SSL Super 9000 Channel Strip

19.990,-

SSL - Super 9000 Channel Strip Solid State Logic Super 9000. Superior Punch and Clarity, Unparalleled SuperAnalogue™ Performance Super 9000 is Solid State Logic’s all-in-one analogue channel strip, combining the best of SuperAnalogue™ technology to deliver the modern SSL sound. First introduced in the legendary SL 9000 J and perfected in the Duality, the Super 9000 Channel Strip offers the ultra-low distortion, exceptional punch, and breathtaking clarity of our SuperAnalogue™ studio consoles in 1 RU. The 9000 Series made rock and pop mixes sound bigger than ever, while enhancing hip-hop and R&B with deep, extended low-end and shimmering highs. Renowned for making music sound larger than life, with unmatched dynamics and depth, the 9000 Series became the industry standard of its era – setting a milestone in analogue design and paving the way for the development of the Duality and Oracle consoles. Now, the Super 9000 brings that same professional polish – once exclusive to the colossal 9K consoles – straight into your studio. Prestigious facilities, including Abbey Road and Metropolis Studios (London), Real World Studios (Bath), Record Plant (LA), and Avatar/Power Station (NY), quickly made the 9000 Series their standard. Top engineers such as Manny Marroquin (Alicia Keys, Rihanna), Michael Brauer (Coldplay, John Mayer), Kevin Shirley (Iron Maiden, Led Zeppelin), and Tony Maserati (Jay-Z, Beyoncé) used SuperAnalogue™ sound to craft genre-defining hits. SuperAnalogueTM. Design SuperAnalogueTM technology creates a signal path so transparent and wide bandwidth that nothing is lost, putting the engineer right there in the room with the artist. Key design elements include: Super-wide audio bandwidth. Ruler flat frequency response: ±0.1 dB between 20 Hz – 20 kHz. Ultra-low transient intermodulation distortion. No electrolytic capacitors in the audio path. Extremely low noise and harmonic distortion. Exceptionally low phase shift across the audible spectrum. The result is unmatched punch, definition, and a larger-than-life sound stage—qualities that define the modern "SSL sound" and are why SuperAnalogue™ consoles remain the professional’s choice for music production. Dual Mic Amp – SuperAnalogueTM or VHDTM Choose between two world-class preamps, just like on SSL’s flagship Duality console. Opt for the pristine, high-headroom SuperAnalogue™ preamp for unmatched clarity, or switch to the Variable Harmonic Drive (VHD) circuit to add character and saturation. Shape your tone by dialling in 2nd order harmonics for rich, valve-like warmth, or add 3rd order harmonics for a harder, transistor-style edge. The INPUT FLIP button allows you to move the VHD circuit from the Mic Input to the Line Input, making it easy to add harmonic colour to DAW stems or line-level instruments and sources. Variable Harmonic Drive (VHD): Variable Harmonic Drive was created to provide engineers and producers with a single preamp capable of covering a wide tonal spectrum. Initially designed to complement the Duality console’s ultra-accurate SuperAnalogue™ preamp, VHD technology can be found across numerous SSL consoles and rackmount units – over the years becoming many engineers’ secret weapon for adding vibe to recordings. Full Dynamics Processing The Super 9000 features SSL’s quintessential modern dynamics section, delivering ultimate control and punch. Built around the high-performance THAT 2181A VCA, the compressor includes a switchable Fast Attack mode and the Peak Detect option—first introduced on the SL 9000 console and carried through to the Duality series. It also incorporates SSL’s classic Expander/Gate section with variable hysteresis built into the Threshold, plus a HOLD control for precise gate and downward expansion management. Additionally, Super 9000 allows the dynamics section to be moved Pre and Post EQ. Pink (292) and Black (242) EQ Circuits & High and Low Pass Filters Choose your SSL EQ: the 292 G-Series ‘Pink Knob’ EQ circuit or the 242 E-Series ‘Black Knob’ EQ circuit. The 292’s variable-Q design delivers smooth, wide boosts and cuts that tighten as you push harder, while its shelves feature a steeper slope and the signature ‘undershoot/overshoot’ for that renowned SSL musicality. The 242’s constant-Q design, developed in collaboration with Sir George Martin, gives more surgical control when compared to the 292. The Super 9000 EQ section also features two buttons labelled ‘E Bell/G÷3’ and ‘Gx3/E Bell.’ When in 292 mode, these buttons allow the Low-Mid Frequency to be divided by 3 and the High-Mid Frequency to be multiplied by 3, so that the mid-bands can be used to target frequencies normally far outside of their standard range, providing incredible flexibility and range. In 242 mode, these buttons switch the Low Frequency and High Frequency bands between Bell and Shelving modes. As expected from SSL, the EQ can be placed in the dynamics sidechain, and the high-pass (18dB/oct) and low-pass (12dB/oct) filters can be fully bypassed or routed to input or sidechain for ultimate control. Flexible Processing & Routing Super 9000 includes a balanced insert point for integrating additional outboard gear into the signal path. The insert can be repositioned from its default location (immediately after the input stage) to the output stage, just before the Output Trim. It also features a dedicated external sidechain (key) input, flexible processing re-ordering, and sidechain linking—ideal when using two Super 9000 units as a stereo pair. Input Flip control routes the LINE input to the Mic Pre, whilst the rear MIC connection becomes routed through the LINE path – an easy way to process line level DAW returns with saturation/distortion processing at the mix stage, without having to manually re-patch. Key Features Dual Mic Pre – Choose between SuperAnalogue™ (9000) & VHD™ (Duality) w/ +48V, Polarity invert, and Pad. 2 Impedance options for the mic pre: 1.3 kÙ and 11 kÙ. Dedicated LINE Input with "Input Flip". Quintessential 9000/Duality Dynamics section. High-Performance THAT 2181A VCA compressor section. Peak/Hard Knee or Soft Knee modes. FAST attack on/off. Classic Gate/Expander section. Fast attack on/off. Hold control. 4-band SSL EQ with switchable modes. Fully parametric mid-bands. Switchable between G-Series ‘Pink Knob’ 292 and E-Series ‘Black Knob’ 242 circuits. High and Low Pass filters. 18 dB per octave HPF & 12 dB per octave LPF. Insert point for connecting external devices into the signal path. Extensive ‘to sidechain’ functionality. Filters to Dynamics sidechain. EQ to Dynamics sidechain. Flexible process-order routing. Filters to input, Dynamics post-EQ, and Insert to output. Line Output Trim. Switchable Input and Output metering. External sidechain (key) input. Dynamics sidechain link – allows 2 x Super 9000’s compressors to work as a stereo pair (loudest signal wins). Linking via a TS/TRS jack cable (not included).

