Dunlop JCT95 Justin ...

5.095,-

Dunlop JCT95 Justin Chancellor Cry Baby Wah • Kombinerer 3 av Justins mest brukte effekter • UK Filter • Modifisert Cry Baby Wah krets • Vintage Fuzz som kan parres med de andre effektene • Juster volum og Q • Juster intensitet, volum og EQ for fuzz Justin Chancellor Cry Baby Wah er et multiverktøy av dimensjoner. Her får du 3 effekter i samme boks. Midrange-filter, wah-krets og vintage fuzz spesielt spesifisert av Justin Chancellor, som med sin flerdimensjonelle rolle i TOOL har utfordret hva det betyr å være bassist. Utforsk nye soniske steder med JCT95

EarthQuaker Devices Blumes ...

1.720,-

Blumes® Low Signal Shredder Blumes® is an all-analog tri-mode soft clipping bass overdrive that carries the torch of the classic screamer circuit but has a voice all its own. While embodying most of the characteristics and features of our beloved Plumes® Small Signal Shredder, this modified circuit has double the gain and a deeper bass response to retain all the low end. It utilizes internal bipolar power, which gives you more dynamics and all the headroom you could ever desire. The end result is a three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. Controls: Gain: This controls the amount of drive.
 Tone: More bass to the left, more middles in the middle and more treble to the right. Level: This controls the output volume. Clipping Modes (3-Way Toggle):
 Symmetrical LED clipping: more crunch and compression. No clipping: wide open OpAmp drive for clean boost. Asymmetrical silicon diode clipping: more transparency with a loose feel. As a bass player, we understand that you often feel neglected within the hierarchy of band constructs, despite the fact that you hold down the rhythmic foundation and make everyone sound better. So that’s why this marvelous yellow box was created specifically for you. But fear not, 6-stringers, this is also the perfect pedal for all of your deep overdrive needs, especially you drop-tuned masters. We see you. This all-analog tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its bipolar power, you'll get more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. While embodying most of the kick ass characteristics and features of the Plumes, we went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end. At lower gain settings, you’ll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that’s where the similarities stop. Now you’re in bass country, baby! Get ready to shake some walls and field some angry calls from your neighbors (just send them to voicemail). And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs. Mode 1 is symmetrical LED clipping that utilizes a pair of light emitting diodes. This is the crunchiest setting the Blumes has to offer. This signal is less compressed and way more open with tons of output for when you really want to go wild. Mode 2 is a clean pure OpAmp gain boost mode. This eliminates the soft clipping diodes altogether and leaves you with straight OpAmp drive. This will be the loudest output with the fullest frequency response, and can be used as a clean boost when the Gain control is set below 11 o’clock. Mode 3 is an asymmetrical silicon diode arrangement similar to the stock screamer but with more output and clean clarity, which provides more transparent tone. Using this mode gives a warmer low-end response and lower output. It’s fuzzier with half the output and is the most compressed. If you like the fuzzy ends of distortion with a clean undertone, you’ll love this setting. We guarantee it. TECH SPECS Dimensions 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs Current Draw 25 mA Input Impedance 10 MΩ Output Impedance 100 Ω Flexi-Switch® Technology This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Since the switching is relay based, it requires power to pass signal. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES! Artwork Artwork by Jamie Stillman

Electro Harmonix Bass Big ...

1.050,-

Electro Harmonix Bass Big Muff Electro Harmonix Bass Mig Muff. Spesielt tilpasset for lavere frekvenser med switch for bass boost hvis du virkelig vil få bakken til å skjelve. Dry/Wet output. The Prodigy reborn with underworld instincts comes to life wielding the drive of the original classic Big Muff Pi and the earthy support of a bass tailored design with no loss of low end. This is the pedal that bass players who loved the Big Muff sound have been waiting for.

Electro Harmonix Bass Clone ...

