KMA Moai Maea Analog Octaver ...

2.450,-

Moai Maea   MONOPHONIC ANALOG SUBSONIC POWER OCTAVER   For thousands of years they tower over the green meadows along the coast and the hillside of Rapa Nui. Moai Maea, silent and solemn - venerated and mystified by a long forgotten ancient culture. It will let you feel the droning and shrieking of the mighty erupting Rano Raraku where the Moai Maea was born. Moai Maea is KMA Audio Machines’ answer to long forgotten analog octaver tones. The pedal generates one higher octave and up to two sub-octaves, helping you generate a huge wall of sound by playing just one note. The higher octave has an edgy and fuzzy character which is reminiscent of old late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges. The sub-octaves turn your guitar into a filthy bass guitar with ground shaking lows. Choose between either the first (-I), the second (-II) or both together (-I/-II), which gives you the sought-after wall of sound. The Moai Maea also gives you the possibility to create an individual mix of each generated octave and the original signal. To expand your soundscapes, the pedal features a serial buffered FX-Loop, within the clean path, plus a phase inverter to avoid phase-cancelation when mixing signals this way. Each octave section is foot-switchable. You can turn on and off the higher octave by jumping on the SHRIEK switch and the sub-octave by the DRONE switch. So if you are looking for a pedal to you that extra edge for your guitar sound, Moai Maea might well be the nirvana you’ve been looking for. Powered by an optional standard 9V-18V DC PSU (negative center, 2.1mm, approx. 20mA current draw) ATTENTION: The Moai Maea is an analog octaver and works monophonic only, not polyphonic! That means for a clean and perfect tracking, you have to play single notes because of the analog circuit design. Keep in mind that chords will sound glitchy, but charming anyway. Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

KMA PYLON ATB (Advanced ...

2.114,-

PYLON ATB Noise Gate Perfect your Rig with Silence and Control “Deep within the solitude of the temple, the Sau’s of the Per-Ankh assembled in silence. Their conclusion was self-evident. Only those pure of tone could be received in the temple and find sonic peace. From the centre of their silent circle, the Orb swelled and raised above the Pylons. Erupting in a rain of light and spewing forth daggers of lightning, their new God subdued and separated the chaotic ocean of noise from the perfect breeze of stillness. Peace reigned once more, the hordes of cacophony overcome.” When you add drive, dirt or other sound manipulation devices to your signal, the trade-off is always noise. So, many players turn to noise gates to help tame these unwanted nasties. Unlike many noise gates on the market, the PYLON ATB Noise Gate seeks to not only drive back the hordes of fizz and hum, but also arms and reinforces your tonal attack, shutting down the noise and yet helping you enjoy your rig’s true potential. This advanced, multi-functional and super-versatile pedal not only features an ultra-fast Gate with a smooth trigger, an integrated Boost section, an External Trigger Input for external bypass switching or Gate-triggering, a relay-based Channel Switcher for your amp but also sports a built-in Audio Transformer to help enhance and balance your rig. Hear and feel the quiet in the eye of the storm! Main Features • ATB (Advanced Transformer Boost) Noise Gate Pedal • Easy-to-use, yet high-performance Blackmer® VCA-based Noise Gate • Integrated Audio Transformer - adds heft to signal • Switchable Boost/Attenuation circuit - up to 30 dB of gain on tap • Variable frequency CUT control - helps to tighten up the low end and remove mud • EXT Trigger Input - allows Gate and Bypass control from external sources • Channel Relay Output - switch your amp’s gain channel in sync with the pedal • FX-Loop, for signal-chain flexibility and 4-cable method connectivity • Internal Ground Lift Control • Relay-based soft-switching, with selectable Gate/Boost switching modes • Made in Berlin, Germany • Power by opt. 9 V PSU    (9 V DC, centre -, 2.1 mm, >140 mA max. current draw) When talking about signal gain, we all know drive circuits at full tilt can be noisy malice monsters. To help get a grip on your noise floor, PYLON’s NOISE GATE is based on a high-performance Blackmer® VCA and provides lightning-fast and precise performance. To find the right spot, simply choose between one of the two detection-range settings and dial in the THRESHOLD to taste. With either softly decaying notes using HIGH mode or a fast-closing response in LOW mode, you’re sure to be able to dial in super tight tones when you need it, but without interfering with your sonic signature. Fast palm-mutes? No problem. Decaying notes? Dead simple to accomplish and just so you know when it is operating, the white status LED will also turn blue as soon as the gate starts to act. Providing up to 30 dB of gain, the integrated BOOST circuit can really help to fine tune your tone, but it can also serve as an attenuator too. Its CUT control will tighten up your low end and is selectable between 65-730 Hz to ensure a mid-focussed and cutting lead sound when pushing your amp’s preamp into saturation. Choosing between three different modes for the boost’s on/off state, gives you plenty of options on how you want to use it. Either leave it ON to always help shape your tone, OFF if you don’t need it, or use SYNC mode so it is activated with the GATE. Both CUT & BOOST knobs are backlit, in order to show you the on/off status of the BOOST section at a glance. Using transformers in pro-audio gear is nothing new, but while they help to easily match the impedance of low-level and unbalanced signals such as from guitar or bass instruments, PYLON’s audio-grade-transformer also gives additional warmth with associated nice low-frequency harmonics. Your guitars, synths or in fact anything you put through the pedal will never have sounded so solid. The pedal gives more ‘heft’ and enhances the core tone, in a much finer way and without any of the phase issues that can happen when using EQ alone! However, when the output transformer is boosted even further in level, it can overload many amplifier or pre-amp inputs and make things appear muddy, especially with high levels of additional gain. So, to help tame superfluous low end (especially for rhythm chugging and soloing) we added a fixed built-in roll off that affects everything below 65 Hz when the internal BOOST section is activated. With PYLON’s IN/OUT and SEND/RETURN jacks, it’s capable of many different wirings to suit different setups. This includes the classic 4-Cable method that helps to tame those unwanted extraneous noises from your amp’s own drive sounds. You do this either via the amps own FX Loop or by connecting your dirt pedals on your board to the pedal etc. via the SEND/RETURN jacks. Using PYLON this way, the clean signal from your source (guitar/bass/synth etc.) will trigger the gate to kill the hiss and buzz, then once you add your favourite flavours of dirt etc., it will help to keep your initial attack and therefore levels more intact. Due to the utilitarian nature of noise gates, a lot of musicians use their gate on top of or even inside their amp rigs. But what if you have to turn it off and on from time to time? Well, with PYLON that’s dead simple. Just hook up an external (Normally Open) Momentary Switch to the EXT Control Connector, move the slide switch above the jack to BYPASS (BP) mode and you have solved the problem. But you may be asking what the TR position is for then? If you want to put the PYLON on your pedalboard and have an external source trigger your noise gate, move the slide switch over to TR and bingo. There’s actually lots of fun behind this little function. For instance, by feeding the sound of your drummer’s kick drum into the pedal, your riffs can be tight and synced up. Those who like to experiment with sound designs might even use the Noise Gate in other ways, the creative power is almost endless here! Sometimes you may want rely on your amp’s distortion but also use the clean channel of your amp and only want the Gate on the drive. That sounds like it could be a bit of a tap dance to switch over channels, turning your gate on/off and maybe turn on a boost too. Well have no fear, PYLON is here and will give you all of that in one go! Connect the CHANNEL input on PYLON to your amp’s channel switcher connector, set the polarity slide switch to suit and here we go. As soon as you engage PYLON it will also switch the amp’s channel. Alternatively, you could also use this socket as a remote switch for many functions on other pedals you may have in your arsenal too. Last and by no means least we added an internal GND-Lift DIP switch for helping isolate any ground issues, if needed. So, you thought gates were just utility devices? With PYLON you’ll enhance your whole rig. Now go let your tone flow through and riff!

