EarthQuaker Devices Chelsea ...

2.180,-

EarthQuaker Devices - Chelsea Low End Fuzz Driver Chelsea er en kraftfull fuzz-pedal med ett klassisk sound og stor dynamik. Med justerbare kontroller for Level, Sustain og Tone kan du skape alt fra tykke, myke fuzz-lyder til harde og aggresive distortioner. Chelsea er perfekt for deg som vil ha en fuzz med både vintage følelse og moderne kontroll. With only three controls, this deceptively powerful pedal offers you everything from light overdrive to full on distortion with clarity and blissful grinding. A Tone On/Off switch allows you remove the Tone control from the circuit, opening up a whole new world of midrange grind. Switch it off for a simplified and straightforward attack or leave it on for a full-bodied distortion with loads of low-end with a slight natural scoop. Roll up the Sustain for wall-shaking bass notes or sustaining lead and adjust the Tone for a wild and wide frequency response from aggressive top end to low-end rumble.

EarthQuaker Devices Data ...

3.250,-

Data Corrupter The Devil’s In The Data A wild, yet repeatable three-voice Modulated Monophonic Phase-Locked Loop (PLL) Harmonizer, the Data Corrupter takes your input signal and brutally amplifies it into a crushing square wave fuzz tone. That signal is then multiplied, divided and modulated to create a harmonically complex, expressive and touch-responsive analog synth tone up to three octaves below (or above) the original signal, plus additional harmonies. • Wild Three-Voice Guitar Synthesizer w. Crushing Square Wave Fuzz • Frequency Modulator produces smooth portamento pitch-bends (Glide mode) or retro sci-fi laser effects (Vibrato mode) • Master Oscillator and Subharmonic dials allow for harmonies up to three octaves above and below your original signal • True Bypass • Silent relay-based switching • All-analog signal path • Top-mounted jacks - for effortless pedalboard implementation The central nervous system at the heart of the Data Corrupter’s hive mind is the Master Oscillator. The Master Oscillator’s “Root” (the octave of which is selectable via a three-position rotary switch) adjusts the frequency range and tracking response of the input signal, which is then synthesized and harmonized by one of eight Master Oscillator programs, adjustable by an eight-way rotary switch. From there, the Frequency Modulator applies pitch-bend modulation to the Master Oscillator. In Glide mode, you’ll hear a smooth portamento as each note slides into the next. In Vibrato mode the pitch modulates up and down for a retro sci-fi laser effect.   The Subharmonic assimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the Subharmonic’s Root switch to the Unison position, which divides the Square Wave input signal, and removes the Frequency Modulator from the Subharmonic signal path.   To unleash the cracked machine lurking within the Data Corrupter mainframe, set the Subharmonic Root switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves. Each and every Data Corrupter is built one-at-a-time by a team of ensigns aboard the Starship Enterprise locked in orbit around the Borg Cube of Akron, Ohio, USA. Make it so. Engage.

EarthQuaker Devices Disaster ...

2.200,-

EarthQuaker Devices Disaster Transport Legacy Reissue Limited Edition Delay Modulation Machine You spoke, we listened! The Disaster Transport Legacy Reissue is based on one of the first EarthQuaker Devices ever made, the Disaster Transport - now with some serious upgrades to make it sound even better than the much-loved original. This one-time limited edition is part of EarthQuaker Devices’ series of legacy reissue series, which resurrects some of their most beloved but long gone legacy pedals and is limited to only 4,000 units worldwide. Main Features: • Modulated Delay Effects Pedal • Analog-voiced modulated digital delay • Reissue of the first version of the classic EQD modulated delay circuit • Upgraded circuitry with reduced noise floor, boosted output and cleaner mixing section • Added Mod Mode switch - chooses between bending (Bend) and stretching (Stretch) the modulation • Added 3-position Mod Speed toggle switch – for instantly switching the Delay Modulation speed o Slow (S) o Fast (F) o Medium (M) • All-analog signal path • True bypass • Silent relay-based switching with Flexi-Switch™ Technology • Made in USA • Powered by regular 9 V DC PSU     (centre -, 2,1 mm, ~35 mA current draw) This limited edition version of the Disaster Transport™ pedal has been redesigned so the delay line reduces the noise floor and improves the quality of the delay. The output is boosted with a cleaner mixing section; it’s now filtered to sound more like an analog delay than any of the previous versions. This delay pedal sits perfectly in the background with more of an evolved ambiance to it, but it can be dialed in for more of a dramatic effect of your choosing. A Mod Mode switch has been added that allows you to choose between bending (Bend) and stretching (Stretch) the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with. The newly added Mod Speed three-position toggle switch offers Slow (S), Fast (F), and Medium (M) settings. The newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate Switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.