1.095,-

Electro Harmonix Bass Clone Kompakt choruspedal basert på den legendariske Small Clone. Nå med ekstra funksjoner for bass. bass Clone choruspedalens kretsskjema er nesten identisk med den legendariske Small Clone chorus, men med tillegg av funksjoner spesielt for bass. Chorus er en kombinasjon av modulerte og tørre signaler. bass Clones Crossover-bryter kutter lavfrekvens fra det modulerte signalet slik at pedalen leverer en mer nøyaktig artikulert bunn med utmerket note-definisjon. Treble-regulatoren påvirker hele signalet mens Bass-regulatoren bare påvirker det tørre halvdel. Sammen med Crossover-bryteren gir de presis lydforming som lar deg oppnå en tett, fokusert bassgitarlyd med en veldefinert lavfrekvens og skimrende chorus øverst.

Electro Harmonix Battalion ...

2.360,-

Electro Harmonix Battalion Bass-Preamp Kompakt og fleksibel basspreamp/DI med kontroller for å forme basslyden i detalj. The Battalion Bass Preamp and DI er en kompakt, fleksibel pedal som leverer kraftige toneformende egenskaper i en robust pedalboard-vennlig pakke. The Battalion er fullspekket med funksjoner som vil appellere til tonebevisste bassister, og inkluderer en fire-bånds equalizer, fullt utstyrt MOSFET-distorsjon med tre signalveivals, en kompressor, en støygrense og omfattende I/O. Fire-bånds EQ skreddersydd spesielt for bassgitar. Inkluderer kontroller for Bass (under 200Hz), Lo Mid (forsterkning/beskjæring ved 280Hz), Mid (forsterkning/beskjæring ved 750Hz) og Treble (forsterkning/beskjæring over 2kHz). The Battalion’s distorsjonsseksjon leverer et fantastisk utvalg av forvrengte basslyder. Distorsjonsseksjonen har Level, Blend, Drive og Tone kontroller, samt en dedikert fotbryter. Tre signalveivals gir unike tonale variasjoner. Pre EQ, forvrengning kommer før EQ. Post EQ, forvrengning kommer etter EQ, og Dry EQ, kun den tørre signalet blandet inn med Blend-kontrollen påvirkes av EQ. Kompressor med dedikert knapp, nivåkontroll og LED, legger til punch og sustain i basslyden din. Støygrense med justerbar terskelkontroll eliminerer støy og summing, samtidig som den bevarer angrep og original tone. Fleksibel I/O som gjør at The Battalion passer perfekt i ethvert bassoppsett eller applikasjon. ¼" inngangsjakk inkluderer switchbar 10dB pad. Inkluderer en hodetelefonklargjort ¼" utgangsjakk samt en fastkoblede ¼" tørrutgangsjakk. Balansert XLR-utgang for bruk som DI. DI-en har dedikerte nivå-, bypass- og jordløftkontroller. The Battalion har fullt analogt kretssystem og leveres med en EHX9.6DC-200mA AC-adapter.

Electro Harmonix Mainframe ...

2.699,-

Electro Harmonix Mainframe Bit Crusher Buzz. Beep and bloop. We’re high on the lo-fi sounds of “old-school” games, toys and terminals and the Mainframe Bit Crusher takes us back to when Pac Man & Donkey Kong ruled the arcades. The Mainframe Bit Crusher takes us back in when the Commodore 64 was high tech. It provides sample rate reduction ranging from 48kHz to 110Hz. A little background… the sample rate is the number of times per second that a sample or snapshot of an analog signal is taken. For example, CDs (remember them?) had a sample rate of 44.1kHz which means that the original analog signal is sampled 44,100 times per second. The sample rate defines the frequency range that can be reproduced while maintaining good fidelity. When the sample rate is reduced the quality of the audio is degraded and aliasing occurs. Aliasing means audible artifacts created when higher frequencies are sampled at an inadequate rate and the result is distortion. The Mainframe’s sample rate range is wide enough to take you from sounds that are quite pristine to sounds that are unrecognizable when compared to the input signal. It also provides bit crushing ranging from 24-bit to 1-bit. What does that mean? Bit crushing is bit depth reduction. Back to our CD example… CDs used a 16-bit bit depth meaning that each of its samples was represented by 16-bits of information. Higher bit depths can accurately represent a greater dynamic range while bit crushing increases the number of sampling errors and creatively degrades the sound to bring us back to those nasty “old school” sounds we love. The Mainframe’s selectable High/Low/Band-Pass filter lets the user shape the artifacts of the bit crushing and sample rate. Another very cool feature is its Sample Rate Tuning Mode where the pedal analyzes your input signal in real-time and sets the sample rate to match the pitch of your signal, or a set interval above your signal. This allows you to set the sample rate to match the key of a song, or it will continually adjust the sample rate based on what you play! Sample Rate Reduction ranging from 48kHz to 110Hz Bit Depth Reduction ranging from 24-bit to 1-bit Sample Rate Tuning Mode allows you to set the sample rate to match the key of a song, or continually adjust the sample rate based on what you play on your instrument Programmable preset or expression pedal setting allows you to save your sound or control any combination of the Mainframe’s knobs with an external expression pedal Secondary knob parameters allow you to fine-tune the Mainframe’s effect. High quality buffered bypass and silent switching Comes equipped with an Electro-Harmonix PSU                

