Seymour Duncan Studio Bass ...

2.890,-

Seymour Duncan - Studio Bass Compressor Pedal A studio-quality bass compressor pedal with the ability to blend in your uncompressed tone for ultimate dynamic control. This versatile studio-grade compressor is a must have for any bass player looking to maximize their sound, with a range of tones from subtle to super-squashed. One of the secrets to the Studio Bass’s power is its 3-position mini-toggle and blend knob, which give you near limitless control over your tone by letting you mix uncompressed tones alongside the affected sound. Blend in your unadulterated clean signal, a mid boost that will help you cut through the busiest mixes, or a fat low-end growl. Find that sweet spot where harder picking lifts the dry signal right up above the effected signal or mix in just a hint of the original sound. Punk rock pick players, slap-happy funkateers and ferocious fingerstyle players alike will find endless sonic options, and there’s enough power that you can even use it as a clean boost for solos. It also makes a great ‘always-on’ pedal to form the heart of your sound.

Seymour Duncan Powerstage 700 ...

9.950,-

Seymour Duncan - Powerstage 700 Key Features 700 Watts (per channel) True Cab Circuitry (TCC)™ 3 band EQ 2 speaker outputs (speakON) Stereo DI (XLR) Outputs The PowerStage™ 700 is a game-changing product for guitar players that want uncompromising tone in a compact power amp. Maybe you love your tube amp but don’t want to lug it around. Or you use a modeler that has a ton of functionality but doesn’t sound as good when hooked up to your existing amp or direct to the PA. Perhaps you have the ultimate pedalboard and just need a better way of amplifying or running it direct. Do you dread fly dates or gigs because you’re never sure what your backline will be?PowerStage is the answer, whether you’re playing live or recording in the studio. When you create your tone from a modeler, pedals or effects processor, what you want is a clean, transparent power source that brings your tone to life. With PowerStage, you can bring your whole rig to the gig without compromising your sound, breaking your back or draining your bank account. The PowerStage 700 is the perfect companion for the current crop of amp modelers and effects processors. With discrete stereo ins and outs you can reproduce your carefully crafted amp sounds in massive detail, with power, clarity and a warmth that will take even state-of-the-art modeled tones to the next level. And with the True Cab Circuitry (TCC)™ on the XLR line outputs, you can send your tone direct to the front of house—with all the feel and response of a speaker, even as you monitor through a cabinet onstage. Another huge benefit of the PowerStage is its musically voiced 3-band EQ. This allows you to fine-tune your sound, quickly and with precision, without scrolling through menus or editing patches. Such a powerful and intuitive tone shaping tool at the very end of your signal chain makes it easy to maximize your tone for any situation. For guitarists who use pedals to create their sound, PowerStage is the missing link in your signal chain. Run your favorite distortion pedal into PowerStage and then simply bypass it and let it become your ultimate clean channel, turning any pedal combo into a two-channel amp that delivers your perfect tone. It also plugs into any cabinet at any impedance anywhere in the world, thanks to its versatile 100v-240v power supply. The benefits extend well beyond live gigs. In the studio, it can be your secret weapon. By using the XLR outs, you can plug your pedalboard into the PowerStage and all of your impedance issues will disappear. This allows you to run your pedals straight into your DAW—with full speaker simulation – no mics required! With its stereo operation, you can send your pedalboard into one channel and then run the other side completely dry into another, facilitating complex layers, reamping, and more.Think about it: a powerful, portable, musical tool that can prevent headaches and backaches – onstage and in the studio. Whether you use pedals, modelers or anything else to get your signature sound, the PowerStage 700 will let you amplify it in a clean and toneful way. This is your tone, only louder. Like our award-winning pedals, the PowerStage 700 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Powerstage 170 ...

