Daddario PW-CT-12 NS Micro ...

280,-

Planet Waves (Daddario) NS Micro Headstock Tuner - Ultrakompakt stämapparat från Planet Waves. NS Micro Headstock Tuner är designad tillsammans med Ned Steinberger. Dess diskreta och ultrakompakta design gör den närmast osynlig för andra än gitarristen/bassisten. NS Micro har en känslig piezo-mik med stor nogrannhet, mycket tydlig display och är 360 grader vinklingsbar. Behöver ej tas av vid förvaring av instrument i bag eller case. PW-CT-12 inkluderar även visuell metronom. • Compact, low profile design stays concealed from your audience • Chromatic tuning automatically senses the note being played • Easy-to-read, multi-color display works well in well-lit and dark environments • 360 degree swivel for optimal right or left-handed viewing • Durable ratchet system for secure placement on headstock • Ultra-sensitive piezo pickup for quick response and highly accurate tuning • Fits safely in cases or gigbags? leave one on every guitar! • Choose to display notes as sharps or flats • Adjustable calibration between 410hz ? 480hz • Includes visual metronome (20 - 270bpm) • Automatic shut-off after 10 minutes of use preserves battery life • Trusted by stage and studio professionals Se video her.

Daddario PW-CT-22 Mini ...

310,-

PW-CT-22 Mini Headstock Tuner Ukulele. PW-CT-22 D'Addario Ukulele Tuner er et kromatisk stemmeapparat med rask respons og et tydelig display. Stemmeapparatet har fargeskjerm, auto power-off og pitchkalibrering – Alt i et kompakt format. - Stemmer raskt og nøyaktig. - Vertikal fargeskjerm. - Vendbar skjerm i to ledd for optimal vinkel. - Diskret og kompakt design.

Daddario PW-CT-23 Kromatisk ...

1.255,-

D'Addario Chromatic Pedal Tuner Plus - PW-CT-23. PW-CT-23 er en videreutvikling av den populære PW-CT-20, som har blitt verdsatt for sin raske toneidentifikasjon og høye nøyaktighet. PW-CT-23 tar disse ønskelige funksjonene noen skritt videre med en enda raskere 32-biters prosessor. Den sporer tonen du spiller utrolig raskt og nøyaktig, og den følger lett mens du finjusterer stemmingen på stemmeskruene. Du ser din justeringen på skjermen samtidig som du gjør den. Den sporer også skifte, hvis du bytter streng, så fort at man kan sjekke stemmingen til hele instrumentet på få sekunder. Skjermen er stor, klar og lett å se, selv i sterkt sollys. Pedalen er utstyrt med en buffer av meget høy kvalitet som betyr at du unngår signaltap fra lange kabler og / eller pedalbord. Toppen, resonansen og overtonene som er tilstede i instrumentet ditt når nå fram til forsterkeren din, i stedet for å forsvinne i kabler eller true-bypasspedaler. PW-CT-23 er også utstyrt med en programmerbar timer for å hjelpe deg med å holde tiden på lengden på et live sett eller på en øvingsøkt. Hvis du skal spille et sett på 50 minutter, forteller pedalen deg når det er på tide å stoppe. Det er også et verdifullt verktøy for de som trener seriøst, 25 minutter arpeggio, 25 minutters skalaer, 25 minutters plekterteknikk, etc. • Onboard Signal Buffer • 32-Bit Processor for Fast Response and Accurate Tuning • Countdown Stage Timer • Full-Color Vertical Display / Power Requirements: 9V Battery or 9VDC (300mA) Power Supply • Reference Pitch: A4 = 440 Hz / Calibration Range: 415 - 475 Hz • Tuner with Signal of Max Deviation (Up or Down): 56mA / Tuner in Tune: 44Ma.

Daddario PW-CT-9VF 9V Power ...

195,-

PW-CT-9VF. 9V Power adapter 500mA. The D'Addario PW-CT-9V power adapter works with devices requiring 9V to minimize the need to change batteries. This 9V adapter is compatible with a variety of D'Addario electronics. • Input: 100-240VAC • Output: 9VDC, 500mA • Barrel size: 2.1mm • Polarity: Tip "-" • Cord Length: 72" • F plug type.

Daredevil Pedals ACES Hybrid ...

