Acon Digital Verberate ...

2.369,-

Acon Digital - Verberate Immersive 2 A Dolby Atmos Reverb Plugin for Natural, Cinematic Spaces Immersive Room Reverb That Sounds Real Verberate Immersive 2 is a professional algorithmic reverb plugin built for Dolby Atmos, spatial audio, and multichannel formats up to 9.1.6. Its time-variant design produces rich, natural reverb tails that feel like part of the space—not layered on top. Whether you’re mixing film dialogue, immersive music, or game audio, Verberate Immersive 2 gives you a believable sense of depth and place. No metallic tails. No phasey weirdness. Just clean, organic reverb that sits naturally in the mix. Designed for Modern Immersive Workflows Verberate Immersive 2 was built for immersive audio from the start, with independent control of early reflections and reverb tails, plus full 3D panning for all components. It fits perfectly into large-scale Atmos music production, Foley editing, and film post-production sessions. You can position the dry signal, reflections, and tail separately within the surround field, shaping each with visual panners, divergence controls, and full support for immersive formats like 7.1.4, 9.1.6, and everything in between. CPU-Efficient and Session-Ready Reverb plugins designed for immersive audio often carry a heavy CPU load, especially those using convolution. Verberate Immersive 2 avoids that entirely. Its algorithmic engine delivers high-fidelity room modelling at a fraction of the processing cost—ideal for large sessions with hundreds of channels and multiple reverb instances. It’s also built for speed. Preset switching is instantaneous. You can audition different spaces mid-playback without a break in sound. No loading times. No workflow interruptions. Just smooth creative flow from start to finish. Realism, Detail, and Control  Vivid Hall algorithm: resonance-free, time-variant reverb tails Legacy Hall mode for a denser, classic algorithmic sound Separate early reflections and tail processors Frequency dispersion modelling for mechanical plate-style effects Optional swirl modulation for vintage-style tails Parametric decay editor to shape reverb time by frequency Built-in 5-band EQ on input and output Support for sample rates up to 192 kHz Available in VST, AU, AAX formats on both macOS (Intel and Apple Silicon) and Windows Made For Professional Surround Mixes Verberate Immersive 2 is used by professionals in music and post because it lets them move quickly, sound great, and keep their systems responsive. Whether you’re placing ADR in a virtual room, expanding a lead vocal in a 7.1.4 Atmos session, or building cinematic transitions with rich reverb tails, this is a tool you can trust to deliver immersive results without compromises. Who's it for? Film and TV mixers working in Dolby Atmos or surround Music producers building immersive tracks Post engineers handling dialogue, ADR, and Foley Game sound designers crafting believable environments Seamless EUCON Integration for Serious Workflows Verberate Immersive 2 supports EUCON, giving you tight, tactile control on Avid control surfaces like the S6, S4, S3, and Dock. Its parameters are smartly mapped by default, so you can adjust reverb times, position elements in 3D space, and shape EQ and decay right from your surface. This isn’t just about convenience, it’s about helping professionals to work faster in demanding post and music sessions where grabbing physical faders and encoders makes all the difference. Supported hosts: Logic Pro, Pro Tools,  Ableton Live, Cubase, Nuendo, Studio One, Reaper, FL Studio, Luna, Adobe Audition, Adobe Premiere, Davinci Resolve, Reason, Media Composer.  For older host versions or unlisted hosts, please download the demo to verify compatibility.

D16 Group Antresol Analog BBD ...