5.099,-

Seymour Duncan Powerstage 170 pedalboard-mounted power amp PowerStage 170 is a revolutionary pedal-board power amp designed for guitarists using pedals, modelers and effects processors to create their tone. The PowerStage 170 is a game-changing product for guitar players that have dreamed of the day their entire rig can live on their pedal board. Maybe you love your tube amp but dont want to lug it around. Or you use a modeler that has a ton of functionality but doesnt sound as good when plugged in to your amp. Do you dread fly dates or gigs because youre never sure what your backline will be? This is a 170-watt power amp with a beautiful clean preamp section and 3-band global EQ, making it the perfect complement to pedalboards and digital modeling devices. It is small enough to fit directly on a pedalboard or in any gig bag, lightweight enough for fly dates and attractive enough to look great at a church or coffeehouse gig, in a home office or in a dorm room. The PowerStage 170 will give you reliable, musical power on every gig, eliminating the uncertainty that backline amps can bring. Simply bring your guitar and your pedalboard and get your tone through whatever cab is provided. The 170s intuitive 3-band analog EQ allows for quickly fine-tuning your sound for any cabinet and any venueno need to wrestle with the cumbersome and ineffective EQs on digital gear or modify your stompbox settings. Everything you need is right there. You can even adjust the big Master Volume knob with your foot, boosting solos and controlling dynamics in real time. And when you bypass your overdrive and distortion boxes, it will function as your clean channel, with the sweet, warm sound that we associate with great amps. Not every power amp can do that. Imagine the freedom of showing up at a gig with a streamlined, lightweight rig that you can get up and running in under five minutes, with the confidence that comes from knowing that you will have your sound, no matter what. Forget about cartage, forget about complicated setups, forget about backline issues and think about the PowerStage 170. Like our award-winning pedals, the PowerStage 170 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

Seymour Duncan Diamondhead ...

3.290,-

Seymour Duncan Diamondhead Multistage Distortion + Boost pedal Diamondhead is a Multistage Distortion + Boost pedal that captures the tone and feel of a hot-rodded tube amp being pushed by a drive or boost pedal – the guitar sound that defined classic 70s and 80s Metal and Hard Rock. Across genres and generations, the sound of a half stack pushed hard with drive and boost has become a standard for rock tones. No genre or era of players has been more heavily defined by these iconic sounds than the classic metal and hard rock pioneers of the late seventies and eighties. Think Judas Priest, RATT, Def Leppard, Iron Maiden, Ozzy – their combination of tube heads and drive pedals resulted in some of the most iconic guitar tones of all time. Diamondhead captures the power and versatility of that era-defining rig in a package that will find a space on any pedalboard. Whether you’re running it into a clean pedal platform amp or into the frontend of an overdriven tube amp, the Diamondhead provides the flexibility and tonal clarity to authentically capture the sound that defined an era. It all starts with the drive – from breathy and raw medium gain sounds to screaming high-gain harmonics, Diamondhead is deep and three-dimensional, with clarity and touch response. Three powerful active EQ controls maximize the potential of the gain section. A tightly defined bass control boosts and cuts at 80 Hz, with surgical precision – making the low end huge, but never muddy. A broader mid-range control set right at 800 Hz allows for massive scooped chunk, hyper aggressive modern attack, and everything in between. And the Treble control, set at 6 kHz, adds sizzle, cut, and attack. The SAT Switch (based on our 805 Overdrive) adds a 24dB pre-gain boost that tightens up the low end for more aggressive and defined attack. Subtly rolling off lows and highs, it allows the mid-range to cut through, creating chewy, harmonic saturation. Independent from the Drive section, the Boost (activated with the left footswitch) offers 0 to 15 dB of available gain and can be used as a lead boost or to push an amp on the edge into overdrive. Try using it with a slightly dirty amp as the first gain stage and adding the Drive section for your highest gain sounds. Diamondhead also shines as a pre-amp. By running it into the effects return of your tube amp, or in front of our PowerStage power amps you’ll be rewarded with a hot-rodded high gain amp tone with body, bite, and character. If you’ve gone through a pile of overdrives, distortions, and boost pedals searching for that quintessential 80s metal or hard rock tone and haven’t been satisfied, make Diamondhead the heart of your rig – versatile enough to handle any covers set, precise enough to surgically dial in your own tone – it captures the rock n roll spirit of a high gain head pushed to the edge. Note: Power supply sold separately.

Seymour Duncan Polaron Analog ...