SSL PureDrive Quad 4-kanals ...

13.390,-

SSL PureDrive Quad 4-kanals Mic Preamp PURE DRIVE Pre's harnesses the renowned microphone preamp technology from Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes them available in 2U rackmount unit. PURE DRIVE QUAD takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE QUAD offers four mic preamp input impedance options. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a sweepable High Pass Filter. PURE DRIVE QUAD stands as one of the most capable and feature-rich outboard microphone preamplifiers available. 3 Flavours, 1 Mic Pre No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE QUAD, allowing impeccable ‘matching’ between all channels. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings. Each of PURE DRIVE QUAD’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive. Advanced Connectivity PURE DRIVE QUAD’s advanced connectivity opens a world of recording possibilities. Its comprehensive selection of analogue and digital I/O offers microphone preamps with exceptional performance and flexibility. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card. PURE DRIVE QUAD features four rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE QUAD’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment. PURE DRIVE QUAD’s versatile digital connectivity features an integrated USB soundcard providing four channels of audio into your DAW up to 32-Bit/192 kHz. Two AES/EBU output pairs, and ADAT out, offering four channels at 24-bit/48 kHz, or cascade two PURE DRIVE QUADs via its convenient ADAT LINK IN connection and access up to eight channels. The AES and ADAT outputs can even be individually repurposed to be fed from the onboard USB soundcard as outputs from your DAW. Finally, there's an auto-ranging word clock input and output for robust digital clocking