EarthQuaker Devices Dispatch ...

2.580,-

Dispatch Master V3 Still packed to the brim with crystalline delays and seemingly endless reverberating soundscapes, the renowned Dispatch Master V3 now features EarthQuaker Devices proprietary flexi-switch for seamless switching between standard latch mode and cool momentary operation, seeing you create everything from dreamy lingering soundscapes to short glitchy bursts of ambience. An all-time EarthQuaker Devices favourite just got even better! • Digital delay & reverb in one pedal - with 1.5 seconds of delay time • Independent control over delay and/or reverb effects • Flexi-Switch™ allows for momentary and traditional latching-style switching from a single footswitch • All-analog dry signal path • Silent soft-touch switching • True Bypass Now the same brilliantly simple and easy-to-use digital Delay & Reverb Device includes EarthQuaker Devices’ proprietary Flexi-Switch™ Technology. Exclusive to EarthQuaker Devices effects pedals, Flexi-Switch™ allows for traditional latching and/or momentary-style switching from a single silent relay-based true-bypass footswitch.   To use the Dispatch Master V3 as a standard effects pedal, press the switch once to activate the effect, and press again to bypass. For momentary operation, press and hold the footswitch, and the Dispatch Master will remain active for as long as the switch is held. Once the switch is released, the effect is bypassed.   The Dispatch Master’s hi-fi delay and reverb sounds and intuitive control set have made it a staple of pro pedalboards around the globe. It features a dynamic reverb that goes from natural and roomy to cavernous and deep, up to 1.5 seconds of delay time, and a dialled-in delay Repeats control delivering anything between a single echo to infinite repeats without unpleasant digital artefacts or runaway self-oscillation. Its simplicity has made it a popular “always on” effect for players who want to add a touch of ambience and slapback to their clean tone, and its lush ambient sounds make it a perfect fit for modern and experimental players.

EarthQuaker Devices Easy ...

1.340,-

EarthQuaker Devices - Easy Listening Analog Amp Simulator En enkel analog pedal som ger dig möjlighet att spela med hörlurar. Sätt den sist på pedalbordet och koppla in lurarna. Easy Listening skapar helt analoget en högtalar simulering, Eq:ad för att du skall känna igen dig i ditt ljudlanskap Welcome to Easy Listening—your new best bud for silent shredding! With its finely tuned preamp circuitry and sweet analog cabinet simulation, Easy Listening delivers a big, lush sound with zero latency and no harsh digital artifacts. Think of it as the perfect marriage of vintage tone and modern convenience, offering all the high headroom and low noise of an actual tube amp but small enough to fit in your pocket. No menu diving, no IR loading, and nothing else getting in-between you and your tone. Whether you are using this as a headphone amp or the final stage before your recording interface for quick and easy amp-less recording, we think you’ll find this no fuss simulator a delightful addition to your tonal toolbox! As the name implies, Easy Listening is as simple as it can be to operate, just one control for output volume and that's it. Internally, it's meticulously voiced to capture the soul of one of our favorite classic American guitar amps—a '65 Deluxe—with all the harmonic complexity guitar players crave. Its all-analog circuitry provides a more immediate feel with rich low-end resonance, slightly scooped mids, and that crystalline top end chime that makes electric guitars sing. Designed with guitarists that use a lot of pedals in mind, Easy Listening features a high 1 MOhm input impedance and ample headroom to handle everything from vintage fuzz to modern stacked gain stages without breaking a sweat. The high-fidelity, low-noise analog class AB driver ensures you'll maintain every nuance of your tone at whisper-quiet headphone levels or tracking sick riffs in your secret basement studio. Each Easy Listening is built by a powerful robot and a whole bunch of delightful humans in the exotic former rubber capital of the world, Akron, Ohio USA.

