Vox VE-ME Valvenergy Mystic ...

1.950,-

VOX VE-ME Valvenergy Mystic Edge The VALVENERGY series offers four effect pedals that provide the response and harmonic distortion of a tube amp, putting popular amp sounds into a pedal. In addition to developing traditional tube amps that use conventional vacuum tubes, VOX has also been researching revolutionary guitar amps that use Nutube, the new vacuum tube. Taking advantage of the technology obtained through the development of these amps, we have now developed a line of Nutube pedals. Featuring the sound and feel of a tube amp, this series delivers four classic amp sounds that are indispensable to the music of today. It also offers new channel switching and line-level output features not previously found in pedals. What is the Nutube? Nutube is a new vacuum tube that was developed by KORG Corporation in conjunction with Noritake Itron Corporation as an application of vacuum fluorescent display technology. Like a conventional vacuum tube, a Nutube has an anode grid filament structure, and operates as a complete triode tube. It provides the same rich overtones and response that are distinctive of conventional vacuum tubes. Equipped with Nutube, providing vacuum tube sound and response Buffered bypass reduces noise when the effect is turned off Connection mode can be switched according to your use Channel switch function allows operation similar to a multi-channel amp when multiple VALVENERGY series units are connected OLED display provides a visual indication of the sound Equipped with Nutube for vacuum tube sound and response Acclaimed as revolutionary, the Nutube was collaboratively developed by KORG and Noritake Itron, and is at the heart of the VALVENERGY series. This gives the VALVENERGY series the same response, rich overtone structure, and sense of power as you expect from a vacuum tube amp MYSTIC EDGE This pedal delivers the sound of the VOX AC30. Developed in 1959, the AC30’s iconic chime and edgy sound has been widely used, starting in the 60s and 70s, and continuing to today's music. GAIN knob: Adjusts the amount of distortion. VOLUME knob: Sets the output volume. TREBLE knob: Adjusts the high-frequency range. Turning the knob toward the left produces a softer tone, and turning it toward the right provides a bright and chimey tone. TONE CUT knob: Adjusts the overall frequency curve. Turning the knob toward the right darkens the tone. BASS knob: Adjusts the low-frequency range. Turning the knob toward the left produces a thinner and lighter tone, and turning it toward the right provides a warm and heavy tone. BRIGHT switch: This is placed before the distortion stage, providing a different character of distortion at each position of the switch. For example, you can change this setting if your Les Paul is not providing enough high-frequency, or if you want to get a harder (scratchier) tone from your front single-coil pickup.

Vox VFS-2A 2-veis fotbryter ...

