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Compressor/Limiter

 
Keeley Aria Compressor ...

2.990,-

Aria Compressor Drive The Ultimate Compressor and Overdrive Experience Compression and Overdrive are the foundation of my engineering. These two Keeley tones have inspired countless musicians, now they sit in one extremely versatile, sonic tool. The Aria Compressor Drive not only offers out most flexible overdrive to date, it has all the tone and blend features of the Compressor Plus. Players also have the ability to swap the order of the compressor and drive for two very useful drive experiences. Two-Mode Overdrive: Soft clipping and a transparent boost to midrange frequencies, perfect for defining your own voice. Compressors and Overdrive are a fundamental part of the guitar recording process. They are also essentials for live guitar performance. You have two ways you can combine the beautiful midrange of overdrive and the benefits of compression and sustain. Most people run compression before overdrive in order to reduce the potential for idle, static noise. There are times when you want added sustain and therefore might need the compressor after overdrives, because using compressors after overdrives offers players a very warm and rounded, smooth and even tone with tons of sustain. And then you may need to return to the conventional routing, because compression before drives gives you a consistent gain level. Problem solved! Each half of the flexibly routed Keeley Aria Compressor Drive provides tons of volume for boosting and pushing your amp, with each half offering essential tone shaping controls to perfectly sculpt the core of your guitar’s sound. Main Features: •    Compressor and Drive effect pedal •    Combining Keeley’s Compressor Plus a two-mode Overdrive •    2 Overdrive gain modes:      o    High - Soft Clipping Overdrive      o    Low - Transparent Midrange Boost •    Compressor Tone control based on analog delays and other vintage effects - gently adds back in highs lost in compression •    Compressor Blend Control - for keeping all the peaks and transients while adding sustain •    Order switch – for selecting order of Boost and Drive effects in the signal chain •    Pro Rig designed remote control thru 1/4″ jacks - for live use with pedal switcher systems •    Top-Mounted Jacks - for a compact pedalboard layout •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~55 mA current draw) The Aria Compressor Drive comes with TRS insert jacks to allow you to divide the pedal into two units. Insert effects between the two sides! Compressor into delay into overdrive, anyone? Maybe swap that for overdrive into delay into compression. For nearly two decades, from nearly every Nashville session-ace to the praise and worship player at church, from Steely Dan, Steve Vai, Johnny Hiland, Daniel Donato, Arianna Powell, to Nicholas Veinglou, the Keeley Compressor and Red Dirt have been a part of these performing, recording, and touring sounds. Now, these two epic tones are together in one stomp box that is easy to use and full of features.
Keeley Compressor Mini pedal

1.778,-

Mini Compressor, Sustainer and Boost Pedal Keeley Electronics Compressor Mini The next generation of compression is here! The Keeley Compressor Mini is designed to make the magic of compression simple and easy to use.  Featuring Manhattan-style compression, the Compressor Mini intuitively and automatically delivers the perfect blend of dynamic and compressed guitar signal.  This is how the Compressor Mini retains all the subtlety and dynamics in your playing, making it effortless to play and sound your best.  An all-new transient release time is set to make both single coils or humbuckers sound lively and expressive. The new automatic tone recovery circuit ensures crystal clear highs, even with high compression settings. The Compressor Mini’s pre-amp tone is legendary; pushing both pedals and amplifiers to their greatest potential.  Main Features: • Mini-sized Compressor pedal • Offers Keeley compression in a small, simple and easy to use package • Increased sustain range for even more subtle Manhattan-style compression • Auto-blend to enhance clarity and note definition • New transient release time that makes hum-buckers sing and single coils pop • Automatic tone recovery, a treble clarifier for high compression settings • A built-in pre-amp for incredible guitar tone • Designed and built in the USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 10 mA current draw) With any style of guitar, playing live or at the recording desk, the Compressor Mini is your secret weapon. Keeley Electronics have done the math for you, this is the new calculus for great tone. Keeley Sustain and Transparency - 20 Years Worth of Toneful Compression. Plug into the Keeley Electronics Compressor Mini, feel inspired to play and sound your best.
Keeley Compressor Plus pedal

2.069,-

Keeley Electronics Compressor Plus Gorgeous Sustain - Perfect Boost The Keeley Compressor is the most popular boutique compressor in the world. With well over 80,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain.  Keeley know what it takes to make an instrument sound like it’s been professionally recorded. We know how to make your guitar jump from the mix. We know how to make it fun and easy to play. Keeley Compression is how.  The Keeley Compressor Plus is the first true advancement in our 2 and 4 knob compressor line. The new features are simple and straight forward. Now there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right.  Your humbuckers will have all the attack and punch that they should. Keeley's team designed a gorgeous sounding Tone Control which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal.  The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument. Main Features: •    Compressor Sustainer effect pedal •    Legendary Keeley Compression with modern features •    Attack/Release Switch - designed to make it very easy to transition between single coil and humbucker guitars •    Tone control based on analog delays and other vintage effects - gently adds back in highs lost in compression •    Blend Control - for keeping all the peaks and transients while adding sustain •    Pedalboard-friendly size – for compact rigs •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~10 mA current draw) The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes. The Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in “compression mode” for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition. The Tone Control is Keeley’s own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. We took that circuit and made it into a full fledged tone control! We have found that it is the perfect way to gently add back in those highs lost in the compression process. The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven! This compressor isn’t just for heavy funk or chicken pickin’ anymore. The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you’ve only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you’ve heard. Nothing pushes an amp better than the Keeley Compressor Plus. The Keeley Compressor Plus is the result of us specializing in compressors for over 15 years. Chief Engineer and founder Robert Keeley said, “Compression was the first effect I found that was hard to make sound good off the shelf, so I set out to create the best sounding compression effect possible.” Keeley have it down to a science but still treat it like art. Since it is at the core of what we do, we can offer it for an incredible price now. The Keeley Compressor Plus is completely made in the United States. We’ve worked with and listened to the pros who have had the original compressor on their boards for 10 to 15 years and found out what it would take to keep it on their boards for another 10, 20, or 30 years…. Add the Compressor Plus to your rig, you and your guitar will be singing for days.
Keeley Compressor Pro pedal