SSL18 Audio Interface

12.290,-

SSL18 Audio Interface Gi kreativiteten din kvaliteten den fortjener – velg SSL 18 Med uovertruffen lydkvalitet, avanserte funksjoner og SSLs legendariske design er dette det perfekte knutepunktet for produksjonen din – enten du tar opp, produserer eller mikser. Hvorfor velge SSL 18? SSL 18 kombinerer 26 innganger og 28 utganger, neste generasjons 32-bit/192 kHz-konvertere og SSLs mikrofonforsterkere i verdensklasse for å levere lydkvalitet på toppnivå. Med en mikser med lav forsinkelse og fleksible tilkoblingsmuligheter er SSL 18 like allsidig som den er kraftfull, og den håndterer alt fra enkle opptak til komplekse studiooppsett. I tillegg gir den unike Legacy 4K-funksjonen lyden din den varmen og karakteren som gjorde SSL-miksebord legendariske. Funksjoner som setter en ny standard Markedsledende lydkvalitet: Neste generasjons 32-bit-konvertere med bransjeledende dynamikkområde. Fleksible innganger: 8 mikrofon-/linjeinnganger med støtte for instrumentnivå og analoge inserts. Legacy 4K analog lydforbedring gir varme og dybde til miksen din. Omfattende utganger: 10 balanserte linjeutganger, monitorbytte og DC-koblede utganger for modulære synthesizere og spenningsstyring. Avansert hodetelefonfunksjonalitet: To uavhengige hodetelefonutganger med justerbare impedansmoduser og mulighet for egne mikser. Omfattende digitale tilkoblingsmuligheter: ADAT, S/PDIF og MIDI gir maksimal kompatibilitet og fleksibilitet. Tilpassbar arbeidsflyt: Mirror Routing-systemet gjør det enkelt å skreddersy signalveier etter dine spesifikke behov. SSL 18 passer like godt i hjemmestudioer som i profesjonelle produksjoner. Enten du tar opp vokal, setter opp mikrofoner for instrumenter eller integrerer ekstern maskinvare, er dette lydkortet designet for å levere eksepsjonell kvalitet og full kontroll. Merverdi uten ekstra kostnad! Ved kjøp av SSL 18 får du med SSL Production Pack – en programvarepakke til en verdi av over 14 000 Kr – som gir deg tilgang til kraftige verktøy for å løfte kreativiteten din til neste nivå.

