Takamine EF381SC 12-Strengs ...

19.250,-

Takamine Legacy Series er en samling klassikere. Du finner blant annet en av verdens mest solgte elektroakustiske gitarer, den velkjente EF341SC som fremdeles brukes av noen av de største artistene i verden. Du finner også EF407, en fantastisk gitar med slotted headstock som er bygd i koa heltre. Alle disse er bygd på Takamines fabrikk i Japan av deres Master Luthiers og kommer med hardcase.   The EF381SC 12-string dreadnought is handcrafted in Takamines pro series facility that has been building precision quality instruments for over five decades. The versatility of this guitar begins with its solid cedar top that can play sweet mellow passages or power chords with equal ability. The maple back and sides are a perfect reflector for the tone generated by the soundboard, while the gloss black finish looks great under the stage lights. The mahogany neck is joined to the body with a traditional, ultra strong dovetail joint. IncludesTakamine’s CT4B II preamp system with three-band EQ, volume control and built-in tuner paired with the unique Palathetic™ under-saddle pickup for peerless amplified response. Specifications: Top: Solid Spruce Back: Laminated Maple Sides: Laminated Maple Neck: Mahogany Finger Board: Rosewood Nut Width: 1.825" (46.35 mm)) Electronics: CT4B II Finish: Black Hardcase included  

Ibanez PS120-BK Paul Stanley ...

13.575,-

PS120-BK (Black) Paul Stanley Signature. Man kan ikke si det bedre enn som Ibanez selv sa det: "En rockelegende er tilbake!" Jeg antar at verken Paul eller bandet han spiller i trenger noen ytterligere presentasjon overhodet. I all ærlighet, ikke gitaren heller. En gitar som har blitt et ikon like mye som mannen som spilte på den. Det er antageligvis ikke en eneste KISS fan som ikke mente at Paul burde vende tilbake til sin Ibanez Iceman , da han var ute og var "utro'' med andre produsenter. Men nå er altså både Paul og gitaren tilbake i Ibanez stallen, så alt i orden. Specs: • 3-pc mahogny set-in PS neck. • Mahogny body with maple top. • Bound ebony fretboard with Acrylic & Abalone inlays. • Medium frets. • Full Tone III Bridge. • Quick Change III tailpiece. • Seymour Duncan 59 Neck PU. • Seymour Duncan Custom 5 Bridge PU. • Chrome hardware. • Gigbag included. Neck. • Scale 628mm/24.75". • Width at Nut 43mm. • Width at Last Fret 57mm. • Thickness at 1st 20mm. • Thickness at 12th 23.5mm. • Radius 305mmR.

-9%

Ibanez CSMINI Chorus Mini ...

999,-

1.095,-

Tilbud gjelder kun 1 stk. på lager. CSMINI Chorus Mini Ibanez CS9 Stereo Chorus är en pedal som funnits på marknaden sedan i början av 80-talet och av många ansett som en av marknadens bästa chorus. Nu har den efter kunder påtryckningar kommit i en Mini-size version kallad CSmini. Efter den enorma framgången med TSmin var Ibanez inte svår övertalade. Det är ett chorus som är extremt lätt rattat, det går helt enkelt inte att skruva bort sig. Både för att det bara är rattar för Speed och Depth och en för Level. Allt från subtila chrous, som bara ger lite rörelse och liv i rena ljud, till ganska extrema chorus effekter. Allt levererat med skimmer och värme, ett riktigt, riktigt bra chorus. Drivs endast med adapter som säljs separat. • 100% Analog Circuitry • Kontroller: Speed, Depth, Level • True Bypass Switching • Size (WxLxH): 51 x 93 x 55mm • Made in Japan Se video her.

Ibanez ADMINI Analog Delay ...

1.550,-

ADMINI Analog Delay Mini. Analog Delay är en av grundmodellerna i Ibanez klassiska pedalserier. Pedalen med näst intill kultstatus, måttstocken för hur ett bra analog delay skall låta, varmt, fylligt och ”rätt”. Det är ett delay som gifter sig bra med gitarrsignalen utan att bli ett påhäng som ligger som en hinna över original ljudet. ADMINI har samma fina egenskaper som sina föregångare, inkl True Bypass Switcting och en delaytime på hela 20-600 ms. Ett perfekt delay för till exempel slappback ekon, sololjud eller för att ge rymd och fyllighet till rena ljud. Kort sagt ”var som helst där du vill ha ljudet av ett analog delay”. • 100% Analog Circuitry. • Kontroller: Delay Time, Repeat, Blend. • True Bypass Switching. • Delay Time: 20 - 600 ms. • Size (WxLxH): 51 x 93 x 55mm. • Made in Japan. Se video her.

sE Electronics RN17 Solo ...

