Diamond BOOST/EQ Boost and EQ ...

2.790,-

Diamond Pedals BOOST/EQ Kick It Up A Notch The concept for Diamond Pedals’ Boost/EQ began in the early 2000s, with a request for a ‘compression-less’ version of the famed Diamond Compressor - combining a clean boost circuit with the Compressor’s Tilt EQ.  Nearly 20 years after the resulting original pedal’s launch, we've re-imagined this idea on the same platform as the Comp/EQ. Introducing the next-generation Diamond Boost/EQ. This versatile, low-noise pedal delivers a punchy, dynamic sound that’s ideal for any set-up. Main Features   • Boost and Equalizer Effects Pedal • Added Boost/OD switch - for selecting between clipping options       Up: Clean boost for increased signal output       Down: Adds soft clipping for a transparent and musical low to mid gain overdrive • Up to +20 dB of Clean Boost on tap in Boost mode • 800 Hz +/- 6dB Tilt EQ Fulcrum Frequency • 800 Hz +/- 10dB Mid EQ Center Frequency • Top-mounted jacks and soft touch relay switching • True Bypass • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, ~18 mA current draw) Taking the lively, high-fidelity gain stages of the Comp/EQ, the Boost/EQ offers plenty of punch while maintaining clarity and transparency. While the Tilt and Mid controls give you complete freedom to sculpt your tone. Need more sparkle? Dial it in with the Tilt knob. Looking for a midrange boost to cut through your solos? The Mid control has you covered. Want to make your Marshall tone a bit more Fender-esque? It’s all possible with Diamond’s Boost/EQ. In addition, the Boost/EQ features a second mode that provides a low-gain overdrive - transparent, yet full of character. This makes the Boost/EQ the ultimate Swiss Army knife for your pedalboard, combining clean boost, tone shaping and overdrive, into one powerful and versatile pedal. The Boost/EO offers 2 distinct modes of operation. The first is a clean boost mode designed to increase the output of your signal enabling you to beef-up low-output pickups, drive tube amps and dirt pedals for increased sustain and saturation or simply have your solos jump out in the mix. Set to the OD mode, the gain structure of the pedal is modified and soft clipping diodes are added to the circuit. This provides smooth, transparent, musical distortion that ranges from just a touch of hair and harmonic overtones, to a nice low to mid gain overdrive. Depending on where your Boost/EO is placed in your signal chain, it will either deliver an increase in volume or distortion/saturation. Place it at the end of your pedal chain or in an amp's series FX loop for a volume boost. Put it in front of your drives and fuzzes for more gain and distortion.

Diamond F-OCTAVE Vintage ...

2.890,-

Diamond F-Octave Vintage Octave Fuzz Originally launched in 2017, the F-Octave returns to the Diamond lineup with its signature high-gain silicon fuzz, crafted in tribute to the legendary Foxx Tone Machine of the 70s. The F-Octave picks up the fuzz legacy delivering raw, expressive tones with a character all its own. At its heart F-Octave is a finely tuned, discrete analog fuzz circuit designed for rich harmonic content and dynamic response. The layout is simple and intuitive, staying true to the spirit of classic stompboxes, but with added flexibility to shape your sound. Main Features • Analog Silicon Fuzz and Octave Effects Pedal • Octave Toggle Switch - for selecting between two types of fuzz     Up: Fuzz only     Down: Fuzz and Octave Up • Fuzz Control for setting the amount of fuzz you want • Tone Control for boosting or cutting high frequencies in your tone, ranging from +/- 6 dB at 750 Hz • LPF Control for adding in a soft roll-off to the high frequencies, at 2 KHz +/- 3 dB • Level Control to adjust the overall output level • Top-mounted jacks and soft touch relay switching • True Bypass • Hand-made in Montreal, Canada • Powered by a regular 9-18 V DC PSU (centre -, 2,1 mm, ~20 mA current draw) Engage the octave mode to unlock searing, upper-register harmonics that cut through any mix with vintage attitude and synth-like texture. Switch it off, and you're greeted with a warm, fat fuzz - full of woolly midrange and smooth compression, perfect for leads, chords, or riff-driven grooves. Shape the sound of your fuzz with the LPF and TONE knobs and highlight the upper octave. Start with the LPF fully clockwise and the TONE control at noon for a balanced foundation. From there, tweak the TONE control to emphasize your ideal frequency - counterclockwise for warmer or darker tones, clockwise for a brighter fuzz, and adjust the LPF to smooth out and refine your tone to perfection. The F-Octave's octave-up effect shines with single notes, delivering killer tones that cut through - especially above the 12th fret. Break new ground by using it for heavy chording, creating gnarly random overtones as the octave circuit searches for the root note. Double-stop bends produce a twisted multi-octave sound, with the high octave climbing while a subtle sub-octave slowly drops in pitch. Switch off the octave for a more straightforward fuzz. The F-Octave plays beautifully with both guitar and bass, making it a versatile tool whether you're chasing stoner rock saturation, garage grit, or classic psych tones. Roll your volume back and explore everything from sputtery breakup to thick sustain. Crank it, and it howls. This is fuzz the way it used to be: bold, unpredictable, and endlessly fun. Plug in, switch on the octave, and rediscover why fuzz never went out of style.

