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Suhr Hombre Combo 1x12 ...

27.390,-

Hombre, Suhr’s take on the classic Brownface tones that have inspired John Suhr since his early days as a guitarist. The intention was clear: create a modern take on these classic designs while preserving the vintage heritage. The purity of the signal path is part of Hombre’s beauty. It results in a playing experience that is incredibly dynamic and touch-sensitive. A simple turn of the volume and tone controls will put a shocking range of sound at your fingertips. Clean tones are classic, gorgeous and bell-like, but make no mistake, this amp is a dirty little combo. It wants to be pushed into sweet overdrive, conjuring tones from the 1970s era of Texas blues-rock. The onboard Dynamic Tube Bias tremolo imparts an unmistakably rich, sought after sound, that simply can’t be imitated. Hombre is driven by a ~18-watt 6V6 power section and features a lightweight cabinet loaded with a 12″ Celestion V-Type speaker. PURE SIGNAL PATH Hombre features a Normal and Bright channel with straightforward Volume and Tone controls. A simple, transparent signal path is something many players find alluring due to the purity of tone and superb dynamic range. Our goal was to maintain the vintage characteristics while simultaneously making some improvements to the design. Painstaking attention was given to the component layout and signal path to reduce noise. Hombre is equipped with custom made transformers that are wound on paper bobbins and made in the USA. DYNAMIC TUBE BIAS TREMOLO Bias Tremolo circuits are truly unique in that the effect is created by modulating the bias of the power tubes. As the power tube bias is lowered and raised, it imparts an unmistakably rich, sought after sound, that only a Tube Bias Tremolo can. There’s a distinct interaction that exists between the tremolo and the dynamics of the musician. The intensity of the tremolo can be influenced by how hard or soft the guitar is played. When the amp is pushed harder, or the musician plays harder, the tremolo effect is less noticeable, yet as the signal decays the effect becomes more apparent. This results in a stunning effect that lives and breathes with the music. VINTAGE CABINET DESIGN Hombre is a lightweight 1×12 combo that is the perfect grab-and-go companion for both gigs and studio sessions. The cabinet is a vintage design made from box jointed pine and features a floating baffle. After many hours of listening and testing, we chose a 12″ Celestion® V-Type speaker to accompany Hombre. VOLTAGE: 230V CONTROLS: Volume, Tone (Normal). Volume, Tone (Bright). Speed, Intensity (Tremolo) EFFECTS: Foot-switchable Tube-Biased Tremolo (Active In Normal & Bright Inputs) INPUTS: 2x Normal, 2x Bright WATTAGE: 18 watts SPEAKER OUTPUTS: 2 OPERATING IMPEDANCE: 8Ω (safe to operate at 4Ω or 16Ω - see user guide) CABINET MATERIAL: Box Jointed Pine TOLEX: Vintage Palomino Nubtex GRILL CLOTH: Tan/Brown Wheat SPEAKER: 12" Celestion® V-Type PREAMP TUBES: 3x 12AX7 POWER TUBES: 2x 6V6 RECTIFIER TUBE: 1x 5AR4 FOOT-SWITCH: Includes single button foot-switch for tremolo activation DIMENSIONS: 20.84" W x 18.1" H x 9.52" D WEIGHT: 33lbs  
Suhr Hombre Head ...