666,-

D16 Group Antresol Analog BBD Stereo Flanger The classic flanger reborn An iconic stompbox resurrected with exquisite attention to sonic detail and so much more! Features far beyond the original You get a wide range of parameters far beyond those you could find in common flanger-type effects. True BBD emulation An exceptionally accurate emulation of an impulse-controlled, solid-state analog delay line results in absolutely ideal sonic characteristics Under the hood Incarnation of an iconic stomp box you will surely appreciate In bringing the classic stomp box back to life, we’ve created a must-have effect plugin that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances, and has been heard ever since on countless classic recordings. That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, our newest effect in the SilverLine Collection! The key element around which Antresol is designed, an analog BBD integrated circuit, proved to offer some unique challenges for a digital emulation of this type. In particular, the feedback parameter showed some weaknesses in the form of improper shapes of emerging peaks and notches in the frequency response, forcing us back to the drawing board. After much R&D, our Eureka moment came in the form of a much-refined BBD emulation using quasi-analog signal representation throughout, guaranteeing behavior much more akin to the original, physical circuit. While a bit chaotic, it includes all the benefits and subtleties the analog domain can offer—unlike a deterministic, classically digital algorithm—and all this without any unwanted artifacts such as aliasing (something we always take great pains to minimize)… and all with the rock-solid stability only digital can offer! M/S Mode  Switch between L/R or M/S processing modes and use Channel X-Fade knob to shape stereo sound stage to you desire.  Stereo LFO  Fully controllable LFO (with adjustable phase and rate sync to a host application’s tempo); the ability to delink the stereo channels and control the most important parameters independently for Left and Right (or Mid/Side, depending on selected mode).  True BBD Emulation  An exceptionally accurate emulation of an impulse-controlled, solid-state analog delay line (a Bucket Brigade Device) is responsible for the impeccable sonic characteristics found in Antresol. Effects based on high-quality BBD emulations stand out with remarkable, even seductive warmth, and we have no doubt that the tremendous success of D16’s first foray into BBD delay line emulation, the chorus plugin Syntorus, has been directly attributable to this approach.  More features  • Screen fit  Several UI sizes and HiDPI support for better screen fit  • MIDI Learn  For easy controller assignment 

FabFilter Pro-R 2 Reverb ...

2.790,-

Pro • R2 Give your music some space Natural sound, musical controls As one of the most used effects in the audio world, reverbs come in all forms and flavors. FabFilter Pro-R 2 stands out with stellar sound quality, being able to recreate natural spaces as well as classic vintage and plate reverbs that sit in the mix perfectly. At the same time, our unique interface design with intuitive musical controls make it simply a joy to work with. I believe FabFilter Pro-R is truly ground breaking! You guys have revolutionized audio plugins. I can't wait to see what's next! — Dave Pensado (Grammy Award-winning mix engineer) Make some space FabFilter Pro-R 2 takes a musical approach to reverb, offering user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for — without requiring a degree in reverb science. The stepless Space control lets you fade between dozens of different, carefully tuned room models, automatically choosing a matching decay time for a natural-sounding result. Shape the decay time The decay time of a real room often varies wildly over the frequency spectrum, which is one of the key ingredients of a room's reverb character. To simulate this, the industry-first Decay Rate EQ concept in FabFilter Pro-R 2 offers completely free adjustment of the decay time over the frequency spectrum. Since it uses parametric EQ bands instead of a traditional crossover system, it provides much more flexibility to shape the decay time characteristics. Together with the integrated 6-band Post-EQ, designing reverbs of any style or character has never been easier. Versatility galore New Vintage and Plate algorithms let you recreate classic digital reverb units of the '80s and '90s, as well as the evocative metallic sound of plate reverbs. The Thickness control adds saturation and compression, while the built-in Ducking feature makes it easy to let the reverb blend in with the mix. Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, and much more. Key features Beautifully designed room models, ranging from small ambiences and rooms to large concert halls and huge cathedrals new Full immersive / Dolby Atmos® functionality, with channel layouts up to 9.1.6. A lot of time has been spent to implement surround cross feeding, resulting in an exceptionally convincing 'sense of space' new Introducing two brand-new reverb algorithms: Vintage and Plate, recreating classic digital reverbs and the metallic plate sound Carefully developed to easily fit in the mix, without causing undesirable coloration, density or phase problems improved Gorgeous Retina interface with large interactive reverb display featuring Decay Rate EQ and Post EQ curves Very easy to set up, with user-friendly, non-technical controls new Introducing Impulse Response import. You can now import IR files, which will be analyzed by Pro-R 2 and converted to reverb settings, decay rate and output EQ to match the sound of the IR as well as possible new Added Thickness, Ducking and Auto Gate controls Stepless Space control, which smartly and smoothly combines the room model and decay time of the reverb. You can choose from over a dozen carefully designed room models and seamlessly vary between them, without hearing clicks or unwanted artifacts improved Decay Rate control, changing the overall decay time from 25% to 400% of the current Space setting new Introducing Freeze button Distance control to adjust the proximity to the sound source in the selected space improved Introducing a full-featured preset browser, with support for tags, favorites and easy searching and filtering The Character control changes the sound from a clean, transparent decay, to a lively reverb with pronounced reflections and echoes, all the way to an over-modulated chorus-like effect new Added optional Speakers setting for Decay Rate and Post EQ bands in surround/immersive layouts, offering much more control over decay times in a room model new Added mid/side and L/R options for Post EQ bands Perfectly tuned Brightness knob, affecting not only overall brightness, but also the decay of high frequencies Mix knob with a Lock Mix option, which prevents preset loading from overriding the current mix setting Predelay control, ranging from 0 to 500 ms, with optional host tempo sync Innovative six-band Decay Rate EQ, giving you full control over the decay rate at different frequencies improved Resizable interface, full screen mode and customizable scaling Six-band Post EQ to equalize the final reverb sound. Together with the Decay Rate EQ, this lets you design reverbs of any style or character Intelligent Stereo Width control, ranging from pure mono to true stereo and beyond new Added output level metering and optional piano display scale Real-time spectrum analyzer that also visualizes the decay time at different frequencies improved Stereo, mono and immersive/Atmos® plug-ins available Supports common Pro Tools hardware control surfaces MIDI Learn Undo/redo and A/B comparison Smart Parameter Interpolation Sample-accurate automation of all parameters Extensive help file with interactive help hints Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats on Windows and macOS, as well as AUv3 for iPad

