Fulltone Octafuzz OF-2 ...

2.690,-

Fulltone Octafuzz OF-2 Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 16ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe. Scott Henderson 8/2022: "I’ve never done an album yet without your Octafuzz. I’d be lost without it!"* Gary Clarke Jr uses the Octafuzz (on "Fuzz" setting) for his epic Live and recorded Fuzz tones...no other pedal can do that imploding sound. "Edgy, tweaked, and haunted by strange overtones, it's distortion occupies a galaxy far, far away from modern crunchola fuzz." -- Guitar Player Mag Almost synth-like with its ring-modulation and "steel-drum" vibe... you will turn heads. Around 2000 I developed a mod to the Octafuzz that made it into a massive non-Octavia Fuzztone with a flip of a switch. My mod was soon adopted by all other companies who make Tycobrahe reissues and clones. • Octave Fuzz pedal • Exact clone of the Tycobrahe Octavia • Octa / Fuzz switch for cutting out theOctave circuit–for the nastiest most distorted Fuzz • 100% hand-built in the USA • Powered by 9 V DC PSU(centre +, 2.1 mm)

Fulltone PlimSoul mkII ...

3.190,-

Fulltone PlimSoul mkII Soft And Hard Clipping Overdrive Clipping = Distortion, and for many years players have only been offered two clipping choices: Soft-Clipped or Hard-Clipped. Soft-Clipped pedals such as Tube Screamers, Fulldrive2, OD-1, etc, get their distortion by using diodes placed in the feedback loop of their Op-amps. This type of clipping produces a cleaner, more compressed, low-to-medium gained Overdrive sound. The other choice are Hard-Clipped pedals like the RAT, Distortion+, Boss DS-1, etc. These pedals create distortion using diodes tied to ground or, unique to the Fulltone OCDv2, Mosfets that are tied to the half-way point between 9 volts and ground, offering a more natural sounding distortion, which resembles the sag or feel of an amp’s tube rectifier. The original PlimSoul is the only pedal to offer both Soft & Hard clipping with separate control over each. I designed the PlimSoul’s unique, independent dual-stage clipping circuit to replicate not only the sound, but the feel of a tube amp with its subtleties and complexities, resulting in my being granted U.S.Patent # 8471136. The Fulltone PlimSoul mkII is Hand-Built in the U.S.A. using top-notch, full size components, many of which are designed by and exclusively for Fulltone.   Main Features: Dual Stage Overdrive pedal with independent Soft- and Hard-Clipping Stages Hard Clipping circuit using two Germanium diodes for symmetrical hard clipping with aggressive, punchy gain Soft Clipping circuit for extremely asymmetrical soft clipping with low-to-medium gain Infinite overdrive combinations Increased input impedance increased of 1.1 Megaohms - for even better interaction with guitar’s Volume knob Passive Hi-Cut Treble control 3-position Bass switch True Bypass via Fulltone’s 3PDT footswitch 100% hand-built in the USA Powered by 9-18 V DC PSU (centre -, 2.1 mm)

Fulltone Queen Bee Germanium ...

3.490,-

Fulltone Queen Bee Sparkle Gold 3 x Germanium Fuzz The Fulltone Custom Shop Queen Bee is powered by 3 NOS Military “Flying Saucer” germanium transistors in an original design that behaves in an amp-like manner, responding dynamically to the input from your hands and guitar. Great clean-up by lowering the guitar’s volume knob, sweet mids, clarity, sustain, harmonics... It’s all there! Its first 2 transistors are configured to achieve maximum gain in order to hit transistor #3 extremely hard, creating more sustain and distortion than is possible with 2-transistor Fuzzes while making the pedal rather low-noise for such a high-gained design. The Queen Bee also has a lot of midrange! Fender amp owners will appreciate the Passive Hi-Cut Treble control for taming the treble, and further sonic sculpting via the Bass switch (placed before transistor #3) tailoring the low frequencies and keeping the bottom-end tight. This pedal has a wildly asymmetrical waveform high in second-order Harmonics, culminating in a sweet, rich, commanding voice with tons of sustain. Inside the pedal is a trimmer for adjusting the bias of transistor #3 by a range between 2 and 6 volts DC. A slight turn results in a drastic change in sound, in volume, and in compression characteristics. Suddenly firm becomes soft, bright becomes warm, grainy becomes smooth. The Queen Bee has True-Bypass switching via the Fulltone 3PDT footswitch for maximum signal integrity while the pedal is bypassed. Because the Bee utilizes Germanium transistors it should only be powered with a battery or a “Center Positive,” well-regulated power supply. Fulltone Queen Bees are 100% Hand-Built in the USA. • Fuzz pedal • 3 Germanium transistors • Lots of sustain, distortion and midrange • Passive Hi-Cut Treble control • 3-position Bass switch • Internal Bias trimmer for transistor #3 • True Bypass via Fulltone's 3PDT footswitch • 100% hand-built in the USA • Powered by 9 V DC PSU (centre +, 2.1 mm, ~5 mA current draw)

