Old Blood Noise Black ...

4.307,-

Black Fountain Stereo Characterful Delay Pedal Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded ‘oil-can delay’ pedal right into a multi-tool. With a wider control set that’s complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package. Main Features: Characterful ‘oil-can delay’ pedal Stereo input and output, with the option for Mono or Mono-in-Stereo-out routing Dedicated knobs to control Rate and Depth of modulation plus Tone and Grit of delay voicing Time and Subdivision controls for each delay line Additional controls for feedback, Wet/Dry Volume and Stereo Space Analog dry through Expression and MIDI control over all parameters MIDI clock I/O for external temp syncing Onboard Presets, plus control via MIDI Selectable Buffered Trails or True Bypass modes Top-mounted jacks and Soft-Touch Switching Hand-made in Oklahoma, USA Available in 3 Colourways - Cream (standard), Terracotta and Slate Powered by (opt.) 9 V DC PSU                (centre -, 2.1mm, ~ 350 mA current draw, not included) Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that’s perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall. The Rate and Depth controls set the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position. Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Old Blood Noise Black ...

4.307,-

Black Fountain Stereo Characterful Delay Pedal Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded ‘oil-can delay’ pedal right into a multi-tool. With a wider control set that’s complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package. Main Features: Characterful ‘oil-can delay’ pedal Stereo input and output, with the option for Mono or Mono-in-Stereo-out routing Dedicated knobs to control Rate and Depth of modulation plus Tone and Grit of delay voicing Time and Subdivision controls for each delay line Additional controls for feedback, Wet/Dry Volume and Stereo Space Analog dry through Expression and MIDI control over all parameters MIDI clock I/O for external temp syncing Onboard Presets, plus control via MIDI Selectable Buffered Trails or True Bypass modes Top-mounted jacks and Soft-Touch Switching Hand-made in Oklahoma, USA Available in 3 Colourways - Cream (standard), Terracotta and Slate Powered by (opt.) 9 V DC PSU                (centre -, 2.1mm, ~ 350 mA current draw, not included) Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that’s perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall. The Rate and Depth controls set the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position. Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Old Blood Noise Black ...

4.307,-

Black Fountain Stereo Characterful Delay Pedal Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded ‘oil-can delay’ pedal right into a multi-tool. With a wider control set that’s complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package. Main Features: Characterful ‘oil-can delay’ pedal Stereo input and output, with the option for Mono or Mono-in-Stereo-out routing Dedicated knobs to control Rate and Depth of modulation plus Tone and Grit of delay voicing Time and Subdivision controls for each delay line Additional controls for feedback, Wet/Dry Volume and Stereo Space Analog dry through Expression and MIDI control over all parameters MIDI clock I/O for external temp syncing Onboard Presets, plus control via MIDI Selectable Buffered Trails or True Bypass modes Top-mounted jacks and Soft-Touch Switching Hand-made in Oklahoma, USA Available in 3 Colourways - Cream (standard), Terracotta and Slate Powered by (opt.) 9 V DC PSU                (centre -, 2.1mm, ~ 350 mA current draw, not included) Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that’s perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall. The Rate and Depth controls set the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position. Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Old Blood Noise Excess V2 ...