25.990,-

Hombre, Suhr’s take on the classic Brownface tones that have inspired John Suhr since his early days as a guitarist. The intention was clear: create a modern take on these classic designs while preserving the vintage heritage. The purity of the signal path is part of Hombre’s beauty. It results in a playing experience that is incredibly dynamic and touch-sensitive. A simple turn of the volume and tone controls will put a shocking range of sound at your fingertips. Clean tones are classic, gorgeous and bell-like, but make no mistake, this amp is a dirty little combo. It wants to be pushed into sweet overdrive, conjuring tones from the 1970s era of Texas blues-rock. The onboard Dynamic Tube Bias tremolo imparts an unmistakably rich, sought after sound, that simply can’t be imitated. Hombre is driven by a ~18-watt 6V6 power section. PURE SIGNAL PATH Hombre features a Normal and Bright channel with straightforward Volume and Tone controls. A simple, transparent signal path is something many players find alluring due to the purity of tone and superb dynamic range. Our goal was to maintain the vintage characteristics while simultaneously making some improvements to the design. Painstaking attention was given to the component layout and signal path to reduce noise. Hombre is equipped with custom made transformers that are wound on paper bobbins and made in the USA. DYNAMIC TUBE BIAS TREMOLO Bias Tremolo circuits are truly unique in that the effect is created by modulating the bias of the power tubes. As the power tube bias is lowered and raised, it imparts an unmistakably rich, sought after sound, that only a Tube Bias Tremolo can. There’s a distinct interaction that exists between the tremolo and the dynamics of the musician. The intensity of the tremolo can be influenced by how hard or soft the guitar is played. When the amp is pushed harder, or the musician plays harder, the tremolo effect is less noticeable, yet as the signal decays the effect becomes more apparent. This results in a stunning effect that lives and breathes with the music. VOLTAGE: 230V CONTROLS: Volume, Tone (Normal). Volume, Tone (Bright). Speed, Intensity (Tremolo) EFFECTS: Foot-switchable Tube-Biased Tremolo (Active In Normal & Bright Inputs) INPUTS: 2x Normal, 2x Bright WATTAGE: 18 watts SPEAKER OUTPUTS: 2 OPERATING IMPEDANCE: 8Ω (safe to operate at 4Ω or 16Ω - see user guide) CABINET MATERIAL: Box Jointed Pine TOLEX: Vintage Palomino Nubtex GRILL CLOTH: Tan/Brown Wheat SPEAKER: Speaker cabinet sold separately PREAMP TUBES: 3x 12AX7 POWER TUBES: 2x 6V6 RECTIFIER TUBE: 1x 5AR4 FOOT-SWITCH: Includes single button foot-switch for tremolo activation DIMENSIONS: 20.84" W x 9.23" H x 8.3" D WEIGHT: 18.6lbs
Suhr Corso Recording Amp ...

14.290,-

The Suhr Corso Recording Amplifier is the ideal studio companion. Corso is an all-tube no compromise variable wattage amplifier (up to 5 watts) that provides players with all the tone and character of a high powered amplifier in a compact, portable form factor - perfect for any recording studio application or bedroom practice session. Corso is packed with a number of features which give players incredible flexibility for carving out their ideal sound. With the on-board attenuator, Corso can be easily transformed from the most complex and detailed clean tones, to a wall of harmonically rich overdriven lead tones at any volume.  Equipped with unique a Line Out (post power section), the Corso is ready for the studio. The Corso’s Line Out offers the sound of the entire amplifier, not just the pre-amp section, so you can fully experience all of the Corso’s tone when you plug directly into your digital recording I/O interface for your next session. Should inspiration strike in the middle of the night, just turn the attenuator control fully counterclockwise and play without disturbing the neighbors, or your family.
Samson XP312w Portabel PA ...