Fulltone Ranger Treble ...

3.450,-

Fulltone Ranger Fulltone’s Rangemaster treble booster clone In pure Fulltone fashion, the new Ranger has been made with top-quality components and high-end craftsmanship, with extensive knowledge and great listening skills. Ranger has been thoroughly tested, played, and listened to before being modified, played and adjusted again, over and over until the result was satisfying enough to fit Fulltone’s very high standards. Just like all the other wonderful effects from Fulltone, all this attention to detail makes the Ranger a unique and truly great sounding pedal and so it may very well be the greatest Rangermaster treble booster clone ever made. Features: • PNP (Positive to ground) Germanium pedal • Proprietary Power supply design - allows the pedal be powered by any standard NPN (Negative to Ground) PSU • 6-position rotary switch - 6 different sounds, including Rangemaster 1 and Rangemaster 2 • Sexy amber light jewel • Top-mounted jacks & DC port • Adjustable Transistor Bias trimmer - want it soft or hard? Want more or less chime? Just turn and adjust by ear, there is no wrong setting • It’s a tiny pedal (12 x 7.4 cm) yet there’s a battery in it too! • 100% Hand-Made in Los Angeles, using full-size components

Fulltone Robin Trower ...

2.750,-

Fulltone Robin Trower Overdrive The Fulltone/Robin Trower connection goes back much further than the 15 years that Fulltone has been Robin’s exclusive choice for OD, fuzz, wah-wah, and ‘vibe pedals. Robin Trower is known for TONE. While working with Robin during his 2008 tour, I developed an overdrive truly worthy of the Trower namesake. Touch responsive, huge sounding, sustain for days... and crystal clear when the guitar's volume knob is reduced for great live dynamics. Being that Robin uses Fenders as well as Marshalls, it had to work well with both types... and it does. And Robin hits so hard that the front end of the pedal had to be tuned for those .012-.048 tuned-down strings. The RTO holds tight and smooth for Strat and Les Paul players alike. Robin's quite happy with the way it turned out, and I think you will be too. Robin’s own words: “The RTO is the smoothest, most natural sounding Overdrive I have ever used… but the fact that it enhances my guitar’s character tone is what made me LOVE it!” Main Features: • Robin Trover Signature Overdrive effects pedal • JFET Op Amp feedback loop design without input buffer for natural sounding, slightly asymmetrical waveform • True Bypass Switching • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm)

Fulltone Soul-Bender Fuzz ...