FabFilter Timeless 3 delay ...

2.090,-

2 independent programmable delays with HQ effects, filters and flexible modulation Timeless 3 Don't waste your time, modulate it! From everyday echos to lush modulation FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine! FabFilter Timeless is another favorite of mine. I love delay and the ability to create crunchy modulated delays and creative effects has changed my mixes forever! — Damien Lewis (Grammy-nominated producer, mixer and engineer)   Vintage filters and creative effects The stereo delay signal is routed through five unique effects and up to six analog-sounding filters, and then routed back to the input with adjustable feedback. Easily program your own delays using the well laid-out controls and interactive delay and filter displays. Easy drag-and-drop modulation Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless's unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop. FabFilter goodies Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more. Key features improved - Fully redesigned, highly simplified interface, with an easy workflow and new modulation engine new - Optional Drive, Lo-Fi, Diffuse, Dynamics and Pitch effects to creatively color the feedbacked delay sound Analog tape delay or smooth time-stretching behavior when changing the delay time new - Up to 6 filters, which can be either the original, vintage LP/HP/BP filters or Bell/Shelving/Notch EQ filters new - Create rhythmic patterns using up to 16 delay taps, which can be controlled and modulated individually improved - Improved the sound quality of overall feedback, the filters, and internal saturation improved - Feedback and cross-feedback, and modulatable freeze option Mid/side processing new - Ping-pong modes new - Live modulation visualization for targets and sources improved - Carefully designed and curated factory presets, plus support for earlier Timeless presets improved - Interactive delay and filter displays GPU-powered graphics acceleration improved - Various interface sizes and Full Screen mode new - Curve control in EGs and transient detection in EFs Easy drag-and-drop modulation with 50-slot modulation matrix new - Supports common Pro Tools hardware control surfaces Interactive MIDI Learn Extensive help file with interactive help hints Unique per-component presets for modulation sources and tap patterns improved - Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need Smart Parameter Interpolation Undo, redo and A/B switch features Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats

Slate Murda Melodies - ...