3.009,-

Old Blood Noise Endeavors Excess V2 Distorting Modulator A Marriage of Distortion and Delay-Based Effects Way back in 2017, Old Blood Noise Endeavors released their first venture into Distortion aligned with Delay-based effects. Aptly named Excess, we all thought it was fantastically excessive enough back then, but along comes 2022 and Old Blood Noise are adding more switches. Despite this, the controls are actually dead simple, but the sonic potential is immense! Expanding on the original model, Old Blood Noise Endeavors continues their journey to revive and expand sought-out sounds of the 80s. With delay, chorus and harmonized fifths available, along with distortion in series or parallel configurations, Excess V2 unveils more unique tones and even more control, yet all in a smaller more pedalboard friendly package. Main Features: • Distortion and Modulation pedal • Three modes of modulation (Delay, Chorus and Fifth) each with Time, Depth, and Volume controls • Distortion section with control over Gain, Tone and Volume to access light overdrive through fuzzy distortion • Order switching to run Distortion into Modulation, Modulation into Distortion, or separate parallel paths • Soft touch switching and true relay bypass for each section • Expression jack to externally control Rate and Depth • Internal trimpot to set wet-dry mix of Modulation section • Made in the USA • Powered by 9V DC PSU (centre -, 2.1mm, ~125 mA current draw) Simply put, Excess V2 is two effects in one: a distortion and a modulation. The modulation takes the form of chorus, delay or pitch shifted delay and the way you route and engage them makes all the difference. Each mode has its own footswitch to engage or disengage the sound. We’re thinking about circuits from the 80s, 90s, today and a little bit earlier, all helping to create tones you’ve never thought of before! Excess V2 features three modes of modulation. Fifth is a harmonized delay and harmonizes the delay repeat up to a perfect fifth. When depth is turned up (adding delay repeats), those repeats continue to harmonize upward, creating rising fifths and octaves from your original note. Chorus offers a classic chorus, modulating the delay line to create swirling sounds. Delay is a short delay (up to 125ms) focused on comb filter, doubling, and slapback sounds. This section features three knobs, Mod Vol which controls the volume of the modulation, from zero to loud, Rate controls the rate or time of modulation (either the speed of the chorus LFO or the delay time of the delay) and Depth adjusts the depth or feedback of modulation (either the width of the chorus LFO or the number of repeats of the delay). The Distortion section also has three knobs. While Dist Vol controls the volume of the distortion, from zero to loud, Tone controls the high end of the distortion, from dark to bright. Gain adjusts the gain of the distortion, from bright and almost clean to heavily distorted. There are three ways of routing the effects in the Excess V2: • Mod 1st runs modulation into distortion, creating harmonically rich and sometimes almost out of control textures. Because the effects are in series, if either volume control is all the way down, you will get no signal.   • Parallel runs modulation and distortion side by side, which allows for clean modulated signal alongside distorted signal.  This mode has a natural volume boost due to the signals being added together. Blend to taste with the volume knobs and find some unfamiliar wet-dry textures.   • Dist 1st runs distortion into modulation, which is a classic way of routing these two effects, allowing for crisp repeats and modulations of your distorted sound. Because the effects are in series, if either volume control is all the way down, you will get no signal. Internally the Excess V2 has a hidden trimpot located above the expression jack that sets the mix of the modulation section. By default, it is set for a 50-50 mix of dry and wet, allowing for classic chorus and unity volume delay repeats. To increase the mix, turn to the right: this can go 100% wet (affected signal) for true pitch vibrato and strange delay textures. To decrease the mix for more subtle modulation, turn to the left: this can go 100% dry (unaffected) leaving only clean signal on the modulation side. For even more creativity, the Expression jack can be used to externally control the Rate and Depth knobs. To use it, plug an expression device in using a TRS cable (we recommend the OBNE Expression Slider or Expression Ramper) or any other expression device wired as TRS with tip as the voltage output.

Old Blood Noise Minim Reverse ...

3.588,-

Minim – Reverse Delay and Reverb Immediate Ambient Machine Time. Although always moving inevitably forward, it can often feel like it’s standing still in an undulating haze. Sometimes it even feels like it’s moving backwards, making us revisit and learn from our past. These meditative moments in time is where you’ll find the Old Blood Noise Endeavors Minim and its infinitely modulating soundscapes. So, whether you want standard delay/reverb, reverse reverberations, or pulsating circular sonic movements, Minim is here to let you shape and bend time as you please. Creative Modulated Reverb and Delay Pedal (up to 400 mS) Reverse section – activated with a clever footswitch for momentary or latching operation Order switching – puts reverse first in the chain for ambient wash or last in the chain for glitchy textures Expression jack – for external control of the Reverse mix Internal trimpot to control output level Relay bypass switching Powered by regular 9 V DC PSU (centre -, 2.1mm, ~159mA current draw) Inspired by the foundational features of OBNE’s last ambient smash-hit, the Rêver, Minim is set to instantly transport you even further to new atmospheric worlds, through its organic control set. Think of Minim as having two blocks. One block takes whatever signal is given to the pedal and reverses it at the press of a footswitch, while the other block gives you modulated reverb, fed into a modulated delay. Plus, there’s even a switch that decides which block comes first. Each control is simple, but put them all together and you’re likely to lose all sense of time. The reverb side of things lets you create everything from simple room reflections to deep and endlessly trailing ambient washes, via Minim’s Mix and Decay controls, while the Mod knob lets you blend in a gently swaying harmonic tremolo to put some waves into your ocean of sound. On the delay side, you’ll find the Time and Feedback controls to be pivotal tone shapers. Time both controls the length of the delay (up to 400ms) as well as the modulation amount, giving you sweet shimmering chorus tones at low settings and warbly tape-like vibratos at long settings. Feedback will go from a single repeat to endlessly cascading echoes for beds of blissful ambience. All of this wonderful ambience that’s created by the reverb and delay side can then be further manipulated by the momentarily triggered reverse section, seeing you instantly reverse everything on the fly, in order to make lines, phrases or entire chord progressions stand out in all its glorious shoegazy goodness. The mix of the reverse can either be fixed via the Reverse dial or instantly shaped and changed hands-free via an expression pedal. On top of that, you can flip the order of the reverse block. This gives you the choice between smooth reverse effects or choppy glitchy textures, as well as change the reverse speed from normal to double time for unique stutter octave tones. As you can probably gather by now, Minim isn’t just one thing. It’s an amalgamation of spatial effects, set to work together with you and your musical mind in order to create organically evolving sonic atmospheres. So free your mind and let the Minim unleash your new-found ambient potential.

