Diamond BASS COMP/EQ Optical ...

3.090,-

Diamond BASS COMP/EQ Return of a legend There’s something truly magical about finding the compression sweet-spot on bass. Enter the Diamond BASS COMP/EQ. This bad-boy will go on your board, and never come off. This nextgen compressor maintains the classic circuit architecture while increasing range and functionality. The new EQ section allows you to sculpt your tone in the same box that squashes it (that’s a good thing). Furthermore, the tilt switch allows you select the fulcrum frequency of the Tilt EQ for sculpting those all-important mids. Main Features • Bass Compressor and Equalizer Effects Pedal • Updated circuit with increased range and functionality that maintains the classic Diamond compressor architecture • Naturally smooth optical compression from a custom US-made Opto-Isolator • 10dB Mid boost and cut • Tilt Freq switch for selecting the switchable Tilt EQ Fulcrum Frequency  • Up: 250 Hz • Down: 500 Hz • Center: 900 Hz • Wide-ranging compression control with bi-colour LED indicator • Top-mounted jacks and soft touch relay switching • Equipped with Burr Brown Integrated circuits • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, ~22 mA current draw) What a buzzword “compression” is. But as soon as you slap one into your chain, you can never go back. Applicable in almost every situation, compression is the glue that keeps your tone tight and in the pocket. Rather than mess with perfection, the Diamond Comp/EQ augments the original bass-tuned yellow box design with a new Mids boost/cut control, 3-position Tilt Frequency switch, custom spec’d, US made opto-isolators and modern, quiet switching. While the original Diamond Compressor was a formidable pedal, we can confidently say that this next-generation is the best version of the Diamond Compressor yet. Combining silky smooth, natural optical compression with our signature hi-fi inspired, centre-detent active tilt EQ and Mid boost/cut control, the Comp/EQ is a mastering solution for your effects chain....one you might never turn off. We are serious when we say this pedal will always be on. Whether you’re looking for the snappiest compression to compliment your intricate funk leads, or soft transparent style compression to just add that perfect final touch to your tone, the Diamond Comp/EQ can do it all. So here’s how to use your new “always-on” pedal.

Diamond COMP/EQ Optical ...

3.250,-

Diamond COMP/EQ Next Generation Classic Compressor There isn’t a compressor that’s more sought after than the Diamond yellow box. This next-gen COMP/EQ maintains the classic circuit architecture while increasing range and functionality. The new EQ section allows you to sculpt your tone in the same box that squashes it (that’s a good thing). Furthermore, the new Attack switch allows you to go from the signature ultra-snappy Diamond comp style all the way to softer transparent compression. Main Features • Compressor and Equalizer Effects Pedal • Updated circuit with increased range and functionality that maintains the classic Diamond compressor architecture • New EQ section for precision tone-sculpting • Added Attack switch – for selecting between 2 attack settings    • Down: original - ultra-snappy Diamond compression with quick response    • Up: slow response with a transparent, less squashed, softer transparent compression and longer sustained sound • Naturally smooth optical compression from a custom US-made Opto-Isolator • +/- 10 dB Mid boost and cut • +/- 6 dB Tilt EQ section • Wide-ranging compression with bi-colour LED indicator • Top-mounted jacks and soft touch relay switching • Equipped with Burr Brown Integrated circuits • Hand-made in Montreal, Canada • Powered by a regular 9-18V DC PSU (centre -, 2,1 mm, ~22 mA current draw) What a buzzword “compression” is. But as soon as you slap one into your chain, you can never go back. Applicable in almost every situation, compression is the glue that keeps your tone tight and in the pocket. Rather than mess with perfection, the Diamond Comp/EQ augments the original yellow box design with a new Mids boost/cut control, Attack switch, custom spec’d, US made opto-isolators and modern, quiet switching. While the original Diamond Compressor was a formidable pedal, we can confidently say that this next-generation is the best version of the Diamond Compressor yet. Combining silky smooth, natural optical compression with our signature hi-fi inspired, centre-detent active tilt EQ and Mid boost/cut control, the Comp/EQ is a mastering solution for your effects chain....one you might never turn off. We are serious when we say this pedal will always be on. Whether you’re looking for the snappiest compression to compliment your intricate funk leads, or soft transparent style compression to just add that perfect final touch to your tone, the Diamond Comp/EQ can do it all. So here’s how to use your new “always-on” pedal. Place the Comp/EQ at the very beginning of your signal chain for a traditional compression effect or place it at the very end of the chain to act as a limiter. Need a boost? Place the Comp/EQ behind your drives and fuzzes to with the Comp set low to send your leads soaring!