3.290,-

Seymour Duncan - Polaron Analog Phase Shifter Pedal Deep, musical phase shifting—with an all-analog signal path coupled with state-of-the-art digital control, delivering classic swirls, futuristic vortices, auto-wah vocalizations, and much more. Analog phase shifters have been a huge part of the soundtrack to our lives. Their swirly, dreamy, spacey sounds can take a normal tone and transform it into something otherworldly. Some phasers are super-simple one-knob affairs, others are more complex machines. The Polaron is the perfect blend of instant-gratification simplicity and deep, feature-rich sound design.  The soul of the Polaron is its adjustable 2– to 16–stage analog filter array, which provides an amazing range of phaser tones—from subtle pulses to radical sweeps, with rotary, vocal, and flange-type sounds along the way. In addition to Depth and Rate controls, the Tune and Resonance knobs allow you to further tailor your phase shifter effects. This 100% analog signal path delivers beautiful, warm sound quality, but we didn’t stop there. The Polaron also features a totally separate digital processor to control LFO and envelop follower functions, for maximum flexibility plus the ability to save and store presets.   In LFO mode, the Polaron can be operated like a traditional phaser, manually adjusting the controls. You can also use the Tap Tempo function to sync the phasing to the groove. Engaging ENV mode lets your pick attack govern how the Polaron reacts, for a dynamic, interactive phase experience. Auto wah, talk box, and robot voices are all right there, along with more understated colors and textures.  When you discover a great sound in the Polaron (which you will again and again), it’s easy to save it as a preset that you can recall at any time. This feature allows you to experiment, explore, and create, safe in the knowledge that you won’t lose yesterday’s or today’s favorite envelope, depth, rate, and tune settings.   The Polaron Analog Phase Shifter—Any pedal can shift phase. This one can shift your perspective.  Like all Seymour Duncan pedals, Polaron was dreamed, designed, and built right here in the US, and features true-bypass switching.

SolidGoldFX BETA-V Bass ...

2.450,-

SolidGoldFX BETA-V Bass Preamp with Drive The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX’s top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. Yes, we all know the convenience of a lightweight “sub 10 lbs” bass head that pumps out 500 watts and a neo cab that doesn’t require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, With the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience. Main Features: • Bass Preamp and Overdrive effects pedal • Designed to capture the warmth and grit of vintage tube amps • Low-Pass filter with 2 settings o 0 - no low pass filter o 1 - mid bump o 2 - mid scoop • Drive control, from mild grit to warm overdrive • Active 2-band post-Gain EQ • True-Bypass switching • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (center -, 2,1 mm, 13 mA current draw at 9 V) Our classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a center bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses. Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the center. Dialing in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

SolidGoldFX 76 MK II ...

2.450,-

SolidGoldFX 76 MKII Multi-Voiced Silicon Octave-Up Fuzz While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, the Orient was bubbling up with gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others. Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummeling your amp with hair and fangs, while the top mounted jacks and new JFET Preamp stage all helps to make the pedal easily fit into any modern setup. Main Features: • Silicon Octave Fuzz pedal • Inspired by the Ibanez Standard Fuzz circuit - for maximum fuzz awesomeness • Uses a JFET Preamp stage and a quartet of high-gain Toshiba transistors (new) • Octave bypass switch - intended to tame the wild • Dual independent Texture and Color tone stacks for precision audio sculpting o Color toggle switch for switching between three different frequency ranges from scooped to full frequency fuzz tones o Texture control sweeps the mid-range for many flavours of Fuzz • Soft-touch True bypass switching and top-mounted jacks (new) • Made in Montreal, Canada • Powered by 9V DC PSU  (centre -, 2,1 mm, 10 mA current draw) Armed with a JFET input and built around a specific set of Toshiba transistors, the 76 MKII’s dual Texture and Color tone controls allow you to precisely sculpt your fuzz while the octave switch allows you to dial back the octaves and overtones for a smoother finish. All of this translates to a surprisingly varied and delicious fuzz feast, with everything from stabby robotic clangs, synthetic soaring leads, absolutely crushing doom chords as well as more warm and enveloping drives just a single stomp away. Topped off with silent, soft touch true bypass switching and top jacks, the 76 MKII is everything you need if you’re looking for a musical yet powerful fuzz capable of leveling Tokyo! Here’s to the new Standard Fuzz.

EarthQuaker Devices Aurelius ...