9.975,-

Samson XP312w Rechargeable 12” Portable PA with Handheld Wireless System and Bluetooth® The Samson Expedition XP312w Rechargeable Portable PA answers the call of those who need great-sounding mobile audio. With 300 watts of power, 12 hours of battery life, a top-mounted 4-channel mixer and Bluetooth, the XP312w delivers huge sound to musicians, DJs or those enjoying a variety of outdoor events. It also includes a frequency-agile wireless microphone for cord-free performance. The XP312w operates for up to 12 hours continuously via its built-in rechargeable lithium ion battery. Its lightweight Class D amplifier delivers 300 watts of power to a 2-way speaker system with a 12" woofer and 1" tweeter. This is all housed in a rugged polypropylene enclosure with a steel grille that weighs just 38 pounds. And with a retractable handle and smooth rolling wheels, transporting the XP312 is as easy as it gets. Plus, a 1 3/8" speaker stand receptacle allows the XP312w to be mounted using any standard speaker stand Equipped with a 4-channel mixer that includes XLR, 1/4" and 1/8" inputs for connecting microphones and line level devices, the XP312w makes for quick and easy setup. The speaker can also stream music wirelessly from any Bluetooth device. A variable reverb control adds depth, and a voiceover ducker automatically lowers the music when speaking or singing into a microphone (XLR or wireless inputs). In addition, a master 2-band EQ is provided to adjust the tonal characteristics of the XP312w, as is a line output to daisy-chain additional speakers. Perfect for multi-performer vocal and speech applications, the XP312w is capable of handling up to three wireless systems simultaneously. The XP312w comes with a single Concert 88a Handheld Frequency-agile UHF Wireless System that offers up to 300' of operation. An extra wireless receiver slot is included for adding a second Concert 88a Series wireless system (sold separately), while the USB wireless port allows you to also integrate an XPD Series USB Digital Wireless System (sold separately) All-in-one portable PA system that weighs 17kg Internal rechargeable lithium ion battery for up to 12 hours of continuous use Bluetooth connectivity to connect wireless music sources Includes Concert 88a Handheld Frequency-agile UHF Wireless System (300' operating range) Extra wireless receiver slot for adding an additional Concert 88a Series wireless system (sold separately) 2-way speaker enclosure with 12" woofer and 1" tweeter Class D amplifier produces 300 watts of Peak power 4-channel mixer with 2-band (Bass and Treble) EQ Independent volume controls on each channel XLR-1/4" combo selectable mic/line input for microphones and line level devices 1/8" (3.5mm) input for stereo line level devices (MP3 players, keyboards, etc.) Variable reverb control for mic/wireless inputs Voiceover control with priority ducking Line output to daisy-chain multiple systems together USB wireless port for use with Samson XPD Series USB Digital Wireless Systems (sold separately) Battery level, Charging and Power LED indicators Rugged polypropylene enclosure with steel grille Locking telescopic handle and smooth rolling wheels for easy transport 35mm speaker stand mount Side microphone mounting clip for wireless mic storage Specifications Output Power: 300 watts Peak Frequency Response: 50Hz–18kHz (-3dB) Speakers: 12" woofer, 1" tweeter Inputs: XLR-1⁄4" combo Mic/Line, 1/8" Aux, USB wireless Outputs: 1⁄4" Line Level Controls: Master, Channels 1–3, Bluetooth Tone Control: Master Bass and Treble EQ Dynamics Control: Reverb, Voiceover (switch) Bluetooth: Bluetooth 4.0, A2DP Battery Life: Up to 12 hours by built-in Li-ion Battery Charging: 4-6 hours Construction: Polypropylene, steel grille, telescopic handle, smooth rolling wheels Accessories: Mic mounting clip, extra UHF slot cover Wireless System: 1x Samson Concert 88a Handheld UHF Wireless Working Range: 100' (30m) line-of-sight Product Dimensions: 600mm x 390mm x 360mm Product Weight: 17,2kg
Samson MXP124FX Mikser 12 ...

2.995,-

Samson MXP124FX MixPad-serien tilbyr kvalitet og profesjonelle spesifikasjoner til meget overkommelige priser. 99 digitale effekter med separat kontroll for hver kanal. 99 digitale effekter med separat kontroll for hver kanal USB-lydkort for inn- og avspilling
DPA 2012 Stereo Par Compact ...