Death By Audio Crossover Fuzz ...

4.290,-

Death By Audio Crossover Fuzz Savage Dual-Band Fuzz     A screaming, swirling filter-fuzz monster, the Crossover Fuzz takes your signal, slices it into high and low frequencies, to then absolutely wreck each band with Death By Audio's signature fuzz. Just like a crossover circuit on a rampage, it gives you independent control over each half of your sound (highs and lows). This lets you shape, destroy and reimagine your tone like never before. Main Features: • Crossover Fuzz pedal • Dual inputs and outputs, allowing for a wide range of pedalboard configurations, amp setups, and creative experimentation • Dedicated knobs to control Frequency, Resonance, Gain and Volume • Ability to control the filter frequency with an expression pedal or 0-5V external CV to automate panning, filtering, stereo sweeps, and more • Internal switch to change the colour set of the LEDs. - Sky Light: Low-pass = Yellow / High-pass = Cyan - Cyber Light: Low-pass = Red / High-pass = Blue • Top-mounted Jacks • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 120 mA current draw, not included) Want to blow through the mix on stage? Crank the Freq knob to sweep two analog resonant filters in tandem, carving out sonic space with surgical precision or dialling in chaotic, oscillating madness. Adjust the volume of your highs and lows separately for gritty tone sculpting or dial in your dream EQ. With its High and Low inputs and outputs, you can use the Crossover Fuzz like no other fuzz on the planet: split your signal to different amps, isolate frequencies for creative effect routing or use it as a stereo panner that slings frequencies across the room. You can even control the filter sweep with CV or expression and the LED display reacts in real time to show you exactly where your crossover sits. Bonus: it looks sick on a dark stage!

Death By Audio Bass War Pedal

2.650,-

Death By Audio Bass War DBA’s Flagship Fuzz Pedal, now for Bass The Bass War was born with a clear mission: to take Death By Audio’s legendary Fuzz War and craft it into the ultimate weapon for bass. We didn’t just tweak the formula, we reimagined it from the ground up, infusing classic circuit designs with our own twist. The result? A harmonically rich octave fuzz that doesn’t just deliver - it dominates, with exceptional gain, a wide tonal range and a MIX control that puts the power of mind-blowing bass fuzz at your fingertips. This pedal isn’t here to play nice, it’s here to push boundaries. The super-extended control ranges let you sculpt your sound from a gritty, grinding drive all the way to a thick, bone-crushing distortion. The FUZZ knob is your key to unlocking everything from a subtle growl to an all-out sonic assault. The TONE knob is your secret weapon, acting like a notch filter that lets you sweep through a massive arsenal of fuzz tones, each one rich, heavy, and impossible to ignore. And with the MIX control, you can blend just the right amount of fuzz with your clean bass, keeping your sound powerful and balanced, no matter how intense things get. The Bass War isn’t just another Fuzz pedal, no it’s your ticket to a bass tone that demands attention and leaves its mark. If you’re ready to take your sound to the next level and carve out your own sonic territory, the Bass War is your go-to pedal. Plug in and let your bass do the roaring. Main Features: • Octave Fuzz effects pedal for Bass • Bass version of DBA’s flagship Fuzz War • Controls with extended ranges offering massive versatility:      Fuzz: Provides up to +64 dB of gain      Vol: Output Level up to +27 dB      Tone: Deep Notch Filter with wide range from 98 Hz to 3.3 kHz      Mix: Blends between clean sound and Fuzz • True Bypass Switching • Top-mounted jacks for easy pedalboard mounting • Made in the USA • Powered by regular 9 V DC PSU or 9 V Battery (centre -, 2.1 mm, ~33 mA current draw - not included)