2.580,-

EarthQuaker Devices Aurelius Tri-Voice Chorus The Aurelius is not your run of the mill chorus pedal. This compact, beautifully cased wonder is a three mode chorus with six programmable presets and an expression control. Inspired by the 1970s CE-1 Chorus Ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else. Choose from Vibrato, Chorus and Rotary mode and manipulate their Width, Rate and Balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. Just one simple tap of the Preset (Save/Recall) and you can summon up to six settings of your choosing at will. Main Features: • Tri-voice Chorus/Vibrato/Rotary Speaker Emulation effects pedal • Inspired by the vintage 1970s CE-1 Chorus Ensemble pedal and the 1940s Leslie rotating baffle speaker system • 3 effects modes o V - traditional chorus/vibrato effect with triangle LFO modulating a short delay line o C - blend of chorus and flanger with more warmth and slower rates and a sine wave LFO o R – Rotary Chorus effect modeled after the sound of a Leslie speaker cabinet - combines both amplitude and frequency modulation for a doppler effect • 2 modes of operation: o Live Mode – Green LED-  pedal will operate exactly where the controls are set, any changes will have no effect on the presets unless saved o Preset Mode - red LED - recalls stored settings for each control, actual control settings will be ignored • 6 easily user-editable and accessible preset slots • Silent soft-touch relais-based switching with True Bypass • Flexi-Switch Technology for latching and momentary operation • EXP jack expression pedal or Voltage control pedal control over any parameter • All-analog dry signal path and digital effect signal path • Made in Akron, Ohio, USA • Powered by regular 9 V DC PSU (centre -, 2,1 mm, 75 mA current draw) Welcome, fellow frequency chaser! Kudos to you for referring to the official manual of this majestic Device rather than diving into its powers blindly. Or equally likely, traveling down a YouTube pedal demo rabbit hole where you eventually find yourself watching a tutorial on how to make gnocchi from scratch at 3am. We can tell you’re a true tone aficionado, which is why we’re going to be straight with you: you’re about to embark on a magical journey with this mighty Aurelius pedal in front of you. You see, this is not simply your run of the mill chorus pedal. This compact, beautifully cased wonder is a three-mode chorus with six programmable presets and an expression control. Choose from Vibrato (V) Mode, Chorus (C) Mode, and Rotary (R) Mode and manipulate their Width, Rate, and Balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. Just one simple tap of the Preset (“Save/Recall”) switch and you can summon up to six settings of your choosing at will. Feeling pretty powerful now, aren’t you? Inspired by the 1970s CE-1 Chorus Ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else. We even took it way back to the 1940s and the advent of the Leslie speaker to boldly capture the sound of its rotating baffle system for the Rotary mode. We studied the way that the horn and the rotor moved on Leslie speakers and emulated the phasing and speeds of the low frequency oscillator, but we exaggerated the hell out of them to make it sonically suitable for guitar, bass or your instrument of choice. And by popular demand, like many of our pedals, we’ve equipped this with an expression control so you can use any TRS expression pedal to manipulate the Width, Rate or Balance. Put it in the Vibrato mode and you’ll have a really subtle chorus with a seasick vibrato and alternate quickly between the two seamlessly. And that’s only just one mode. The possibilities are endless. Think about it. This compact world of chorus in a box will fit on any pedalboard and is so intuitive and easy to use that you most likely won’t have to refer to this manual ever again. So, if we don’t see you back here, it’s been a pleasure and good luck with the gnocchi. Each and every Aurelius is hand crafted in Akron, Ohio, USA and is inspected by the spirit of speaker innovator Donald Leslie.

Old Blood Noise BL-82 Chorus ...

2.508,-

Old Blood Noise Endeavors BL-82 Chorus Variable Clock Effector Seeking to unapologetically tear apart the common definition of a chorus pedal, Old Blood Noise Endeavors have created the BL-82 Chorus. An ode to delay time, this is a device with a variable clock control to shift between recognizable shimmering chorus and chaotic modulated delays. Two delay lines, modulated by opposite synchronized LFOs, are combined in parallel and the timing of the delay lines, as well as the speed and depth of the LFOs, are all determined by one tactile slider. This allows you to instantly open up the modulated floodgates on the fly and go from well-known waves, to deeply unknown oceans of sound. Main Features: Chorus Effects pedal Creates Chorus and Flanger like sounds by use of two modulated delay lines with opposite synchronised LFOs Simple, yet interactive control layout – for immediate tactile experience and to encourage experimenting Clock slider – changes the effect from fast and high-fidelity to slow and degraded  Feedback knob – enhances the intensity of the chorus/increase the amount of delay repeats  Wet/Dry mix control Soft-touch bypass switching Pedalboard friendly size Made in the USA Powered by 9V DC PSU         (centre -, 2,1 mm, ~110 mA current draw)

Seymour Duncan Powerstage 200 ...