Electro Harmonix Nano Bass ...

1.655,-

Electro Harmonix Nano Bass Big Muff 2 Fuzz/distortion pedal for bass. Controls for Sustain, Blend and Tone. Momentary/latch switch. Fusing the Big Muff’s storied history as a favorite fuzz pedal amongst bassists with the long-lost Op-Amp fuzz that never was is the Bass Big Muff Pi 2. With a surprising tone all its own, the Big Muff Pi 2 made waves when the original circuit from the 1970s was resurrected in collaboration with Josh Scott of JHS Pedals. This take on the iconic pedal is optimized for bass players looking for a tasty fuzz without sacrificing any low-end flavor. The Bass Big Muff 2 features the signature midrange grind of the original with the flexible EQ and virtually endless sustain expected in any Big Muff. The Bass version adds a BLEND knob and BASS BOOST switch to the VOL, SUSTAIN, TONE control set. The BLEND knob mixes the dry and fuzz signals to set the perfect balance of distortion without losing clarity and foundational low-end. Flip the BASS BOOST switch to make an even bigger impact, especially while running the TONE knob at higher, more trebly settings. These added controls let the bass player dial in the best fuzz tone without sacrificing their ability to shake walls and rattle halls. The Bass Big Muff Pi 2 features a true bypass footswitch with Latching/Momentary Action. Click the footswitch for normal latching functionality or press and hold the footswitch for a momentary burst of fuzz mayhem! Unique Big Muff Pi circuit design employing 2 Dual Op-Amps Added features optimized for extended low-end VOL, TONE, and SUSTAIN controls BLEND knob sets wet/dry mix BASS BOOST adds more overall low-end to your signal True Bypass Latching/Momentary footswitch action Mechanical relay true bypass on a soft footswitch 9V Battery included, adapter optional

Gallien-Krueger PLEX ...