650,-

2-veis fotbryter til VOX AC-serien

VOX VXT-1 Strobe Tuner Pedal

1.425,-

VOX VXT-1 Strobe Tuner Pedal Ultra-high-precision tuning with ±0.02 cent precision VOX's first stomp tuner is equipped with a high-visibility display, ultra-precise tuning, and an offset tuning mode that allows harmonious resonance. With a smooth LED meter and versatile display modes, the diamond visual display delivers excellent visibility. The unit features ultra-precise tuning with ±0.02 cent accuracy, offset tuning modes that let you tune your instrument for harmonious resonance, and a true bypass design that does not affect the tonal character in any way. The VXT-1 is designed to meet the needs of the professional, with extended operation that allows 24 hours of continuous use when using alkaline batteries. The aluminum diecast body ensures outstanding durability, and a DC out allows parallel connection to other pedals. Although there are many pedal tuners, this unit stands at the peak, providing class-beating visibility and accuracy to all guitar and bass players. Diamond visual meter provides large note name display and smooth meter movement for excellent visibility This diamond visual meter exemplifies VOX's first stomp tuner. The large and easily visible note name indicator together with a smooth LED meter make pitch discrepancies and pitch changes obvious at a glance. While stringent tuning requirements for accuracy within ±0.02 cents are difficult for previous LED meters (display mode: strobe), the diamond visual meter makes this possible. You can switch the display mode between three types of display method as appropriate for the player's style. Strobe This is designed on the principle of a strobe tuner. Tune your instrument to stop the flow of the LED meter illumination. The LED meter illumination rotates clockwise when the pitch is sharp and counter-clockwise when the pitch is flat. This is highly precise, allowing more accurate tuning.  Diamond Tune your instrument so that the angle above the LED meter is lit. An LED to the right of the center is lit when the pitch is sharp, and an LED to the left of center is lit when the pitch is flat. When the pitch is correct, the blue LED of the top angle is lit. Vertical Tune your instrument so that the left and right angles of the LED meter are lit. The LED above the center is lit when the pitch is sharp, and the LED below is lit when the pitch is flat. When the pitch is correct, the left and right angles of the LED are lit simultaneously with the upper blue LED. *1: When tuning after replacing the strings, or when using octave tuning, we recommend that you set the display mode to strobe. *2: To change the display mode, long-press the DISPLAY switch located on the rear panel or a pedal switch that's convenient for live use. Ultra high-precision tuning to an accuracy of ±0.02 cents Perfect tuning is always a requirement for performances in a professional recording or stage environment. When the VXT-1's display mode is set to strobe, it allows ultra-high-precision tuning to an accuracy of ±0.02 cents. This is a professional-spec pedal tuner that enables you to eliminate even tiny inaccuracies of pitch with extreme precision. Offset tuning mode allows ideal tuning for your specific instrument The VXT-1 contains offset tuning modes that allow harmonious resonances that are appropriate for your specific instrument or scale. (G1-DA, not including chromatic) CH: Chromatic (C, C#, D, D#, E, F, F#, G, G#, A, A#, B) G1: Electric guitar, Regular tunning (6E, 5A, 4D, 3G, 2B, 1E) G2: Electric guitar, Buzz Feiten tunning (6E, 5A, 4D, 3G, 2B, 1E)  AC: Acoustic guitar, Regular tunning (6E, 5A, 4D, 3G, 2B, 1E) BS: Bass guitar, Regular tunning (LB, 4E, 3A, 2D, 1G, HC) OD: Open D (6D, 5A, 4D, 3F#, 2A, 1D)  OE: Open E (6E, 5B, 4E, 3G#, 2B, 1E) OG: Open G (6D, 5G, 4D, 3G, 2B, 1D)  OA: Open A (6E, 5A, 4E, 3A, 2C#, 1E) DA: DADGAD (6D, 5A, 4D, 3G, 2A, 1D) * When shipped from the factory, the setting is chromatic In order to effectively use offset tuning mode, we recommend that you set the display mode to strobe. DC out that allows parallel connection When using a separately sold AC adapter, power can be supplied from the DC OUT jack to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, a stable and noise-free 9V 200 mA power supply can be provided. True bypass has no effect on the sound The true bypass design (when the tuner is off) allows the input sound to be passed through without any effect on it, meaning that the tuner circuit does not modify or degrade the sound in any way. The input sound is completely muted when the tuner is on, making this unit ideal for on-stage use. Specifications Scale:12 note equal temperament (Offset: Chromatic), Others: 10 Offset tunning mode Detection Range: E0 (20.60 Hz) - C8 (4186 Hz) Calibration Range: 436 - 445 Hz (1 Hz steps) Detection Accuracy: within ± 0.02 cent Input Impedance: 1 MΩ (when tuner is on) Display Modes: Strobe, Diamond, Vertical Connectors: INPUT (mono 1/4" jack), BYPASS (mono 1/4" jack), DC 9V IN, DC 9V OUT Power Supply: 9V battery or 9V AC adaptor Battery Life(A4 continuous input, tuner on, display mode: Strobe): Zinc-carbon battery: approximately 12 hours Alkaline battery: approximately 24 hours Power Consumption: 20 mA Dimensions (W x H x D): 65 mm x 120 mm x 53 mm/2.56" x 4.72" x 2.09" (including the foot switch and the rubber feet) Weight: 309g / 0.68 lbs (including battery) (Battery not included) Accessories: (sold separately): AC adapter (9V)