2.870,-

Daredevil Pedals ACES Hybrid Amplifier Germanium / Silicon Transistor Gain Boost The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a tone bouncing around in founder Johnny’s head. The end result cranks out the warm, sweet sustain of germanium, while having that biting rock n roll gain on top - nailing the best of both worlds. Great for solo boosts, a leave-on effect or stacking with other pedals. The Aces sounds best in front of any buffered bypass pedals. Under the hood is 1 NOS Germanium and 1 modern silicon transistor, each tested and biased to give optimal tonal definition and response. The two internal trim pots set the bias for each gain stage, you should not need to adjust these for any reason. The knob controls your output level. Turn it up, stomp, off you go… Main Features: • Booster Effects Pedal • Original hybrid circuit with NOS germanium and modern silicon transistors inspired by 1950’s RCA data sheets • Offers warm vintage feel and harmonic sustain with dynamic touch-sensitive response • Great for stacking with other effects and reacts great to volume roll-off • One-knob control interface for easy-to-use gain boost • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Bootleg V2 ...

3.195,-

BOOTLEG DIRTY DELAY V2 The Bootleg is a digital delay that utilizes the Princeton 2399 IC processor. This was designed to give classic tones that sound similar to vintage tape machines, increasingly more lo-fi and dirty when driven at intense or longer settings. What sets these apart from the rest of the delay pedals on the market is the Dirt section of the circuit. You can dial in the amount of gain added to the repeats. When at minimal control setting, the gain is completely removed from the delay path. This 2nd Version of the Bootleg is without the tap tempo feature, the original Red V1 has the external input and digital tap capabilities. Delay TIme at minimum setting is around 40ms.... max setting is roughly 400 ms. The tone of the decay will become brighter as it tails off...the opposite of most "tape style" delay units. - These are all hand wired and true bypass. - Runs only on an external 9V, DC current power source - 2.1mm center pin power supply, negative ground. Current draw is ~25 mA Bonus tip... to enable trails to continue while signal is bypassed, place your tuner in front of the Bootleg so you can mute your instrument while the Delay keeps doing its thing. Hitting pedal bypass will cut off delay effect just like the old analog pedals.

Daredevil Pedals Cocked & ...

3.590,-

COCKED & FEARLESS -2 great circuits. 1 great pedal -the Atomic Cock fixed wah coupled with the Drive-Bi distortion The Fearless distortion boasts dual channel gain with Hi and Low settings, coupled with the classic fixed wah tones of the Atomic Cock. Wah filtering can be stomped in or out of the signal path and blended to control how present the effect is in the distortion circuit. The Fearless is a Daredevil original design op amp distortion, powerful attack but warm and dynamic as well. Low channel gets dirty, bluesy, and vintage, covering all your old school Marshall / Blackface Fender territory. Hi gain setting builds up to a huge saturated tone with big bottom and very full midrange.

Daredevil Pedals Drive-Bi ...

2.990,-

DRIVE-Bi - Dual Gain Distortion -op amp powered gain circuit -2 channels of distortion, low & Hi -natural amp sound and rich harmonics The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end, saturation, and output compression for huge warm tones. This is one of the most natural sounding gain pedals on the market. Great for solo boosts as well. VOLUME – Controls effect output GAIN – Amount of circuit drive HI / LOW – Selects between both channels of gain -True bypass, runs on 9V battery or DC supply “I just picked up your Drive-Bi pedal …I’ve had over a hundred pedals over the years, but this is honestly the best dirt pedal I have ever played. I don’t know how you did it but something magical happens when you adjust the two knobs. I can’t get a bad sound out of it and to think it doesn’t even have a tone knob! Awesome job on this one, you now have a new forever fan!” -Jeff M.

Daredevil Pedals Northern ...

2.990,-

Daredevil Pedals Northern Creeper Med to High-Gain Silicon Fuzz The Northern Creeper is a true Daredevil Pedals original - now with updated new artwork this is the exact same classic circuit as the original. Balanced, gritty, sweet, and loads of sustain, it contains one of the best all-round fuzz tones, reminiscent of early 70s fuzzes by Shin-ei or Maestro. It stays tight for chords, crunches when you want it to and covers a huge range of vintage fuzz colors and tones. All hand wired with silicon transistors and true bypass, the Northern Creeper is an original circuit design and one of the oldest pedals in the Daredevil lineage. This is what you hear in your head when somebody mentions Vintage Fuzz. More output, even tone response and more gain. Big, gritty, blown out and saturated, but tight enough to hold its own in a live setting. The Northern Creeper has a raspy, crunchy edge and loads of sustain with a little bit of low-end sag. You can even get a more starved feel using the “ol’ dying battery” approach. It also really opens up and adds a bit of harmonics with a cranked tube amp. Toss one in your boogie van and spread some fuzz! Main Features: • Silicon Fuzz Effects Pedal • Medium to High-Gain vintage-style original circuit • Stays tight for chords, crunches when you want it to, covering a huge range of vintage fuzz colors and tone • Balanced EQ range for great lows and lots of mid bite • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Premium ...