SSL Alpha 8 Audio Interface

9.580,-

ALPHA 8 High-performance 8 x 8 AD/DA converter with Analogue, ADAT, S/PDIF and USB I/O The ultimate audio interface expander Building on the acclaimed Alpha Link range, ALPHA 8 is an 8-in/8-out professional-grade analogue to digital, digital to analogue converter, perfect for expanding your audio interface via ADAT and S/PDIF. Alternatively, you can configure ALPHA 8 to address all analogue and digital I/O simultaneously via USB, giving you an 18-in/18-out audio interface. Featuring class-leading conversion, flexible routing, and impeccable audio performance, ALPHA 8 unlocks the full potential of your setup. The compromise is over Using next-generation 32-bit/192 kHz converters, ALPHA 8 brings SSL-grade audio performance to your studio. With huge dynamic range, stunningly low THD+N and crosstalk, and exceptionally low noise floor, ALPHA 8 delivers line-level heaven for your analogue outboard processing, samplers, synths and drum machines. The compromise is over – capture your sound with the quality it deserves. Input Dynamic Range: 120 dB, Output Dynamic Range: 123 dB Input THD+N: -110 dB, Output THD+N –108 dB Analogue agility and digital dominance ALPHA 8 is capable of many different routing configurations to suit your specific needs, making sure you can get the most out of all the digital and analogue I/O it offers. Whether you need a simple bidirectional Analogue <> ADAT/SPDIF converter, an aggregate 18-in/18-out USB audio interface, or a mixture of the two, ALPHA 8 provides flexible routing options for its analogue and digital I/O. The great connector The operating level of each analogue input and output can be individually adjusted to +9, +18, +20 or +24 dBu operating levels, ensuring optimal signal integrity and maximising headroom for devices connected to ALPHA 8. Whether it’s 19" rack gear, analogue mixers, 500-series modules, or monitor controllers, ALPHA 8 ensures every connection to your equipment is fully optimised. On the digital side, Word Clock in and out, ADAT, and S/PDIF clocking options ensure ALPHA 8 provides outstanding digital audio handling, guaranteeing jitter-free, rock-solid integration in your studio environment whilst elevating the performance of your creative space. SSL 18 + ALPHA 8 While ALPHA 8 is the ultimate audio interface expander for producers and engineers looking to bring SSL sound and quality to their existing set-up, ALPHA 8 is also the perfect companion to SSL 18. Instantly expand SSL 18’s I/O via ADAT adding 8 channels (1 x ALPHA 8) or 16 channels (2 x ALPHA 8s). Perfect for effortlessly integrating additional analogue outboard processing, analogue mixers and more. Expand your workflow ALPHA 8’s flexible analogue and digital routing unlocks a multitude of workflow possibilities. Create hardware insert paths for 500 Series modules, outboard EQs, compressors, or hardware FX. Use the S/PDIF I/O for integrating external metering or amp simulators. Alternatively, make Alpha 8 your primary interface, seamlessly connecting analogue and digital devices to your DAW via USB-C. For electronic music producers, ALPHA 8’s outputs are capable of outputting Control Voltage to control synthesisers, modular rigs and CV-enabled FX pedals. SSL Production Pack: SSL has been helping world-class artists, producers and engineers make great music and audio for decades. They know it’s crucial to have the right tools for the job, so SSL has partnered with some of the industry's key brands to offer you the SSL Production Pack, bundled free with registered ALPHA 8 audio interfaces. Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, fuel your creativity and bring your productions to life with the SSL Production Pack (worth over $1100). CA Complete Access 6 Month Trial Included with ALPHA 8 　 As an eligible SSL interface owner, claim 6 months FREE Complete Access subscription. Featuring every plug-in from Solid State Logic, Slate Digital and Harrison Audio, Complete Access gives you all of the software tools you need to make your next hit. Key Features: The ultimate audio interface expander and the perfect partner for SSL 18. High performance, next-generation 32-bit / 192 kHz conversion. Class-leading dynamic range, THD+N and crosstalk audio performance. 8 balanced line inputs and outputs. Up to 8 channels of analogue to ADAT and ADAT to analogue conversion. Configurable operating levels for each input and output to best match your external equipment: +24/+20/+18/+9 dBu. DC-coupled outputs are perfect for sending control voltages to synthesisers and modular rigs. 10 digital inputs and outputs (8 channels of ADAT, 2 channels of S/PDIF). Up to 2 channels of analogue to S/PDIF and S/PDIF to analogue conversion. Up to 2 channels of S/PDIF to ADAT and ADAT to S/PDIF conversion. S/PDIF available on coaxial or optical connectors. Flexible conversion configuration. The physical outputs can be fed with a mixture of analogue, digital and USB audio signals, providing a great level of flexibility. 18-in / 18-out USB audio interface. Use ALPHA 8 as an aggregate USB audio interface Record and playback to all 8 analogue and 10 digital I/O via USB. High-current front panel headphone confidence check – audition any individual input or output (or stereo pair). Choose from 3 different settings to optimise for your headphones – Standard, High Impedance, High Sensitivity. Dedicated front panel input and output meters. Word Clock in and out & input termination switch. Clock internally, or from incoming ADAT, S/PDIF or Word Clock SSL Production Pack Software included – worth over $1400.