1.850,-

Twist, shift, mangle & more—Murda Melodies does unspeakable things to your track. Legendary producer Murda Beatz has worked with some of the biggest acts in Hip-Hop, including Drake, Travis Scott, & Migos. We partnered with Murda on a revolutionary new multi-FX plugin that offers producers access to endless sonic landscapes. THE ULTIMATE MANGLER Twist, shift, mangle & more—​​Murda Melodies does unspeakable things to your track, transforming it in ways you can’t imagine. Transform stock sounds into insane, unrecognizable tracks. The same fire Murda creates in audiences around the world is captured in this incredible new plugin. 8 PLUGINS IN ONE The heart of Murda Melodies is in its 8 effects knobs, covering modulation, reverb, synced delays, reverses & more. And each knob interacts with the rest, leading into some truly mind-bending sonic landscapes. PRO PRESETS BY MURDA Easily sculpt your sound to perfection, with over 50 jaw-dropping custom presets made by Murda and our sound designers to get you up & running fast. SHIFT HAPPENS Change the pitch of your track over a whopping 4 octaves with a built-in pitch shifter, and for crunchy lofi beats, introduce gorgeous nonlinear artifacts with Pitch Jitter. Set the balance between shifted vs original pitch to dial in exactly the sound you need.

Slate Repeater Delay

612,-

23 emulations of classic delay machines REPEATER DELAY The delay is one of the most fundamental effects used in audio production, as it can add depth, space, excitement, and vibe to your mixes. Over the past fifty years there have been many different kinds of delays, from oil cans and tape machines to digital units, and each one has its own unique character and sound. So when it came time to create a delay plugin, we knew which delay unit we needed to model: ALL OF THEM! Repeater Delay features 23 authentic emulations of classic delay machines ranging from classic oil cans and tape machines to vintage digital designs – it’s packed with sounds and new features that will add depth to your mixes, and it comes with a user interface that’s immediately easy to understand and tweak. Multiple Delay Personalities Repeater’s 23 delay models offer you a versatile delay palette, as well as some amazing special effects like authentic pitch, telephone, and vintage tape tones. Whether you want a bold echo, a subtle wide space or a classic tape slapback, Repeater Delay has you covered. You’ll be able to find the right delay for the right situation, every time. Spread The Stereo Image Repeater’s SPREAD option can help you easily create wide stereo delays with the touch of a button. Just choose your delay note or ms value, and then SPREAD can automatically deviate the delay lines by either 10ms or 20ms, as well as automatically panning the delays left and right. SPREAD can help you utilize Repeater’s delay tones to make complex soundscapes. Add Color To Your Delays Repeater Delay makes it easy to move your delay repeats forward or bury them in the mix using the Color control, which can act like an upper-midrange filter. You can customize your delay with hi and low pass filters, and the plugin also utilizes an input saturation section before the delay engine, so a wide variety of warm saturations is easy to achieve. Analog-Modeled Feedback Circuit Engaging the Analog button sends all of the repeats back through analog-modeled circuitry to further enhance the gradual dimming and degrading of the sound as the decays die off. The Analog button makes the delay tones “melt” into the mix, and it sounds incredible on vocals and guitars!