Aim Audio ORBIT Shockmount

996,-

Aim Audio ORBIT Custom Shockmount Kit Many years in development, the Aim team precisely worked out how to make the ultimate mounting solution for our mics. But we went even further than that and came up with something really special. All Aim Audio mics are equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Plus, Aim’s custom capsule holder is also made from an anti-vibration synthetic rubber material, rather than a rigid plastic that’s used in many other mics. However, for the absolutely best shock-mounting experience and if you want additional mounting options, we’ve developed the ORBIT, our revolutionary and patented multi-position Shock Mount system, along with the SENTRY Magnetic Pop Filter as part of the kit. Main Features • The Ultimate Shock-Mount System for Aim Audio Mics • Easy to set up, mics just securely slide in and you're done • Open front design, for ease of control and getting closer to sources • Patented 190 degree adjustment angle of the mounting position, makes positioning a breeze • Custom non-sagging Lyres, achieves superb rumble attenuation • Removable cable relief clip, keeps things tidy but also helps reduce cable-borne rumble • Magnetic Resorber Ring, reduces resonances • Reversible SENTRY Magnetic Pop Filter, perfectly aligns with capsule • Acid etched holes in coated stainless steel filter, directs airflow to catch plosives and avoid loss of HF • Made from long Glass-Reinforced Nylon, making it lightweight and virtually indestructible Innovate, not imitate We’ve all been there - with many shock-mount designs they are fiddly to setup, hard to adjust and a pain getting the exact angle you need for the mic to be pointed at your source. Not to forget, with some of these classic designs, you also don’t always have the confidence that your precious mic is secured firmly. Well ORBIT is no ordinary shock mount and as it is so easy to use and setup, you’ll wonder what you ever did without it. Take the Shock Made from extremely strong Long Glass Reinforced Nylon, ORBIT is lightweight and very simple to use. Just like with our microphones, ORBIT has had years of development in working out how to make a better shockmount system. In addition, to get closer to sound source and to make the controls on the microphone easily accessible (especially when the mic is in the cradle), we settled on a half-open/open front design. After very many man hours of physical testing, we also chose to not use regular rubber-band style of elastics that can sag over time and also introduce all sorts of resonances. Instead, we developed our own solid nylon based Lyres to afford the best shock-mounting possible. With our patented mechanism, you can easily change the angle of the mounting position by 190 degrees, to suit whatever direction you want to ‘Aim’ the capsule at. Side mounting, front, back or any position in between, the twist clamp mechanism can be operated single-handedly, while the mic stays secure in the custom clamp. This also makes ORBIT great for overheads or for miking up amps etc. In addition, the integrated removable cable relief clip helps to reduce rumble and handling noise. Top out the POPs Aim mics have a great integrated dual Steel Mesh pop filter, but to help catch the very worst plosives we developed the SENTRY Pop Filter. The pop filter itself is made with a coated stainless steel, with acid-etched hexagonal holes that have been aligned precisely. These holes and the distance between the filter and capsule have been specifically worked out to give the best airflow, all helping to catch great vocals, with an acoustic performance that’s perfect for plosive control. SENTRY’s surface area also curves around the microphone, so movement should not be an issue, all helping you to achieve the best vocal tracking experience you can. Easy to place, SENTRY uses custom integrated magnets in four positions. These feature a very high quality localised magnetism to ensure it doesn’t interfere with the microphone’s electronics and means that it will always stay exactly where you put it. A number of shockmounts on the market have their own resonance that can get into recordings. ORBIT is open at the front, for control access, plus as ORBIT is designed to be lightweight yet extremely strong, we used new materials which meant there can be some small unavoidable resonances. However, with the SENTRY installed, these are completely cancelled out. But for those times when you don’t need a pop filter, we developed the Magnetic Resorber Ring. This just drops onto the top when not using the SENTRY - the magnets will do the rest for you and help to give the best audio performance. ORBIT Specs Compatibility: Aim INSPIRE, Aim ESSENCE SENTRY Pop Filter Attachment: 4x localised Neodymium Magnets Mounting Options: Brass insert directly screws to a regular 5/8″-27 microphone stand. Accessories Supplied*: Brass 3/8″(9.5mm)-16 thread adaptor (*excl. Americas), branded Velcro cable tie