Wampler Belle Overdrive Pedal

1.720,-

Wampler pedals - Belle Overdrive Dette er Brian Wamplers versjon av overdrivepedalen som skapte "the Nashville Sound". The pedal that inspired this circuit has been around for a long time in various forms but most versions of it have too much of a "Hi Fi" sound about them, they fail to get the right mix of clarity and bass that is needed to make this overdrive sing. Brian has added further gain capabilities to this circuit, and added a bass control that controls all the harmonics from smooth and creamy to tight and crunchy. The sound this circuit delivers is a firm favorite in Nashville and Brian Wampler’s take is everything you would expect it to be – high quality components, a beautiful enclosure, and a glorious tone. If you set the gain low and the bass control up high, you get a wonderful clean boost sound that can rival any Klone circuit, but when you spin the bass down and the gain all the way up, you suddenly find yourself with an awesome transparent overdrive / medium distortion sound with all the crunch you need. The Color control is more than just a standard tone control and it’s pretty unique to this circuit. Dialling it right or left will either boost or cut the high and low end a little, but the midrange frequencies are left well alone. Combine this with the Bass control and you have a very versatile tone shaping palette with Wampler’s legendary ease of use. Brian has also added a push switch on the side which will control the amount of compression and alter the clipping structure in the circuit for some extra punch. This pedal can add some serious muscle to your country, some extra grit to your blues, and some soaring boosts to rock – it’s such a flexible drive we know you are going to love stacking it with your favorite pedals as much as playing it straight through a clean amp.

Wampler Brad Paisley Dual ...

2.770,-

Wampler - Brad Paisley Dual OD En av de første Wampler pedalene Brad blev glad i var en pedal som ikke lages lenger og het Underdog. I Brads nye Dual signaturpedal har Wampler indirekte gjenintrodusert denne pedalen i kombinasjon med en Paisly drive. In fact, thanks to the way it produced similar tones to the lauded Nobels ODR-S with more control for fine-tuning his sound, the first Wampler pedal Brad fell in love with was the since-discontinued Underdog overdrive. It's with this in mind that Wampler combined Brad's two favorite Wampler tones in to the Paisley Deluxe dual overdrive pedal. By cramming a Paisley Drive and Brian's Underdog circuit into one single pedal, Wampler is delivering the ultimate Brad Paisley pedal. Not only do you have independent access to both tones, but you are able to stack them, for more harmonically rich drives, in any order you want. Taking a cue from Wampler's popular Tom Quayle signature Dual Fusion's groundbreaking signal routing, you're able to run each side of the Paisley Deluxe as an individual pedal - perfect for today's pedal switcher-based rigs. Whether you're looking to nail Brad's gorgeous signature tones or are looking for a great-sounding overdrive with unbelievable flexibility, you can't go wrong with the Wampler Paisley Deluxe. This is not just a pedal for country music, with more gain available that you can possibly imagine, the Paisley Deluxe will slot into any rig and give you all the overdrive options you could ever want!

Wampler Brad Paisley ...

2.390,-

Wampler - Brad Paisley OD Brad Paisley er et riktig tungvekternavn i moderne Country musikk. Brad og Brian Wampler har gjennom årene hatt en hel del sammarbeid som blandt annet resulterte i en overdrivepedal som Brad synes låter veldig lik hans Trainwreck forsterker. It's true, at a gig Brian once threw a modified pedal at the feet of Brad Paisley in the hope that he would pick it up and try it. Fortunately for us, and you, Brad’s tech picked it up, played it - digged it and gave it to Brad who took it away and LOVED it. From that point on, he has used and loved Wampler Pedals. After a few years of using our pedals (Ego, Underdog and Faux AnalogEcho) Brad’s tech at the time, Chad, mentioned to Brian that Brad wasn’t 100% content with his tone and maybe we should all work together to make the perfect overdrive for Brad to record and tour with. His requirements were quite "simple"… it needs to be clean but get crunchy with some "beef" to it. It needs to have a fluid tone when soloing. It needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal! Over a period of months, Brian made some circuits and sent them off, there were a couple of "tweaks" here and there to be made and then finally, when official "prototype v2.0" landed, it went straight into the live rack and out on the 2010 "Brad Paisley: H20" world tour. Brad Paisley: "…we actually recorded this (pedal) in the studio, you know, trying it out. I turned up a Trainwreck Amp that I’ve got and compared the sound of the distortion and it was very, very similar. And that’s a very good test because any time a pedal can mimic a great overdriven amp then you’re on to something…"

Wampler Clarksdale Classic ...

