PRS Tremonti 1x12 Cabinet

5.595,-

PRS TREMONTI 1 X 12 CABINET PRS Amps 1x12" closed back Mark Tremonti signature speaker cabinet. A perfect match for the PRS Tremonti MT15 Head. Paul Reed Smith har i løpet av sine år med å jakte på den fullendte tonen samlet opp en forsterkersamling man bare kan drømme om. Underveis i jakten støtte han på en herre ved navn Doug Sewell som er en talentfull forsterkerbygger og -modder, og Paul Reed Smith ble så begeistret over hans arbeid at han foreslo et samarbeide. Sturdy and excellent sounding 1x12” closed back cabinet. Made of Birch Plywood for maximum sonic stability. Equipped with a Celestion Vintage 30 speaker for an uncompromising high end tone that perfectly match with the PRS MT15 amplifier.   Specifications: Wood: Birch Plywood Colors: Stealth w/ Open Weave Black Grill Cloth & Black Piping Speaker: 1x Celestion Vintage 30 Power-Handling: 60 Watts Impedance: 16 Ohms Dimensions: LxWxH: 61cm” x 26,7cm” x 45,7cm” Weight: 18,1 kg  

PRS Tremonti MT15-V2 Head ...

12.750,-

PRS MT15-V2 Tremonti Head Forsterkertopp, 15 W eller 7 W, rør i for- og sluttrinn, 6L6GCM sluttrinnsrør, 12AX7 preamp-rør, Lead- og Clean-kanaler med separate volum- og tonekontroller, effektsløyfe. MT15 er en tokanals forsterkertopp der en tett hi-gain kombineres med en klar artikulasjon og bite. Med sin store og sterke lyd leverer MT15-V2 mer enn størrelsen skulle tilsi, så tunge riff og soloer med mye forvrengning er ikke noe problem, mens den rene kanalen leverer det den skal, en ren lyd.  Forsterkeren har 4 stk ECC-83 er et rør i forforsterkeren og er designet for en kraftig tone med fokus på et stramt lavt register uten å miste artikulasjon eller bitt i toppen. I tillegg har Lead-kanalen en Overdrive-funksjon som bytter mellom 2 stk av forforsterkerrørene for å gi en rik mellomtone med en mer vintage-karakter.  Clean-kanalen har en lys, ren tone som fungerer like bra for akkorder og fingerstyle-spilling, og det finnes også en Boost-funksjon som gir et snev av overdrive for å gi den klassiske crunch-lyden.  Uansett hvilken kanal du velger eller hvilken lyd du stiller inn, leverer MT15 en balansert tone over hele registeret som aldri blir slem eller bitende.  Hvis du bruker alle 15 wattene, kan det føles som om du spiller på en «50-watter». Dette kompakte forsterkerhodet er så kraftig at du kan senke effekten ned til 7 watt for å kunne presse forsterkeren selv ved lavere volum. “We knew we wanted a low-wattage amp. The challenge was getting a lot of tone and features in a little box. We’re all blown away with how it turned out. It’s going to be great for someone to take it out of the box, set everything to noon, and have it sound great.” – Mark Tremonti Rørforsterker 15 eller 7 watt, valgbar 2 x 6L6GCM-STR effektforsterker-rør 4 x 12AX7 (ECC83) forforsterker-rør Faseomformer, 12AX7 rør Lead and Clean-kanaler Overdrive-funksjon på Lead-kanalen Boost-funksjon på Clean-kanalen Separate volum- og tonekontroller for hver kanal Mastervolum Presence-kontroll Seriell rørdrevet effektsløyfe (12AX7) 16 ohm, 8 ohm og 2 x ohm høyttalerutganger Bias-justering 35,5 x 22,9 x 25,4 cm 8,1 kg

Yamaha TF1 Mixer Flightcase

4.640,-

Flightcase designet spesielt for Yamaha TF1 mikser. TF 1 kan brukes i basen. 6,5mm finer 1 håndtak i hver ende 1 Håndtak i front 4 Medium Butterfly låser tilpasset foam i lokk og bunn Invendige mål: 511mm (B) x 659mm (L) x 225mm (H) 120mm i bakkant for tilkoblinger. Utvendige mål ca. 571mm (B) x 760mm (L) x 291mm (H) Inngravering av logo eller navn og plate med label for merking med tusj, kan velges som tillegg. Kvalitetsflight produsert i Norge. VossMusikk.no er din leverandør av flightcaser, rack, transportkasser, pedalbrett, stativflighter, mikrofonkasser, backline flighter, instrumentkasser, keyboardflighter, DJ-flighter, flatskjermkasser, laptop-flighter og så mye, mye mer. Kun fantasien setter grenser for hva vi kan lage flightcase til.