Aim Audio ESSENCE Stormembran ...

4.464,-

Aim Audio ESSENCE Cardioid Condenser Microphone Made in Berlin, Germany, the ESSENCE is a new high-performance studio mic that is a world first. It comes with a host of unique, useful and innovative features, including our patented switchable Transformer/Electronic Output stage. From a direct, beautifully open and fast response to smooth and intimate sounds with sparkling harmonics and deep lows, ESSENCE is surely going to become a top choice wherever and for whatever source you wish to use it on. Add to this a fresh look, backlit and tactile controls, reversible orientation, built-in Peak Level Metering, a hand-built 1” Gold Sputtered Mylar true condenser capsule (externally polarized) and you have one of the finest audio products to ever hit the market - all at a price/performance ratio that defies regular convention. Main Features • Cardioid Studio Condenser Mic • Developed by an experienced team of experts in audio, with multiple patented features • All-metal housing with unique oval design • Class-Leading Audio Performance (>140 dBA internal headroom) • Switchable between Electronic or Transformer Balanced Output stages • Custom-wound Toroidal Audio Transformer with VITROPERM core • 1” Large Diaphragm True Condenser (Gold Sputtered Mylar) • Sound chosen by blind listening tests, using our industry leading panel • -10 dB Pad, plus 80 Hz Low Cut • Integrated Peak-Level Metering • Backlit Controls (dimmable and lockable) • Built-in direct-to-stand mounting • Powered by regular 48 V Phantom Power • Made in Berlin, Germany The sound of success The sound of any microphone starts with the capsule. We developed the Aim sound by carrying out a number of double blind tests with a team of leading studio engineers, musicians, artists and audio professionals across the world. Along the process and to find out what capsule style and tonality worked best with our custom electronics, we also compared each of these tests by ear and included checking these results randomly, against some of the most popular and best competitor mics on the market. Our chosen handmade, externally polarized, dual 1” capsule features a 6 micron gold-sputtered genuine Mylar diaphragm, isolated brass backplates with the finest quality tensioners and a customized ring connector. We also use Teflon coated wires, as this improves the S/N ratio to our own and separate Hi-Z electronics. It really is a work of art. ESSENCE’s cutting edge electronics are also extremely important to the sound. For all of our PCBs (also made in Berlin), we selected the highest quality components throughout - despite the cost, to maintain and exceed audio performance from many other designs that our team have been involved in. We also wanted to achieve a very low noise floor and a flat internal response without compromising on the audio quality, so we have a total number of four separate PCBs in each microphone, to minimise crosstalk and provide a leading-edge internal headroom of 140 dBA+. Plus, the entire mic is powered just by regular 48 V Phantom Power! Change the Output Mode Transformer or Electronic Output stage? Why not have both in the same mic! Despite being a huge challenge, we made it happen and now for the very first time, you can instantly swap between these two distinct types of output and choose exactly which style best suits your source, at source and at the same level. For our Transformer-based circuit, the Aim Audio team developed a Custom Wound Toroidal Transformer with a nanocrystalline VITROPERM core. This special design doesn’t sound harsh or just add distortion, but it provides a slightly thicker and richer LF, plus a slightly airy top end and a slower transient response. Useful for all sorts of audio; from aggressive or velvety smooth vocals to heavy guitars or a brass section, this mode gives a beautifully open sound with shimmering harmonics. While our super clean Electronically Balanced Output will react much faster with transients and can handle higher SPL, even at ultra-low frequencies. Perfect for catching fast moving audio like shiny drum overheads or tracking acoustic guitars, without any ‘smearing’ of the audio, this mode gives stunningly transparent and natural recordings. It captures all the detail in the HF but without adding a zingy quality that some condensers can be prone to. See it your way To make the controls easy to see in dark and moody stages and studios, Aim’s LED backlit controls on ESSENCE show exactly what settings the mic is set to, at a moment’s glance. All of the controls can be easily dimmed to three levels or even turned off, as required. You can also easily lock the buttons too, to prevent accidental changes. Catch the Peaks and Rumbles Many interfaces, mic-preamps and even DAW meters don't always show fast clipping peaks before they can irreversibly damage a take. So, we fitted a simple Peak LED Level meter to ESSENCE which will flash Orange when the level is approaching the ‘danger level’ and will go Red to show when you should use a Pad. The mic itself won’t be distorting, so you can turn this feature off if you are using a high-end device. The Low Cut Filter at 80 Hz and a gentle Roll Off Filter at 110 Hz are useful for helping to reduce wind noise, close proximity effect or even vibration, assisting you to get the best sound possible for your recordings. Take the Shock ESSENCE is equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Aim’s custom capsule holder is also made from a superior rubberised Anti-Vibration material, meaning it will protect your takes from most knocks and bumps that could ruin a recording. However, for the absolutely best shock-mounting experience, the optional ORBIT, our revolutionary patented multi-position shockmount, and the SENTRY magnetic Pop Filter are also available.   Topping things off, ESSENCE includes a branded Velcro cable tie and a Vegan-Leather mic carry pouch to keep the microphone free from dust when not being used.   ESSENCE Technical Specs Transducer Type: True Condenser Frequency Response: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kΩ: 24.1 mV/Pa (rel. 94 dB SPL) Signal-to-Noise Ratio: 86 dBA (rel. 94 dB SPL) Polar Pattern: Cardioid Equivalent Noise Level: 8 dBA Maximum SPL: 140 dB (at 0.05% THD - no pad) Pad Switch: -10 dB LF Cut-Off Filter: 80 Hz