Old Blood Noise Parting Basic ...

4.299,-

Parting - Basic White Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 4 Colourways - Basic/White, Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Red Panda Particle 2 Granular ...

4.128,-

Particle 2 Granular Delay and Pitch Shifting Synthesis in Real Time Particle 2 is a granular delay / pitch shifting pedal. It chops your signal into small grains and then rearranges, shifts, and mangles it, using the techniques of granular synthesis in real time. Results range from radical pitch and delay modulation to shimmering repeats to time stretching, stutter, and glitch sounds. Five delay and three pitch modes give intuitive control over random delays, bubbling textures, time stretching, and rhythmic glitches. Take a unique approach beyond conventional delay, pitch, flanging, and chorus sounds.  Freeze notes with adjustable threshold for stutter, punch in, or drone-line effects.  Lock multiple parameters to tap tempo or MIDI sync with independent note divisions for intricate rhythms.  Access all parameters via MIDI, tablet, or “modeless” front-panel operation for full control over granular processing. The Particle 2 is performance friendly, with controls spaced for real-time tweaking and designed so you can explore new sonic territory while remaining in control.  Use the assignable expression pedal or DIY-friendly remote switch for hands-free control.  The Particle 2 is pedalboard-friendly with all jacks on top.  With full MIDI control, stereo input/output, and +8 dBu maximum input level, it is also at home in modular setups or the studio. Main Features: • Granular Delay and Pitch Shifting Pedal • 3 pitch modes: detune, density, LFO • 5 delay modes: random, density, LFO, random pitch, reverse • Modes can be combined for control over all granular parameters • Adjustable grain size and density • Pitch shift +/- 1 octave • Delay 0-2.5 seconds • Feedback with adjustable lowpass filter • Auto-freeze/stutter with adjustable threshold • Tap tempo/momentary freeze footswitch • Independent tap divisions for delay time, grain size, grain density, and LFO • Soft touch bypass (momentary or latching), user replaceable • Stereo input/output (TRS) • Assignable expression pedal, remote switch, remote tap, or MIDI port • Additional parameters via MIDI (USB or TRS) • MIDI clock synchronization • Presets (4 on front, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • TouchOSC template for iOS and Android • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)

Red Panda Raster 2 Advanced ...