2.650,-

Fulltone Soul-Bender In the early 1970’s, Sola-Sound England produced a very fat, warm, and juicy sounding Distortion/Fuzz called the Tone-Bender MkIII. These were also sold under the Colorsound, and Park brand names with slight variations in circuit and sound....my favorite being the Sola-Sound. “3 knob Tone-Benders,” as they became to be known, were very different from the more popular Fuzzface pedals in that they had more sustain and a lot of sweet midrange on-tap, which could give a thin Tele or Strat a very sax-like solo tone, especially with the “Tone” control turned full clockwise. The ‘Bender tone control cuts treble and increases Bass & Mids as you turn it clockwise, panning between a large and small capacitor, which is the way different from most other pedal’s Tone controls which simply cut treble at the knob is turned counter-clockwise. The magic of these “3 knobbers” is that they contain 3 germanium transistors...all of differing gains, and the secret is you have to know the proper gain each transistor needs to be in order to produce the best sound. I know, not because of some schematic on the web (all wrong BTW) or “build your own” kit, but because I have owned and repaired 40 or more original “3 knobbers,” and have almost 20 years experience with this circuit, knowing what makes them sound great and sustain long. The original Fulltone Soul-Bender® came out in 1995, it was inspired by this classic 3-knob design, and was produced up until around 2006 when Fulltone could no longer parse suitable transistors. Recently Fulltone re-established a relationship with one of the last remaining germanium transistor making companies, which has allowed them to re-issue this fuzz-classic as the Soul-Bender® SB-2. The SB-2 is in some ways better than the old Soul-Bender® in that I am now having the transistors made-to-order just how I want them, and these wonderful skinny-tall TO-1 Germanium transistor (with a top hat brim) that have just the right characteristics, including the requisite low gain and low noise just like the vintage Sola-Sound pedals had. The Soul-Bender® improves on the original 60's design by offering more available volume, a more usable Tone control range, True-Bypass switching with my proprietary "silent switching circuit,” better power supply filtering for less noise, and polarity protection to keep the sensitive Germanium transistors from damage....you cannot fry this pedal if you accidentally use the wrong power supply! Your SB-2 is roughly half the size of the original Soul-Bender® (or Sola-Sound) and I left the IN & OUT jacks on the rear of the pedal like the original Soul-Bender® so it will fit on even the most cramped pedalboard. • Germanium Fuzz pedal • Replica of the 3-knob Sola-Sound Tone Bender • Vintage specs and vintage sound • 100% hand-built in the USA • Powered by 9 V DC PSU (centre +, 2.1 mm)

Fulltone Supa-Trem 2 v2 ...

3.790,-

Fulltone Supa-Trem 2 v2 Upgraded tremolo and now even smaller! The Supa-Trem 2 v2 has two identical separate circuits in true stereo with 2 inputs and 2 outputs. It also has enhanced-bypass thanks to hi-quality JFET buffered outputs, plus offers Tap Tempo with speeds so slow that it takes 6+ seconds to pan between the outputs or super-fast speeds in excess of 200bpm. Holding down on the Tap Tempo switch for 3/4 of a second enables true Half-Speed/Double-Speed. The Volume knob has 15db of available Boost, which acts as a fine clean boost with the Mix knob down. The Phase Correlation knob is a Fulltone exclusive allowing you to throw the outputs any degree in or out of Phase with each other, giving a hint of "naturally occurring" Harmonic Phase-shift as your guitar pans between the amps with the knob set full out of phase or a massive throbbing Tremolo with no panning when knob is set to full in-phase. Then there's the waveform switch that offers either a standard sine, a true square which is brutally abrupt and choppy at any speed even with hi-gain amps, and "Warble," to approximate vintage Leslie and Univibe waveforms. Version 2 is about half the size of the Supa-Trem 2 and debuts the incredible square wave mode. v2 also adds an external tape jack. Finally, v2 has the same JFET inputs, JFET op-amps, and JFET outputs, but with the latest Fulltone Custom Made Optocouplers offering a far wider range of Tremolo intensities than previously available.

Fulltone Supa-Trem Jr Tremolo ...