Aim Audio INSPIRE + PACK ...

9.274,-

Aim Audio INSPIRE + PACK Aim… Ready… Record! The Aim Audio INSPIRE + Pack includes the trailblazing and exquisite INSPIRE microphone and the ORBIT Shockmount kit. Both have been entirely conceived from the ground up, to help you make better recordings. Made in Berlin, Germany, the INSPIRE is a new high-performance studio mic that is a world first. It comes with a host of unique, useful and innovative features, including our patented switchable Transformer/Electronic Output stage. From a direct, beautifully open and fast response to smooth and intimate sounds with sparkling harmonics and deep lows, INSPIRE is surely going to become a top choice wherever and for whatever source you wish to use it on. Add to this a fresh look, backlit and tactile controls, reversible orientation, built-in Peak Level Metering, a hand-built 1” Gold Sputtered Mylar true condenser capsule (externally polarized), along with the revolutionary ORBIT Shockmount, complete with the SENTRY Magnetic Pop Filter, the INSPIRE + PACK is one of the finest audio products to ever hit the market - all at a price/performance ratio that defies regular convention. Main Features • Multipattern Studio Mic and Shockmount Package, in custom fitted case • Developed by an experienced team of experts in audio, with multiple patented features • All-metal housing with unique oval design • Class-Leading Audio Performance (>140 dBA internal headroom) • Switchable between Electronic or Transformer Balanced Output stages • Custom-wound Toroidal Audio Transformer with VITROPERM core • Dual 1” Large Diaphragm True Condenser (Gold Sputtered Mylar) • Sound chosen by blind listening tests, using our industry leading panel • 5 Switchable Polar Patterns, with voltage reached indication • -10 and -20 dB Pad options, plus 80 Hz Low Cut or 110 Hz Roll Off switches • Integrated Peak-Level Metering • Backlit Controls (dimmable and lockable) • Built-in direct-to-stand mounting • Powered by regular 48 V Phantom Power • Included Custom ORBIT Shockmount, with adjustable clamp angle and Resorber Ring • Included SENTRY Magnetic Reversible Pop Filter • Made in Berlin, Germany The sound of success The sound of any microphone starts with the capsule. We developed the Aim sound by carrying out a number of double blind tests with a team of leading studio engineers, musicians, artists and audio professionals across the world. Along the process and to find out what capsule style and tonality worked best with our custom electronics, we also compared each of these tests by ear and included checking these results randomly, against some of the most popular and best competitor mics on the market. Our chosen handmade, externally polarized, dual 1” capsule features a 6 micron gold-sputtered genuine Mylar diaphragm, isolated brass backplates with the finest quality tensioners and a customized ring connector. We also use Teflon coated wires, as this improves the S/N ratio to our own and separate Hi-Z electronics. It really is a work of art. INSPIRE’s cutting edge electronics are also extremely important to the sound. For all of our PCBs (also made in Berlin), we selected the highest quality components throughout - despite the cost, to maintain and exceed audio performance from many other designs that our team have been involved in. We also wanted to achieve a very low noise floor and a flat internal response without compromising on the audio quality, so we have a total number of four separate PCBs in each microphone, to minimise crosstalk and provide a leading-edge internal headroom of 140 dBA+. Plus, the entire mic is powered just by regular 48 V Phantom Power! Change the Output Mode Transformer or Electronic Output stage? Why not have both in the same mic! Despite being a huge challenge, we made it happen