4.128,-

Red Panda Raster 2 Pitch and Frequency Shifting Digital Delay The Raster is a digital delay with a pitch and frequency shifter integrated into the feedback loop.  Forward or reverse delay can be shifted once or have continuously shifted repeats. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. The core of the Raster is a clean delay with up to 1600 milliseconds of delay time. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The feedback control has infinite repeats at 3 o’clock and chaotic, textured feedback loops at higher levels.  Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. The left and right delay times can be set as a ratio, so a single knob changes both in sync. The two delay channels can be arranged in series, parallel or ping pong. Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds.  The detune setting can dial in micro pitch shifts and chorused repeats.  The left and right channels can be shifted by the same amount, a ratio, or opposite directions. At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays. Beyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging.  It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart. The Raster’s modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). There are two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. Envelope and inverse envelope enable dynamic flanging and pitch bent delays. Stereo controls adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes. Capable of extreme sonic mayhem, the Raster can also be used with restraint to add unique character to your sound. The Raster 2 is performance friendly, with 6 knobs and 9 switches. The original Raster was praised for its knob response and immediacy, and the Raster 2 maintains that simplicity while adding flexible modulation and extensive stereo functionality. Alternate knob settings are related to the primary knob function, labeled, and off at the center position. Both footswitches can be latching or momentary, for instant pitch jumps or quick blasts of echo.  The bypass switch can also mute the output in bypass while always listening, to catch, repeat, and manipulate what you just played. While designing the Raster 2, we wanted to enable as many classic rack mount digital delay tricks as possible while keeping the fast and intuitive control that made the original Raster so fun to use.  Instead of multiple modes with generic knob names, all of the parameters are always available, so you can mix and match different effects and explore new sounds in between. Main Features: • Digital Delay Pedal with integrated Pitch and Frequency Shifter • 1600 ms stereo delay time in three ranges • 3200 ms forward delay available via editor • Micro pitch shifting and detuning • Tuned pitch shifting, +/- 12 semitones • Phase and frequency shifting • Repeats shifted once or continuously • Reverse delay • 7 modulation waveforms, envelope, and reverse envelope • Most parameters have left/right controls for stereo delay • Parallel, series, or ping pong structure • Tone control • Stereo input/output (TRS) • Soft touch bypass switch with selectable momentary, latching, or mute output • Shift footswitch momentary, latching, or assignable to tap tempo • Assignable expression pedal, remote switch, remote tap, or MIDI port • Full MIDI implementation with additional parameters (USB or TRS) • MIDI clock synchronization • Presets (4 on front, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • Designed and assembled in USA • Powered by a regular 9V DC PSU      (centre -, 2,1 mm, 250 mA current draw)  

Source Audio ARTIFAKT Lo-Fi ...

4.464,-

ARTIFAKT Lo-Fi Elements Lo-Fi Modulation, Reverb, Bit-Reduction and Filter The ARTIFAKT Lo-fi Elements is the first pedal of its kind, a comprehensive collection of all the hazy, scratchy, wobbly, and broken tones that epitomize the term ‘lo-fi’.” Like a mega-delay or mega-reverb, ARTIFAKT is a “one-stop shop” for all the most sought-after lo-fi effects including old vinyl replications, tape modulation and saturation, bit crushing, sample rate reduction, dark reverb and echo, filtering, compression, glitch, and more. Source Audio has dedicated much of the past three years to meticulously honing each of these sounds as well as engineering an entirely new hardware design with an easy-to-use interface that places the pedal’s full capabilities at your fingertips. Main Features: • Lo-Fi Modulation / Reverb / Delay / Bitrate Reduction Effects Pedal • Updated platform with imporoved interface and additional controls and foots witches - for easier access to more parameters, presets, tap tempo and a variety of other engine specific functions • 7 different effect engines on the face of the pedal o Radio - crackling nostalgic tones of a vintage radio struggling to dial in a signal o Tape - conjures the sound of vintage tape machines with subtle compression, tape saturation, flutter and pitch modulation o μVerb - a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems o Crush - bit-depth quantizing and sample rate reduction, finely sculpted with the resonance of a Moog-style ladder filter o Ladder - filter effect inspired by the revered R-2R ladder filter o Vinyl - faithfully emulates the crackle and pop of vintage records o Glitch - adds an unpredictable edge with random speeds and pitches • 16 presets accessible via the pedal controls (128 presets available via MIDI) • Full MIDI control via 3.5 mm TRS MIDI In and Thru jacks • USB-C port for connecting to Neuro 3.0, Source Audio’s preset downloading and effect editing software • Stereo Inputs and Outputs • External expression control over any parameter using the Neuro 3.0 editor • Switchable Active Analog or True Bypass • Powered by (opt.) 9V DC power supply (2,1 mm plug, center -, 200 mA current draw) Navigating through the seven positions of ARTIFAKT’s effect selector knob unleashes a symphony of sonic transformations, each akin to engaging a new pedal with its own unique brand of lo-fi. • The first effect on the dial is Radio, tune into its crackling nostalgic tones where static frequency filtering and noise generation evoke the charm of a vintage radio struggling to dial in a signal. • The Tape engine conjures the sound of vintage tape machines by blending subtle compression, overdrive, tape flutter, and pitch modulation to invoke effects like slapback, chorus, doubling, and tape saturation. • μVerb is a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems. • The Crush effect voyages the realm of bit-depth quantizing and sample rate reduction, all finely sculpted with the resonance of a MoogTM-style ladder filter. • Ladder, inspired by the revered R-2R ladder filter, offers both envelope and LFO modulation control for classic and dramatic filter sweep effects. • Vinyl faithfully emulates the crackle and pop of vintage records, from pristine 180-gram vinyl to well-loved gramophone platters. • Glitch adds an unpredictable edge, capturing fragments of your performance and hurling them back at random speeds and pitches. Pairing the ARTIFAKT Lo-fi Elements with Source Audio’s completely reimagined and reengineered Neuro 3.0 software elevates an already great pedal to new heights. Access free, stage-ready presets from Neuro’s expanding library of factory and Neuro Community presets. Explore Neuro’s extensive editing capabilities to blend and experiment with the various lo-fi elements mentioned earlier—it’s a limitless effects palette for crafting unique lo-fi sounds. ARTIFAKT also boasts stereo inputs and outputs, full MIDI control via the 3.5mm TRS in and thru jacks, dual footswitches, 128 presets, and more.