EarthQuaker Devices Flexi ...

1.680,-

EarthQuaker Devices - Flexi Loops Using an effect loop switcher on your pedalboard allows you to easily remove all your effects from the signal path creating a path of least resistance to maintain full tonal integrity when they aren’t in use. Using a dual effect loop with Flexi-Switch® Technology allows you to create two distinct loops of effects and then introduce or remove them all on the fly with ease! You aren’t just limited to using the Flexi Loops as a loop switcher! You can use one channel as a tuner out/mute or even a plain old mute. Use the sends to run out to different sources and easily select between them! The Flexi Loops uses high quality, soft touch momentary switches for durability and quick action to ensure a lifetime of switching enjoyment. This device is entirely passive and there is no circuitry in the signal path but it will require power for the relays to pass signal.

EarthQuaker Devices Four to ...

2.290,-

EarthQuaker Devices - Four to One Mixer The Four to One Mixer is a simple and compact 4 channel mixer with independent level controls and selectable phase for each channel. This device features a high 1 MOhm input impedance and a low 100 Ohm output impedance ensuring all signals maintain their sonic integrity throughout their journey, even on long cable runs. The Four to One Mixer was primarily designed to be used with our One to Four Splitter to create 4 parallel signal paths, but it can be used just about anywhere you need to mix four different sources into a single output!

EarthQuaker Devices Fuzz ...

2.300,-

EarthQuaker Devices Fuzz Master General™ Legacy Reissue Limited Edition Octave Fuzz Blaster The Fuzz Master General is our take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. We have taken the basic circuit and re-imagineered it to be more useful for the modern player. The Fuzz Master General features a more accurate Fuzz control that delivers a much broader spectrum of dirt tones ranging from nearly clean through full buzz saw assault. We added a Voice toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. This has a huge impact on the characteristics of fuzz tone, upper octave clarity and output level. Germanium diodes offer more output and an open, looser fuzz tone while the silicon diodes compress the signal and yield a tighter fuzz tone. When the voice is set to no diode clipping (center position) you can attain a nearly clean upper octave that borders on ring modulation! While the original Fuzz Master had a foot switch to select between two different tone settings, the Fuzz Master General has a variable Tone control that allows you to dial in everything in between a wide-open treble assault and a super-scooped, bass-heavy vintage unit. With all these added features, the Fuzz Master General delivers a more versatile version of the original while still retaining the same swelling octave grind we all know and love.

EarthQuaker Devices Gary Mod ...

2.340,-

EarthQuaker Devices - Gary Automatic Pulse Width Modulation Fuzz and Dynamic Natural Overdrive A collaboration between EarthQuaker Devices and Lee Kiernan from IDLES. Gary started as a simple request to create a compact version of the now discontinued Gray Channel®, which was a mainstay on Lee’s board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more, Gary after dark, Saturday night Gary. So, we sat him down and began the trek of figuring out old Gare-Bear once and for all. The result is a dynamic and destructive pulse width modulated fuzz paired with a natural-sounding op-amp overdrive.

EarthQuaker Devices Ghost ...

2.580,-

Ghost Echo™ Vintage Voiced Reverb You hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you! Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix, but we like to think of it more as how scary the overall effect is. *Not actually haunted. Or are they? Switching This device is true bypass and uses electronic relay-based switching. Audio will not pass without power. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

EarthQuaker Devices Grand ...

2.450,-

Grand Orbiter V3 The Grand Orbiter V3 is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has a three-way toggle switch to select between the ranges of modulation: Rate 1 is slow sweep mode, Rate 2 kills the LFO and allows you to use the Grand Orbiter as a fixed resonant filter and Rate 3 is fast sweep mode. So no matter what starlit galaxies you wanna go to, Grand Orbiter is definitely the right vessel for your intergalactic travels! • Four-stage OTA-based Phaser and Vibrato - Switchable via phase/vibrato mini-toggle • Rate toggle selects between three LFO speeds - Slow, Fixed and Fast • New Flexi-switch - allows for traditional latching or momentary operation   • True bypass - Silent soft-touch switching • All-analog signal path • Top-mounted jacks - for effortless pedalboard implementation The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal’s tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the “Phase/Vibrato” switch. When in “Vibrato” mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

EarthQuaker Devices Hizumitas ...