6.450,-

PowerStage 200 is an elegant, compact, and loud pedalboard-mounted power amp for players who use modeling devices, stompboxes, or a combination of the two. It has all the features you need—reliable, clean power, switchable EQ, speaker simulation, and Aux In and headphone capabilities—to be the perfect gig, rehearsal, and studio tool. Like the PowerStage 170 and 700, the PowerStage 200 retains the hallmark characteristics of the PowerStage family—providing a platform that brings out the best qualities of your tone. Compact, clean, organic, and reliable power sits at the core of PowerStage family—once again, the PS200 delivers on that promise. Loud enough to match your drummer and fill a venue of just about any size, the PowerStage 200 provides clean, reliable amplification, and tons of headroom to let your pedals or modeler shine. Like the PS170, we wanted to build a powerful pedal amp voiced specifically for guitar that players could mount directly on their pedalboard or toss in their gig bag. The width of the PS200 is about a thumb width larger than two standard pedals. A tube amp of similar power and wattage would require a second trip to your van and its own flight case. Moreover, the size of the PS200 makes fly dates a breeze and saves you money on cartage fees. A clean (headroom) guitar amp is the best solution if you want to get the most from your pedals and modeling gear. Many tube amps break up too early, making it difficult to dial in a pristine, clean platform for your pedals (especially at higher volumes). Moreover, if you use modelers like a Kemper, Helix, or Axe FX, any unwanted distortion can ruin your carefully crafted patches. The PowerStage 200 addresses these concerns by providing you with 200 watts of crystal-clear power. But don’t get confused—crystal-clear power does not mean sterile or lacking in depth. The PS200 has a beautiful warmth and smoothness that will give you all the dimension and organic feel of a great tube amp. Another challenge when using a tube amp is that they tend to have a certain “sweet spot” that you can only achieve at higher volumes. The PS200, however, has a rich tone throughout the entire volume range. So, from bedroom shredding to arena rocking, your tone will stay consistent without any loss in depth or warmth. Think of the PS200 as having one large sweet spot. The PS200 features two ¼” speaker outputs, allowing you to run multiple cabinets. And, since impedance matching is done internally, you never have to worry about speaker impedance—just plug in and play. The PS200 is slightly more powerful than the PS170 and differs a bit in its feature set. After listening to our customers and consulting with many of the biggest names in the industry, we narrowed down a feature set for the PS200 that is simple but flexible. We noticed that many guitar players perform in a variety of unpredictable venues. To minimize uncertainty, we included a cab sim (4×12 closed-back) with a DI (XLR) output jack. You can send your tone to front of house or to a monitoring system free of mic bleed or unwanted noise typical in traditional mic setups. What you get is your pure tone in any environment. We included independent bypass switches for both the cab sim and EQ. This feature makes silent recording more flexible. When you bypass the cab sim you can use your own cab sim or IR device, which can expand your pallet of great cab tones to pair with the PS200. Bypassing the EQ section, you can pass the tonal shaping duties off to your modeling device or preferred EQ shaping tool. To bring out more high-end sparkle we added a presence control giving you a total of 4 bands of EQ on the PS200. The presence knob is also a great tool to tame any harsh digital artifacts found in some modelers. Aux In allows you to jam along with drum grooves, backing tracks, or your favorite albums while practicing at home or in a hotel room on the road. Just plug in your music player or computer audio and practice silently with full, speaker-emulated tone. Aux In is also a great tool during rehearsals when you need to review a part or practice without disturbing your band mates. The ¼” headphone jack has its own volume control located on the top of the amp. The PowerStage 200—compact, musical power for pedals, modelers, and much more. Like our award-winning pedals, the PowerStage 200 is designed and assembled at our Santa Barbara, California, factory by the same team responsible for our legendary pickups.

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