Source Audio COLLIDER Stereo ...

4.799,-

Source Audio COLLIDER Delay+Reverb Stereo Dual DSP Reverb and Delay Design complex soundscapes in seconds with the COLLIDER Delay+Reverb. We hand-picked 12 standout delay and reverb effects from our award-winning NEMESIS Delay and VENTRIS Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The COLLIDER’s intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance. Main Features: • Stereo Delay and Reverb effects pedal • Dual Processing - 2 Identical dual 56-bit signal processors allow use of 2 reverb engines simultaneously • 7 onboard reverb engines o ROOM: captures ambient reverberations of a variety of room sizes from warm and intimate household room to a larger theatre sized spaces o HALL L: patterned after the lush sounds of studio rack units from the 80s, with highly diffused tones and glorious blooming characteristics o TRUE SPRING:  perfectly captures the sweet idiosyncrasies of vintage spring reverb tanks with exceptionally realistic “drip” o PLATE: meticulously crafted simulation of vintage plate reverb units from the 50s and 60 blasting audio into the face of a large plate of suspended sheet metal o E-DOME:  produces long cavernous reverb trails with a lovely smooth and lush modulation invoking the sound of massive arena o SWELL: applies a volume swell effect to your instrument’s dry signal, which is then fed into the reverb effect for amorphous clouds of sound • 5 onboard delay engines: o DIGITAL: pristine and unfiltered digital repeats o ANALOG: reproduces the characteristic dark sound of bucket brigade analog delays o TAPE: detailed re-creation of classic moving-head tape delays that captures the characteristic flutter, warmth, and color o REVERSE: creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect o OIL CAN : dark, jangly, warbling and distorted delay inspired by old oil can designs - previously only available as additional Delay engines on NEMESIS • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • 8 Presets accessible via onboard controls, 120 more presets recallable via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • EXP/Switch input with selector switch for selecting external control source between Switch EXP pedal) • Stereo Inputs and outputs - for multiple advanced routing options • Tap Tempo with onboard footswitch and Sub-Divisions (quarter note/dotted eight note/triplets) • Knobs switch for switching the control interface between Reverb or Delay effects and locking knob settings • MIDI IN and MIDI THRU connections • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching with selectable Trails Mode • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 300 mA current draw)

Source Audio ENCOUNTER Delay ...