KMA Queequeg 2 Sub Octave ...

1.667,-

QUEEQUEG 2 Sub Octave Generator Reawaken The Depths Below “Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful place. QUEEQUEG 2 - look deep down and believe.” KMA Machines released the original QUEEQUEG in 2016. The pedal was our take on how simple and effective an analog monophonic suboctave device could be. Time doesn’t stand still and so with QUEEQUEG 2, KMA’s aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. QUEEQUEG 2’s super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there. Main Features • Analog sub octave pedal - from subtle tone thickening, to huge faux bass-synth sounds • Two ultra-fast tracking analog mono sub octaves • Offers precise octave shifted single note lines or glitchy, random chords • Easy-to-use one knob MIX design - controls clean/sub-octave blend • Three switchable sub-octave settings          -I: for synthy sub-octave sounds          -II: for truly earth-shattering lows          -I/-II: for a massive wall of sound sub tones • Multi-coloured LED - shows which mode is active at a glance • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass silent relay-based soft switching • Handmade in Berlin, Germany • Power by opt. 9 V PSU    (9 V DC, centre -, 2.1 mm, >60 mA max. current draw) Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of QUEEQUEG 2’s specialties. The pedal’s super quick tracking benefits from KMA’s custom all-analog circuit design, giving you very organic and smooth suboctave tones. Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from. These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.   With its one knob MIX control, you are able to dial in just the right blend of the generated octaves and your clean signal. From completely clean on the left, to 100% suboctave action on the right and all with different sonic blends in between, you’re sure to find your mighty vessel of tone. Beware - don’t let your lows be dragged under! QUEEQUEG 2 draws the line right here and ends your hunt for an easy-to-set and great-sounding all-analog and thundering sub-sonic beast!

KMA Stereo AB/Y Switcher ...

1.443,-

KMA Machines Stereo ABY Consistent Stereo Connectivity “To A and B or not to B, in stereo - that is the question.” Enrico Shakespeare, ye-olde scribe of Berlin There’s nothing new about ABY boxes. They’re a very commonly used accessory and a staple part of many setups out there. But if they are so common, then why is it so difficult to find one in a stereo format that’s well built, noise-free AND affordable? This is a question we kept encountering as we use many stereo devices daily here at KMA, plus we know that a lot of users are just as mesmerised by the wide sonic worlds of stereo as we are. So, we made a killer stereo ABY switcher to use here at our workshop. In the process we found it so useful, so we decided to make it available to the world too in a pedal format. Whether you’re looking to switch or combine your stereo input signal between two separate destinations or switch or combine two separate stereo input signals into a single output, the KMA Machines STEREO ABY pedal is a dependable little helper for your tonal quest. Created with a focus on durability, reliability, simplicity and hassle-free operation, this passive ABY switcher also features True Bypass active silent relay-based soft switching to reduce mechanical noise and unwanted pops and clicks when in use. So, all you have to do is choose your path and perform! Main Features • Passive Stereo ABY pedal, with active switching • Sends a stereo input to two separate stereo outputs, separately or combined • Sends two stereo inputs to one stereo source, separately or combined • True Bypass • Active silent relay-based soft switching, heavily reduces mechanical noise and pops • Omnidirectional for 2 into 1 or 1 into 2 operation, plus in Stereo! • Distinct LED colours, to indicate your selected signal path at a glance • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in Berlin, Germany • Power by opt. 9 V PSU  (9 V DC, centre -, 2.1 mm, >40 mA max. current draw) KMA’s STEREO ABY features a fully passive design for the best signal integrity, along with our True Bypass active silent relay-based soft switching. While that might be a hell of a wordy mouthful, what it means practically is that the audio signal itself is entirely untouched and without any colouration. Plus, you can use the device in either direction, for sending to different sets of amps or effects or for switching inputs/ instruments/devices into your chain. However, the actual switching is taken care of by our reliable and sturdy soft switches as a separate active circuit. By employing this switching technology, mechanical noise is greatly reduced, as is the risk of those pesky loud clicks and pops that have plagued so many boards and has haunted so many musicians, since the inception of ABY boxes. The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling our boyhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs actually serve a practical purpose; to quickly and easily show you what signal path you’ve selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B. This neat accommodating Stereo device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply. In addition, without tooting our own horn too much, it just looks awesome. All helping to make it feel right at home amongst the artistic landscape that is your pedalboard. What’s not to like? So, will you choose A, B or both? With the KMA Machines ABY Stereo, the fate of your signal is in your hands!

