratio settings 1.5 / 3 / 10 Renowned ‘Auto’ release HPF in sidechain switchable to 30Hz / 60Hz / 106Hz / 125Hz / 185Hz Sidechain In / Out switch Audio production legend The legendary sound of the SSL Stereo Bus Compressor has been glueing mixes together for 40+ years. Often imitated but never equaled, the centre section compressor from the 1980's Solid State Logic G-Series analogue console is an audio production legend. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive. The SSL Bus Compressor turns a mix into a record... The Stereo Bus Compressor brings cohesion and strength to your mix unlike any other processor. To this day it remains a key element of the SSL sound and has become not just a tool for production but a part of top engineers and producers creative process. Key features Legendary SSL G Series Stereo Bus Compressor THE glue and punch maker Additional compression ratio settings 1.5 / 3 / 10 Renowned ‘Auto’ release HPF in sidechain switchable to 30Hz / 60Hz / 106Hz / 125Hz / 185Hz Sidechain In / Out switch

SSL Super 9000 Channel Strip

19.470,-

SSL - Super 9000 Channel Strip Solid State Logic Super 9000. Superior Punch and Clarity, Unparalleled SuperAnalogue™ Performance Super 9000 is Solid State Logic’s all-in-one analogue channel strip, combining the best of SuperAnalogue™ technology to deliver the modern SSL sound. First introduced in the legendary SL 9000 J and perfected in the Duality, the Super 9000 Channel Strip offers the ultra-low distortion, exceptional punch, and breathtaking clarity of our SuperAnalogue™ studio consoles in 1 RU. The 9000 Series made rock and pop mixes sound bigger than ever, while enhancing hip-hop and R&B with deep, extended low-end and shimmering highs. Renowned for making music sound larger than life, with unmatched dynamics and depth, the 9000 Series became the industry standard of its era – setting a milestone in analogue design and paving the way for the development of the Duality and Oracle consoles. Now, the Super 9000 brings that same professional polish – once exclusive to the colossal 9K consoles – straight into your studio. Prestigious facilities, including Abbey Road and Metropolis Studios (London), Real World Studios (Bath), Record Plant (LA), and Avatar/Power Station (NY), quickly made the 9000 Series their standard. Top engineers such as Manny Marroquin (Alicia Keys, Rihanna), Michael Brauer (Coldplay, John Mayer), Kevin Shirley (Iron Maiden, Led Zeppelin), and Tony Maserati (Jay-Z, Beyoncé) used SuperAnalogue™ sound to craft genre-defining hits. SuperAnalogueTM. Design SuperAnalogueTM technology creates a signal path so transparent and wide bandwidth that nothing is lost, putting the engineer right there in the room with the artist. Key design elements include: Super-wide audio bandwidth. Ruler flat frequency response: ±0.1 dB between 20 Hz – 20 kHz. Ultra-low transient intermodulation distortion. No electrolytic capacitors in the audio path. Extremely low noise and harmonic distortion. Exceptionally low phase shift across the audible spectrum. The result is unmatched punch, definition, and a larger-than-life sound stage—qualities that define the modern "SSL sound" and are why SuperAnalogue™ consoles remain the professional’s choice for music production. Dual Mic Amp – SuperAnalogueTM or VHDTM Choose between two world-class preamps, just like on SSL’s flagship Duality console. Opt for the pristine, high-headroom SuperAnalogue™ preamp for unmatched clarity, or switch to the Variable Harmonic Drive (VHD) circuit to add character and saturation. Shape your tone by dialling in 2nd order harmonics for rich, valve-like warmth, or add 3rd order harmonics for a harder, transistor-style edge. The INPUT FLIP button allows you to move the VHD circuit from the Mic Input to the Line Input, making it easy to add harmonic colour to DAW stems or line-level instruments and sources. Variable Harmonic Drive (VHD): Variable Harmonic Drive was created to provide engineers and producers with a single preamp capable of covering a wide tonal spectrum. Initially designed to complement the Duality console’s ultra-accurate SuperAnalogue™ preamp, VHD technology can be found across numerous SSL consoles and rackmount units – over the years becoming many engineers’ secret weapon for adding vibe to recordings. Full Dynamics Processing The Super 9000 features SSL’s quintessential modern dynamics section, delivering ultimate control and punch. Built around the high-performance THAT 2181A VCA, the compressor includes a switchable Fast Attack mode and the Peak Detect option—first introduced on the SL 9000 console and carried through to the Duality series. It also incorporates SSL’s classic Expander/Gate section with variable hysteresis built into the Threshold, plus a HOLD control for precise gate and downward expansion management. Additionally, Super 9000 allows the dynamics section to be moved Pre and Post EQ. Pink (292) and Black (242) EQ Circuits & High and Low Pass Filters Choose your SSL EQ: the 292 G-Series ‘Pink Knob’ EQ circuit or the 242 E-Series ‘Black Knob’ EQ circuit. The 292’s variable-Q design delivers smooth, wide boosts and cuts that tighten as you push harder, while its shelves feature a steeper slope and the signature ‘undershoot/overshoot’ for that renowned SSL musicality. The 242’s constant-Q design, developed in collaboration with Sir George Martin, gives more surgical control when compared to the 292. The Super 9000 EQ section also features two buttons labelled ‘E Bell/G÷3’ and ‘Gx3/E Bell.’ When in 292 mode, these buttons allow the Low-Mid Frequency to be divided by 3 and the High-Mid Frequency to be multiplied by 3, so that the mid-bands can be used to target frequencies normally far outside of their standard range, providing incredible flexibility and range. In 242 mode, these buttons switch the Low Frequency and High Frequency bands between Bell and Shelving modes. As expected from SSL, the EQ can be placed in the dynamics sidechain, and the high-pass (18dB/oct) and low-pass (12dB/oct) filters can be fully bypassed or routed to input or sidechain for ultimate control. Flexible Processing & Routing Super 9000 includes a balanced insert point for integrating additional outboard gear into the signal path. The insert can be repositioned from its default location (immediately after the input stage) to the output stage, just before the Output Trim. It also features a dedicated external sidechain (key) input, flexible processing re-ordering, and sidechain linking—ideal when using two Super 9000 units as a stereo pair. Input Flip control routes the LINE input to the Mic Pre, whilst the rear MIC connection becomes routed through the LINE path – an easy way to process line level DAW returns with saturation/distortion processing at the mix stage, without having to manually re-patch. Key Features Dual Mic Pre – Choose between SuperAnalogue™ (9000) & VHD™ (Duality) w/ +48V, Polarity invert, and Pad. 2 Impedance options for the mic pre: 1.3 kÙ and 11 kÙ. Dedicated LINE Input with "Input Flip". Quintessential 9000/Duality Dynamics section. High-Performance THAT 2181A VCA compressor section. Peak/Hard Knee or Soft Knee modes. FAST attack on/off. Classic Gate/Expander section. Fast attack on/off. Hold control. 4-band SSL EQ with switchable modes. Fully parametric mid-bands. Switchable between G-Series ‘Pink Knob’ 292 and E-Series ‘Black Knob’ 242 circuits. High and Low Pass filters. 18 dB per octave HPF & 12 dB per octave LPF. Insert point for connecting external devices into the signal path. Extensive ‘to sidechain’ functionality. Filters to Dynamics sidechain. EQ to Dynamics sidechain. Flexible process-order routing. Filters to input, Dynamics post-EQ, and Insert to output. Line Output Trim. Switchable Input and Output metering. External sidechain (key) input. Dynamics sidechain link – allows 2 x Super 9000’s compressors to work as a stereo pair (loudest signal wins). Linking via a TS/TRS jack cable (not included).

