Acon Digital Mix & Mastering ...

1.535,-

Acon Digital - Mix & Mastering Suite Suite of six mix and mastering plug-ins designed for ultimate signal transparency. This is a powerful collection of six audio processing plug-ins— Dynamics, Multiband Dynamics, Equalize, Limit, Verberate and Dither Delivering ultimate signal transparency and precision, our Mix & Mastering Suite supports VST, VST3, AAX, and AU formats, ensuring seamless integration into your workflow.  Whether you're a seasoned engineer or an aspiring producer, the intuitive interface and high-quality processing tools make it easy to achieve professional-sounding results. Unleash your creativity and take your tracks to the next level with the Mix & Mastering Suite! -Dynamics is a combined compressor, expander or gate. The look-ahead can be set anywhere from 0 to 30 milliseconds and the intelligent algorithm ensures a band-limited gain signal which reduces potential distortion to a minimum even with minimal attack and release times.  You can use up to 4 times oversampling to further reduce distortion. The side chain signal can be either internal or external and there’s a full blown side chain equalizer integrated with low cut, low shelf, peak, high shelf and high cut filters. Despite the complexity of algorithm, the user interface is intuitive and provides graphical visualizations of all aspects of the processing. With the introduction of Mastering Suite 1.1, Dynamics now offers a new auto-release mode that dynamically changes the release time depending on the audio material.  A new Range control makes it possible to limit the maximum gain reduction during dynamic processing. Parallel compression is easily achieved using the new Mix knob that controls the mix of processed and unprocessed audio. -Multiband Dynamics is the multiband extension of Dynamics which allows dynamic processing in up to four separate bands. You can freely set the cross-over frequencies and even the filter slopes can be set freely in the range 6 and 48 dB per octave.  Multiband Dynamics operates in linear phase mode to avoid phase issues between the processed bands. Version 1.1 introduces mixed phase filtering which reduces pre-ringing — a well-known problem with linear phase filtering. Pre-ringing smears sharp transients and thus degrades the audio quality. The new Channel Linking parameter controls how independently channels are processed. -Limit is a transparent limiter with intelligent look-ahead in the range 0 to 30 milliseconds that reduces distortion to a minimum. The limiting is performed in a two step process with a pre-compressor follower by the actual peak limiting algorithm.  You can use up to 4 times oversampling for true peak limiting and to further reduce distortion. With version 1.1, the pre-compressor has a new auto-release mode that adapts the release time to the audio material.  Limit is designed for engineers and producers who need loudness without compromise. No coloration, no hype—just clean, transparent limiting that holds up even under heavy gain reduction. -Unlock the power of precise sound shaping with Equalize—a parametric equalizer plug-in designed to elevate your audio to perfection.  With an intuitive interface and groundbreaking features, Equalize puts unmatched control at your fingertips.  Unlike standard equalizers, it allows you to tweak not just center frequency, gain, and bandwidth, but also the filter slope for each band, ranging from a gentle 3 dB to an ultra-sharp 120 dB per octave. -Reverb isn’t just an effect—it’s the soul of your sound. Verberate takes this to heart, delivering algorithmic reverb that authentically recreates real acoustic environments with unmatched realism.  The original Verberate set a new standard for sound quality, and now, Version 2 elevates the experience even further. Verberate has the groundbreaking Vivid Hall algorithm at its core, which introduces time variance to eliminate the mechanical feel often found in convolution-based reverbs. The result? Lush, natural-sounding reverb tails that maintain the clarity and density you loved in the original.  With Verberate 2, your soundscape is more alive than ever. -Dither is a professional dithering plug-in with flexible perceptual noise shaping, designed for transparent bit-depth reduction. Dithering is an essential final step in mastering when converting audio from higher resolutions (such as 24-bit or 32-bit) down to 16-bit for CD or other delivery formats.  Without proper dithering, quantization distortion can introduce unwanted artifacts and reduce low-level detail. By adding carefully shaped low-level noise, Dither preserves clarity and subtle dynamics during bit reduction. You can adjust the maximum gain and filter length of the noise shaping process, and the frequency response is visualized graphically for precise and intuitive control.  The result is clean, accurate conversion that maintains the integrity of your mix.   Our  show how to mix and master a commercial song using only the plug-ins included in the Acon Digital Mastering Suite along with the free Acon Digital Multiply and Acon Digital Verberate Basic spatial processors. Supported hosts: Logic Pro, Pro Tools,  Ableton Live, Cubase, Nuendo, Studio One, Reaper, FL Studio, Luna, Adobe Audition, Adobe Premiere, Davinci Resolve, Reason, Media Composer.  For older host versions or unlisted hosts, please download the demo to verify compatibility.