Dreadbox KINEMATIC Compressor ...

2.150,-

Dreadbox KINEMATIC Compressor / Filter Kinematic is a Greek based word (Κίνημα), which describes motion - of points, bodies or systems of bodies, without the consideration of the forces that cause them to move. The Dreadbox KINEMATIC is a VCA based Compressor and an Envelope Filter effect pedal suitable for fretted instruments and synthesizers, with eurorack compatibility. This is not all however - KINEMATIC features an integrated drive circuit that can add soft overdrive up to big, fat distortion to your sound. The Envelope Filter provides a slow envelope curve that can be used as Auto Wah or Low Pass Filter, while the Compressor offers a substantial level boost in addition to providing soft to limiting brickwall-style compression. Its three patch points grant CV control over the Filter and Level knobs and provide you with an EG output, making the KINEMATIC a perfect device for synth fans. Main Features: • Compressor / Filter Effects Pedal • Fully Analog VCA based Compressor - offers Level Boost up to +18dB • Envelope Filter with slow Envelope curve useable as Auto Wah or Low Pass Filter • 2 modes of operation o COMP COLOUR - Compressor with Frequency Booster o ENV FILTER - 12 dB Low Pass Filter with Auto Wah • Integrated post Diode Overdrive Circuit - adds drive in the end of the circuit • Extreme compression ratio for brickwall style limiting compression • 3 patch points to interact with modular and CV gear o FILTER - accepts CV to control the Filter at +/- 5V o LEVEL - accepts CV to control the Level at +/- 5V o EG OUT - sends out the Envelope Generator at 0-7V • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 85 mA current draw)

Electro Harmonix Tone Corset ...

1.390,-

EH TONE-CORSET The Tone Corset, analog compressor, squeezes your guitar tone in all the right ways! The Tone Corsets four-knob design provides excellent control and gives the user the ability to precisely shape their instrument’s dynamics. Specifications: The Sustain knob controls the amount of compression applied to the guitar signal. The Attack know adjusts how quickly the compressor recovers. As Attack is turned clockwise the pedal’s response is slower and more initial pick attack comes thru. The Blend knob adjusts the mix of the dry and compressed signals. Volume controls the overall output level. The Pad switch pads down the input signal to prevent undesirable distortion if the Tone Coret is used with high output humbuckers, bass guitar, etc. True Bypass for maximum signal path integrity. Comes with a 9Volt battery.

Jackson Audio Bloom V2 Black ...