2.300,-

Hizumitas Fuzz Sustainar Hizumitas was designed for the one and only Wata from the legendary experimental band Boris, one of the heaviest bands ever to come out of Japan. The trio of guitar sorceress Wata, drummer and vocalist Atsuo, and double-neck bassist, guitarist and vocalist Takeshi has almost 100 releases filled with genre and brain-melting music. In their nearly three decades together, Boris has infused doom, hardcore, thrash, noise-core, ambient, free improv, drone, psychedelia, and more into their extensive discography. Boris is also known for their unique collaborations with mutually adventurous artists, including American Doom mongers Sunn O))), noise legends Merzbow, Keiji Haino, and Ian Astbury of The Cult. Wata, always seen and heard on stage wielding her black Les Paul Custom, mixes killer riffs with searing, fluid, or jaggedly melodic leads and controlled walls of feedback, often with help from an EBow. It's a connection of chaos and melody that has enchanted Boris fans worldwide and influenced many bands that have followed in their considerable wake. Simply stated, no other band sounds like Boris, and no other guitarist rocks like Wata. But with EQD's Hizumitas fuzz on your pedalboard, you can carve out your own singular, mega-heavy tone. Main Features: • Faithful sonic recreation of Wata from Boris’ crushing go-to fuzz: the Elk BM Sustainar • Offers loads of heavy distortion and smooth sustain with an underlying grit • Excellent response to different pickup types and playing dynamics • Unique Tone and Sustain controls greatly impact the distortion’s character • Offers plenty of output Volume - unity is around 9-10 o’clock; everything above that is set to destroy • All-analog signal path • True bypass • Silent relay-based switching • Powered by regular 9 V DC PSU     (centre -, 2,1 mm, ~10 mA current draw) Hizumitas is a faithful recreation of Wata's go-to distortion pedal, the Elk BM Sustainar. The Elk is a Japanese variant of the very well-known "Triangle" BMP. The designers at EQD tried several vintage BMP's during development, found that each pedal was wildly different and realized that to truly capture the magic they needed the original. Wata graciously sent her beloved pedal halfway around the world, and EQD discovered that it had something special the others didn't have: heavy saturation with a gritty edge and massive bottom while maintaining a clear and dynamic tone with enough mids and top end to cut through any sludge. The studious wizards at EQD have built all of those characteristics into the Hizumitas. This fuzz/distortion brings loads of heavy distortion and smooth sustain and an underlying grit that sounds like the speakers are on the verge of ripping apart while delivering amazing and unexpected clarity from such an aggressive sounding pedal. The Sustain control has a wide range of saturation, meaning even small changes will significantly affect the overall tone. Hizumitas responds excellently to all types of pickups and playing dynamics. Your power chords will sound huge and heavy, while open chords will be dynamic with fantastic note separation, and single note leads will come across smooth and powerful, especially with the neck pickup. The Tone control can drastically change the character of the distortion in conjunction with the tone. Bass frequencies are boosted clockwise, and treble frequencies are boosted counter clockwise. The tone control can go from an aggressive mid-range grind to piercing highs as you turn it counterclockwise. As you turn it clockwise, the mids become less present, the highs are tamed, and a humongous, thundering low end comes to the forefront. The Volume control offers massive output gain with unity at around 9-10 o'clock and beyond that, prepare to hear and feel the power of Hizumitas.

EarthQuaker Devices Hoof V2 ...

