Death By Audio Echo Master ...

3.990,-

PSYCHEDELIC VOX TRIP.  Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform the delay sound into a chaotic realm of noise and feedback. The effects loop allows additional effects to be routed into the output, making it easy to fuse any of your favorite effects pedals with your vocal sound.  The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice. CONTROLS Time: Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. . SPECIFICATIONS Dimensions: 6.09" x 3.45" x 2.75" (including hardware). Weight: 16oz. (w/ Alternate Back Plate 30oz.) Power: 9V (runs on standard 2.1mm negative center 9V adapter). Current Draw: 25 mA. *Alternate Backplate: The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Recently upgraded with a die cast screw and heavy-duty welded mount. 

Meris Mercury7 - 500 Series ...

7.596,-

Meris Mercury7 500-Series Reverb Off-World Ambience The Meris Mercury7 Reverb is the world’s first 500 Series Algorithmic DSP reverb unit and uses a premium analogue signal path, alongside 24-bit AD/DA with 32-bit floating-point DSP to deliver its out-of-this-world reverb. Inspired by Vangelis’ majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury 7 Reverb is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms. From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you’re looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver! Handcrafted Algorithmic Reverbs Analog Mix & Dry Signal Path Intra-Tank Pitch Regeneration High & Low Frequency Damping Extensive Modulation Capability Variable Auto Swell Envelope Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Stereo and Surround Linkable Designed and Built in Los Angeles, California U.S.A. With this dedicated hardware DSP reverb, you get all the reliability and pro level headroom necessary in modern studios (up to 21dBu / 30volts peak to peak, 116dB signal-to-noise ratio) without any load on your CPU/DAW. Plus, it has real knobs allowing you to sculpt the perfect reverb in real-time. As with all Meris products, the Mercury7 Reverb is designed and manufactured in Los Angeles, California U.S.A, to the highest specifications. The algorithmic reverb has been developed in house by their engineering team, who for many years have been responsible for some of the best sounding DSP in the known galaxy. The Mercury7 is truly something special. From the first note you play through this magic blue box, the tone and saturation you get from it is just spectacular. It’s very versatile, offering everything from sparkly-clean shimmer ‘verbs to dark and moody hall reverbs. It also features modulation should you want to delve deeper. Stereo, you ask? Not a problem. With two Mercury7 modules you can live in stereo sweetness using the stereo link cable. Then the left unit’s controls will control the right, or you can set them individually, as you please. Specifications: AD/DA: 24 Bit DSP: 32 Bit floating DSP hardware S/N Ratio: -116 dB Signal to Noise ratio Signal path: Premium analogue signal path throughout I/O: Burr-Brown precision balanced input and output drivers Mono / Stereo: Stereo and Surround linkable (requires link cable) True Bypass: 100% Analogue bypass Power consumption: <100 mA total power consumption

Old Blood Noise MAW ...

4.128,-

MAW Microphone Effects Manipulator Originally conceived as a simple effects pedal for vocalists, the MAW is a fully functional pedal for any application that involves a dynamic microphone. Featuring a high-quality microphone preamp fed into three foot-switchable effect engines and an effects loop for integrating you own favourite external effects, MAW is both perfect as a versatile tool for studio tinkerers or it can be an all-in-one for creative vocalists looking to control their live sound. MAW can saturate, reverberate, delay, flange and rotate your signal with the three on-board effects sections, plus you can integrate additional effects pedals with the send/return loop for a world of other creative uses. This is also perfect to patch in other pedals and effects that you may already have, which traditionally wouldn’t be able to be hooked up to a microphone directly. Both a microphone audio workstation and a poetic tool, MAW likes an XLR signal but will take a 1/4” jack input too. Multiple outputs and expression control finish out this versatile toolkit. Let its voice become yours. Vocal Effects Pedal XLR Microphone preamp for dynamic microphones Microphone gain control with pad switch for hot signals Tone knob – low pass filter for darker or brighter tone Switchable saturation section, with blend and tone knobs to sculpt your tone Two foot-switchable multi-effects engines: First – two reverbs, short delay, phaser, lower and upper octaves Second – two additional reverbs, long delay, flanger and rotary Momentary or Latching Switching – for seamless effects changes on the fly FX Loop – add your own effects pedals into its signal chain Effects trails – allows natural Reverb and Delay decay External Expression Control – for each effects section 1/4”/6.5mm instrument cable input Dual outputs: Wet – switchable between 1/4”/6.5mm or XLR Post-saturation Dry – XLR Powered by regular 9 V DC PSU (centre -, 2.1mm, ~210mA current draw)

Bricasti M7V2 Stereo Reverb ...

65.295,-

Bricasti-designet Modell 7 Stereo Reverb-prosessor Bricasti Design Model 7 sørger for et høyt nivå av musikalitet og enkel kontroll som kan tenkes i en prosessor dedikert til en etterklangsoppgave. Et moderne digitalt design med høy oppløsning, som bruker et fantastisk utvalg av de nyeste DSP-prosessorer, gir en plattform for det neste trinnet i reverb-behandlingsalgoritmer. En separat, helt differensiell analog seksjon og dedikert transformatorbasert lineær strømforsyning gir de fineste analoge spesifikasjonene av ethvert produkt av sitt slag. Et eksepsjonelt sterkt chassis i rustfritt stål og et frontpanel i aluminium, kombinert med et klassisk display med høy synlighet og menneskelig grensesnitt for å fullføre et varig design. Hvert designelement i Model 7 er en nøye vurdert uttalelse om vår visjon om hva utviklingen av etterklangsbehandling i sin mest klassiske form kan være. Med en dyp forståelse og en lidenskap for å flytte vitenskapen om etterklang fremover, gir Model 7 en palett med lyder som omfatter de kjente så vel som nye. Lytt til den nye referansen i etterklangsbehandling. Digital Section Design Features and Performance AES 24 Bit Digital I/O AES single wire 192k supported Self-clocking to incoming sample rates 44.1k to 192k 6 State of the art dual core Analog Devices DSPs Analog Section Design Features and Performance < 20 Picoseconds Jitter Input level adjustable in 2 dB steps Balanced XLR analog I/O 24-bit conversion Dual D/A Fully-balanced, DC-coupled analog input and output circuits Analog Input A/D Dynamic Range >116 db, A-Weighted THD+N <.001 % Frequency Response: 10 Hz - 20 kHz ± < 0.05 dB CMRR: > 100 dB @ <= 1 kHz Maximum Input Level: +24 dBu Minimum Input Level for 0 dBFS: +4 dBu Analog Output D/A Dynamic Range: > 116 dB, A-Weighted THD+N: < 0.001% Frequency Response: 10 Hz - 20 kHz ± < 0.05 dB Maximum Output Level: +24 dBu