2.990,-

Daredevil Pedals Premium Hand-Crafted Transistor Overdrive The Premium is a hand-wired, transistor-based Overdrive, inspired by the classic Colorsound power boosts of the early 70s. This pedal carries a bright control tone stack, more gain and increased low end, making it sweet for bass as well. While the Post knob controls the volume, Pre controls the gain and the Bright control adds more bite as you turn it up. The drive the Premium offers sounds like a very natural amp-style gain. It's open and raw, gets great feedback when cranked and stacks very well. These are nowhere in the realm of TS overdrives, so if that's what you want, look elsewhere. Warm and bluesy, saturated full stack crunch, bright gain boost for solos - it's in there. Main Features: • Natural Overdrive Effects Pedal • Transistor-driven circuit that offers any style of gain, from low to high • Inspired by the classic early 70’s Colorsound power boost • Offers warm and bluesy saturated full-stack crunch and bright gain boost for solos • Stacks well with other pedals and amps • Small, pedalboard-friendly format • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Silver Solo ...

2.990,-

SILVER SOLO - Silicon Boost the SILVER SOLO.... -silicon transistor ‘range’ style gain circuit - great as a boost or “always on” tone generator -variable EQ range & true bypass It's not like all the others... This boost has a tighter low end, sharper bite, and more output than the usual germanium Rangemaster clones. The Silver Solo is a redesigned version that uses Silicon transistors and a tone blending option to achieve it's sweet spot. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You’ll get more sustain and a sweet harmonic edge to each note. I use it for solos, but this one also works great for adding cut to your rhythm tone. The “Range” control adjusts which frequencies are pushed up. Fully CW is the classic bright treble boost, sweeping it CCW gradually includes more low end until reaching a full range boost. Take a vintage Marshall and push the front end for earlier breakup. Add some beef to single coils, get rippin 80’s metal tones, or brighten those vintage tweed amps like Billy Gibbons, this pedal does it all. Most notably heard on the first Sabbath album, Clapton’s Bluesbreakers, T.Rex, and Queen albums, this is a secret weapon of great tone. The Silver Solo interacts with your guitar best when used first in the pedal chain. True bypass with a 9V DC jack. "I swear by this pedal... kicks the shit out of any Rangemaster I've had. Now I gotta get another one! I keep pulling it out of my board at Conan to use outside the show." - Jimmy Vivino (Fab Faux, Conan Show) Main Features: • Treble Booster Effects Pedal • Silicon transistor range style gain circuit • Great as Boost or ‘always-on’ tone generator • Variable EQ range - for adjusting the pushed frequency range - from classic treble boost to full range boost • Great for stacking with other effects and amps • Reacts great to volume roll-off when put first in the signal chain • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Death By Audio Absolute ...

2.490,-

OUR MOST INSANE PEDAL YET This might be our most insane pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. You can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit until your signal eats itself. Push it to the maximum and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance.  CONTROLS Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing.  Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. . SPECIFICATIONS Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.

Death By Audio Apocalypse ...

3.950,-

FUZZ TO THE NEXT LEVEL   The Apocalypse is our jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to a selectable post-amplifier. The user can toggle through its five signal paths and choose their desired apocalyptic sound. To further refine it, control the sweepabale frequency equalizer and design your tone to your liking.  Use this pedal as a boost for solos, an amp simulated recording DI, your main sound, a bass blitzer, or run anything into it you want to beef up, blast out, or supercharge. CONTROLS Rotary Selector:   Twin-T Scoop: A circuit adding bass and treble simultaneously. Quieter volume than the rest.   War Fuzz: A very full and dynamic distortion with rich harmonics and sustain.   Dual J-FET: Similar to the War Fuzz setting using dual J-FETs to get its sound.   Octave Rect: Sums the bottom and top halves of a waveform to create an octave up.   Gain x1000: The gain is cranked super high on this post amp causing erratic results. Vol: Adjusts the output volume of the pedal. Drive: Controls the volume of the initial preamp inside the pedal. Turn it up to get more distortion and fuzz or pull it back to get cleaner overdrives and boosts.  Sweepable Frequency Equalizer: This is a special tone knob designed to function as a multitude of tone controls simultaneously . Its range is extreme, starting with a bass booster that fades into a mid scoop, followed by a mid boost, and eventually into a few stages of treble-boosting to give you a beautiful bright sound.  . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.46" (including hardware). Weight: 20 oz.  Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5.8 mA.