7.037,-

Gallien-Krueger PLEX Pedalboard Preamp Pedalboard Preamp w/ 4-Band EQ and Contour, Drive, Compressor, Tuner, FX Loop, USB. The Plex preamp combines 47 years of amp design experience with state of the art technology to deliver the flexibility today's musicians require. The heart of every GK product is the active 4 band “variable Q” equalizer and contour circuit that set the standard for bass tone shaping over 30 years ago. Building on this proven foundation, the PLEX features expanded filter options that allow you to further dial in your instruments unique voice. Foot switchable Compressor and Overdrive ensure your performance blends seamlessly into the band or cuts through a crowded mix and the Chromatic Tuner makes sure it’s all in tune. The ¼” output drives the front of your instrument amp or power amplifier while the DI output sends it all to the PA or recording console. Aux IN and Phones Out make the PLEX ideal for jamming along silently with your favorite tunes and the USB input/output allows pristine digital recording and re-amping capability when used with your favorite recording software. Expanded Voicing Options: Every knob of the PLEX features push activated functions that allow the user to tailor every nuance of their sound beyond the range of traditional tone controls. As each knob is pressed, the indicator is lit blue to signify that an option is engaged and the readout displays the current option level that is active. Need more low end thump? Push the bass/ bump knob to engage multiple levels of bass enhancement. Scooping out some mids for the ultimate slap tone is as easy pressing the low-mid/contour knob until you find just the right notch. Get rid of excessive pick noise and click by pressing the hi-mid/ hi-cut knob. Add just the right amount of “air” to a dark instrument or speaker via the presence function accessed by pressing the treble/presence knob. No amp? No worries: Obviously, the pedal board friendly format, distortion, compressor and chromatic tuner with large LED display make PLEX an “all in one” extension of your existing live amp rig. But let’s face it, not every session or live performance has the need or capacity to allow for your favorite GK rig running at gig volume. The convenience of tracking direct and the use of in-ear monitors on stage has many players leaving their amps at home. With its world class preamp and virtually unlimited tone shaping, wide range of analog and digital input/output options, PLEX allows you to have your GK sound even when an amp is not in the cards. Four band active EQ and Contour Selectable Voicing options for expanded tone shaping  Compressor with variable level, threshold, ratio, attack/release and gain reduction indicator Chromatic Tuner with large LED display Overdrive with variable volume and drive level with multiple symmetry and voicing options Aux Input Phones output Direct XLR output with ground lift and Pre/Post selector USB in/out for direct recording and re-amp capability Supports GK MBP powered enclosures Effects send/return 1/4" line output

Hotone B Station Bass Preamp ...

1.195,-

En Fantastisk Bass Preamp B Station er den perfekte måten å gi bassgitaren din en rekke kontroller for å forbedre ytelsen både på scenen og i studio. En rekke innganger lar deg koble bassen til bassforsterker, audio interface, mikser og annet utstyr, og med DI utgangen kan du mate signalet direkte til miksere og annet opptaksutstyr. Hodetelefon inngangen gir deg mulighet for lydløs øving, slik at du ikke trenger å forstyrre omgivelsene rundt deg. Det kompakte designet og et robust aluminiums chassis, er perfekt for veien med tanke på plass og beskyttelse av elektonikk. Pedalen har også innebygd en FX-loop slik at du kan koble til dine eksterne effektpedaler.  Full kontroll En 3-bånds EQ med en pre/post kontroll lar deg velge om den skal settes før eller etter vrengkretsen. Mastervolum kontrollen justerer nivået for hele pedalen, og en on/off footswitch lar deg sette pedalen i bypass når den ikke er i bruk. Vrengkanalen gir deg ytterligere muligheter som spenner fra lett overdrive til massiv distortion. Blend funksjonen justerer trinnløst hvor mye av signalet som blir påvirket av det forvrengte signalet, mens den optiske kompressoren sørger for å holde det hele thight. Har du problemer med jordstøy, kan Ground lift bryteren benyttes slik at tonen bevares.  Nøkkelfunksjoner: Kompakt størrelse i et robust aluminiums chassis 3-bånds EQ Dedikert vrengkanal Optisk kompressor Blend kontroll DI output FX loop Hodetelefonutgang Jordløftbryter 9V DC or 9V battery power supply (ikke inkludert)

Hotone Omni IR Kabinett ...

1.695,-

Hotone - Omni IR Compact-sized, Impulse Response based cabinet simulator delivering organic, precise guitar/bass cabinet sounds The Omni IR is a compact-sized, Impulse Response based cabinet simulator delivering organic, precise guitar/bass cabinet sounds. An internal voltage boost circuit provides tons of headroom, a clear, detailed OLED screen lets you get set up quickly, and variable I/O makes it perfect for any live or recording scenario. Features: Compact, easy-to-use IR loader pedal Advanced DSP platform with high quality 24-bit A/D/A conversion and great dynamic response Internal voltage boost circuit for great headroom with standard 9V DC power supply 40 high quality legendary guitar/bass cabinet IRs Detailed 4-band EQ with flexible frequency range and 12dB max. boost/cut Supports 3rd party IR files USB jack for firmware updating, loading/managing IRs with free PC/Mac software Aux In and headphone output for practicing and jamming 40 Presets Built-in hi-res OLED screen Assignable footswitch with LED 9V DC power supply Specifaction: Input Impedance: 1MΩ Output Impedance: 100Ω Power Requirement: 9V DC center negative Current Consumption: 200mA Dimensions: 101mm (D) x58mm (W) x47mm (H) Weight: 220g   Se Video her.