2.600,-

Wampler - Clarksdale Classic OD Clarksdale er ett sted i Mississippi Der Delta Blusen kommer fra. Denne pedalen er Wamplers vesjon av en kjent overdrivekrets med en tydelig mid-hump som er blitt synonymt med Southern Blues. Perfekt for å få en gjennomtrengende lyd om du har en forsterker med Amerikansk voicing. At the crossroads of Highway 61 and Junction 49 lies the official crossroads of Clarksdale, Mississippi – the birthplace of the Delta Blues. This historic town, and the famous music that was created there, is responsible for the inspiration behind this pedal – The Clarksdale Overdrive. Blues and non-blues guitar players have used TS type circuits for years to help them create their personal signature sound. Over the years, countless players have been asking Brian to create that world famous vintage mid-range overdrive – well he finally did it! The Clarksdale is our take on that world famous lime green overdrive many of us have come to love – with a few great Wampler styled improvements of course. The world of boutique pedals is filled with lots of great clones of that already famous circuit– so what else could be done? We wanted to create a pedal that would be true to the sound and feel of the original but would have a wider range of tonal options – to satisfy even the biggest tone chasers out there. The addition of a 3 band EQ (Bass, Mids are active, and the Treble is similar to the classic TS tone pot) it allows a player to have a more tailored tonal pallet than the original. The Lift/Smooth switch will also allow a player to either sit in the mix with the Smooth setting or allow your leads to standout with the Lift option. Also unlike the original "green giant" the Clarksdale will not "fizz out" as much at low or high gain settings. The Clarksdale has one foot in the past and one foot firmly planted in the future. Your search for the perfect vintage midrange infused overdrive is finally over.

Wampler DB Plus Boost Pedal

1.600,-

Wampler - DB Plus DB+ er den perfekte pedalen for deg som behøver en bra buffer i signalkeden eller en boost for å sende ett sterkare signal vidare, enten for høyere volum, eller mer gain. Jo flere pedaler og kabler du har i en signalkjede, jo større er risikoen for att du taper topp/diskant. Med en bra bufferkrets i signalkeden, eliminerer du denne risken. Med Wamplers DB+ i kjeden, løser du dette problemet. Dessuten er det en fantastisk clean boost. All great guitar tones have a solid foundation. Too many cables going in and out of your pedal board and to and from your amp can sometimes accidentally rob of you your guitar’s natural higher frequency tones (making your tone muddy) and in essence – creating "tone suck". A quality buffer can help prevent those high frequencies from being lost and with a clean boost – you can make sure your guitar always sits in the mix. Introducing the Wampler dB+. The dB+ has all the same great features as its predecessor – the Decibel + – but now you have the ability to turn the buffer on and off independently as well in a now micro pedal size. Whatever your needs may be, the dB+ is ready to deliver. From studio or stage, it’s a one-knob problem solver toolkit. You no longer have to suffer high-end signal loss, or "tone suck" again. You never have to have your boost on just to have your buffer on. You can now take ownership of your tone and have it exactly as you want it at all times.

Wampler Dracarys High Gain ...