11.950,-

Designed with Mr. Rupert Neve, the RN17 redefines the capabilities of an SDC. This is the world's first pencil microphone with a large-scale, hand-wound, ultra high performance transformer. The second product of the sE / Rupert Neve collaboration, work on the RN17 began with a discussion between Rupert and Siwei Zou on the merits and problems of small-diaphragm condensers. "I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.'" According to Siwei, "The SDC's problem is that they have a very clear sound - the SPL is high, but the sound is very cold, not like with a large diaphragm. The quality of the transformer can make the sound much, much better - but with a small transformer, nobody can do it." "Rupert told me, 'I want THIS transformer.' I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.' He said, 'I want the impossible to be possible.'" THE SMALL DIAPHRAGM With a 15mm diaphragm (the world's smallest production gold-sputtered diaphragm), the transient response of the RN17 is unparalleled. Such a small capsule reacts extremely quickly, and is therefore adept at picking up the most delicate of high-frequency content. However, a tiny diaphragm usually results in a lack of low-frequency response. How to counter this? THE MASSIVE TRANSFORMER Made obvious by the unusual chassis shape, the RN17's transformer is substantially larger than the norm. This full-scale transformer was custom-designed by Rupert Neve specifically for this microphone - and nobody has been designing audio transformers longer (or better) than Rupert Neve. With an audio transformer of this magnitude, the RN17 is able to put out astonishing clarity across ALL frequencies - not just the highs. The midrange is detailed and forward, the lows are full and accurate, and the whole microphone has a balance and headroom never before achieved with a small-capsule microphone. MATTE BLACK FINISH The matte black finish minimizes the level of visual attention drawn to the microphone when used on stage or in the studio, allowing it to blend into the background. ADDITIONAL CAPSULES The RN17 ships standard with a cardioid capsule, but an omnidirectional capsule is also available for purchase separately. CUSTOM SHOCK MOUNT Every RN17 includes a custom-designed, sturdy, protective, and easy-to-use shock mount, which is essential to reducing the unwanted effects of vibration or knocks to the supporting microphone stand. Capsule Type: Hand-Crafted True Condenser Diaphragm: 17.2mm Gold/Mylar Directional Pattern: Cardioid (omnidirectional capsule available separately) Frequency range: 20 Hz - 20 kHz Impedance: 200 Ohms Sensitivity: 5.96 mV/Pa (-44.5dB) Sensitivity (Figure-8): 2.51 mV/Pa (-52dB) Max SPL: 131 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) (cardioid), 15 dB(A) (omni) Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 320g / 11.32oz Diameter: 44 mm (transformer), 17mm (capsule) Length: 200 mm Se video her.  

sE Electronics Voodoo VR1 ...

5.650,-

The VR1, a passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs. The VR ribbon microphones from sE mark a new era for ribbon mic technology. Until the VR Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. This was achieved using state-of-the-art custom transformers and a Rupert Neve-designed circuit to reveal HF usually absent. With the VR mics, full frequency response is achieved using a clever mechanical device designed by Siwei Zou, the company CEO, and a hand-tensioned ribbon constructed by our highly specialized technicians in sE's capsule room. The result is a superbly detailed, open and natural recording of acoustic instruments and guitar cabs. The VR1 & VR2's ability to perform - coupled with their unique look - have already made them a secret weapon for top musicians and engineers worldwide. USED BY: Queens of the Stone Age Billy Gibbons August Greene My Morning Jacket Pete Thorn Steve Stevens John Browne Neil Cappellino Linkin Park Band of Horses Taking Back Sunday Paramore Black Sabbath David Hodges and many more.   VR1 (passive) Electronics: Passive Generating Element: Hand-tensioned 2.5µm aluminum ribbon Directional Pattern: Figure-8 Frequency range: 20 Hz - 18 kHz Impedance: 300 Ohms Sensitivity: 1.78 mV/Pa (-55 dB) Max SPL: 135 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 75 dB Self Noise: 19 dB(A) Matching Connectors: XLR3F Power requirement: N/A (phantom-protected) Weight: 230g / 8.11oz Se video her.  

sE Electronics Voodoo VR2 ...