4.290,-

BLOOM V2 MIDI-Controllable Optical Compressor Designed to give guitarists maximum dynamic tonal control, the BLOOM V2 is a comprehensive dynamic engine that features fully fledged MIDI control over all 6 compression settings. A three-fold device, the BLOOM V2 manipulates the dynamics of the instrument by way of precisely tuned optical compression, 3-band equalization, boost and sustain circuits which can be activated separately or in tandem with each other, allowing compression control in ways never before possible. • Compressor pedal • Optical LA-2A style limiting circuit • MIDI control over all 6 compression parameters, ON/OFF and Level • 6 instant access presets • Flat frequency response paired with 3-band EQ for optimal tone shaping • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU        (centre -, 2.1mm, ~ 300 mA current draw) The BLOOM V2 features an optical limiting circuit that takes its inspiration from compressors designed during the golden age of vacuum tube circuits, known for their transparency and subtlety. While the pedal can provide a very aggressive response at more extreme compression settings, its real strength lies in its ability to add a gentle sweetening and roundness to the tone, as the optical circuit works to polish off any rough edges in the sound. Hidden inside the BLOOM V2 is a second auxiliary compressor circuit identical to the main compressor with two internal trimmers for Comp and Volume. It can be used in series ahead of the main compression circuit in making notes sustain, while still remaining clear and clean. The BLOOM V2 can work as a regular set and forget boost. However, by pressing and holding the footswitch down, the BLOOM circuit can slowly ramp up to the level set by the boost. This programmable ramp-up time, can be used to increase sustain on held notes or to perfectly match the dynamics in a song. The 3-band EQ circuit features a studio-grade EQ that gives tremendous tonal flexibility. Based on the legendary Baxandall EQ that is featured in countless studio devices, the BLOOM V2 takes this circuit and tailors it for guitarists. Jackson Audio spent a huge amount of time on this EQ dialling it in, so it would hit all the frequencies that guitarists need to adjust and then sweetened it by removing the ear-fatiguing highs and lows that can appear at extreme settings. Because of its natural touch response, the BLOOM V2 is ideal for players who typically don’t use compression but want the ‘mastered’ response that optical compression gives to a guitarists tone. Add in the MIDI control of the individual circuits Bypass features (Compressor, EQ, BLOOM) and the overall BLOOM level (via MIDI expression control) and the BLOOM V2 is no doubt one of the most versatile compressor pedals ever made.

Jackson Audio Blossom Optical ...

2.650,-

Optical Compressor Pedal BLOSSOM Optical Compressor Featuring exactly the same optical limiting compression circuit as Jackson Audio’s fully featured compression masterpiece the BLOOM, the BLOSSOM is a simple and easy to use optical compressor. Because of its natural and touch responsive bloom, the BLOSSOM is ideal for players who typically don’t use compression but want the ‘mastered’ response that optical compression gives to a guitarist’s tone. • Compressor pedal • Optical style limiting circuit from the Jackson Audio BLOOM • Simple and easy to use control set • Flat frequency response that keeps your tone untouched • Tiny footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 - 18 V DC PSU        (centre -, 2.1mm, ~ 20 mA current draw) Known for its transparency and subtlety, the BLOSSOM features an optical limiting circuit. Based on the BLOOM’s “country-style” green channel, it takes its inspiration from compressors designed during the golden age of vacuum tube circuits and is perfect for those players who want to squeeze, but also want to keep it simple. Although the pedal can provide a very aggressive response at more extreme compression settings, its real strength lies in its ability to add a gentle sweetening and roundness to the tone as the optical circuit works to polish off any rough edges in the sound. The frequency response of the compressor section is ruler flat and does not boost or cut any of your highs or lows. Just like a well-designed compressor circuit should, the BLOSSOM alters the dynamics of the guitar signal and not the tone - a good compressor should be felt and not heard!

Jackson Audio Hour Glass Dual ...

4.290,-

Jackson Audio HOUR GLASS Dual Studio Compressor The HOUR GLASS Dual Compressor Pedal - Unlock timeless sustain and endless creativity with dual, independent circuits inspired by the legendary Ross compressor. It is your ticket to extended sustain and unparalleled tonal control.  From warm, natural compression to soaring sustain, the HOUR GLASS opens up a world of sonic possibilities for you to explore. Main Features: • Dual Compressor effects pedal • Based on the legendary Ross Compressor circuit • Features two identical, completely independent compressor circuits • Perfect for setting one for single coil guitars, the other for humbucker guitars – for precise tone and dynamic shaping when switching guitars or use both circuits simultaneously for endless sustain! • 3 Attack settings accessible for each compressor circuit o Fast - 100 ms o Medium - 400 ms o Slow - 1600 ms • Treble switch for shaping the high frequency tones o Flat o Medium o High • Parallel Compression with Blend knob - for mixing in the Dry signal and maintaining natural playing transients • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9-18 V DC PSU (centre -, 2.1mm, ~ 60 mA current draw) Choose from Fast, Medium, or Slow Attack time options to tailor the HOUR GLASS’s response to your playing style, and use the Treble toggle switch to select Flat, Medium, or High boost options to help shape your high-frequency tones.  Set one compressor for your single coil guitars, the other compressor for humbucker guitars and have precise tone and dynamic shaping when you switch guitars! Both compressors can also be engaged simultaneously for endless sustain!  Discover the freedom of expression with two independent circuits, that maintain the transparency of your guitar’s tone. Precision controls for Level, Sustain, and Blend on each circuit allow you to sculpt your sound exactly as you desire. Built to withstand the rigors of time and the road, the HOUR GLASS is your reliable companion on every musical journey.  Unleash your creativity, transcend genres, and experience endless sustain with the HOUR GLASS Dual Compressor Pedal - Where Sustain has No Boundaries!