18.250,-

dpa 2012 Stereo Par m/holdere og vindhetter. dpa 2012 Compact Cardioid Microphone is an all-around generalist pencil mic that guarantees excellent results on any instrument on a live stage. Durable, reinforced construction Excellent transient response Uniform cardioid directionality Outstanding SPL handling Natural and precise sound reproduction The 2012 Compact Cardioid Mic is the best all-around, generalist mic that you can find to cover a wide range of close-miking needs on the live stage. It is a robust and reliable condenser mic, best for single instrument pickup. Its specifically powerful characteristics make it an extremely flexible mic that will shine on many instruments, particularly those in the high-frequency range. Durable, reinforced construction The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing. Unmatched transient response The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy.   Uniform cardioid directionality The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way. Outstanding SPL handling The 2012 can cope with both extremely high SPLs as well as capture very delicate sounds. With a max SPL, peak before clipping of 156 dB, the 2012, works well on many different instruments and can handle the loudest drums, guitars, horns and more. Key applications Snare drum Hi-hats Electric guitar cabinets ​Piano Percussion Conga, bongos Acoustic guitar Horns
DPA 2015 Stereo Par Wide ...

18.250,-

dp 2015 Wide Cardioid Microphone stereo pair, selected with +/-1.5 dB sensitivity tolerance. The 2015 Compact Wide Cardioid Microphone is for ambient pick up of a drum kit or other instrument groups. Durable, reinforced construction Uniform wide cardioid directionality Spacious sound due to a wide cardioid pick-up pattern Natural and precise sound reproduction Compact design for unobtrusive placement on stage In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit.  Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice.   Durable, reinforced construction The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing. Uniform cardioid directionality The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way.     Spacious, wide cardioid pick-up pattern The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage. Natural and precise sound reproduction Like all other DPA microphones, the 2015 delivers pure, transparent sound quality. Compact design for unobtrusive placement on stage Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage. Key applications Overheads on drums Grand piano, away or close to the strings Horn groups Vibraphones Xylophones Large marimbas Other large instruments
DPA 2015 Wide kardioide ...

9.580,-

dp 2015 Wide Cardioid Microphone The 2015 Compact Wide Cardioid Microphone is for ambient pick up of a drum kit or other instrument groups. Durable, reinforced construction Uniform wide cardioid directionality Spacious sound due to a wide cardioid pick-up pattern Natural and precise sound reproduction Compact design for unobtrusive placement on stage In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit.  Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice.   Durable, reinforced construction The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing. Uniform cardioid directionality The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way.     Spacious, wide cardioid pick-up pattern The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage. Natural and precise sound reproduction Like all other DPA microphones, the 2015 delivers pure, transparent sound quality. Compact design for unobtrusive placement on stage Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage. Key applications Overheads on drums Grand piano, away or close to the strings Horn groups Vibraphones Xylophones Large marimbas Other large instruments
DPA 2012 Compact kardioide ...

9.580,-

dpa 2012 Compact Cardioid Microphone is an all-around generalist pencil mic that guarantees excellent results on any instrument on a live stage. Durable, reinforced construction Excellent transient response Uniform cardioid directionality Outstanding SPL handling Natural and precise sound reproduction The 2012 Compact Cardioid Mic is the best all-around, generalist mic that you can find to cover a wide range of close-miking needs on the live stage. It is a robust and reliable condenser mic, best for single instrument pickup. Its specifically powerful characteristics make it an extremely flexible mic that will shine on many instruments, particularly those in the high-frequency range. Durable, reinforced construction The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing. Unmatched transient response The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy.   Uniform cardioid directionality The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way. Outstanding SPL handling The 2012 can cope with both extremely high SPLs as well as capture very delicate sounds. With a max SPL, peak before clipping of 156 dB, the 2012, works well on many different instruments and can handle the loudest drums, guitars, horns and more. Key applications Snare drum Hi-hats Electric guitar cabinets ​Piano Percussion Conga, bongos Acoustic guitar Horns
Meinl MYO-TOOLS Make your own ...

195,-

Meinl Make Your Own Cajon Tool Box Kit - MYO-TOOLS. MYO-TOOLS inneholder alt verktøy man trenger for å sette sammen sin egen cajon (MYO serien). Settet inneholder: • 1 flaske trelim. • 1 skrutrekker. • 2 spennreimer (som holder cajonen sammen mens limet tørker). • 2 pusseklosser (en grov og en fin).
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