KMA Stereo Headphone Amp

2.190,-

KMA Machines - STEREO HEADPHONE AMP Freedom to create… wherever and whenever! A few years ago, KMA released ENDGAME, which is our ultimate end-of-chain utility device. Featuring IR Cab Sims, Power-Amp simulation, True Stereo Doubling, Stereo FX Loop, Aux-in, Bluetooth, Dual Headphone Amp and much, much more, it’s basically Thanos’ gauntlet with all of the infinity stones in it. However, not everyone needs all this power all the time, sometimes just one or two infinity stones will do. This is why we made the STEREO HEADPHONE AMP - a simple, compact and great-sounding dual headphone amplifier with AUX in, Bluetooth, pass-thru as well as Stereo Ins and Outs. Meaning you can practice, explore and create in full ear-gasmic stereo. This new little box in KMA’s Utility line will add high-quality headphone monitoring to any rig, wherever and whenever you want it. Main Features: • Exceptional and Powerful Headphone Amp • Hear the end of your pedalboard • Dual Headphone Outputs, with large level control • Aux Input - Bluetooth Audio or 3.5 mm Stereo Analog • Aux/Main Mix/Blend Control • Premium Analog and high-headroom audio, with high-impedance input circuitry • Flexible internal signal routing - full Mix or Buffered Thru Outputs • Auto Detect TS/TRS 6.35 mm Inputs and Outputs - Stereo or Mono • Made in Berlin, Germany • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, <250 mA current draw at max load, not included) Taking those pristine and powerful dual headphone output stages as well as the flexible AUX features from ENDGAME, we have created what we believe to be the definitive, yet still affordable, pedal stereo headphone amp. You can use it as a standalone clean device or you can place it after your amp-sim of choice. Maybe you want a simple way to incorporate backing tracks into your setup? Well, you can do that with the AUX in and Bluetooth features. For example, this could allow you to trigger samples and/or full tracks via your phone or computer. In addition, it’s full Stereo In and full Stereo Out, so you can incorporate your divine stereo effects as well and output it to a stereo interface, mixer or PA. With the large Phones Control, it is one knob to rule them all! This controls the master output level for the headphone amp, allowing you to find the perfect volume to suit your needs and since it’s got some proper size to it, you can actually adjust it with your feet on the fly, if required. The INPUT LEVEL knob allows you to tweak the input gain to match whatever you have running into the device, be it an instrument, amp-sim or a full signal chain full of effects. While the in-built CLIP LED delivers visual feedback and will blink red if you’ve set the input a bit too hot. You can also run it hot on purpose and send the pre-amp into saturation. It’s actually very musical and has a similar vibe to a blown out or pushed channel strip on a mixing console. So even though it’s just a small simple control, don’t be shy to experiment with it a bit. Placed directly before the Main Outputs, the AUX Input is a super solution for feeding a backing track or any other stereo signal into the outputs, making the STEREO HEADPHONE AMP perfect for many purposes including practicing. Whether streaming via the built in Bluetooth or connecting via the mini Stereo analog 3.5 mm jack, the resulting audio signal will be present via either of the two Headphone Outputs and the Main Outputs. Plus, the MIX control allows you to blend anywhere between the core input signal and the AUX Input Don’t want the Aux Input to be present on the Main Outputs though? No problem, just press the Output Mode push button from FULL to THRU in order to remove the AUX path from the main outputs easily, effectively turning STEREO HEADPHONE AMP into a strong, clean buffered stereo out for your rig. If you’re anything like us, then you probably already have a pretty decent pedal collection. So of course, we had to make our very own headphone amp Full Stereo to accommodate everything from direct and dirt simple to stereophonic surreal soundscapes. But what if you want to use it in Mono? No problem. How about Mono In and Stereo Out? A cinch! STEREO HEADPHONE AMP automatically detects what you have connected up and will sum the unused path to the centre. Even if it is in Mono - Mono mode, the Aux input will also still be in Stereo via your headphones, so practice away without losing your head! Last, but by no means least, we added another trick up the STEREO HEADPHONE AMP’s sleeve for live musicians. If, like many performers today, you use IEMs, you may want more of your own level or have an easy and simple way to blend your own monitoring levels. Many musicians can experience a slight delay between their own signal and what comes back from the monitor mix depending on the type of connections used and this is even more prevalent with many digital consoles. In addition, if there are not enough aux sends on your rig, sometimes you may not be able to hear yourself in stereo either. So, by using the analog AUX input for your monitor mix in and the STEREO HEADPHONE AMP’s headphone out to your wired IEMs (or connected to your own IEMs wireless set up) you will have more direct control over your own levels. In this case though, just set the Output Mode push button from FULL to THRU to not pass the Aux input section to the Main Outputs - no more arguing with the engineer for “more me” - you have your own control! Phew, even though we’ve not yet mentioned how cool it is that the KMA Bear’s eye lights up, it still seems so much more than the “Bear Necessities” of what might normally be considered a run-of-the-mill utility device. Come on in to finally sink your own claws into true headphone monitoring for the modern musician!

KMA Tyler Deluxe The Advanced ...

3.121,-

KMA Machines TYLER DELUXE The Advanced Freq Splitter Do you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature’s most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is TYLER DELUXE - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.  Main Features:  • Two-Channel Signal Splitter - Variable 12 dB/oct. Low/High-Pass • Fully-Isolated and Transformer-based FX Loop Sends • Variable Clean Blend and Mix controls - for the perfect blend of highs and lows • Loop-dedicated and main Phase-Inverters • Relay-based soft-switching • Separate Buffered FX-Loops for each filter • Active Level Control - up to12 dB boost • Made in Berlin, Germany • Powered by 9 V PSU         (9 V DC, centre -, 2.1mm, ~100 mA max. current draw) KMA Machine’s TYLER (active and variable two channel crossover/signal splitter) has successfully found its place on many bass and guitar players’ boards around the world, helping them refine and define their tone. However never to stand still, we at KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great feedback from our users. The heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths (both filters have a 12 dB/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let’s dive into everything that makes this pedal DELUXE. Since the original TYLER was also used as an advanced AB/Y box by many, it was found that ground loops could occur - no more with TYLER DELUXE! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (+/-) to get rid of potential unwanted phase cancelation. The next new must-have feature is there to ensure the transparency of your setup and because we know it's important to you and to us, we added the good old CLEAN blend.  So far so good, but the deluxe delights don’t stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter-frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow TYLER's evolution, we added another claimed feature. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artefacts pass through when disengaging one of the loops.  Modern times brings modern needs, so TYLER DELUXE is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.  Some fun examples of use: Bass players want to retain their low end while using their favourite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the HP LOOP footswitch and you will never turn off TYLER DELUXE again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and TYLER DELUXE will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any of your dirt pedals, for a very pronounced and punchy sound all coming from one amp.  If there ever was a Swiss army knife for your tone, then TYLER DELUXE must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.

KMA Wurm 2 High-Gain ...