Keeley Aria Compressor ...

2.990,-

Aria Compressor Drive The Ultimate Compressor and Overdrive Experience Compression and Overdrive are the foundation of my engineering. These two Keeley tones have inspired countless musicians, now they sit in one extremely versatile, sonic tool. The Aria Compressor Drive not only offers out most flexible overdrive to date, it has all the tone and blend features of the Compressor Plus. Players also have the ability to swap the order of the compressor and drive for two very useful drive experiences. Two-Mode Overdrive: Soft clipping and a transparent boost to midrange frequencies, perfect for defining your own voice. Compressors and Overdrive are a fundamental part of the guitar recording process. They are also essentials for live guitar performance. You have two ways you can combine the beautiful midrange of overdrive and the benefits of compression and sustain. Most people run compression before overdrive in order to reduce the potential for idle, static noise. There are times when you want added sustain and therefore might need the compressor after overdrives, because using compressors after overdrives offers players a very warm and rounded, smooth and even tone with tons of sustain. And then you may need to return to the conventional routing, because compression before drives gives you a consistent gain level. Problem solved! Each half of the flexibly routed Keeley Aria Compressor Drive provides tons of volume for boosting and pushing your amp, with each half offering essential tone shaping controls to perfectly sculpt the core of your guitar’s sound. Main Features: •    Compressor and Drive effect pedal •    Combining Keeley’s Compressor Plus a two-mode Overdrive •    2 Overdrive gain modes:      o    High - Soft Clipping Overdrive      o    Low - Transparent Midrange Boost •    Compressor Tone control based on analog delays and other vintage effects - gently adds back in highs lost in compression •    Compressor Blend Control - for keeping all the peaks and transients while adding sustain •    Order switch – for selecting order of Boost and Drive effects in the signal chain •    Pro Rig designed remote control thru 1/4″ jacks - for live use with pedal switcher systems •    Top-Mounted Jacks - for a compact pedalboard layout •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~55 mA current draw) The Aria Compressor Drive comes with TRS insert jacks to allow you to divide the pedal into two units. Insert effects between the two sides! Compressor into delay into overdrive, anyone? Maybe swap that for overdrive into delay into compression. For nearly two decades, from nearly every Nashville session-ace to the praise and worship player at church, from Steely Dan, Steve Vai, Johnny Hiland, Daniel Donato, Arianna Powell, to Nicholas Veinglou, the Keeley Compressor and Red Dirt have been a part of these performing, recording, and touring sounds. Now, these two epic tones are together in one stomp box that is easy to use and full of features.

Keeley Compressor Mini pedal

1.778,-

Mini Compressor, Sustainer and Boost Pedal Keeley Electronics Compressor Mini The next generation of compression is here! The Keeley Compressor Mini is designed to make the magic of compression simple and easy to use.  Featuring Manhattan-style compression, the Compressor Mini intuitively and automatically delivers the perfect blend of dynamic and compressed guitar signal.  This is how the Compressor Mini retains all the subtlety and dynamics in your playing, making it effortless to play and sound your best.  An all-new transient release time is set to make both single coils or humbuckers sound lively and expressive. The new automatic tone recovery circuit ensures crystal clear highs, even with high compression settings. The Compressor Mini’s pre-amp tone is legendary; pushing both pedals and amplifiers to their greatest potential.  Main Features: • Mini-sized Compressor pedal • Offers Keeley compression in a small, simple and easy to use package • Increased sustain range for even more subtle Manhattan-style compression • Auto-blend to enhance clarity and note definition • New transient release time that makes hum-buckers sing and single coils pop • Automatic tone recovery, a treble clarifier for high compression settings • A built-in pre-amp for incredible guitar tone • Designed and built in the USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 10 mA current draw) With any style of guitar, playing live or at the recording desk, the Compressor Mini is your secret weapon. Keeley Electronics have done the math for you, this is the new calculus for great tone. Keeley Sustain and Transparency - 20 Years Worth of Toneful Compression. Plug into the Keeley Electronics Compressor Mini, feel inspired to play and sound your best.