FabFilter Pro-G gate/expander ...

2.790,-

Indispensable tool for mixing & live Pro • G Expand in style A good gate/expander is an indispensable tool in any mixing or live situation. FabFilter Pro-G offers everything you could wish for: perfectly tuned algorithms, complete control over the side chain and channel linking, excellent metering and great interface design. we use FabFilter Pro-G on literally EVERY project we work on in the studio. We absolutely love the animated compression display! — Drumsound & Bassline Smith Ultra-flexible side chain routings Apart from excellent sound, FabFilter Pro-G also provides very flexible routing. You can choose between mono, stereo or mid/side processing and in expert mode, external side chain input is available with completely customizable channel linking and routing. Clear and precise metering FabFilter Pro-G combines smart input/output level meters with a real-time level display and transfer curve. Everything was specifically designed to give clear feedback on the current gate/expander settings and processing, letting you set them up easily. FabFilter goodies Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an excellent help file with interactive help hints, SSE optimization and much more.   Key features Six meticulously tuned expander/gate algorithms, including upward expansion and ducking Program dependent attack and release curves Low CPU usage Adjustable range, hold time and knee settings Optional look-ahead time up to 10 ms Precise and helpful metering, including a real-time level display Expert mode that offers highly customizable side chain options Mono, stereo or mid/side processing Up to four times linear-phase oversampling Zero-latency operation mode MIDI triggering: open the gate/expander with your MIDI keyboard External side chain option Separate dry/wet level settings Easy to set up for common gating / expansion scenarios with the included factory presets GPU-powered graphics acceleration Double-click text entry of parameter values Stereo and mono plug-ins available Supports common Pro Tools hardware control surfaces MIDI Learn Undo/redo and A/B comparison Smart Parameter Interpolation Extensive help file with interactive help hints Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)

FabFilter Pro-L 2 Limiter and ...

2.790,-

True peak Limiter with Surround Sound Pro • L 2 Your music has so much to gain Loud and clear A true peak limiter is an essential tool for every mastering or mixing engineer. Are you looking for a professional, feature-packed limiter that is loud and transparent at the same time, equipped with extensive loudness metering? Then FabFilter Pro-L 2 is your weapon of choice! I fell in love with the Pro-L right away with its incredible sound and intuitive interface. Then, when I dove deeper into the 'advanced' settings, it was case closed. — Dana Nielsen (Grammy-nominated mixer, engineer and producer)   Top-class metering FabFilter Pro-L 2 features precise true peak level meters and extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards. Combined with its unique real-time level display, you have all the information you need to achieve the best possible results. Professional feature set With highly advanced algorithms, linear-phase oversampling, professional dithering and noise shaping and surround support (up to Dolby Atmos 7.1.2) and intelligent channel linking, FabFilter Pro-L 2 is the complete solution for every mixing and mastering job. FabFilter goodies Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an excellent help file with interactive help hints, SSE optimization, GPU-powered graphics acceleration and much more. Key features Great transparent sound combined with maximum loudness improved - Eight different limiting algorithms, all with their own character and purpose new - True peak limiting improved - Unique real-time level display with peak gain reduction labels and new innovative display modes improved - Up to 32x linear-phase oversampling improved - Highly accurate output and gain reduction metering including true peak metering new - Extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards new - Surround support including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking new - Optional DC offset filter new - External side chain triggering for stem mastering new - Unity Gain option to easily listen to the effect of the current limiting at unity gain level new - Audition Limiting option to listen to the difference between the input and output signal Adjustable meter scale, including K-System support Low CPU usage Separate channel linking for both the transient and release stages Advanced dithering with three different noise shaping algorithms GPU-powered graphics acceleration Double-click text entry of parameter values Adapts to stereo, mono and surround audio formats Adjustable look-ahead, attack and release settings Optional Compact interface layout Supports common Pro Tools hardware control surfaces MIDI Learn Undo/redo and A/B comparison Smart Parameter Interpolation Extensive help file with interactive help hints Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)

Slate FG-Bomber Dynamic ...