and now for the very first time, you can instantly swap between these two distinct types of output and choose exactly which style best suits your source, at source and at the same level. For our Transformer-based circuit, the Aim Audio team developed a Custom Wound Toroidal Transformer with a nanocrystalline VITROPERM core. This special design doesn’t sound harsh or just add distortion, but it provides a slightly thicker and richer LF, plus a slightly airy top end and a slower transient response. Useful for all sorts of audio; from aggressive or velvety smooth vocals to heavy guitars or a brass section, this mode gives a beautifully open sound with shimmering harmonics. While our super clean Electronically Balanced Output will react much faster with transients and can handle higher SPL, even at ultra-low frequencies. Perfect for catching fast moving audio like shiny drum overheads or tracking acoustic guitars, without any ‘smearing’ of the audio, this mode gives stunningly transparent and natural recordings. It captures all the detail in the HF but without adding a zingy quality that some condensers can be prone to. See it your way To make the controls easy to see in dark and moody stages and studios, Aim’s LED backlit controls on INSPIRE show exactly what settings the mic is set to, at a moment’s glance. All of the controls can be easily dimmed to three levels or even turned off, as required. You can also easily lock the buttons too, to prevent accidental changes. Multi-Pattern Wheel with Stabilisation Indication INSPIRE is equipped with 5 distinct Polar Patterns (Cardioid, Wide Cardioid, Super Cardioid, Omni and Figure-8) via the Pattern Select Wheel. In addition, the backlit LED in the wheel will flash until the correct polarization voltage or switching settings have been reached, making it super handy when audibly testing what pattern works best for your source, at speed. Catch the Peaks and Rumbles Many interfaces, mic-preamps and even DAW meters don't always show fast clipping peaks before they can irreversibly damage a take. So, we fitted a simple Peak LED Level Meter to INSPIRE which will flash Orange when the level is approaching the ‘danger level’ and will go Red to show when you should use a Pad. The mic itself won’t be distorting, so you can turn this feature off if you are using a high-end device. The Low Cut Filter at 80 Hz and a gentle Roll Off Filter at 110 Hz are useful for helping to reduce wind noise, close proximity effect or even vibration, assisting you to get the best sound possible for your recordings. Front or Back? During development, we asked ourselves “do the switches belong on the front or rear?” For a vocalist who wants to record themselves, having the switches right on the front would make the most sense, but if an engineer wants to control and see the settings or you want to record a guitar amp etc. the rear does make it much easier to maintain access. As INSPIRE has a highly matched dual capsule and a symmetrical acoustic design, it meant that we could simply switch between both sides and maintain the sonic signature, no matter which side is in use. Simple and effective, in any of the three Cardioid modes, the FRONT and BACK controls will switch and invert the entire orientation of the microphone. This means that all the controls practically will move from the front to the back of the microphone and/or vice versa, to best suit exactly how you want to use it! Take the Shock INSPIRE is equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Aim’s custom capsule holder is also made from a superior rubberised Anti-Vibration material, meaning it will protect your takes from most knocks and bumps that could ruin a recording. However, for the absolutely best shock-mounting experience, the INSPIRE + Pack includes ORBIT, our revolutionary patented multi-position shockmount and the SENTRY magnetic Pop Filter, as part of the package. Made from extremely strong Long Glass Reinforced Nylon, ORBIT is lightweight and very simple to use.   