SSL The Bus+ 2-kanals ...

26.450,-

The Legend... Updated. If there is a single piece of analogue processing equipment that is synonymous with SSL, it must be the SSL Bus Compressor. From the very first commercially released SSL 4000B console in 1976 and through many generations of SSL consoles that have followed, the Bus Compressor has always been the stalwart of the console centre section. For many of the world’s top engineers and producers, the Bus Compressor continues to be the most relied upon processing tool for making mixes sound bigger and more complete, with drive and energy from adding that legendary SSL glue and punch. THE BUS+ circuit design utilises high-grade components, including 2181 THAT VCAs for superior analogue performance, four modes of operation and 3 distinct compression colouration options which can be combined to perfectly suit the genre you’re working on. THE BUS+ also packs in sophisticated routing options and advanced processing tools: Dynamic Equaliser (D-EQ), Transient Expander and so much more… Innovation To complement the new feature set, we sought to bring improvements that would benefit recallability and technical performance. All of the pots on THE BUS+ are stepped and read by a microcontroller which translates the pots position into the required circuit configuration or electrical parameter. This innovative approach not only makes recall significantly easier, it also means THE BUS+ is not subject to pot tolerances – prefect for precision processing applications like mastering. Dynamic Analogue Equaliser: D-EQ THE BUS+ incorporates a host of advanced processing tools including the new Dynamic Analogue Equaliser (D-EQ). The D-EQ is a powerful 2-band Dynamic EQ that can be placed before or after The Bus Compressor. Many engineers are familiar with Dynamic EQ plug-ins inside the DAW but analogue Dynamic EQs are few and far between. A Dynamic EQ is a more 'intelligent' form of EQ that changes the gain of an EQ band proportionally in response to the signal level once above a set threshold. It allows you to modify the contrast between background material (under threshold) and forward material (above threshold).

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