2.226,-

WURM 2 Refined HM2-Style High-Gain Distortion Refine the Terror from Below Slithering across the ravaged landscape, the behemoth advances. With each thrust, the beast drags thousands of years of grinding grief and mauling malice that’s ready to be unleashed upon the world yet again. There is no escape. You either stand in its path and get torn asunder or join the legendary beast, receiving the blessing of its dark distorted powers and sawing sonic screams. The choice is easy. All hail the mighty WURM! With our WURM Distortion pedal, KMA Machines brought you a highly regarded, yet unabashed sonic love letter to the legendary filthy ‘doom and gloom’ distortion sound of the original Boss HM2 MIJ pedal, taking it much further and pushing the envelope of how destructive it could be. Adorned in an iconic black and orange colour-scheme reminiscent of its inspiration, WURM 2 takes the essential ingredients of KMA’s now classic pedal, adding the ability to switch between EQ settings right on the front of the pedal. In addition, we squeezed it into a smaller and more pedal board friendly enclosure with top mounted jacks, improved the electronics and enhanced it with relay-based silent switching, all helping to make WURM 2 a more flexible metal-distortion pedal than ever before. • High-Gain Metal Distortion pedal • Modern take of the classic and now sought-after original Boss HM2 MIJ • Wide range of metal-distortion tones - from chainsaw, to plain evil and gritty • Highly configurable 4-band active EQ • 3 distinct types of EQ frequency controls to tailor your tone - now accessible on the front • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass, with silent relay-based soft switching • Handmade in Berlin, Germany • Powered by opt. 9 V PSU   (9 V DC, centre -, 2.1 mm, 50 mA current draw) Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre - the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion. We, of course, kept the iconic active HM-2 dual-band EQ section, but added two more bands, giving a much wider range of tones to tailor your evil and gritty distortion sound. On top of that, each band has an internal trim-pot to change the centre frequency and fine-tune your tone further if the need arises. For the WURM pedal, we developed our own EQ stack and added an internal EQ STYLE switch to help you carve out additional tonal variations. In WURM 2, this is now on the front of the pedal to make it easier to access and for even more tonal options on-the-fly. Selecting HM-II mode will get you that classic ‘chainsaw’ High-Mids character. However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. If balanced and less peaky sounds too boring for you, select BOTH to fatten and double up the tone stacking, letting you ramp up the LOWS and the H-MIDS and rip that Swedish forest completely to shreds! However, with all of this extra tone shaping, the pedal can sometimes begin to feedback at extreme settings.   So, if this proves too much and to help tame that high-frequency content, we added a new internal control to smoothen things out. By flipping the dip-switch to activate the input filter, this will help to tame the high frequencies when absolutely everything is maxed out. The TERROR control dials in all the malice and the evil distortion sounds you are searching for. Crank it up and feel the tremors of the WURM 2 under your feet, tremors that would even frighten the wits out of a young Chuck Norris!

Korg Drumlogue Hybrid Drum ...

5.495,-

KORG DRUMLOGUE Hybrid Drum Machine Trefoldig hybrid trommemaskin-kraftverk. Et paradigmeskifte innen trommemaskiner A paradigm shift in drum machines. drumlogue marks a paradigm shift in drum machines. It offers the raw power and rich sounds of Analog, the flexibility of Digital voices, and drumlogue’s SDK  for fully customizable User Custom Synthesizers. On top of that, its heavy-duty, dynamic sequencer, customizable effects, and intuitive controls will make drumlogue a must-have in your studio to create music for any genre or style. It’s time to take your beats and entire musical process to a whole new creative level with incredible sounds, effects, customization, and sequencing. Let drumlogue support your craft on your musical journey! Raw Analog Power drumlogue was conceived to provide the ultimate analog sound for your beats, and delivers fantastically; featuring completely newly developed analog circuits by legendary Korg analog synth team engineer Junichi Ikeuchi (ARP 2600 M, MS-20 mini, ARP Odyssey…) , the depth and richness of its sound is on a whole new level. These new analog circuits - (Bass Drum, Snare Drum, Low Tom and High Tom) - will not just provide a solid foundation for your track, but make it stand out with an elevated harmonic richness and a thick low end. Blending simplicity and ease of use, the most important controls for each of these parts have dedicated knobs on the front panel that can be tweaked at any time without any menu diving necessary, so you can quickly and intuitively fine tune your sound on the fly. For further sound exploration, each part provides many more parameters accessible through the powerful onboard sound editing system. Last but not least, each part on drumlogue - analog or digital - has a dedicated volume knob that will make your mixing process incredibly smooth and easy. Digital Flexibility As the perfect partner for its analog section, drumlogue provides 7 digital parts; 6 sample based and 1 synthesis based (Multi-Engine). The sample based parts can play any of the preloaded PCM banks on drumlogue. You can also import your own User Samples to its memory, making drumlogue an extremely versatile machine with virtually limitless sonic possibilities. To start with, the 128 preloaded drum kits of drumlogue will provide you with a wide variety of sounds spanning several genres so you can easily kick-start your tracks. For additional sounds, samples can easily be easily loaded into the drumlogue just by connecting your drumlogue to your computer via USB and simply drag-dropping your samples onto the main memory. Multi-Engine and logue SDK The popular Multi Engine from prologue and minilogue xd is now more powerful than ever. In addition to the Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine features a new User Custom slot that can play full-fledged synth voices that provide vast sonic possibilities, never before heard on a drum machine. Custom Synths drumlogue’s synth voices are not simply static waveforms. Custom synths can be built to not only generate sound, even implementing built in filters, LFOs, MIDI controlled polyphony or other parameters is now possible  The only restriction for third party developers is their creativity (and CPU usage!), giving you unbound sound exploration. Exclusive Sinevibes Synth Plugin “Nano” Korg has collaborated with popular logueSDK plugin developer “Sinevibes” to include a brand new synth plugin “Nano” as a factory preset on drumlogue. This exclusive plugin explores the power behind the expanded Multi Engine and will give all drumlogue users a taste of this new platform. “Nano” is a full-fledged virtual analog synth with a wide array of features and plenty of customizable parameters.  The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO. Leads, basses, percussive sounds or cinematic effects, you decide how to use this incredible sonic potential! A True Sequencing Powerhouse drumlogue harnesses all of its sonic power to an extremely powerful internal sequencer that is flexible and easy to use. Tired of the same old beats? drumlogue's heavy duty 64 step sequencer makes it easy and intuitive to create complex rhythm patterns and polyrhythms that elevate your music creation process with innovative features such as per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. Thanks to its clear OLED display, it is also very easy to visually follow and edit your sequences. drumlogue is both great in the studio and playing live. With its Chain mode, creating long and interesting patterns is straightforward and clearly displayed. In Loop mode you can switch between several variations to play your sequence in new and interesting ways. The Motion and Accent recording functions are intuitive and fast and if you want to try new things on your track, the Randomization function is there to help you. These functions and many more on the drumlogue will support and spice up your live performances! Effects and customization drumlogue includes several high-quality effects across three categories that can be used simultaneously: Delay, Reverb and Master effects. The send amounts for delay and reverb effects can be set independently for each part, and multiple return points are available. The master effects allow you to add that final polish to your sound and bring it all together. Master effects can be bypassed on a per-part basis, making it possible to send the effect to specific audio parts. A sidechain bus is also available to master effects which can make use of it. In addition to the included multiple and varied Delay, Reverb and Master effects, drumlogue can also load custom third party Delay / Reverb / Master Effects. Each effect can implement up to 24 parameters, all easily accessed in the well laid out menu. drumlogue has an audio input, so you can process other instruments through drumlogue’s effect chain, making it an ideal companion for your studio setup. Connectivity drumlogue has a variety of inputs, outputs and connections, integrating seamlessly with your rig. drumlogue's USB-A port allows connectivity with other USB MIDI class compliant devices for additional customizable control. For example, control each part’s volume with the nanoKONTROL2 faders, or trigger sounds using the velocity sensitive pads on the nanoPAD2, adding extra levels of expression and integration. drumlogue has four individual audio outputs, in addition to the headphone and L/MONO and R outputs. You can assign any part to any output to expand routing options for external processing or multitrack recording. drumlogue easily syncs to your other gear via MIDI IN/OUT, SYNC IN/OUT, or to a computer-based DAW via USB. Ease of Use drumlogue is not only powerful, but extremely easy to use. Designed with simplicity and accessibility in mind, the most important parameters for your main drum parts all have dedicated knobs on the front panel that can be adjusted on the fly, as well as dedicated volume pots for each part that will speed up your mixing process. Its wide and clear OLED screen coupled with its simple UI with 4 dedicated encoder knobs makes the navigation process fast and smooth. Form Factor, Design Unlike most drum machines, drumlogue’s main panel is slanted offering great ergonomics and improved visibility. With its sturdy aluminum body, brushed hairline finish, and wooden side panels, drumlogue’s sleek and optimized design will add to your musical inspiration. Specifications: Polyphony: 11 voices. User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation Sound Engine: Analog x 4 PCM / User samples x 6 Multi-engine（NOISE、VPM、User Synthesizer）x 1 Number of drum samples:  256 (*) (128 preloaded presets) (*) total data size should not exceed 32MB Number of drum kit:   256 (*) (128 preloaded presets) (*) total data size should not exceed 32MB Number of rhythm patterns:  256 (*) (128 preloaded presets) (*) total data size should not exceed 32MB Effects: REVERB、DELAY、MASTER Inputs / Outputs: Headphones OUTPUT（L/MONO、R、AUDIO、OUT 1-4） SYNC IN/OUT AUDIO  IN、MIDI  IN/OUT USB  A（TO  DEVICE）(Only for MIDI controllers) USB  B（TO  HOST）