Many shockmount designs can be fiddly, hard to adjust and a pain getting the exact angle you need for the mic to be pointed at your source. Just like with our microphones, ORBIT has had years of development in working out how to make a better shockmount system. In addition, to get closer to sound source and to make the controls on the microphone easily accessible (especially when the mic is in the cradle), we settled on a half-open/open front design. After very many man hours of physical testing, we chose to not use regular rubber-band style of elastics that can sag over time and also introduce all sorts of resonances. Instead, we developed our own solid nylon based Lyres to afford the best shock-mounting possible. But what if you want to use INSPIRE’s Back mode and not have the mount in the way of the controls or peak LEDs? No problem! With our patented mechanism, you can easily change the angle of the mounting position by 190 degrees, to suit whatever direction you want to ‘Aim’ the capsule at. Side mounting, front, back or any position in between, the twist clamp mechanism can be operated single-handedly, while the mic stays secure in the custom clamp. This also makes ORBIT great for overheads or for miking up amps etc. In addition, the integrated removable cable relief clip helps to reduce rumble and handling noise. Top out the POPs Aim mics have a great integrated dual Steel Mesh pop filter, but to help catch the very worst plosives we developed the SENTRY Pop Filter. The pop filter itself is made with a coated stainless steel, with acid-etched hexagonal holes that have been aligned precisely. These holes and the distance between the filter and capsule have been specifically worked out to give the best airflow, all helping to catch great vocals, with an acoustic performance that’s perfect for plosive control. SENTRY’s surface area also curves around the microphone, so movement should not be an issue, all helping you to achieve the best vocal tracking experience you can. Easy to place, SENTRY uses custom integrated magnets in four positions. These feature a very high quality localised magnetism to ensure it doesn’t interfere with the microphone’s electronics and means that it will always stay exactly where you put it. It’s also reversible to either direction, so if you want to use the REAR mode on INSPIRE with a vocalist and still see the controls and peak indicators, you can! A number of shockmounts on the market have their own resonance that can get into recordings. ORBIT is open at the front, for control access, plus as ORBIT is designed to be lightweight yet extremely strong, we used new materials which meant there can be some small unavoidable resonances. However, with the SENTRY installed, these are completely cancelled out. But for those times when you don’t need a pop filter, we developed the Magnetic Resorber Ring. This just drops onto the top when not using the SENTRY - the magnets will do the rest for you and help to give the best audio performance. But that’s not all Topping things off, INSPIRE + PACK includes a custom moulded hard carry case, a branded Velcro cable tie and a Vegan-Leather mic carry pouch.   INSPIRE Technical Specs Transducer Type: True Condenser Frequency Response: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kΩ: 13.5 mV/Pa (rel. 94 dB SPL) Signal-to-Noise Ratio: 86 dBA (rel. 94 dB SPL) Switchable Polar Patterns: Cardioid, Wide Cardioid, Super Cardioid, Omni, Figure-8 Equivalent Noise Level: 8 dBA Maximum SPL: 140 dB (at 0.05% THD - no pad) Pad Switches: -10 and -20 dB LF Cut-Off Filter: 80 Hz LF Roll-Off Filter: 115 Hz