2.999,-

Fulltone Supa-Trem Jr The logical progression to the beloved Supa-Trem1 is here! The next evolutionary step of the beloved Supa-Trem1 is here...it’s the Supa-Trem Jr! Much, much smaller, and much more intelligent version of the epic Supa-Trem1, retaining a 100% analog audio path, now utilizing a digital Oscillator, allowing for Tap-Tempo and a choice between 3 stellar waveforms, all while retaining the custom-made Fulltone Optocoupler that gives it a natural feel no digital effect could ever achieve! Also sporting True-Bypass, external Tap jack, Half/Double hold feature, up to 15dB boost, Square, Sine, and the natural heartbeat-like Warble wave-forms! The ST-Jr can do speeds so slow that a full cycle takes around 7 seconds, and fast speeds that go beyond 500bpm. The heart of the ST1 is still there, the warm Analog Devices JFET preamp, which is the same opamp we use in our 2B, Wah Wah Buffers, and ABY switchers. With its topmounted jacks, the Jr will fit into the smallest spot on your board. Don't forget, just like the ST1, the ST-Jr also works as an incredible clean boost with the Mix control turned down. Main Features: • Tremolo effects pedal • from slow 7 second cycleto up to 500 bpm speeds • Descrete analog design using Fulltone’s Opto-1 Photocell • Three stellar waveforms selectable: • Square • Sine • Warble – for heartbeat-like natural tremolo • Tap-Tempo with Half/Double feature accessed by holding down Tap switch for ¾ of a second • External Tap jack! • True-Bypass switching • Up to 15dB of available and adjustable volume boost when pedal is on • Fulltone manufactured Optocoupler for natural feel • 100% hand-built in the USA • Powered by 9-18 V DC PSU (centre -, 2.1 mm, 30 mA current draw)

Fulltone Supa-Wah Pedal

4.590,-

Fulltone Supa-Wah 5 voice Wah Wah with BC109B transistors The Supa-Wah takes Fulltone’s legendary Clyde Wah concept to the next level by offering two additional modes: Phat is the throatiest, most vocal Wah sound while Sub is deep, grunty, and unbelievably expressive, plus it works great on Bass too. The Supa-Wah is powered by a matched-pair of rare BC109B transistors which were the same ones used in 60’s Vox Clyde McCoys. An adjustable input Level knob allows the signal to hit the wah circuit cleanly or to overdrive it for grit and more overtones. On the left side is a switch to engage a JFET Buffer/Booster allowing you to kick the volume up (as much as 20dB) while interfacing better with hi-gain amps and offering optimal isolation from pedals that follow in the chain. Fulltone treadles have more travel than traditional enclosures and incorporate nylon pivot-points which can be micro-adjusted to the desired feel. Fulltone’s custom-crafted components also ensure high quality sound as well as unprecedented isolation from outside noise. Their MU-80 Inductor is hand-made in the USA and crafted with exactly the same type of core material, wire and inductance as the 60’s era Vox Wahs, plus the MU-80 has a MuMetal cover that rejects stray hum fields. The custom-made FWP-2 Potentiometer has high resistance and the same taper as 60’s Icar pots used in vintage Vox Wahs, plus its triple-screened carbon-composition track gives a minimum 500,000 turn lifespan. The Supa-Wah’s 16 gauge cold-rolled-steel enclosure is not only super-tough but also blocks most external noise from entering the pedal. An added Grounding Strap connecting the bottom-plate to the main housing creates a tremendous reduction in 60-cycle hum and increased Radio Frequency rejection. Main Features: • Wah pedal • Fulltone’s legendary Clyde Deluxe Wah with two additional modes • 5 distinctly voiced wah modes o Sub - deep grunty and expressive, almost synth-like - also great on bass o Wacked - reminiscent of old Colorsound wahs, “wow” sound with deep bass response o Phat - throaty, vocal Wah sound, perfect for guitar o Jimi - recreation of the late 60’s Vox Clyde McCoy wah sound used by Hendrix and Clapton o Shaft - shifts the wah range up a little to capture the ‘70’s sounds of funk classics and cheesy movie soundtracks • Matched pair of rare BC109B transistors used in 60’s Vox Clyde McCoy Wahs • Switchable JFET Buffer/Booster - up to +20 dB • Fulltone hand-crafted MU-80 inductor with MuMetal cover and custom DWP-2 potentiometer with the characteristics of vintage components • True Bypass via Fulltone’s 3PDT footswitch • 100% hand-built in the USA • Powered by 9V battery or opt. 9-18 V DC PSU (centre -, 2.1 mm, ~5 mA current draw)

Fulltone Ultimate Octave Fuzz ...