2.490,-

Wampler - Dracarys Distortion Noen ganger vil man bare ha en masse distortion, låte som et metallband og få den lyden via en pedal. Stemmer dette for deg så er Dracarys pedalen antagelig noe for deg.　 What do you get when Brian Wampler, a man who has built an empire on some of the most respected distortion and overdrive pedals on the market, chases the guitar tone of Ola Englund (The Haunted, Feared, Six Feet Under), one of the world’s most awesome-sounding and instantly identifiable metal guitarists? You get the Dracarys. This vicious stompbox effortlessly embraces any sub-genre of metal, thanks to its finely tuned EQ and Tight/Open switch. But tap into its decidedly modern soul, and the Dracarys will instantly morph your clean amp into one of the most savage and modern high-gain powerhouses this side of Mr. Englund himself. As Ola puts it, no matter type of high-gain tones you’re looking for, "It can definitely deliver the chug." Brian Wampler’s ability to distill the playing experience of a cranked guitar amp into a box that fits on your pedalboard makes him among the premier effects builders in the world. So when he came across the genre-defining tones on Ola Englund’s YouTube channel, the gauntlet was thrown down. He had to create a pedal that contained that same searing gain, percussive low end, unparalleled note clarity. He had to create the Dracarys. There are almost as many legendary heavy metal guitar tones as there are headbangers, and the Dracarys nails each those tones admirably. But turn up the gain, throw the gain switch to tight, and dial in the EQ and you’ll witness the pedal come alive with the teeth and sheer force that propels today’s most inspired metal guitarists.

Wampler Dual Fusion Tom ...

2.770,-

Wampler Dual Fusion Dual Fusion Tom Quayle Signatur Den Britiske Fusion legenden Tom Quayle spillte lenge på en kombinasjon av Wamplers Euphoria og Paisley Drive. I 2012 møttes han og Brian Wampler og designet en signaturpedal til Tom. Denne var basert på de to pedalene han allerede brukte, men med noen forandringer som Tom ønsket. Resultatet ble Dual Fusion. Fusion in its current form is a fairly new concept, with roots not only in theoretical jazz but rock; not classic blues based rock, but the more technically advanced "shredders" that first became popular in the mid to late 80’s. One of the forerunners of this genre is Tom Quayle. Tom is the UK’s finest and most in demand exponent of modern fusion. With a rich theoretical knowledge, a student base that contains not only "regular" players but also some absolute stellar names in the industry, and a pair of ears that are completely unforgiving he has never been able to locate a pedal he can use that allows him to be the guitarist he truly is. When we first met Tom in early 2012, he was already using our Euphoria and Paisley Drive stacked together to give him the tones he required. But, something wasn’t quite right; those pedals are kinda voiced for other genres of music altogether so we set about honing the tones to match his style of playing. He needed more transparency, a slightly tighter and more controllable response to the low end and when stacked up they needed to sound and feel like an amp running at high levels and give each string complete clarity and response. Over a year later, we had the Dual Fusion. With two independent circuits that are based, but are completely modified, on the Euphoria and Paisley Drive, Tom finally has a tone that can be used when he is in full flow as the inspirational and innovative musician he is. The Wampler Pedals Dual Fusion, the first pedal to be specifically voiced for the fastest growing breed of musicians around. With the most versatile stacking/signal path options available on an analog pedal, it is the foundation of modern Fusion… Add in the versatility you expect from Wampler Pedals, the Dual Fusion will appeal to guitarists from all genres at all levels. Effekt-type: Dual Overdrive Analog/Digital: Analog Mono/Stereo: Dual Mono Strømforsyning: 9-18v

Wampler EGO Compressor Pedal

2.230,-

Ego Compressor har blitt en klassiker og man ser den på veldig mange pedalbrett. Med Ego Compressor kan du gjøre alt fra å bare jevne ut dine annslag litt til å virkelig ta den helt ut og bruke kompresjonen som en effekt.　 What does a compressor do? A compressor adds an element of control to your playing level – it will bring the quieter parts up and the louder parts down. While an ordinary compressor pedal can give you an element of control, a great compressor will give you the "feel" that other average compressors lack. If you’ve played a great tube amp when it’s being pushed hard, you’ll know what a great natural compression feels like. When we designed this pedal, the focus was ensuring the playing dynamics could be retained and that the compressor didn’t color the tone at all. By incorporating a clean blend, it allows your original signal to be blended back in so you can get all the benefits of a great compressor (picking up the notes that aren’t as strong and increasing sustain) but have the option to remove the squash at the front. With this control, you can have full country squash or open studio level parallel compression. So, with a comprehensive array of controls and a core tone that is pure, you won’t find a compressor that works as perfectly as an "always on" or as "an effect" and is more highly regarded than the Ego Compressor from Wampler Pedals.