6.550,-

The VR2, an active ribbon that can take violins and voices right to the foreground of your listener's stereo. The VR ribbon microphones from sE mark a new era for ribbon mic technology. Until the VR Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. This was achieved using state-of-the-art custom transformers and a Rupert Neve-designed circuit to reveal HF usually absent. With the VR mics, full frequency response is achieved using a clever mechanical device designed by Siwei Zou, the company CEO, and a hand-tensioned ribbon constructed by our highly specialized technicians in sE's capsule room. The result is a superbly detailed, open and natural recording of acoustic instruments and guitar cabs. The VR1 & VR2's ability to perform - coupled with their unique look - have already made them a secret weapon for top musicians and engineers worldwide. USED BY: Queens of the Stone Age Billy Gibbons August Greene My Morning Jacket Pete Thorn Steve Stevens John Browne Neil Cappellino Linkin Park Band of Horses Taking Back Sunday Paramore Black Sabbath David Hodges and many more.   VR2 (active) Electronics: Active Generating Element: Hand-tensioned 2.5µm aluminum ribbon Directional Pattern: Figure-8 Frequency range: 20 Hz - 18 kHz Impedance: 200 Ohms Sensitivity: 10 mV/Pa (-40 dB) Max SPL: 135 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) Matching Connectors: XLR3F Power requirement: 48V Phantom Weight: 400g / 14.11oz Se video her.  

sE Electronics RN17 Stereo ...

23.895,-

RN17 Factory-Matched Stereo Pair When purchased as a pair, the transformers and cardioid capsules are factory-matched for perfect tolerance, guaranteeing the best possible stereo image. This configuration also includes a precision stereo mounting bar, two shock mounts, a wooden presentation case, and empty canisters for future capsule additions. The whole setup comes packaged inside a secure flight case. Omnidirectional Capsules Especially when used with an RN17 Stereo Pair, these omnidirectional capsules can be used to capture amazing room effects for drums, pianos, and orchestras. Available separately in singles or pairs. Designed with Mr. Rupert Neve, the RN17 redefines the capabilities of an SDC. This is the world's first pencil microphone with a large-scale, hand-wound, ultra high performance transformer. The second product of the sE / Rupert Neve collaboration, work on the RN17 began with a discussion between Rupert and Siwei Zou on the merits and problems of small-diaphragm condensers. "I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.'" According to Siwei, "The SDC's problem is that they have a very clear sound - the SPL is high, but the sound is very cold, not like with a large diaphragm. The quality of the transformer can make the sound much, much better - but with a small transformer, nobody can do it." "Rupert told me, 'I want THIS transformer.' I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.' He said, 'I want the impossible to be possible.'" THE SMALL DIAPHRAGM With a 15mm diaphragm (the world's smallest production gold-sputtered diaphragm), the transient response of the RN17 is unparalleled. Such a small capsule reacts extremely quickly, and is therefore adept at picking up the most delicate of high-frequency content. However, a tiny diaphragm usually results in a lack of low-frequency response. How to counter this? THE MASSIVE TRANSFORMER Made obvious by the unusual chassis shape, the RN17's transformer is substantially larger than the norm. This full-scale transformer was custom-designed by Rupert Neve specifically for this microphone - and nobody has been designing audio transformers longer (or better) than Rupert Neve. With an audio transformer of this magnitude, the RN17 is able to put out astonishing clarity across ALL frequencies - not just the highs. The midrange is detailed and forward, the lows are full and accurate, and the whole microphone has a balance and headroom never before achieved with a small-capsule microphone. MATTE BLACK FINISH The matte black finish minimizes the level of visual attention drawn to the microphone when used on stage or in the studio, allowing it to blend into the background. ADDITIONAL CAPSULES The RN17 ships standard with a cardioid capsule, but an omnidirectional capsule is also available for purchase separately. CUSTOM SHOCK MOUNT Every RN17 includes a custom-designed, sturdy, protective, and easy-to-use shock mount, which is essential to reducing the unwanted effects of vibration or knocks to the supporting microphone stand. Capsule Type: Hand-Crafted True Condenser Diaphragm: 17.2mm Gold/Mylar Directional Pattern: Cardioid (omnidirectional capsule available separately) Frequency range: 20 Hz - 20 kHz Impedance: 200 Ohms Sensitivity: 5.96 mV/Pa (-44.5dB) Sensitivity (Figure-8): 2.51 mV/Pa (-52dB) Max SPL: 131 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) (cardioid), 15 dB(A) (omni) Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 320g / 11.32oz Diameter: 44 mm (transformer), 17mm (capsule) Length: 200 mm   Stereo Bar (Matched Stereo Pair Only) Weight: 245 g / 8.64 oz Dimensions: 300 x 25 mm Max. width between mic mounts: 276 mm Min. width between mic mounts: 58 mm Se video her.  

sE Electronics RNR1 Rupert ...