Death By Audio Bass War Pedal

2.650,-

Death By Audio Bass War DBA’s Flagship Fuzz Pedal, now for Bass The Bass War was born with a clear mission: to take Death By Audio’s legendary Fuzz War and craft it into the ultimate weapon for bass. We didn’t just tweak the formula, we reimagined it from the ground up, infusing classic circuit designs with our own twist. The result? A harmonically rich octave fuzz that doesn’t just deliver - it dominates, with exceptional gain, a wide tonal range and a MIX control that puts the power of mind-blowing bass fuzz at your fingertips. This pedal isn’t here to play nice, it’s here to push boundaries. The super-extended control ranges let you sculpt your sound from a gritty, grinding drive all the way to a thick, bone-crushing distortion. The FUZZ knob is your key to unlocking everything from a subtle growl to an all-out sonic assault. The TONE knob is your secret weapon, acting like a notch filter that lets you sweep through a massive arsenal of fuzz tones, each one rich, heavy, and impossible to ignore. And with the MIX control, you can blend just the right amount of fuzz with your clean bass, keeping your sound powerful and balanced, no matter how intense things get. The Bass War isn’t just another Fuzz pedal, no it’s your ticket to a bass tone that demands attention and leaves its mark. If you’re ready to take your sound to the next level and carve out your own sonic territory, the Bass War is your go-to pedal. Plug in and let your bass do the roaring. Main Features: • Octave Fuzz effects pedal for Bass • Bass version of DBA’s flagship Fuzz War • Controls with extended ranges offering massive versatility:      Fuzz: Provides up to +64 dB of gain      Vol: Output Level up to +27 dB      Tone: Deep Notch Filter with wide range from 98 Hz to 3.3 kHz      Mix: Blends between clean sound and Fuzz • True Bypass Switching • Top-mounted jacks for easy pedalboard mounting • Made in the USA • Powered by regular 9 V DC PSU or 9 V Battery (centre -, 2.1 mm, ~33 mA current draw - not included)

Death By Audio Crossover Fuzz ...

4.290,-

Death By Audio Crossover Fuzz Savage Dual-Band Fuzz     A screaming, swirling filter-fuzz monster, the Crossover Fuzz takes your signal, slices it into high and low frequencies, to then absolutely wreck each band with Death By Audio's signature fuzz. Just like a crossover circuit on a rampage, it gives you independent control over each half of your sound (highs and lows). This lets you shape, destroy and reimagine your tone like never before. Main Features: • Crossover Fuzz pedal • Dual inputs and outputs, allowing for a wide range of pedalboard configurations, amp setups, and creative experimentation • Dedicated knobs to control Frequency, Resonance, Gain and Volume • Ability to control the filter frequency with an expression pedal or 0-5V external CV to automate panning, filtering, stereo sweeps, and more • Internal switch to change the colour set of the LEDs. - Sky Light: Low-pass = Yellow / High-pass = Cyan - Cyber Light: Low-pass = Red / High-pass = Blue • Top-mounted Jacks • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 120 mA current draw, not included) Want to blow through the mix on stage? Crank the Freq knob to sweep two analog resonant filters in tandem, carving out sonic space with surgical precision or dialling in chaotic, oscillating madness. Adjust the volume of your highs and lows separately for gritty tone sculpting or dial in your dream EQ. With its High and Low inputs and outputs, you can use the Crossover Fuzz like no other fuzz on the planet: split your signal to different amps, isolate frequencies for creative effect routing or use it as a stereo panner that slings frequencies across the room. You can even control the filter sweep with CV or expression and the LED display reacts in real time to show you exactly where your crossover sits. Bonus: it looks sick on a dark stage!

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