Wampler Equator Parametric EQ ...

2.230,-

Wampler - Equator Parametric EQ En EQ pedal kan være en av de mest oversette effektene man kan ha, men samtidig den som enklest kan gjøre at du finner rett lyd i riggen du allerede har. Sett den f.eks før dine drive pedaler og lek med ulike mid-frekvenser så skal du se att det du allerede har, kan mye mer enn du trodde.　 The often overlooked EQ pedal is one of the most powerful devices that you can place in your rig. And if the constant demand for one from Wampler fans is any indication, we admit that the introduction of the Wampler EQuator may be a bit overdue. But we knew that if we wanted your attention, we’d have to take our time to create an EQ pedal with the player-friendly ease of use and demand for top quality that Wampler strives for every day. Instead of the learning curve that can accompany individual sliders for each frequency, we gave you fixed bass and treble controls and two semi-parametric mid controls that are as easy to harness as twisting a few knobs Each knob’s frequencies have been carefully defined (with the sweet spots marked) for the needs of players and to offer one of the most flexible EQ pedals out there. Whether you’re wanting a fully customizable clean boost, the ability to fine-tune the tone of another pedal, or to just bring out the best in your guitar, bass or ANY instrument you choose to plug into it - we crafted the Wampler EQuator to be the tonal sweetener you need to get the job done… Even if you don’t use a pedalboard and are not a guitar player - put this between your instrument and the amp, the P.A., or recording interface… the EQuator will bring it to life.

Wampler Ethereal Delay and ...

2.100,-

Wampler - Ethereal Delay Reverb Ikkje bare en Delay og Reverb i samme pedal, Brian Wampler har gjort noe mer enn som så! vil du lage store lydtepper eller skape atmosfæriske bakgrunner i din musikk, må du teste denne pedalen. How many times have you sat in front of your favorite ambient pedal and felt like you need weeks of training at NASA to use it? Knobs, switches, sliders…It’s often SO hard and frustrating to find a usable tone on those things quickly... Keeping that firmly in mind, when we first considered making an ambient pedal, ease of use was a top priority, right up there with top tier quality tone on par with pedals at twice the price. How do you describe a pedal like the Wampler Ethereal? Does ambient heaven cover it? Is it the gateway between real life and the astral plane? Or is it just gorgeous? It’s hard to know which phrase to use when talking about it, because they all match it perfectly… plus, of course, so easy to use you’ll be getting those perfectly Ethereal tones instantly. When designing the Ethereal these were the EXACT thoughts running through the mind of Brian Wampler. He wanted to make a delay that is as pure as you could want, with a time of up to 1s, a reverb that is thick and then have the option to mix them all up and put them together in one glorious effect that will send you away… all the way away while making it as easy to use and easy to find those perfect tones as possible. Oh, and did we tell you – it’s been a bit of a secret, there isn’t one delay lurking within the Ethereal, there are two! The first delay constantly sits there like a heartbeat, coming back at you at quarter notes, we then layer another over the top – that one can be put into a triplet pattern, or a dotted 8th (so you can get that beautiful quarter + dotted 8th mix) and even a self-oscillating dotted eighth pattern that just takes you away and leads you over the edge and down the rabbit hole into perfect ambience… Things can get a little crazy when that one is selected, so you know, knock yourself out – it’s there to make some incredibly strange yet beautiful sounds… See that little switch down there? Yep, that’s the one, just to the right of the stomp - that’s a trails button. When this is used the delay patterns and reverbs sing out after the pedal has been deactivated, so you can even control what you want to come back at you. While you are enjoying the delay patterns, sitting underneath is that beautifully cavernous plate style reverb that is alive with character and shape, that can be brought in to exactly the right level (whether that be under your guitar, the same level - unity, or even considerably louder) to compliment the delay. As you can imagine, this has been some feat of engineering (definitely worth waiting for) as we wanted all this to happen from a regular sized box, with the purity of tone and response you would expect from a Wampler. So, as with our other time pedals, we split the signal going in, the effected signal is then laid back on top of the original base tone, making sure that YOUR guitar sounds exactly how it does going in. The Wampler Ethereal. Not only can it be used a stand alone reverb or delay pedal, it can be combined for you to worship, to get lost in, to even help you inspect your shoes… but most of all, it was designed to inspire.