612,-

Analog Modeled Dynamic Enhancer FG-BOMBER FG-Bomber is a unique analog-modeled Dynamic Impact Enhancer, and it can give your tracks and mixes more impact, authority, and excitement. It has the ability to make the elements of your mix ‘extrude’ from the speakers, adding a front-to-back depth that always translates, even to small speaker systems. Powerful Dynamics Processing Under the hood, the FG-Bomber uses one of our most complex fully analog-modeled circuit paths yet, consisting of special harmonic generators, compressors, saturators, filters and more. It’s an invaluable tool for managing dynamic material, and we often hear from customers that the Bomber can literally replace entire signal processing chains all by itself. Drive Drive controls the amount of signal sent to the effect processors. The most impact is felt when Drive is adjusted so that the VU needle peaks at the little bomb icon, while more depth and sustain can be had by pushing it further. Intensity Intensity blends the effected signal with the dry signal. Small amounts of Intensity can create subtle impact, space, and depth, while large amounts can produce extremely punchy and fat-sounding results. Tone Tone selects one of the three preset effect styles: Present, Fat, or Tight. Try each to see which one fits your current need the best.

Slate FG-X2 Mastering Plugin

1.850,-

Mastering Reimagined Looking for a mastering solution that does it all? Look no further. Four Limiters, One Plugin FG-X 2 features four carefully crafted processing modes that give you tons of creative flexibility. Get extremely transparent limiting with zero pumping, or loud processing with gorgeous, colorful saturation. Once you’ve found your sound, adjust your overall level with the Gain knob and your mix will be as good as gold. For Beginners and Pros FG-X 2 comes with two presentation and processing views: Easy, for a fast & loud result, and Advanced, which unleashes an extra set of parameters for users who are more familiar with the mastering process. For beginners and seasoned studio veterans alike, FG-X 2 has everything you need to get the job done—and then some. The Ultimate Mastering Tool The introduction of FG-X 2 turns the All Access Pass into the only mixing & mastering toolkit you’ll ever need. FG-X 2 joins a lineup of exceptional EQs, compressors, and faithful emulations of some of the most legendary pieces of analog mixing gear ever made. With FG-X 2, you can get the pro mix & master you’ve been looking for, entirely in the box. Perpetual License Make mastering easy with Fg-X . No subscription required. iLok USB dongle required  

Slate Gates Bundle

1.237,-

The Gates Bundle is one of the most important weapons in an audio engineer’s arsenal. Used tactically, it can eliminate or reduce unwanted bleed or background noise from recorded source material. Used creatively, its applications are virtually limitless. Previously, Slate users have had to call upon gates from directly within their DAW or third-party plugins of choice. But those days are history… Introducing two new gate modules: Gate: Classic and Gate: Drums. You can now access nearly infinite gating options without ever having to leave your Virtual Mix Rack workflow! Gate: Classic is a traditional, straightforward gate that is highly efficient in removing background noise from guitars, vocals, and other acoustically-recorded source material. Gate: Drums is a highly-sophisticated drum application. It combines a gate based on transient detection with smart dynamic filtering so you can achieve far cleaner drum tracks than with a conventional gate. GATE: CLASSIC One fierce gate to rule them all! Kill unwanted background noise in a variety of source material with ease. A classic gate setup with traditional parameters – threshold, ratio, range, attack, release, slope, and two distinct gate modes: Classic: standard detection based on the signal amplitude only. Input signal can be filtered with the highpass & lowpass filters. Vocal: introduces internal filtering that better detects a vocalist’s natural breathing. A unique timing circuit is added to smooth the opening and closing of the gate. Gate: Classic also features highly-accurate sidechain filters, providing an array of creative options across the mix. GATE: DRUMS Unlike Gate: Classic, Gate: Drums is based on transient input. This means that the gate is triggered by sharp and soft transients rather than volume levels. With this unique processing, you can separate the transient from the signal tail, and apply different processes to each! Gate: Drums is divided into three sections; from top to bottom: Transient Detection: The first step of the workflow – adjusting the detection to catch only the desired transients. Gate: The second step of the workflow – adjusting the floor and timing of the gate. Debleed: The final step of the workflow – filters the tail when a transient is caught. Detection Filters: Filter the signal before detection, so the gate only reacts to certain frequencies. Transient Detection: Controls the ability of the gate to detect more or less transient. Detection Threshold: By excluding low levels, you can focus on a specific amplitude range and have insanely precise transient detection! Debleed: Debleed On/Off enables dynamic filters. Release: Controls the speed of filter activation once a transient has been detected.