-16%

Korg nanoPAD2-BK USB Pad ...

645,-

765,-

Tilbud gjelder kun 1 stk. på lager. Korg nanoPAD2 Slim-Line USB Pad Controller Low-profile pad controller – excellent for playing or entering drum data Sixteen solid, responsive, and velocity-sensitive trigger pads Control multiple MIDI parameters via the X-Y Touchpad Sixteen pads in a compact body Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads – as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups. Dynamic trigger pads capture all your performance nuances The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments. Create musical phrases using the X-Y touchpad, Touch Scale, and Gate Arp features The X-Y pad can be used to control multiple synthesizer parameters. In addition, the new "Touch Scale” function lets you intuitively play phrases on the X-Y touchpad, just as on the Kaossilator. You can choose from sixteen different scales, and specify the root key and note range to ensure that your performance stays within your song. The "Gate Arp” function, borrowed from the Kaossilator Pro, transmits note data based on tempo; Tap tempo and tempo sync are supported. Combined with the Touch Scale, the Gate Arp allows you to play tempo-synchronized phrases and rhythms simply by stroking the X-Y pad or playing the pads. Korg Kontrol Editor software The nanoPAD2 works with the "Korg Kontrol Editor" software – available free on the Korg website. Load it into your computer, and use it to make detailed customized settings. Choose from a total of four velocity settings: three velocity curves or fixed velocity. You can also specify note numbers, create user scales for the Touch Scale function, assign chords, assign control change messages, and save your settings. USB power for an uncluttered setup Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace. nanoPAD2 specifications Controllers: 16 trigger pads with velocity and 4 velocity curves X-Y pad HOLD button    GATE ARP button    TOUCH SCALE button    KEY/RANGE button    SCALE/ARP button SCENE button Memory: 4 user scene memories Corresponding Software: Host applications corresponding to MIDI input Connections: mini-USB Power: USB bus power Power Consumption: USB bus power: less than 100 mA Dimensions: Size (W x D x H): 325 x 83 x 16 mm/ 12.80 x 3.27 x 0.63 inches Weight: 285 g/ 0.63 lbs. Accessories: USB cable