Keeley Compressor Plus pedal

2.069,-

Keeley Electronics Compressor Plus Gorgeous Sustain - Perfect Boost The Keeley Compressor is the most popular boutique compressor in the world. With well over 80,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain.  Keeley know what it takes to make an instrument sound like it’s been professionally recorded. We know how to make your guitar jump from the mix. We know how to make it fun and easy to play. Keeley Compression is how.  The Keeley Compressor Plus is the first true advancement in our 2 and 4 knob compressor line. The new features are simple and straight forward. Now there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right.  Your humbuckers will have all the attack and punch that they should. Keeley's team designed a gorgeous sounding Tone Control which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal.  The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument. Main Features: •    Compressor Sustainer effect pedal •    Legendary Keeley Compression with modern features •    Attack/Release Switch - designed to make it very easy to transition between single coil and humbucker guitars •    Tone control based on analog delays and other vintage effects - gently adds back in highs lost in compression •    Blend Control - for keeping all the peaks and transients while adding sustain •    Pedalboard-friendly size – for compact rigs •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~10 mA current draw) The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes. The Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in “compression mode” for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition. The Tone Control is Keeley’s own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. We took that circuit and made it into a full fledged tone control! We have found that it is the perfect way to gently add back in those highs lost in the compression process. The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven! This compressor isn’t just for heavy funk or chicken pickin’ anymore. The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you’ve only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you’ve heard. Nothing pushes an amp better than the Keeley Compressor Plus. The Keeley Compressor Plus is the result of us specializing in compressors for over 15 years. Chief Engineer and founder Robert Keeley said, “Compression was the first effect I found that was hard to make sound good off the shelf, so I set out to create the best sounding compression effect possible.” Keeley have it down to a science but still treat it like art. Since it is at the core of what we do, we can offer it for an incredible price now. The Keeley Compressor Plus is completely made in the United States. We’ve worked with and listened to the pros who have had the original compressor on their boards for 10 to 15 years and found out what it would take to keep it on their boards for another 10, 20, or 30 years…. Add the Compressor Plus to your rig, you and your guitar will be singing for days.