Harrison 500-series MR3 EQ

3.792,-

Harrison 500-series MR3 EQ Originally developed for the Harrison MR3 studio console, the MR3eq stands out as one of Harrison's most popular EQ designs, renowned for its punchy, smooth sound, and powerful sculpting capabilities. Introduced in 1981, the Music Recording 3 (MR3) console rapidly became the preferred tool for numerous leading engineers and studios worldwide, helping to create some of the most iconic albums from the 70s and 80s. Like all Harrison production tools, the MR3 EQ delivers the vibe to inspire artists and the precision for engineers to excel. Thanks to the MR3eq module, the distinctive Harrison sound is now accessible in the 500 series format. Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. MR3eq design The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design. The circuit design of this EQ allows for precision in surgical tasks or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character. 3-band parametric with HPF This powerful three-band parametric equalizer features Low and High-frequency 6 dB/octave Shelf bands, which can be switched to a 2nd order Bell response with Harrison’s renowned proportional Q. The Mid-band offers a continuously variable Q, while a separate High Pass Filter section includes a distinctive 3 dB resonant peak. The MR3eq’s flexible design and powerful sculpting capabilities make it a versatile tool that enhances a wide array of source materials, proving equally effective in both tracking and mixdown scenarios.　 Key features: The Harrison sound. Perfect for both precision EQ’ing and broad musical strokes. Three-band parametric EQ with +/- 10 dB boost/cut range. High-frequency (800 Hz –15 kHz) 6 dB/octave Shelf band, switchable to 2nd order bell. Low-frequency (40 Hz – 800 Hz) 6 dB/octave Shelf band, switchable to 2nd order bell. Mid-band (400 Hz – 8 kHz) with continuously variable, proportional Q. Separate High Pass Filter with characterful 2 dB resonant peak. Separate ‘In’ switches for EQ and HPF sections. Input overload LED Compatible with 500 Series format chassis.

Harrison 500-series ...

3.792,-

Harrison 500-series Compressor The story behind Harrison and compression In the realm of audio engineering, Dave Harrison, the founder of Harrison Audio, stands out as a pioneer in the development of music production technology. Ironically, Dave Harrison himself was initially skeptical about compressors, a sentiment shared by his friend and legendary music producer and engineer, Bruce Swedien. Both held the belief that music should be captured authentically, without interference. However, the requirement for a compressor arose from the broadcast market's demands, seeking a tool to control dynamics and prevent clipping. To meet this demand, Harrison Audio ventured into the realm of compressors, with the result proving extremely effective. Its transparent 'leveling' capabilities, achieved with just a few dBs of gain reduction, quickly made it indispensable in music production for delicately smoothing signals, particularly on vocals, guitars, and other instruments with wide dynamic range. Over time, this compressor's ability to 'dig in' became apparent, transforming it into a sought-after vibe compressor when higher levels of gain reduction were applied. Dave Harrison's initial skepticism gave birth to a tool that not only met the broadcast market’s demands but also became relied on in the world of music production. Thanks to the Comp module, the distinctive Harrison sound is now accessible in the 500 Series format. Legacy in analog Harrison production tools have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. Comp design The Comp 500 Series module is based on a classic ‘feed-forward’ design, using a THAT 2180 VCA chip for outstanding analog performance. The compressor’s Attack is program-dependent, adapting to the input signal and offering an optimal Attack time depending on the source material. The Release time is continuously variable. These parameters can turn the Comp module from a transparent leveler to a highly saturated, vibe compressor, adding character and excitement to a wide range of sources. Harrison's secret sauce – put it on everything The Comp module is a very flexible dynamics processor. From a transparent ‘leveler’ on guitars and vocals, using a 1:2 ratio and fast release, applying 2-3 dB of gain reduction. To a sizzling vibe compressor on drums and bass, slamming the ratio in combination with a slow release. The Comp 500 Series module is a well-crafted, no-nonsense compressor that is your secret production ‘sauce’ – you’ll put it on everything. Key features: The Harrison sound. Extremely flexible compressor; from transparent ‘leveler’ to ‘character’ comp. Classic feed-froward design. THAT 2180 VCA chip for outstanding analog performance. Program-dependant ‘Attack’ time. Continually variable Release time from ‘Fast’ to ‘Slow’. Input overload LED. Compatible with 500 Series format chassis.

Arturia MiniLab 3 Champagne ...