Korg PB-X Pedal Tuner

1.050,-

KORG PB-X Pedal Tuner Neste generasjons pedaltuner fra Korg, med den nye ULTRA BUFFER som er enda kraftigere og enklere å bruke. Pitchblack X Chromatic Pedal Tuner features: • Allows switching between true bypass and the newly-developed ULTRA BUFFER • Meter LED also offers bright mode settings for high visibility • Ultra-high tuning accuracy down to ±0.1 cents • Four meter display modes • Built-in “just-right tuning” display • Runs on battery power or optional AC Switch between true bypass or the newly-developed ULTRA BUFFER. The  Pitchblack X not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER Why is this important? The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off. The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board. On the Pitchblack X, you can switch between true bypass and the ULTRA BUFFER, according to your tastes and performance environment. Meter LED also offers bright mode settings for high visibility. Besides the enlarged display, more meter LEDs have been added for superior visibility. The bright mode (brightness) can be set at one of two levels, so that you can be sure to see the tuner display even better in situations where visibility is difficult, such as brightly lit stages and bright outdoor environments. Ultra-high tuning accuracy down to ±0.1 cents. The Pitchblack X offers highly precise and accurate tuning within a precision of ±0.1 cents when in Strobe mode,making it ideal for situations where the tuning must be absolutely right whether performing or  recording. Four meter display modes. Select from four types of meter display to match your requirements. Aside from the typical “Regular” mode, you can use “Strobe” and “Half Strobe” mode to indicate changes in pitch by the direction and speed that the meter is flowing in to distinguish even the finest differences in pitch; and you can use “Mirror” mode to see two LEDs on the left and right crossing together towards the center as you tune your instrument. Features a built-in “just-right tuning” display. The Pitchblack X features a new “just-right tuning” display function, which makes the triangular LEDs on both sides blink when the tuning is correct, helpingtuning be a stress-free experience. Sturdy housing; also works on battery power The Pitchblack X is housed in a robust aluminum case with a strong scratch-resistant coating. It works on 9 V batteries, which is perfect for players who don’t carry around an effects board, and there is an optional AC adaptor if required. Specifications: Scale: 12 note equal temperament Detection Range: E0 (20.60Hz)~C8(4,186Hz) Calibration Range: A4=436〜445Hz（1Hz steps） Detection Accuracy: +/- 0.1 cent (display mode: Strobe) Input Impedance:1 M-ohm (tuner on) Display Modes: Regular, Strobe, Half-strobe, Mirror Connectors: INPUT (mono 1/4” jack), BYPASS (mono 1/4” jack), DC 9V IN, DC 9V OUT Power Supply: 9V type battery(6LF22/6LR61/6F22)×1 or AC adaptor (9V) Battery not included Battery Life: Approximately 24 hours(6LF22/6LR61, A4 continuous input, tuner on, display mode: Regular mode) / Approximately 5 hours(6F22, A4 continuous input, tuner on, display mode: Regular mode) Power Consumption: Maximum 28 mA Dimensions (W x D x H): 69 x 110 x 49 mm (including protrusions) Weight: 248 g Included Items: Notices, Rubber feet Accessories: AC adaptor (9V) Sold Separately

Korg PB-X-Mini Pedal Tuner

1.050,-

KORG PB-X-MINI Pedal Tuner Neste generasjons minipedaltuner fra Korg, med den nye ULTRA BUFFER, er enda kraftigere og enklere å bruke Pitchblack X mini Chromatic Pedal Tuner features: • Allows switching between true bypass and the newly-developed ULTRA BUFFER • Compact housing - but packed with advanced functionality • Meter LED also offers bright mode settings for high visibility • Ultra-high tuning accuracy down to ±0.1 cents • Four meter display modes • Built-in “just-right tuning” display Featuring our newly-developed ULTRA BUFFER. The  Pitchblack X mini not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER. Why is this important? The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off. The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board. On the Pitchblack X Mini, you can switch between true bypass and the ULTRA BUFFER, according to your tastes and performance environment. Compact housing that’s packed with powerful functionality The Pitchblack X mini is the smallest tuner in the Pitchblack X series, and offers stress-free insertion into your gear-packed effects board. Weighing just 124 grams, this tuner features a powdered finish with a strong and durable housing. Meter LED also offers bright mode settings for high visibility. Besides the enlarged display, more meter LEDs have been added for superior visibility. The bright mode (brightness) can be set at one of two levels, so that you can be sure to see the tuner display even better in situations where visibility is difficult, such as brightly lit stages and bright outdoor environments. Ultra-high tuning accuracy down to ±0.1 cents. The Pitchblack X offers highly precise and accurate tuning within a precision of ±0.1 cents when in Strobe mode, making it ideal for situations where the tuning must be absolutely right whether performing or recording. Four meter display modes. Select from four types of meter display to match your requirements. Aside from the typical “Regular” mode, you can use “Strobe” and “Half Strobe” mode to indicate changes in pitch by the direction and speed that the meter is flowing in to distinguish even the finest differences in pitch; and you can use “Mirror” mode to see two LEDs on the left and right crossing together towards the center as you tune your instrument. Features a built-in “just-right tuning” display. The Pitchblack X features a new “just-right tuning” display function, which makes the triangular LEDs on both sides blink when the tuning is correct, helping tuning be a stress-free experience. Specifications: Scale: 12 note equal temperament Detection Range: E0 (20.60Hz)~C8(4,186Hz) Calibration Range: A4=436〜445Hz（1Hz steps） Detection Accuracy: +/- 0.1 cent (display mode: Strobe) Input Impedance: 1 M-ohm (tuner on) Display Modes: Regular, Strobe, Half-strobe, Mirror Connectors: INPUT (mono 1/4” jack), BYPASS (mono 1/4” jack), DC 9V IN Power Supply: AC adaptor (9V) Power Consumption: Maximum 30 mA Dimensions (W x D x H): 45 x 93 x 43 mm (including protrusions) Weight: 124 g Included Items: Notices, Rubber feet, 9V battery x 1 Accessories: AC adaptor (9V) Sold Separately