Slate VCC Console emulation

1.237,-

Emulation of 6 classic recording console VIRTUAL CONSOLE COLLECTION There is a reason why many top hits continue to be mixed on analog consoles – much like tape machines, the top large-format analog consoles have a sound and a vibe that has been impossible to achieve in the world of computer recording… until now. The Virtual Console Collection allows your DAW to take on the personality of a real analog mixing desk, improving the imaging and depth and making instruments sit better in the frequency spectrum. Mixing becomes easier and more musical, and you can even push the DAW faders up to find each mixer’s “sweet spot”. Large-Format Authenticity The behavior of an analog console is immensely complex, because the individual channels contribute different things sonically than the summing busses do, and the number of individual channels in use matters to the overall sound of the desk. To accurately emulate all of this complexity, the Virtual Console Collection consists of two separate plugins – the Virtual Channel and Virtual Mixbuss – both of which allow the user to choose from one of six analog console emulations. Virtual Channel is applied on individual mixing channels in your DAW, and Virtual Mixbuss is intended to be placed on the first insert of the master fader. Choose The Best Console For Your Mix Virtual Console Collection contains emulations of six classic inline recording consoles, including the most sought-after models from Britain and the US. These emulations are sonically indistinguishable from the original desks they model, so your mixes will come together quicker, feel more even and exciting, and require less work than ever before. Easier Auditioning To make Virtual Console Collection easier to use, up to eight separate control groups can be created in your mixing session, allowing you to manipulate multiple channels from any module assigned to the same group. It’s a snap to audition different console emulations across multiple tracks in order to select the right one for your mix, as well as bypassing all group members to A/B as well.

Slate VPC Virtual Preamp ...

612,-

Emulation of FG-73/76 Mic Preamp Two vintage analog preamps, now available in your DAW VIRTUAL PREAMP COLLECTION The Slate Digital VIRTUAL PREAMP COLLECTION brings the authentic tone of two of the audio industry’s most classic microphone preamplifiers to your DAW. Each preamp uses state-of-the-art analog modeling technology to recreate every aspect of the preamp circuit, from mild coloration to full-on saturation and distortion. The VPC was originally designed to be used on tracks recorded with the Virtual Microphone System’s VMS-ONE Ultra Linear Microphone Preamp, but it can be used after any clean sounding preamp to add extra vibe. VPC can also add real analog preamp tone to any track or mix, and even create rich-sounding distortion effects when pushed hard. FG-73 The FG-73 preamp module is modeled after one of the most famous discrete solid state preamps in the industry, made in Britain and used on countless recordings. It has a bold, present and warm sound that works great on any audio source – even full mixes. FG-76 The FG-76 preamp module is modeled after a vintage German tube preamp that has been used on many classic recordings. It has a thick and colorful tone that can make tracks and mixes sound more ‘alive’. The bottom-end saturates in a very unique and musical way, making it a great module for bass guitar and kick drum tracks.

Slate VTM Tape Machine

1.850,-

2 Analog Tape Machines Recreated VIRTUAL TAPE MACHINES Digital recording is now the standard for professional music production, but many engineers and musicians still long for the days of analog recording. And they do for good reason – Analog Tape Machines have a SOUND. Big, fat, warm, deep, rich and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. To those that know, tape is simply more musical. So we modeled two of the most famous tape machines in audio and provide them both along with options like bias, tape speed, tape type, and more in Virtual Tape Machines. World-Class Tape Machines For Your DAW VTM has been praised by pro engineers for its extreme authenticity, because every aspect of tape is carefully reproduced. This authenticity is due to years of intense study from Slate Digital CTO Fabrice Gabriel. Using VTM on your tracks and mixes will make your mixes warmer, smoother, punchier, and more analog! Choose Your Favorite Machines & Tape Stock VTM emulates both a 16-track 2-inch tape machine and a 1/2 inch stereo mastering deck. Not only that, you can also choose between the two most popular tape formulations. Different formulations have different properties and headroom, and ultimately will give you different sonic results. Control Your Speed Virtual Tape Machines accurately emulates the behavior of both of the most common tape speeds of 15 and 30 ips. Engineers who use tape sometimes choose which speed to use based upon the material they’re recording, since the bass response can differ a great deal between the two speeds. You can further refine the bass response using the bass alignment slider in the Settings module.