1.175,-

ARTURIA Minilab-3 USB Controller Keyboard, Champagne Smidig midi-keyboard av topp kvalitet. Inkludert programvare MiniLab 3 is a next-generation plug-and-play MIDI controller that combines a great-feeling keyboard, flexible pads, faders, and knobs, and a premium software bundle with seamless DAW integration that lets you get creative right out the box. Hands-on, easy to use From the great-feeling keyboard, to the pads & faders directly integrated with Analog Lab & your DAW, to the real-time mini display, every aspect of MiniLab 3 is designed to be intuitive, expressive, and a joy to use - for beginners and pros alike. Creative features Enjoy a workflow that aids the creative process, with features like a built-in arpeggiator, Chord mode, custom DAW mapping presets, and easy transposition. Making music has never been so accessible. Portable, compatible design MiniLab 3 will fit seamlessly into any setup, from bedroom to stage, with its compact & lightweight design, deeper DAW integration, and MIDI out & USB-C connectivity. Built-to-last eco design  MiniLab 3 is built with longevity and sustainability in mind. A rugged road-ready design, 5-year warranty, minimum 50% recycled plastic construction, and 100% recycled packaging means this controller goes the distance.  Creative software included On top of a world-class MIDI controller, you’ll get a full package of premium music-making software, from an industry-standard DAW to well over 500 mix-ready synth & keyboard presets.  Features: 25 note velocity-sensitive slim keyboard Useful, tactile controls 2 banks of 8 high quality velocity & pressure sensitive pads with RGB backlighting 8 rotary encoders 4 sliders Mini display & clickable browsing knob, with real-time feedback on tweaks and controls Built-in Arpeggiator Hold and Chord modes Custom-written DAW scripts for intuitive integration with major DAWs 8 DAW & user presets DAW Transport Control Octave up and down buttons for full range, Transpose for semitone transposition 2 capacitive touch sensors for pitch bend and modulation wheel Control input for pedal: sustain, expression, or footswitch USB powered USB-C MIDI connects to computers and MIDI Control Center MIDI 5-pin DIN output for connection to external instruments, gear Seamless integration with all Arturia software instruments, including Analog Lab: select sounds, browse presets, switch parts, smart-assigned controls Instrument size: 14 x 8.7 x 2 inches (355 x 220 x 50mm) Instrument weight: 3.3 lbs (1.5 Kg) Included Software: Analog Lab Intro Ableton Live Lite UVI Model D Native Instruments The Gentleman Loopcloud sample packs & subscription Melodics subscription

Harrison 500-series 32C ...

6.617,-

Harrison 500-series 32C Preamp The 32Cpre+ takes the high-performance, transformer-coupled microphone preamp from the 32Classic studio console, combines it with the renowned Harrison LP/HP filters, and delivers it in 500 Series format. Inspired by the iconic Harrison 3232, the 32Classic mixing console and preamp is an American icon reimagined, delivering the tone that helped create some of the most iconic albums of the 70s’ and 80s’. Thanks to the 32Cpre+, that Harrison sound is now available in 500 series format. Legacy in analog Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time. The Harrison tone The 32Cpre+ delivers the warm, rich tone that Harrison is renowned for. Full low-end, open mid-range, and super-smooth, natural highs are what to expect from this Jensen JT-MB-CPCA transformer-coupled mic-pre. The gentle roll-off at each end of the frequency spectrum and delicate phase shift created by the 1:1 ratio transformer produces a mic pre that sounds so sweet you’ll use it on any source material. Tools for tracking The 32Cpre+ delivers +20 to +70 dB of smooth gain capable of driving a wide range of mic types, including ribbon. In addition to 180 ° Phase, 48V, -20 pad, and HiZ impedance switches, the front panel features combo XLR with ¼" jack connector that lets you plug a microphone or instrument into the 32Cpre+ directly without having to access the rear panel of the 500 Series rack. Legendary Harrison filters A Harrison mic pre wouldn’t be complete without our legendary filters. As found in the original 3232 and latest 32Classic console, the filters have a musical 12dB/octave slope, with the High Pass Filter featuring a characterful 3 dB resonant peak. The High Pass Filter range is 25 Hz – 3.1 KHz, and the Low Pass Filter is 160 Hz – 20 KHz. Key features: The sound of Harrison. Jensen JT-MB-CPCA transformer-coupled mic-pre. +20 to +70 dB of gain. Front-mounted combo XLR with ¼" jack connector. 48V phantom power switch. Polarity reverse switch. HiZ impedance switch. Input overload LED. Compatible with 500 Series format chassis.