Korg PB-X-Pro Rack Tuner

1.995,-

KORG PB-X-PRO Rack Tuner Korgs nye flaggskip; rackmontert tuner Pitchblack X Pro Chromatic Rack Tuner features: • Allows switching between true bypass and the newly-developed ULTRA BUFFER • Meter LED also offers bright mode settings for high visibility • Ultra-high tuning accuracy down to ±0.1 cents • Four meter display modes • Built-in “just-right tuning” display Featuring our newly-developed ULTRA BUFFER. The  Pitchblack X Pro not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER. Why is this important? The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off. The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board. Designed for a wide range of setups. This tuner comes with easily detachable rack-mounting adapters. Aside from installing this tuner into a rack, you can attach the rack-mounting adapters onto the bottom of the unit, and use them as a stand for placing the unit on the floor. Further, output jacks are available on both the rear and front panel, which makes it easier to integrate the tuner into your effects board. Multicolored LEDs feature excellent visibility. With this tuner, you have a choice of multicolored LEDs for outstanding visibility. Available colors include blue to red gradation, green to red gradation, and single-colored gradation for cyan, green and blue for a total of five color types. This lets you select the colors and color combinations that suit your tastes, to match the studio or  stage lighting and color mood.. Ultra-high tuning accuracy down to ±0.1 cents. The Pitchblack XS offers highly precise and accurate tuning within a precision of ±0.1 cents when in Strobe mode, making it ideal for situations where the tuning must be absolutely right whether performing or recording. Four meter display modes. Select from four types of meter display to match your requirements. Aside from the typical “Regular” mode, you can use “Strobe” and “Half Strobe” mode to indicate changes in pitch by the direction and speed that the meter is flowing in to distinguish even the finest differences in pitch; and you can use “Mirror” mode to see two LEDs on the left and right crossing together towards the center as you tune your instrument. Features a built-in “just-right tuning” display. The Pitchblack X features a new “just-right tuning” display function, which makes the triangular LEDs on both sides blink when the tuning is correct, helping tuning be a stress-free experience. An extremely useful cable checker function. By connecting a standard cable into INPUT 1 and CABLE CHECK jacks, you can use KORG’s own special “cable checker” function to see whether the cable is shorted out. This feature helps to confirm any potential problems and help prevent cable troubles onstage and in the studio. Specifications Scale: 12 note equal temperament Detection Range: E0 (20.60Hz)~C8(4,186Hz) Calibration Range: A4=436〜445Hz（1Hz steps） Detection Accuracy: +/- 0.1 cent (display mode: Strobe) Input Impedance: 1 M-ohm (tuner on) Display Modes: Regular, Strobe, Half-strobe, Focus LED color patterns: Blue and red gradation, green and red gradation, cyan, green, blue Connectors: Front Side…INPUT 1 jack (1/4″/6.3 mm monaural phone jack), OUTPUT 1 jack (1/4″/6.3 mm monaural phone jack), CABLE CHECK jack (1/4″/6.3 mm monaural phone jack) Rear Side…INPUT 2 jack (1/4″/6.3 mm monaural phone jack), OUTPUT 2 jack (1/4″/6.3 mm monaural phone jack), DC 9V IN jack Power Supply: AC adaptor (9V) Power Consumption: Maximum mA TBA Dimensions (W x D x H): Tuner Only…430 x 50 x 44 mm（including protrusions） Dimensions, When used with the rackmount adapters…482（W）× 50（D） × 44（H）mm（including protrusions） Weight: 379 g Included Items: Notices, AC adapter, Screw x 4, Washer x 4, Rack mounting adapter x 2

Korg PB-XS Pedal Board Tuner

1.050,-

KORG PB-XS Pedal Board Tuner En ny type pedaltuner, med integrert skjerm og fotbryter Pitchblack XS Chromatic Pedal Tuner Features: • Unique design with a large display in a compact design • Allows switching between true bypass and the newly-developed ULTRA BUFFER • Meter LED also offers bright mode settings for high visibility • Ultra-high tuning accuracy down to ±0.1 cents • Four meter display modes • Built-in “just-right tuning” display Switch between true bypass or the newly-developed ULTRA BUFFER. The  Pitchblack XS not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER. Why is this important? The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off. The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board. On the Pitchblack XS, you can switch between true bypass and the ULTRA BUFFER, according to your tastes and environment. Unique design with a large display in a compact design With the footswitch integrated into the display, this unique design of the Pitchblack XS tuner offers a compact yet robust form factor with a display that’s as large as possible. Featuring a powdered finish on a durable housing, the switch responds wherever you press it, so you don’t have to worry about how your foot is placed or what angle the pedal is facing. Meter LED also offers bright mode settings for high visibility. Besides the enlarged display, more meter LEDs have been added for superior visibility. The bright mode (brightness) can be set at one of two levels, so that you can be sure to see the tuner display even better in situations where visibility is difficult, such as brightly lit stages and bright outdoor environments. Ultra-high tuning accuracy down to ±0.1 cents. The Pitchblack XS offers highly precise and accurate tuning within a precision of ±0.1 cents when in Strobe mode, making it ideal for situations where the tuning must be absolutely right whether performing or recording. Four meter display modes. Select from four types of meter display to match your requirements. Aside from the typical “Regular” mode, you can use “Strobe” and “Half Strobe” mode to indicate changes in pitch by the direction and speed that the meter is flowing in to distinguish even the finest differences in pitch; and you can use “Mirror” mode to see two LEDs on the left and right crossing together towards the center as you tune your instrument. Features a built-in “just-right tuning” display. The Pitchblack X features a new “just-right tuning” display function, which makes the triangular LEDs on both sides blink when the tuning is correct, helping tuning be a stress-free experience. Specifications: Scale: 12 note equal temperament Detection Range: E0 (20.60Hz)~C8(4,186Hz) Calibration Range: A4=436〜445Hz（1Hz steps） Detection Accuracy: +/- 0.1 cent (display mode: Strobe) Input Impedance: 1 M-ohm (tuner on) Display Modes: Regular, Strobe, Half-strobe, Mirror Connectors: INPUT (mono 1/4” jack), BYPASS (mono 1/4” jack), DC 9V IN Power Supply: AC adaptor (9V) Power Consumption: Maximum 40 mA Dimensions (W x D x H): 70 x 80 x 47 mm (including protrusions) Weight: 198 g Included Items: Notices, Rubber feet, 9V battery x 1 Accessories: AC adaptor (9V) Sold Separately

Korg PC-2 Pitchclip2 Klype ...