2.580,-

Free Range Fuzz Tones The Hoof V2 is Earthquaker DevicesÕ flagship fuzz, and when you hear it youÕll instantly know why. Loosely based on a classic green Russian muff-style circuit, and featuring a unique hybrid Germanium/Silicon design, the Hoff V2 is set to spit out rich, smooth fuzz tones full of natural harmonic overtones and enough sustain to make Santana stop in his tracks and take note.   Ê Hybrid germanium/ silicon fuzz - for rich and smooth fuzz tones   Ê Hand tested NOS germanium transiostors   Ê Shift knob selects center frequency of the Tone control   Ê True bypass - Silent soft-touch switching   Ê Analog dry-through   Ê Top-mounted jacks - for effortless pedalboard implementation The Hoof has a wide gain range, providing everything from dirty and organic amp-like overdrive, to monstrous fuzz madness. This, paired with the ÒShiftÓ control allows you total tonal access, as the ÒShiftÓ knob works with the ÒToneÓ control to alter the overall frequency response of the Hoof. Use the ÒShiftÓ to boost the highs for a glassy, cutting top-end; use it to cut out some low-mid mud; use it to add some thick stoner rock sludge; use it on bass; use it to combat the muff-style fuzzÕs notorious Òmid scoop;Ó. The HoofÕs distinctive, fuzzy character is tight and controlled without sacrificing any Òguts,Ó so to speak, so even the gnarliest fuzz tones will sit well in the mix. Every NOS Germanium transistor in the Hoof V2 is hand-matched to exacting specifications for pedal-to-pedal concistency, guaranteeing that every single Hoof V2 will rock equally hard! The Hoof V2 has a fully analog signal path and new electronic relay based true-bypass switching. It is powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel and has a current draw of 10ma. Each Hoof V2 is built one-at-a-time by real life human beans with four fingers and a thumb waiting in line for the horsey rides at the rustic frontierland amusement park of Akron, Ohio, USA.

EarthQuaker Devices ...

2.300,-

Hummingbird V4 Repeat Percussions / Tremolo Welcome to the new Humminbird Repeat Percussion tremolo! The Hummingbird V4 is a choppy, sawtooth tremolo modeled on the vintage repeat percussion unit and similar to those found in old Valco and Vox amplifiers. • Repeat percussions / Tremolo - Vintage choppy, sawtooth tremolo tones • Dark, dreamy, murky delay sounds reminiscent of vintage oil-can and tape units • Variable waveshape LFO - adjustable from triangle through square wave • New flexi-switch - allows for latch and momentary operation • True bypass - Silent soft-touch switching • All-analog dry signal path • Top-mounted jacks - for effortless pedalboard implementation The Hummingbird V4 is capable of producing everything from classic 50s style shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation!  In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost! To make things even more fun and expressive, the new Flexi-Switch allows you to use the pedal in momentary mode for sudden accentuations of parts with slow subtle airwaves or bursts of aggressive and fast choppy synth-like trem tones. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. The Hummingbird V4 is all analog, true bypass and handmade one at a time on a gilded cloud in Akron, Ohio.

EarthQuaker Devices Ledges ...

2.490,-

Ledges Tri-Dimensional Reverberation Machine Ledges is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it’s everything you’ve ever wanted and needed out of a reverb.   The three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb’s longest setting is the Hall (H) reverb’s shortest setting, the Hall reverb’s longest setting is the Plate’s (P) shortest setting, and the Plate’s longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals™-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever. Main Features: • Reverb effects pedal • From classic, standard reverb tones such as 80s slapback reverb to bigger room everb styles and truly big, boomy and echoey cathedral-like hall reverb sounds at the turn of a knob • 3 effects modes o Mode R: The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up o Mode H: The Hall setting becomes really big, boomy, and echoey with distant reflections o Mode P: The Plate setting creates bouncy reflections that recycle and reverberate forever • 2 modes of operation: o Live Mode – Green LED-  pedal will operate exactly where the controls are set, any changes will have no effect on the presets unless saved o Preset Mode - red LED - recalls stored settings for each control, actual control settings will be ignored • 6 easily user-editable and accessible preset slots • Silent soft-touch relais-based switching with Buffered Bypass and trails • Flexi-Switch Technology for latching and momentary operation • EXP jack with user-assignable expression pedal or Voltage control pedal control over any parameter • All-analog dry signal path and digital effect signal path • Made in Akron, Ohio, USA • Powered by regular 9 V DC PSU     (centre -, 2,1 mm, 75 mA current draw) Ledges can go from an ‘80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you’ll hear clearly by adjusting your gain.   In addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.  

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