3.790,-

Fulltone Ultimate Octave Octave Fuzz Pedal Back by popular demand, the Fulltone Ultimate Octave has returned - redesigned, refined, and ready to inspire a new generation of players. Originally one of Fulltone’s most celebrated designs, this pedal earned a cult following for its massive fuzz tone and screaming octave-up mode. 100 % handmade in the USA, a custom smaller enclosure, top-mounted jacks, and premium full-size components - Built for today’s boards. Iconic Tone, Evolved Design At its core, the Ultimate Octave delivers thick, harmonically rich fuzz that moves from smooth sustain to ferocious bite. Engage the dedicated Octave footswitch to unleash one of the most intense, upper-octave circuits ever made - that unmistakable “Velcro buzz” and cutting clarity that define vintage-meets-modern tone. Main Features: • The return of Fulltone’s legendary Octave Fuzz pedal • Independent footswitches for Fuzz and Octave • The Fat/Bright voice toggle completely reshapes the EQ curve and gain structure:      o Fat Mode: Warm, classic vocal-like fuzz with punchy mids      o Bright mode: Mid scoop with Bass and Treble boost • Top-mounted jacks • Compact custom enclosure • True Bypass switching • Hand-made in the USA • Powered by (opt.) 9-18V DC PSU (centre -, 2.1mm, ~ 35 mA current draw, not included)

Fulltone Wahfull fixed ...

3.290,-

Fulltone WahFull Around 1999 Robin Trower called Fulltone and asked if they would make him a pedal that achieved a “parked wah” sound, which is usually created by turning on a wah wah and finding that special spot where the Midrange is singing with feedback…a technique made famous by Michael Schenker and Jimmy Page. The Fulltone Custom Shop made one for Robin, called it WahFull and never thought about it again until years again when they started getting multiple emails per day asking if they were ever going to release it. They then made a second one for Joe Satriani, adding some very usefull features – born was the Fulltone Custom Shop WahFull. Main Features: • Cocked Wah effect pedal • JFERT buffered input and Output • Expression Pedal control jack • 3-position rotary switch - 3 different wah sounds, Wacked, Jimmi and Shaft • Pickup Compensator knob for compensating for hotter pickups or ones with weaker output, or to overdrive the inductor • Adjustable Transistor Bias trimmer - want it soft or hard? Want more or less chime? Just turn and adjust by ear, there is no wrong setting • Small footprint with top-mounted jacks & DC port • 100% Hand-Made in Los Angeles, using full-size components • Powered by 9 V DC PSU (centre -, 2.1 mm, 100 mA current draw)

Gallien-Krueger CX 115 ...

8.939,-

Gallien-Krueger CX 115 1x15" Cabinet, 300 Watt, 8 Ohm, w/ Ceramic Speaker, HF Transducers. Design Sure Lock Stacking: A unique foot and corner system designed to lock together when cabinets are stacked. Durable Portability: Tough vinyl covering protected with metal corners provide lasting protection. Plywood construction, flip grip side handles and compact design make this cabinet a dream to load. Advanced Crossover: A three position tweeter attenuator for control of tweeter level. One professional twist lock speaker connector for no compromise performance and one common 1/4 inch input. Technology Driver By GK: Special driver designed just for this cabinet, featuring an edge wound aluminum 2.5” voice coil, manufactured in the GK USA factory. This design delivers unprecedented transient response uncharacteristic for a 15 inch speaker. Bracing and Ports: Internal bracing to prevent tone robbing standing waves and sound leakage through the cabinet walls. Critically Damped: Our design team tuned the port for optimum performance while coupled to the cabinets specific designed speaker.  The port coupled with a specific jute blend of damping material provides the right amount of damping at the right frequencies, for optimum response.

Gallien-Krueger CX 210 ...

8.939,-

Gallien-Krueger CX 210 2x10" Cabinet, 400 Watt, 8 Ohm, w/ Ceramic Speakers, HF Transducers

Gallien-Krueger CX 410 / 4 ...

13.078,-

4x10" Cabinet, 800 Watt, 4 Ohm, w/ Ceramic Drivers, HF Transducers

Gallien-Krueger CX 410 / 8 ...

13.078,-

4x10" Cabinet, 800 Watt, 8 Ohm, w/ Ceramic Speaker, HF Transducers

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