Ibanez TS9B Bass Tube ...

1.875,-

Ibanez TS-9B bass Tube Screamer er en pedal som lenge har vært etterlyst av flere bassister. Denne er med på å gi basslyden din et litt mer forvrengt signal med mer "gain". Glimrende pedal ved f.eks. solospill. Mix-kontrollen styrer kontollen mellom rent og forvrengt signal. The TS9B is equipped with controls that allow bassists to produce the sound they want while still maintaining the feel of the original Tube Screamer. Experimenting with the mix and tone controls allows for creation of a limitless number of sounds. Players can go from just "a little bit of hair" to "full-on" vintage fuzz and everything in-between. •Drive, Mix, Bass, Treble and Level controls •Power Supply: One 9 Volt Battery or external AC adapter AC509 (sold separately) Save

Keeley Bassist Limiting ...

2.779,-

Keeley Bassist Limiting Amplifier Studio Quality Compressor and Limiter The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering. The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise. No detail in your bass guitar’s tone will be lost. The Keeley Bassist will be a sound investment in your tone, you now have rack-mount quality at your feet. Main Features: •    Compressor Limiter effect pedal •    Studio Quality Limiting Amplifier and Compressor for Bass players •    Built around the exotic and extremely high fidelity THAT Corp. 4320 •    uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps - for precise control over compression and limiting •    Threshold and Compression controls save speakers from clipping and distortion •    Pedalboard-friendly size – for compact rigs •    Made in Edmond, USA •    Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~50 mA current draw) When bass players use the Keeley Bassist Compressor they will be greeted with a sound that is more easily amplified and heard. Using the effect as a limiting amplifier saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit, it’s that easy! Next set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down for no (1:1) compression and use the Gain control as a boost! Set Compression all of the way up for an above-Threshold hard-knee limiter. There is a certain figure that just sounds good as far as compression goes; and that’s 125 dB/second. With feed forward compressors that use this type of true-RMS detector you use a single time constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content.

MXR M280 Vintage Bass Octave ...

2.735,-

The MXR Vintage Bass Octave upgrades the warm analog sub-bass vibes of a classic circuit with superior tracking, cleaner headroom, and the versatility that modern players demand. This pedal delivers an impressive range of smooth, musical sounds—from a tone-thickening growl to chest-rumbling dub tones—all in the space-saving MXR mini housing. The Vintage Bass Octave is a pedalboard-friendly must-have for bass players who want to plumb the sonic depths of their instrument.

MXR M281 Thump Bass Preamp ...

2.550,-

Denne pedalen kombinerer det beste fra Echoplex Preampen med en tre bånds EQ og midtfrekvensjustering. Høy bassignalen i livemiksen, få litt mer trykk i en solo eller skap et personligere sound i den passive basslyden. Thump Bass Preamp har alt du trenger for å skape et allsidig sound tilpasset dine behov. Alt dette i et MXR mini-chassis. Se Video her.

MXR M282 Dyna Comp Bass ...

2.550,-

Dyna Comp Bass Compressor levererer det mest ikoniske kompressor-soundet i musikkhistorien, tweaket og designet for bassister. Bygget på den klassiske kretsen CA3080 “metal can”. • Klassisk Dyna Comp Compressor sound gjenskapet for bassister • Clean control lar deg blende inn rent signal uten å tape noe i bunn • Tone control justerer øvre midrange for å beholde din elbass sin unike tone • Attack switchen lar deg veksle mellom langsom vintage attack og moderne rask attack

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