4.128,-

Full featured studio quality compression in a stompbox Keeley Compressor Pro Powerful, with Attack, Release, Auto Mode, Hard/Soft Knee World Renown Compression by Keeley Audio Performance and Blissfully Accurate Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made. Introduction of Features Compression LED Display – 7 Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated. Threshold LED Indicator – Bi-Color LED to indicate when compression is initiated and released. Exact RMS Analysis (ERA) – Senses the true RMS value of the input program material such as your guitar, bass or drum machine. Hard/Soft Knee Compression – Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression. Auto Mode – Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times. True-Bypass – No tone or signal loss when OFF General Compressor Usage The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings! Device Controls THRESHOLD, RATIO, ATTACK, RELEASE, GAIN, KNEE, & AUTO THRESHOLD Control and LED – This is probably the most important control on the Comp Pro. It is adjusted to determine when the compressor is working or when sound is being passed through unaffected. The Threshold control is turned down or CCW until the THRESHOLD LED turns Red as you play your instrument. When the THRESHOLD LED turns Red the Comp Pro is actively compressing your signal. If the LED is Green, the Comp Pro is not compressing and sound is passed through unchanged. Range of Adjustment is from -50dBu to +10dBu. 2.45mVRMS to 2.45VRMS – Pro Audio (studio) Levels are +4dBu Consumer Audio Levels are -10dBu. Passive guitar or bass pickups are typically about -25dBu to 2.5dBu. RATIO Control – “the Compression Knob”, Ratio is the amount of compression you set the Comp Pro for. You can set it from No Compression (1:1) when all of the way off or CCW. You can set it as high as Infinite Compression (∞:1) which means that the output level will never increase in output level no matter how loud the input. This type of setting can be used for hard-limiting to protect recording or speakers or in some cases for guitar effects like chicken-pickin’. ATTACK Control – Attack Times between 0.15ms and 150ms. Controls the time it takes for the Comp Pro to start compressing. RELEASE Control – Release Times between 0.1s to 3s. Controls the time before the Comp Pro releases or stops compression . GAIN Control – This is the output level of the compressor. It does not affect the compression controls like THRESHOLD, RATIO, ATTACK or RELEASE. It is for make-up gain if you set for heavy compression gain reduction. +20dB of boost is possible. KNEE Switch – Hard Knee/Soft Knee. Hard Knee Compression follows a hard fast rule: If THRESHOLD is met, then Compress at this RATIO. Soft Knee is Komfort Kompression. It’s a way to keep compressed guitar or instrument parts sounding lively and dynamic, without the “blanket” of compression found in many types of compressors. AUTO Switch – OFF/ON – Set to ON in most cases for automatic setting of Attack and Release Times. This will sound natural and work in a very large number of cases. The Comp Pro looks at the input signals like guitar, bass, vocals or drums and determines the correct attack and release times depending on what you’re playing and what signal levels are being detected.
Keeley GC-2 Compressor ...

2.785,-

Limiting Amplifier (For Guitar and other instruments) Keeley Compressor GC-2 Limiting Amplifier Compressor and Limiting Amplifier Check out the Pete Thorn Demo on YouTube! Precision Rack Mount Quality Compression At Your Feet The Keeley Compressor GC-2 Limiting Amplifier. The same great professional compression/limiting technology available in our Bassist Limiting Amplifier, for musicians and compressor fans of all kinds! Precision Compression The Keeley Compressor GC-2 Limiting Amplifier provides true high-fidelity compression and limiting. The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320.  Think of it as very musical studio-grade compressor in stomp box format!  It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent.  Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that “Compressor Effect” and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency.  Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz.  No detail in your guitar’s tone will be lost.  The Keeley GC-2 will be a sound investment in your tone–you now have genuine rack-mount quality at your feet. Compression and Threshold When musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard.  Using the effect as a limiting amplifier saves your speakers from clipping and distortion.  Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers.  Simply watch the Threshold Indicator light to see what type of playing you want to limit; it’s that easy!  Next, set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold.  Set Compression all of the way down (1:1) for no compression and use the Gain control as a boost.  Set Compression all of the way up for an above-Threshold, hard-knee limiter. Attack and Release There is a certain figure that just sounds good as far as compression goes, and that’s 125 dB/second.  With feed-forward compressors that use this type of true-RMS detector you use a single time-constant parameter.  The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor.  Bottom line: Attack and Release times vary on program content.  Attack times are, generally speaking, about 100 times faster than release times. Attack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB Release Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB Specs: Voltage Input: 9V Current Draw: 50mA Input Impedance 1 Meg ohm Output Impedance: 100 ohm Output Voltage Gain: +30dB Boost Bandwidth > 20kHz Total Harmonic Distortion: 0.1% Noise: -95dBV Threshold Indicator: Dual LED
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