260,-

KORG PC-2 Pitchclip2 - Sort stemmeapparat av clip on-modell Veldig hendig liten kromatisk tuner som du bare klemmer på hodet på instrumentet ditt. Klipsen har god styrke og en gummiert innside slik at den holder seg sikkert på plass, men uten å etterlate riper eller andre merker på instrumentet ditt. Den enkle og tydelige LED-skjermen er synlig selv i mørket på scenen og er vertikalt forskyvbar avhengig av om du har tuneren foran eller bak på instrumentets hode eller om du er høyre- eller venstrehendt. Pitchclip-2 reagerer lynraskt og har en nøyaktighet på +-1 cent for rask og presis tuning. Den drives av CR2032-batteri (ikke inkludert) som er nok til ca 24 timers bruk. Perfekt tuner å ha med seg på scenen, i studio eller hjemme i sofaen for å kunne ha full kontroll på stemningen på en enkel måte. Spesifikasjoner Pitchclip 2: Farge: Sort Rekkevidde: Chromatic A0 (27,50 Hz) - C8 (4186 Hz) Nøyaktighet: +/- 1 cent Display: LED Størrelse: 52 x 24 x 34 mm Vekt: 17g Drift: Batteri CR2032 (ikke inkludert) Batterilevetid: ca 24 timers drift avhengig av batteritype Passer til: Elgitar, El-bass og Akustisk gitar/bass, Ukulele mm. KORG - Innovasjon siden 60-tallet Korg ble grunnlagt i Japan på begynnelsen av 60-tallet av Tsutomu Katoh og hans kollega Tadashi Osanai. Selskapet het opprinnelig Keio Electronic Laboratories og flyttet inn i sine første lokaler i 1962. Navnet Keio ble valgt fordi det inneholdt initialene til begge grunnleggernes etternavn. Det var også navnet på jernbanelinjen som gikk rett utenfor vinduet til verkstedet deres. I 1963 ble Katoh og Osanais første verk, Doncamatic DA-20, introdusert, en elektrisk rytmeboks basert på et system med roterende disker. DA-20 ble fulgt av DA-11, en helelektronisk DoncaMatic-modell. Et par år senere ble Katoh kontaktet av Fumio Mieda, en ingeniør som ønsket å bygge en ny type orgel. I motsetning til de fleste orgler på den tiden, var Miedas versjon programmerbar. Selv om han selv brukte ordet orgel, hadde Mieda i praksis konstruert en synthesizer. Femti eksemplarer ble produsert og solgt under det nye navnet Korg som var en sammentrekning av navnet Keio og Organ (som du vet er engelsk for orgel). I løpet av 70-tallet utviklet Korg en rekke synthesizer-modeller som Mini Korg, PE-1000 Polyphonic Ensamble og MS-20. Selskapet begrenset seg ikke bare til ulike synthesizere. I 1975 lanserte de verdens første tuning-enhet i lommeformat, WT-10, et produkt som siden har fått utallige tilhengere. I 1981 kom PolySix, en synthesizer unik ved at den var både programmerbar, polyfonisk og (kanskje viktigst) så billig at stort sett alle hadde råd til en. Et annet stort utviklingssteg ble tatt i 1988 med Korg M1, en synthesizer som inneholdt realistiske sample-baserte lyder, trommemaskin, sequencer og digital effektenhet, alt kombinert i ett instrument – ​​verdens første arbeidsstasjon, kort sagt.

Korg Volca Sample Next ...

1.995,-

KORG Volca Sample, Next Generation A new generation volca sample with more memory, features, and connectivity to take your beat making further than ever before. The volca sample is the compact and powerful sample-based drum machine that has captured attention and creativity of countless players around the world. The newest version retains all of the features which made the original so popular, and adds a micro USB port for better connectivity, increased sample memory, a new up to date sound library and additional functions for an improved workflow. Your portable beat making studio The volca sample has everything that you need to create the music you like, and in a portable small form factor that you can take anywhere! On its own, it is an advanced sample machine with a powerful engine capable of 8 voice polyphony, digital reverb, a rich powerful double filter and plenty of knobs for sample manipulation which make this a powerful sampler. Totally hands on with plenty of knobs for sample manipulation, volca sample runs on 6 AA batteries, has an integrated speaker and at only 372g/13oz (without batteries) is perfect for stand-alone use! Furthermore, with its USB, SYNC IN-OUT and MIDI connections, volca sample can integrate seamlessly with your live rig, production studio and of course any other volca! (link to the volca dedicated website) USB for Faster Sample Management and Better Connectivity The new micro USB port added to the volca sample allows you to connect your volca sample to your computer to easily control your volca and manage your samples. It allows you to easily control, sync, and play your volca sample from any DAW. Plus, individual MIDI channels can now be assigned to different parts, making it easier to perform when using an external device such as a sequencer or keyboard. Easier Sample and Pattern Management with your Computer With the volca sample’s dedicated Librarian software (available for Mac and PC) utilizing the USB port managing and sending your samples and patterns back and forth is now instantaneous and pain-free process. You can also use the dedicated app AudioPocket manager for iOS to record new samples on the fly and transfer them to your volca sample instantly. Added Features: Take your Beats Further Two new features have been added to this new volca sample that willl help in your music making process: - Pattern chain mode with 2 different STEP JUMP modes - Start delay function: Go “off the grid” with the new delay feature that lets you slightly delay the start of any part to achieve different kinds of grooves and swing. More Memory, Pattern Locations, Samples, and Bonus Packs! volca sample has an increased memory of 200 memory slots; double its predecessor. 50 are left empty on factory settings so you can load either your own original or pre-made libraries. Pattern locations have also have been increased from 10 to 16. The new generation of volca sample comes with a brand new sound library that has been carefully curated to fit the needs of all music producers and beat makers everywhere. This great selection of 150 samples will take your production to the next level, making it possible to make tracks on the fly with sounds that will fit every genre, including recent ones such as Future bass, Trap, Lo-Fi hip hop, and many others! Celebrating this new volca sample generation, we have collaborated with two of the most innovative and influential artists working today. Both Moe Shop and TORIENA  are well known as pioneers in the Kawaii Future Bass and Chiptune genres, and for  their diverse, widespread and original use of samples. See Artists quotes under Downloadable Both sample packs are available for free so all volca sample users can enjoy them! Download Moe Shop’s sample pack here Download TORIENA’s sample pack here Specifications: Keyboard: Multi touch Keyboard Sampler Type: PCM Max Polyphony: 8 Number of Samples: 200 (150 presets + 50 empty slots. All slots are user over writable) Memory Size for Samples: 8MB, 130 seconds Sampling Frequency: 31,25kHz, 16 bit Edit: Sample (Start Point, Start Delay, Length, Hi Cut), Pitch ( Speed, EG Int, Attack, Decay), Amp (Level, Pan, Attack, Decay), Reverse on/off Effects: Digital reverb (On, Off, Mix), Analogue Isolator ( Bass, Treble) Sequencer: Number of parts: 10, Number of Steps: 16, Number of Recording Patterns: 16 ( 1-10 have presets loaded on factory settings, Pattern chain function) Control: Motion Sequence, Active Step, Step Jump, Swing. Inputs: Audio: Headphones ( 3,5mm Stereo mini jack ) Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V), Sync Out (3.5mm monaural mini jack, Maximum Output level: 5V), MIDI: MIDI In, USB: micro-B USB port Power: Battery Life: Approximately 10 hours (using alkaline batteries), Power Supply: AA alkaline battery ×6, AA nickel-metal hydride battery ×6, or AC adapter “KA-350” (optional) Others: Included Items: AA alkaline battery ×6 (for verifying operation), Sync cable, Accessories Sold separately: KA-350 AC adapter, SEQUENZ CB-4VOLCA hard shell case, SEQUENZ CC-VOLCA dedicated carrying case, SQ-CABLE-6 sync cable Weight: 372g (Excluding batteries) Dimensions: 193（W）x 115（D）x 45（H）mm (including knob height)

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