Harrison Mix Strip 32C ...

19.270,-

Harrison Mix Strip 32C High-performance 32Classic Channel strip A recording legend in 19" format The 32Classic MS is a high-performance all-analog channel strip that brings the signature Harrison sound and processing tools from our flagship 32Classic recording console to your studio. With additional hybrid workflow features and an integrated stereo mix bus for summing multiple units together, the 32Classic MS delivers the sound of legends whilst adding unique and innovative features to enhance your workflow. Boasting the same design as the 32Classic console, 32Classic MS features premium Jensen JT-MB-CPCA transformer-coupled microphone preamp, characterful Harrison LP/HP filters with 3 dB resonant peak, and super-smooth 4-band parametric EQ. The original 3232 console was used by artists such artists such as Michael Jackson, Fleetwood Mac, Led Zeppelin, and many others to create some of the most highly regarded and timeless music ever made. Now, for the first time, that unmistakable sound is available in 19" rack format. Add a recording legend to your studio with the 32Classic MS. Comprehensive input section: The 32Classic MS includes a versatile input section, featuring dedicated Mic and Line XLR inputs on the rear panel. For added convenience, it also offers a front-panel input with selectable Instrument/Hi-Z and Mic options. The mic input is equipped with essential utilities such as 48V phantom power, a -20 dB pad, phase flip, and a tri-color LED meter. Both the Mic and Line inputs have independent gain controls, ensuring precise adjustments and superior performance across both inputs. Whether you're recording, producing, or mixing, the 32Classic MS provides the connectivity you need to maximize your session. Harrison mic pre - the sound of legends: A defining feature of classic Harrison recordings is the high-performance transformer-coupled microphone preamp. True to its heritage, the 32Classic MS mic preamp offers 70 dB of clean gain to deliver and the warm, rich tone that Harrison is famous for. Expect full low-end, open mid-range, and super-smooth natural highs, thanks to the Jensen JT-MB-CPCA transformer. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift creates a remarkably sweet and musical sound, making it ideal for virtually any source material. Characterful LP/HP Filters: As featured in the original 3232 and the latest 32Classic console, 32Classic MS’s Low Pass and High Pass filters offer a musical 12 dB/octave slope. The High Pass Filter, ranging from 25 Hz to 3.1 kHz, includes a characterful 3 dB resonant peak, while the Low Pass Filter spans 160 Hz to 20 kHz—ideal for eliminating rumble or smoothing high frequencies. The real Harrison magic starts when used in combination with the EQ section to tighten the low end and ‘bloom’ the top end without it ever sounding harsh or brittle. 32Classic EQ: The 32Classic MS brings the iconic 4-band parametric EQ from the 32Classic console to a 19" rack format for the first time. Originally crafted in the 1970s – an era where you had to just get it ‘right’ on the way in - its frequency bands and proportional Q design were painstakingly developed to offer both broad, musical curves and precise sculpting to get the best from any source material or recording scenario. Trusted by legendary engineers like Bruce Swedien and Roger Nichols for its power, and featured in renowned studios like The Village and Westlake Studios, LA, and LSI Studios, Nashville for its flexibility - add one of the most sought-after EQs to your toolkit. Integrated mixbus and hybrid workflow features: Build your Harrison recording and mixing system one channel at a time with the 32Classic MS’s integrated mixbus. Designed to enhance workflows and elevate recording and mixing capabilities, the mixbus allows outputs from multiple units to be cascaded together via rear panel ‘summing’ connectors and jumper cables. Balance signals using the Fader control and Pan them across the stereo outputs. Or engage the 0 dB Fader Bypass and record at unity gain. Perfect for hybrid workflows, mobile rigs, or tracking rooms, the 32Classic MS’s integrated mixbus delivers the iconic Harrison tone with exceptional flexibility. Insert point: 32Classic MS unit includes a balanced Insert Point (located after the mic pre, pre-filters) for inserting other processing gear such as a compressor into the signal path of the unit. Channel Outputs: The 32Classic MS provides useful pre and post-fader direct outputs for better control when feeding a recording device. 32Classic MS sidecar: Enhance your mixing and/or tracking workflow by combining multiple 32Classic MS channels for use as a "sidecar" to your existing setup. Perfect for drum or instrument buses, it adds the iconic Harrison sound to your sonic palette, delivering warmth, depth, and flexibility to any recording or mixing application. Key features: Flexible Input Section Dedicated Mic and Line XLR inputs on the rear panel. Selectable Instrument/Hi-Z and Mic combi-XLR input on the front panel. Transformer Coupled Preamp The microphone preamplifier uses legendary Jensen JT-MB-CPCA transformer. 32 Classic Equalizer Harrison 4 band parametric EQ with proportional Q from 32Classic Console. Legendary Harrison Low Pass and High Pass filters. Mixer Section Unique mixer section which allows the channel signal to feed a stereo mix bus with panning. The balanced Mix bus can be cascaded across multiple 32Channel Strip MS units. Insert Point Each 32Classic MS unit includes a balanced Insert Point. Specification: Mic pre: Minimum Gain – 20 dB Maximum Gain – 70 dB Input Impedance – 5.8K Input Impedance Pad In – 1.3K Maximum Input Level No Pad - +4 dBu Maximum Input Level With Pad - +24 dBu THD 50 dB Gain - < 0.01% Frequency Response 20 Hz – 20 KHz +/- 0.25 dB Ein < -129 dBu Line level input: Input Impedance – 10K Line Trim - +/- 9.5 dB Maximum Input Level - +24 dBu THD +4dBu Line Input To Stereo Mix Output < 0.01% Frequency Response 20 Hz – 20 KHz +/- 0.25 dB Line level outputs: Maximum Output Level - +24 dBu Output Impedance – 30 Ohms