Klotz AT-CF0100 2 x XLR hun-2 ...

520,-

Klotz 2 x Neutrik XLR hun - 2 x Phono han (dual) 1 m AT-CF0100 Klotz twin cable with straight RCA and Neutrik XLR female plugs really lightweight 24 carat gold-plated contacts for loss-free transitions very durable

Meinl MSM2 Maracas Skinn med ...

435,-

Håndlagde skinnmaracas med trehåndtak

Radial USB-Pro Stereo USB ...

4.450,-

The Radial USB-Pro is a high-resolution stereo digital audio converter (DAC) and direct box that is designed to connect to any computer system to seamlessly transfer digital audio to analog. A stereo pair of balanced XLR audio outputs with adjustable level control then feeds the signal to a microphone preamplifier, PA system, mixing console or even a powered speaker! Made for plug and play simplicity, the USB-Pro will automatically be listed as an available sound card in the audio settings in all popular operating systems including Windows XP, Windows 7/8/10, and Mac OSX USB-Pro Stereo USB Laptop DI High performance 24bit digital audio converter Ready to use without the need of a driver 3.5mm analog headphone output to check signal Balanced Lo-Z outputs with switchable isolation Connection to a computer is accomplished through a standard USB type-B port. Digital-to-analog conversion can be monitored on headphones through the 3.5mm analog output to check signal quality and level before connecting to a sound system. A mono-sum switch may be engaged to check for phasing or for connection to a mono system. Should hum or buzz caused by ground loops be encountered, two recessed side-access switches allow the user to insert isolation transformers into the signal path. To further reduce susceptibility to noise, this is augmented with a ground lift switch that lifts pin-1 on both XLR jacks. As with all Radial products, the USB-Pro is designed to handle the rigors of professional touring. Our unique book-end design creates protective zones around the switches, connectors and controls to keep them out of harm's way. Inside, our time-tested I-beam construction assures the sensitive internal PC board will not torque, which could cause premature part failure. Finally, a full bottom no-slip pad provides mechanical isolation and electrical insulation to ensure quiet operation.

Radial StageBug SB-4 Piezo DI

1.612,-

The Radial StageBug SB-4 is a compact active direct box that has been optimized for use with piezo transducers. This enables violin, dobro, mandolin, cello, upright bass and other instruments that are best amplified using a piezo to be connected without compromising the tone or frequency response StageBug SB-4 Piezo DI Active DI optimized for piezo transducers Smoothes out peaks, eliminates squawk High pass filter eliminates resonance Ultra compact to fit in your guitar case The design begins with a ¼" input for the instrument pickup. Unlike typical direct boxes that have a 1meg-ohm input impedance, the SB-4 features a very high 5meg-ohm impedance that smoothes out troublesome peaks that give piezos a bad name. The higher impedance also broadens the frequency response for a more natural and pleasing sound. The active circuit performs the high-to-low impedance conversion and balances the signal to enable long runs upwards to 100 meters without loss, delivering spectacular linearity and low distortion throughout the audio range. To help eliminate feedback on stage, the SB-4 is equipped with a high-pass filter and 180° polarity reverse switch. The high pass filter eliminates excessive bottom end which in turn reduces resonance that can cause the top of the instrument to vibrate. The 180° polarity reverse helps reduce acoustic hot spots on stage by changing the phase relationship between the PA system and room acoustics which can combine at certain frequencies to create peaks. Reversing the polarity eliminates the acoustic peak without resorting to severe equalization which only serves to compromise the natural tone of the instrument. Connections include an AUX out for a stage amplifier plus a standard XLR output to feed the PA. Power is derived from the console's 48V phantom, thus eliminating the need for batteries or external supply. One simply connects, turns on the phantom power and plays! These features combined with the compact size make the StageBug SB-4 the perfect companion for orchestral artists, blue grass players and pop string quartets that need to turn it up when in concert.