Keeley Compressor Pro pedal

4.128,-

Full featured studio quality compression in a stompbox Keeley Compressor Pro Powerful, with Attack, Release, Auto Mode, Hard/Soft Knee World Renown Compression by Keeley Audio Performance and Blissfully Accurate Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made. Introduction of Features Compression LED Display – 7 Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated. Threshold LED Indicator – Bi-Color LED to indicate when compression is initiated and released. Exact RMS Analysis (ERA) – Senses the true RMS value of the input program material such as your guitar, bass or drum machine. Hard/Soft Knee Compression – Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression. Auto Mode – Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times. True-Bypass – No tone or signal loss when OFF General Compressor Usage The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings! Device Controls THRESHOLD, RATIO, ATTACK, RELEASE, GAIN, KNEE, & AUTO THRESHOLD Control and LED – This is probably the most important control on the Comp Pro. It is adjusted to determine when the compressor is working or when sound is being passed through unaffected. The Threshold control is turned down or CCW until the THRESHOLD LED turns Red as you play your instrument. When the THRESHOLD LED turns Red the Comp Pro is actively compressing your signal. If the LED is Green, the Comp Pro is not compressing and sound is passed through unchanged. Range of Adjustment is from -50dBu to +10dBu. 2.45mVRMS to 2.45VRMS – Pro Audio (studio) Levels are +4dBu Consumer Audio Levels are -10dBu. Passive guitar or bass pickups are typically about -25dBu to 2.5dBu. RATIO Control – “the Compression Knob”, Ratio is the amount of compression you set the Comp Pro for. You can set it from No Compression (1:1) when all of the way off or CCW. You can set it as high as Infinite Compression (∞:1) which means that the output level will never increase in output level no matter how loud the input. This type of setting can be used for hard-limiting to protect recording or speakers or in some cases for guitar effects like chicken-pickin’. ATTACK Control – Attack Times between 0.15ms and 150ms. Controls the time it takes for the Comp Pro to start compressing. RELEASE Control – Release Times between 0.1s to 3s. Controls the time before the Comp Pro releases or stops compression . GAIN Control – This is the output level of the compressor. It does not affect the compression controls like THRESHOLD, RATIO, ATTACK or RELEASE. It is for make-up gain if you set for heavy compression gain reduction. +20dB of boost is possible. KNEE Switch – Hard Knee/Soft Knee. Hard Knee Compression follows a hard fast rule: If THRESHOLD is met, then Compress at this RATIO. Soft Knee is Komfort Kompression. It’s a way to keep compressed guitar or instrument parts sounding lively and dynamic, without the “blanket” of compression found in many types of compressors. AUTO Switch – OFF/ON – Set to ON in most cases for automatic setting of Attack and Release Times. This will sound natural and work in a very large number of cases. The Comp Pro looks at the input signals like guitar, bass, vocals or drums and determines the correct attack and release times depending on what you’re playing and what signal levels are being detected.

Keeley GC-2 Compressor ...

2.785,-

Limiting Amplifier (For Guitar and other instruments) Keeley Compressor GC-2 Limiting Amplifier Compressor and Limiting Amplifier Check out the Pete Thorn Demo on YouTube! Precision Rack Mount Quality Compression At Your Feet The Keeley Compressor GC-2 Limiting Amplifier. The same great professional compression/limiting technology available in our Bassist Limiting Amplifier, for musicians and compressor fans of all kinds! Precision Compression The Keeley Compressor GC-2 Limiting Amplifier provides true high-fidelity compression and limiting. The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320.  Think of it as very musical studio-grade compressor in stomp box format!  It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent.  Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that “Compressor Effect” and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency.  Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz.  No detail in your guitar’s tone will be lost.  The Keeley GC-2 will be a sound investment in your tone–you now have genuine rack-mount quality at your feet. Compression and Threshold When musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard.  Using the effect as a limiting amplifier saves your speakers from clipping and distortion.  Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers.  Simply watch the Threshold Indicator light to see what type of playing you want to limit; it’s that easy!  Next, set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold.  Set Compression all of the way down (1:1) for no compression and use the Gain control as a boost.  Set Compression all of the way up for an above-Threshold, hard-knee limiter. Attack and Release There is a certain figure that just sounds good as far as compression goes, and that’s 125 dB/second.  With feed-forward compressors that use this type of true-RMS detector you use a single time-constant parameter.  The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor.  Bottom line: Attack and Release times vary on program content.  Attack times are, generally speaking, about 100 times faster than release times. Attack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB Release Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB Specs: Voltage Input: 9V Current Draw: 50mA Input Impedance 1 Meg ohm Output Impedance: 100 ohm Output Voltage Gain: +30dB Boost Bandwidth > 20kHz Total Harmonic Distortion: 0.1% Noise: -95dBV Threshold Indicator: Dual LED

MXR M282 Dyna Comp Bass ...

2.550,-

Dyna Comp Bass Compressor levererer det mest ikoniske kompressor-soundet i musikkhistorien, tweaket og designet for bassister. Bygget på den klassiske kretsen CA3080 “metal can”. • Klassisk Dyna Comp Compressor sound gjenskapet for bassister • Clean control lar deg blende inn rent signal uten å tape noe i bunn • Tone control justerer øvre midrange for å beholde din elbass sin unike tone • Attack switchen lar deg veksle mellom langsom vintage attack og moderne rask attack

Orange Kongpressor Kompressor ...