K&M 12160 DJ Desk black

2.950,-

K&M 12160 DJ Desk black Profesjonelt DJ-bord for både fastmontert og mobil bruk. Den romslige overflaten med dimensjoner på 1100 x 455 mm gir plass til et bredt utvalg av studio- og DJ-utstyr. Takket være de fire hurtigfrigjøringsklemene kan overflaten monteres eller fjernes raskt og enkelt. Den robuste rammen laget av stålrør gir nødvendig stabilitet. I tillegg sikrer en justerbar endekappe at standen står støtt og ustødig. Høyden kan justeres i trinn på 30 mm fra 605 til 1055 mm ved hjelp av fjærbelastede låsebolter. For mobil bruk kan de to bunnrammene og støttestengene demonteres og gi en flat og brukervennlig pakke sammen med rammen og toppen.   Bæringsplate: 1,100 x 455 mm Tilkoblingsstativ/plate: hurtigfrigjøringslås Høyde: fra 605 til 1 055 mm Høyderegulering: fjærbelastet klemknapp Materiale: stålrørstativ, MDF-overflate Maks. lastekapasitet: 30 kg Særtrekk: justerbar endekappe for å stabilisere stativet på ujevne overflater; flat og brukervennlig pakke Type: black Vekt: 13,5 kg

Kasse for 1 stk Pioneer ...

7.737,-

Flightcase bygget for 1 stk. Pioneer XPRS-15. 4 Butterfly låser 2 Kraftige håndtak Fullt skumforet Hjulplate med 4 hjul (2 m/brems) kan velges som tillegg. Kvalitet produsert i Norge! Leveringstid: ca. 3-4 uker. VossMusikk.no er din leverandør av flightcaser, rack, transportkasser, pedalbrett, stativflighter, mikrofonkasser, backline flighter, instrumentkasser, keyboardflighter, DJ-flighter, flatskjermkasser, laptop-flighter og så mye, mye mer. Kun fantasien setter grenser for hva vi kan lage flightcase til.

Blackstar Airwire i58 ...

1.995,-

Blackstar AIRWIRE i58 Trådløst system Digitalt trådløst system for el-gitar, bass etc., 6,35 mm kontakt, rekkevidde: Opptil 35 meter, driftstid opptil 9 timer. Blackstar AIRWIRE i58 er et avansert trådløst system for el-gitar, bass og andre musikkinstrumenter som bruker en standard 6,35 mm jack. AIRWIRE i58 bruker 5,8 GHz-båndet, som er et mindre belastet frekvensbånd som ikke påvirkes av nærliggende Wi-Fi-signaler. Med ekstremt lav latens og nøyaktig frekvensgjengivelse får du en naturlig tone og spillefølelse, som gir deg et optimalt signal og respons på scenen eller andre liveopptredener – helt uten begrensningene som vanligvis forbindes med vanlige kabler. AIRWIRE i58 har en veldig kompakt og elegant design som aldri forstyrrer eller begrenser spillingen din, uansett hvilket instrument du bruker. Opptil fire AIRWIRE i58-enheter kan brukes samtidig uten forstyrrelser, noe som gjør systemet ideelt for hele bandet. AIRWIREs høyoppløselige signaloverføring eliminerer diskanttap, som ofte kan oppstå ved bruk av lange kabler. For de som ønsker lyden av en tradisjonell kabel, finnes det også en koblingsbar CABLE TONE-funksjon som gjenskaper lydkarakteren til en vanlig signalkabel. Med full lading kan systemet gi opptil 9 timers driftstid, noe som er mer enn nok for en full spillejobb. For å spare batteri slår mottakeren seg automatisk av etter 10 minutter hvis det ikke oppdages noe signal. Med en rekkevidde på opptil 35 meter kan du bevege deg fritt på scenen uten å bekymre deg for å miste signalet. Spesifikasjoner: Frekvensbånd: 5,8 GHz Antall kanaler: 4 uavhengige kanaler Rekkevidde: Opptil 35 meter (100 fot) Latens: <6ms Frekvensrespons: 20 Hz ~ 20 kHz Utgangsimpedanse: 1 kΩ Tilkoblinger: 6,35 mm mono Strømforsyning: Oppladbart litium-ion-batteri Lading: USB-C 5V-inngang (kabel inkludert) Ladetid: <2,5 timer Driftstid: 9 timer ved full lading Mål: L 67,0 mm, B 37,2 mm, H 20,5 mm Vekt: 45 g (pr individuell sender/mottaker)

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