Slate Verbsuite Classics

1.850,-

8 of the most popular digital reverbs VERBSUITE CLASSICS Reverb is perhaps the most fundamental effect in audio production. Over the past several decades several classic digital reverb units have become staples for professional mixing engineers, and VerbSuite Classics brings you ALL OF THEM. FUSION IR TECHNOLOGY VerbSuite Classics is a partnership with LiquidSonics, and uses proprietary FUSION IR processing to capture the evolving and modulating characteristics of the modeled hardware reverb tone. In blind comparisons, users could not differentiate between the real hardware reverb patch and the VerbSuite capture. FG-480 This is a model of what many consider to be the industry’s most standard reverb, and one that is still popular amongst top pros even today. This reverb has several programs that share a distinct and classic sound due to the unit’s unique modulation characteristics, which help it cut through the mix. FG-2016 First created in 1982, this American-made reverb was known for its realistic recreation of natural-sounding rooms. It’s been a favorite of top engineers since its creation, and has been heard on countless hit records. FG-250 This is a model of the first ever digital reverb, built in Germany. It’s widely known as one of the best-sounding reverbs even to this day, despite having only 16k of memory! It has a thick tone that mixes into source material with ease. FG-QRS When we asked several top pros which reverb they insisted we include in VerbSuite Classics, this German-made unit from the early eighties made every list! It’s incredibly transparent for a digital verb, and is known for having minimal digital artifacts. We love it on vocals but it’s great on so many other sources as well. FG-2000 This extremely rare Japanese-made reverb has been the favorite drum verb for many top pros. They have had mechanical issues and are very hard to find, so we were lucky to capture a unit in perfect condition. Not only amazing on drums, but fantastic on guitars, piano, and vocals! FG-16X This is a model of the famous microprocessor-controlled digital reverb from the early 80’s. It has a smooth and lush tone that is incredible on all types of source material, and one of its most famous uses is the drum sound on “In The Air Tonight” by Phil Collins. FG-6000 This is a model of a modern Danish digital reverb powerhouse! This reverb has several programs that are incredibly realistic, smooth, and deep. Amazing for small and large spaces alike, you’ll find an enormous amount of use for this incredible reverb! FG-BM7 The BM7 reverb model is a free expansion for VerbSuite Classics. It’s available directly from LiquidSonics using public-domain Bricasti M7 Fusion-IRs, which capture what many say is the best-sounding digital reverb in the history of audio production. Unlike several static impulse response packs taken from this famous unit, the VerbSuite Classics Fusion-IR expansion pack recreates the true tone and character of the unit’s modulation. “Dude – your new reverb Plugin is the best sounding and most versatile verb i’ve ever used ever. Thank you!!” Jeff Juliano | Mix engineer for John Mayer, Jason Mraz, Train and Miley Cyrus with over 30 million records sold.

Sugar Bytes Turnado - ...

1.690,-

The Ultimate Audio-Mangler Keep it simple! Turnado comes with 8 knobs, each firing up an effect and varying it with their dial. It invites play and experimentation with one or several effects. Customize 24 effects in expert mode. If you want it even more compact: in Dictator Mode, you can control all 8 effects simultaneously with a single fader. Key Features The Silver Bullet of Audio Manipulation 24 Effects in 8 Slots Classic: Delay, Reverb, Amplifier, Filter Hi-Tech: Modulation, Tranformation, Loops & DJ Modulation via 2 LFOs & Step Sequencer Dynamic Signal Flow Dictator Mode NKS support for Komplete Kontrol and Maschine Remix Digital Audio Re-interpret existing material Describing Turnado as a multi-effects processor perhaps doesn't capture the essence of what it's about. You can use reverb and delay in a subtle way - but what makes it very different from a conventional multi-effects unit is the combination of effects types available and its real-time control options. The GUI is clutter free with bright and clean graphics. Open it up, and you'll instantly understand the concept. Turnado is rock solid and light on CPU, if you plan to use it in a live performance or, say, in a dozen instances simultaneously. The world’s most controllable Effect Maximum transparency with as few controls as possible As a plug-in in the studio or on stage, Turnado will prove as a surprisingly versatile tool while its operation is cast into a bare minimum of controls. If you’re not an octopus, the "Dictator" is probably a feature of interest: this fader provides a unique way of controlling multiple knobs with just one slide. Here you can set up for each knob, when and how much to be rotated. Of course you can automate all controls in Turnado. Or, if you’re looking for a more natural approach, remote-control them via MIDI. Turnado in the Beardytron 5000 mkII Building Beardyman’s Ultimate Live-Production System What Beardyman dreamt about doing couldn’t be done: Technology simply couldn’t keep up with his demands. To pull off his sets the way he wanted, he spent six years and $30,000 building a complex live setup: Beardytron 5000 mkII. For Beardyman, the name of the game is being able to control things like high- and low-pass filtering, build-ups and drops, and muting and unmuting of channels in real-time with just two hands: “Without having Turnado, there would be literally no way for me to do it.”