Harrison Flex 10 USB/Adat ...

7.490,-

Harrison Flex 10 high-performance 10-in/12-out, 32-bit/192 kHz USB/ADAT audio interface that brings the legendary Harrison analog sound to your desktop. Timeless Harrison Vibe Flex 10 deliver Harrison's renowned analog character in a versatile recording interface built for today's musicians and producers. Whether you're upgrading a basic interface or replacing an ageing recorder, Flex 10 delivers rich analog tone and classic Harrison character. Two premium Harrison microphone preamps feature signature H-DRIVE™ transformer saturation, adding musical warmth and colour at the source. Classic Harrison high-pass and low-pass filters, provide intuitive tone shaping from the moment you hit record. Two front-panel instrument inputs make it easy to connect guitars, basses and other high-impedance instruments. Flex 10 moves effortlessly from pristine, transparent recordings to rich transformer saturation. Dedicated balanced insert points on both preamps make it simple to integrate your favourite compressors, Harrison 500 Series modules, or other outboard gear into your recording chain. Classic Analog meets Modern Digital Flex 10 combines Harrison's analog heritage with modern performance. High-quality 32-bit/192 kHz converters deliver pristine audio, while 8 channels of ADAT I/O provide room to expand your setup. Dual monitor outputs with independent level controls, multiple high-current headphone outputs, and MIDI I/O via 3.5 mm TRS keep your entire studio connected. Front-panel VU meters complete the experience with unmistakable vintage studio style. Harrison Creator Pack & Mixbus 12 DAW Flex 10 includes the Harrison Creator Pack, featuring premium virtual instruments, plug-ins, loops and samples from partners including SSL, Slate Digital, Sonible, Loopcloud, AAS, Native Instruments and IK Multimedia. Also included is a full licence for Harrison Mixbus 12, the award-winning console-inspired DAW. Key Features: 10‑in/12‑out USB-C audio interface 32‑bit/192 kHz converters 2 x Harrison High-Performance Mic Preamps 2 x Hi-Z Instrument Inputs 2 x Line level inputs 2 x H-Drive Transformers Circuits Classic High-Pass + Low Pass Filters Balanced Insert Point Per Channel 2 x Main Stereo Outputs 2 x Headphone Outs ADAT I/O MIDI I/O Class compliant with Mac OS and on windows with provided ASIO driver. Bundled with Harrison Mixbus 12 DAW & Harrison Creator Pack software.

Viser 41 til 50 (av 3694 produkter)