2.190,-

Orange Kongpressor Kompressor-pedal, analog Class A Optisk med studiokvalitet   The Kongpressor is an analogue Class A compression pedal which adds an organic three dimensional quality to any rig. The pedal takes its inspiration from some of the world’s most iconic vintage optical studio units, employing a re-issue of the famous vactrol VTL5C3 optocoupler that was responsible for the sound heard on countless hit records. At lower compression levels the Kongpressor’s effect is transparent but somehow fattening. It adds mojo and a glossy sheen to your core tone that you’ll truly miss when it’s bypassed. Even at extreme settings, the tone always remains musical with great feel under the fingers.   With controls for attack and release time, the Kongpressor can be tweaked to fine tune the transients and the bloom. We worked hard to make these parameters as forgiving as possible whilst still allowing players full control over the compression response. The pedal’s internal charge pump doubles the headroom of the unit, so however the dials are set, the compression tracks seamlessly and remains clean across its range. There’s also an active treble control for adding in extra chime and jangle, making the compression even more transparent. So whether you are new to compression or a seasoned studio user, it’s impossible to get a bad sound from this comp.   Of course it’s outstanding for crystal clean country pickin’, but the Kongpressor also maintains the bottom end that seems to gets lost in many compression pedals. This means it behaves impeccably with overdrive pedals or the lead channel of your amplifier, adding fullness and sustain.   Optical Class A Compression The Kongpressor’s analogue, Class A design makes for very natural sounding compression. The vintage-inspired optical circuit adds extra depth your guitar or bass tone, making it seem ‘larger than life’. The attack and release times can be adjusted to taste allowing for fine tuning of the bloom and perceived plectrum gauge. Faster attack times will react to the front of the note faster, while slower attack times will add punch to the sound as the compression reacts slower on the transient. Fast release times will give more perceived clean volume along with a more transparent compression.  Slower release times will yield more compression and a slower, mellower bloom. With any attack or release setting, the Kongpressor has a satisfying, springy playing response under the fingers.   12dB Clean Boost With up to 12dB of clean gain available on the Volume control, the Kongpressor works brilliantly as a transparent clean boost pedal, but with a little extra ‘something’. With the compression turned up, your lead lines will cut through the band with plenty of fat, singing sustain.   Internal Charge Pump Like all Orange pedal’s, the Kongpressor features an internal charge pump which doubles the operating voltage of the pedal to 18V. This has the effect of drastically increasing the headroom for super clean compression. The Kongpressor can be powered by 9V battery or standard DC adapter, or for even more output can also run on 12V DC.   Transparent Buffered Bypass The Kongpressor’s bypass features an ultra-linear buffer which retains your guitar’s upper harmonic content when the pedal is switched off. Maintain tonal integrity even with long cable runs and large pedalboards.

Source Audio ATLAS Compressor

3.009,-

Advanced Stereo Compressor Pedal - with PSU The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry’s most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, based on classic stompbox compressors as well as high-end rack units like the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware. The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment.  First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the ever-present Dyna Comp.  Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor.  Finally, we’re taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit… the Atlas has it all and does it well. OPTICAL RACK The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars. Elite engineering cannot be rushed... "Offering up a deep library of compression options in a pedal is a landmark technical achievement.  We started working on compression in 2007.  At the time we developed some straightforward, high-end studio stuff that made it into the original Multiwave a year later.  The research project to branch out and cover more simple classic pedal sounds and create a dedicated compression pedal was delayed, because the intricacies of how transistors behave in compression circuits was especially elusive.  After ten years of additional research, new thinking, and more experience, we are finally ready to launch a landmark pedal: The Atlas Compressor.  From classic rack studio units, to classic pedals of many flavors, and even to the experience of high-end computer plug-ins, Atlas covers all the bases with attention to detail that is the hallmark of our development team.  Bob Chidlaw, Jesse Remignanti, and Christopher Venter worked long and hard on this one and I'm excited to finally share it with the rest of the world."

Viser 1 til 15 (av 27 produkter)