Wampler Euphoria Overdrive ...

2.340,-

Wampler - Euphoria Overdrive En såkalt transparent overdrivepedal som låter som en rørforsterker. Fungerer like bra som en low-gain drive som en crunch pedal. Utrolig responsiv. The Euphoria has been world renowned for many things over the years, but primarily it has become famous for its versatility and that old boutique catch phrase "transparency". When Brian created the circuit that would eventually become the Euphoria, he was working on creating a pedal that would go from clean tones to extremely fat tones while adding a bit of warmth, a natural overdrive… the goal was to make a pedal that does NOT sound like a pedal – it needed to be dynamic, have a great choice of tones (from gritty to smooth) yet be able to respond to the volume knob like a tube amp. The hidden secret of the Euphoria is the pre-gain bass control. This gives the tone a fatness that a regular EQ stack cannot give you, it gives you a warmth and sustain to the tone that is extremely similar to that famous, elusive amp that attracts the the kind of price tag in the used market that could literally buy you a home. If you love the sound of your clean tone, and just wish you could have more hair on the note… a little bit of grit without any change in tonality, the Euphoria will do that with ease. The 3 completely separate gain stages give you 3 distinct styles of overdrive – So, from that famous smooth amp style drive, to an open and free tone that just pushes your natural tone all the way up to a more aggressive crunch style, the Euphoria will be the first, and quite possibly last, choice you make for an overdrive pedal.

Wampler Faux Tape Echo m/Tap ...

3.050,-

Wampler - Faux Tape Echo v2 En Tape Delay med Tap Tempo. Dette er ein hybrid pedal der grunntonen, det signalet som kjem frå gitaren, alltid forblir analogt, men repetisjonene blir digitale. Når du har satt det tempoet som passer, kan du via ein switch, velga mellom 4 subdivisions; 4-delar. 8-delar, synkoperte 8-deler eller 8-dels trioler.   Based on the hugely popular best seller of the previous models, the v2 offers the same purity of signal path, the same depth of tone on the repeats and most importantly, the addition of sub divisions on the tap tempo. With this, you can now have your delays come at ¼, 1/8, dotted 1/8 and triplet based on your tap tempo. With our hybrid design (completely pure analog dry path with the digital delay layered on top) approach, you get the best of both worlds. You get the note clarity, much lower noise, and longer delay times from digital delays... You also get the lovely warmth and little exquisite touches that are usually reserved for analog delays. Nearly every part of the pedal, all of its major functions, are analog. The "delay line" is the only digital part of the signal path. It alone being digital brings clarity and focus to the task in a way that analog delay line chips can’t really match. But everything else, all the absolutely vital filtering to carefully finish the sound is pure analog. Every aspect of the modulation that gives the Faux Tape Echo pedal a unique function and tone and makes it desirable for people who want their delay tone to sound as good as tape delay units but without all the maintenance, supplies, and hassle. Your all-important fundamental dry tone is 100% analog, too. So when we say it’s the best of both worlds, we absolutely mean it. From country slap-back to ambient washes to straight-ahead rock and metal delay, the hybrid approach lets Brian make one pedal that can do it all. The Faux Tape Echo takes everything great about the original, and adds to it that much-requested tap tempo with sub-division functionality that users have been asking for, as well as our well known emulation of the elusive and beautiful character that people look for in classic tape echo units.

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