Radial StageBug SB-2 Passive ...

1.450,-

The Radial StageBug SB-2 Passive is a high-performance direct box made for players who are on the move! Made to fit inside of a guitar case, the SB-2 is ultra compact yet is feature-packed to ensure great performance on any stage StageBug™ SB-2 Passive Direct Box Passive DI for bass, acoustic and keyboard Ultra compact to fit in your guitar case Plug & play easy to use feature set Transformer isolation eliminates noise The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional results. These features make the StageBug SB-2 a great choice for electric bass, acoustic guitar and keyboards where small size and big performance matters!

Radial StageBug SB-1 Active ...

1.450,-

The Radial SB-1 Active is a high-performance active direct box made for players that are on the move. Made to fit inside a guitar case, the SB-1 is the smallest Radial DI box ever! But don't let the small size deter... this ultra-compact StageBug sounds absolutely terrific! StageBug SB-1 Active Direct Box Active direct box for acoustic guitar Ultra compact to fit in your guitar case Plug & play easy to use feature set 48V phantom powered, no batteries needed! The design begins with standard ¼ instrument input with a thru-put to feed your tuner or your on-stage amp. The ultra-quiet active circuit at once converts the signal from high to low impedance to reduce susceptibility to noise. The signal is then buffered and balanced for long cable runs to the PA system. 48 volt phantom provides the power, so the SB-1 does not require batteries or external supply to make it work. You simply plug in and you are ready to go! The active circuit features a carefully selected 800k-ohm input impedance to eliminate problems with loading while delivering a crisp, clear sound to the audio system. This delivers extra sparkle to the top end when interfacing vintage guitars with low output pickups and is particularly handy should you plan to use it for recording or Reamping. The SB-1 is also equipped with a -10dB pad that reduces the input sensitivity to gracefully handle even the loudest active instruments. This makes the SB-1 perfectly well suited for electric bass and keyboards. To reduce feedback, toggling the 180° polarity switch helps eliminate hot spots on stage that can cause low frequency resonance. The StageBug... small size, big heart, huge sound!

Radial PZ-DI Orchestral ...

4.600,-

The Radial PZ-DI™ is a unique direct box that is specifically designed for acoustic and orchestral instruments. Unlike most direct boxes that are limited to a 'one size fits all' design, the PZ-DI lets you properly match the input impedance to the source to optimize the frequency response, dynamics and feel so that no matter what type of pickup you employ, you will enjoy smoother, more musically pleasing results PZ-DI Orchestral Instrument DI Optimized for orchestral instruments on a live stage Adjustable load for piezo and magnetic pickups Variable low-cut filter to control bass resonance 48V phantom powered, does not require batteries The design begins with a 3-position load adjustment switch: The 1 meg-ohm position delivers the classic impedance found on most active DI boxes. The 220k-ohm setting warms up the tone of a magnetic pickup to give you the feel and tone as if connected to a tube amplifier. The ultra-high 10 meg-ohm impedance is used to compensate for the harsh, squawky tone that usually plagues piezo-equipped instruments. This is followed by a fully variable high-pass filter that lets you 'size the instrument' by gently rolling off bass frequencies to eliminate unwanted resonance. You could for instance, retain the low frequencies on a cello or increase the cut-off point to better suit a violin. For active instruments such as acoustic guitars that incorporate a battery powered preamp, you can engage a low-pass filter to gently soften the hard edge for a smoother more natural tone. To maximize signal handling and reduce distortion, the PZ-DI incorporates an innovative DC to DC switching supply that converts the phantom power to deliver extra headroom. This provides ample dynamic range for acoustic instruments. Should an extra loud source such as an active bass or digital keyboard be encountered, simply activate the -15dB pad to satisfy the situation. Other problem solvers include a 180° polarity reverse switch to tame hot spots on stage that can cause feedback and a ground lift switch to help eliminate hum and buzz caused by ground loops. The Radial PZ-DI is a ground breaking direct box that can instantly adapt to all types of pickups so that you can enjoy the full frequency response and dynamics of an orchestral string instrument, smooth-out the peaks of bluegrass fiddle, banjo or mandolin, split off a bass guitar without excessive loading, or naturally amplify an acoustic guitar without the usual tone-altering effects.

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