4.790,-

Source Audio Encounter Ambient Delay + Reverb Source Audio’s Encounter is more than just a delay and reverb pedal, it’s a gateway to atmospheric soundscapes. Based on the legendary Collider Delay + Reverb, Encounter sports a similar layout, while adding a wide-ranging collection of new and otherworldly delay and reverb effects.   Packing a mix of brand-new sounds and reimagined favourites from Source Audio’s range of delay and reverb pedals, Encounter is sure to conjure up a wealth of ambient sounds. Main Features • Stereo Ambient Delay and Reverb Effects Pedal • Analog Dry Through Path • 6 onboard Delay engines           o Noise Tape, Resonant, Drum Echo, Echoverb, Kaleidoscope and Helix • 6 onboard Reverb engines           o Hypersphere, Shimmers, TremVerb, Reverse, Lo-Fi and Swell • 8 Presets accessible via onboard controls and 128 presets available via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • Input with selector switch for selecting external control source (EXP/Switch) • Delay Footswitch doubles as a Tap Tempo control • Sub-Division control switch for the Delay (quarter note/dotted eighth note/triplets) • Stereo Inputs and Outputs • Mini USB Port for connecting to Neuro 3.0, Source Audio’s preset editing software • MIDI IN and MIDI THRU connections • 3.5 mm control port - for connecting compatible Source Audio control devices • Switchable True or Analog Buffered Bypass • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile devices • Powered by (included) 9V DC power supply (centre -, 2,1 mm, ~280 mA current draw) All six delay and six reverb engines can be used individually or in pairs (that includes dual delay or dual reverb combinations) with full MIDI functionality and stereo ins & outs. Routing options include series, parallel, or split stereo. Each footswitch engages or disengages its own effect, essentially providing the functionality of two separate pedals in one unit. The new engines such as the Hypersphere reverb, Kaleidoscope delay, and Shimmers are among the most beautiful and imaginative in Source Audio’s history. Returning effects such as Reverse, Lo-Fi, and Swell reverbs, along with the Helix, Drum Echo, and Resonant delays, have been reimagined and enhanced with expanded parameter controls, unlocking limitless sonic possibilities and creative potential.

Source Audio NEMESIS Delay ...

4.464,-

Source Audio NEMESIS Delay ADT Multi-Engine Stereo Delay with Analog Dry Through The NEMESIS Delay ADT is an updated version of Source Audio’s award-winning NEMESIS Delay. It has all the tones and features that made the original NEMESIS so popular and includes some key updates including an analog dry through signal path. Analog dry through means that the guitar’s dry signal maintains a 100% pure and unprocessed analog signal adding only the delay you choose. Other new features include enhanced MIDI functionality, 100 factory loaded presets, and an updated collection of delay effects easily accessible with the pedal’s intuitive interface. The updated NEMESIS is also compatible with over 1,000 Neuro user presets created for the original NEMESIS Delay. Additional NEMESIS Delay ADT features include stereo ins & outs, full MIDI functionality with 5-pin MIDI DIN and through ports, tap tempo with 15 different beat divisions, 8 onboard presets (128 with MIDI), bypass trails, external expression control, and a delay “freeze” function engaged by holding down the tap tempo footswitch. Main Features: • Stereo Delay effects pedal • Analog Dry Through path (NEW!): - when engaged the instrument’s dry signal remains completely unprocessed, maintaining a 100% pure analog signal path that runs alongside the delay effect • 12 onboard delay engines o Slapback: short single-repeat echo based on early tape delay machines o Digital: classic clear digital delay with optional delay time modulation o Diffuse: delay line with a diffusion effect that smears the attack of the repeated signal, reminiscent of classic “oil can” o Analog: sound of classic bucket brigade analog delays - warm, resonant and increasingly lo-fi o Tape: detailed re-creation of classic moving-head tape delays that captures the characteristic flutter, warmth, and color o Noise Tape: detailed re-creation of classic fixed-head tape delays with grittier and darker repeats, capturing the sound of old or damaged tape. o Resonant (NEW!): a analog-voiced delay with pleasant midfrange resonant peak, capable of self oscillation o Shifter: delay with polyphonic pitch-shifting on the delayed signal (octave up or down, minor or major 3rds, 4ths, and 5ths) o Helix: angelic delay effect combines reverse delay with an octaver to create a strange, shimmering delay that disappears into the upper frequency range o Reverse: creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect o Oil Can (NEW!): a faithful recreation of the dark, jangly and warbling distorted repeats of vintage oil can delay units o Drum Echo (NEW!): inspired by the magnetic drum tape echo of a Binson Echorec unit • Additional engines and deep customization features accessible online via Source Audio Neuro App and Desktop Editor • 8 Presets accessible via onboard controls, 120 more presets recallable via MIDI • Mix knob - for adjusting between 100% Wet/Dry Balance plus global Kill-Dry Mode • EXP/Switch input with selector switch for selecting external control source between Switch EXP pedal) • Stereo Inputs and outputs - for multiple advanced routing options • Tap Tempo with dedicated footswitch and Sub-Divisions (quarter note/dotted eight note/triplets) • Hold (a.k.a. “Freeze”) function - Use the tap tempo switch to freeze a small portion of the delay in a continuous loop • MIDI IN and MIDI THRU connections • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching with selectable Trails Mode • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 200 mA current draw)

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