20.650,-

Meet the RNR1 - the world's first mic from Mr. Rupert Neve. With custom transformers and discrete circuitry from the man behind the recording industry as we know it, the RNR1 hears more than any other ribbon on the planet. Ribbon mics have been around for a long time, and have always been particularly prized for the exceptionally "natural" sound they provide. Not too forward, never bright or shiny, they capture midrange detail with a pleasant intimacy and usually sit quite easily in a mix. One downside of their mellow nature used to be physical delicacy, but that challenge was conquered long ago with more rugged, reliable materials. But the other main negative with ribbon mics is the high-frequency roll-off inherent in their design, which had never been dealt with until Rupert Neve - the father of the recording console - decided to make a microphone. THE TRANSFORMERS Nobody knows audio transformers better than Rupert Neve, and ribbon mics require more transformer attention than any other. This is because the transformer that couples the ribbon to the output needs to accomplish a fairly massive impedance conversion. With the RNR1, two custom Rupert Neve-designed transformers form the buffer between the ribbon and the outside world. The circuitry between those transformers helps maintain the ultra-wide frequency response, compensating for the ribbon's natural predisposition to roll it off, and thus high-frequency content is preserved. THE RIBBON During the RNR1's development, a full year was spent working on crafting a ribbon element that would provide the extended response that Mr. Neve demanded. After experimenting with ribbon materials available from all corners of the world, the design team landed on the 2.5µm aluminum ribbon used in the RNR1, striking the perfect balance of flexibility and stiffness needed for this microphone's exceptional performance. THE SHAPE As with many sE microphones, the RNR1 has an unusual and bold design aesthetic, with the form following the function. The precision-machined and scalloped edges don't just look vibrant and dramatic, they have also been custom-designed to provide the ribbon with an acoustically ideal setting for the best possible frequency response. MATTE BLACK FINISH The matte black finish means the mic remains unobtrusive and doesn't draw any unnecessary attention to itself under harsh stage or studio lighting. CUSTOM SHOCK MOUNT The RNR1 includes a custom-designed and easy-to-use shock mount, which is essential in use to reduce the unwanted effects of vibration or knocks to the supporting microphone stand. Acoustic Operating Principle: Electrodynamic pressure gradient with active electronics Generating Element: Hand-tensioned 2.5µm aluminum ribbon Directional Pattern: Figure-8 Frequency range: 20 Hz - 25 kHz Impedance: 200 Ohms Sensitivity: 22.39 mV/Pa (-33 dB) Max SPL: 135 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) Low Cut Filter Switch: 100 Hz Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 860g / 30.34oz Se video her.  

sE Electronics sE4400a ...

6.295,-

sE4400a er en rykende fersk fortsettelse på sE2200a og byr i sin mangfoldighet fire ulike retningskarakteristikker med valg av doble bass cuts og pads. I den forbløffende lille gummikledde metallholderen rommer en dobbel membran på 2, 54 cm. Mikrofonens flate og jevne design byr på spennende oppmikkingsteknikker som klarer alt fra å legges flatt på en skarptromme til opptak av den aller spedeste røst. sE4400a leveres med en unik shockmount som mulig-gjør plassering i vanskelige miljøer og svart flightcase i aluminium. The sE4400a is vintage versatility at its finest. Four polar patterns, a vintage-style brass capsule, two bass cuts and two pads, and the most adaptable shockmount around - the 4400a is pure modern classic. Much like a few particularly well-known classic European condensers, the 4400a is a true all-rounder. You can put it up on just about anything and it'll sound great. Unfortunately for many studio owners, those "classic condensers" are often not what they used to be. Capsule designs change over time, capacitors dry out, metal switches are replaced with plastic buttons and LEDs, and the mics that were once so versatile are now mere shadows of their former selves. Given the practically cult status of these vintage mics, sE saw an opportunity, and from that arose the 4400a. Now these classics are obtainable - hand-made brass capsule, four-polar-pattern-versatility and all. And like the classics, the 4400a sounds great on everything. Vocals, guitars, toms, overheads, classical pianos, strings, you name it. Its tonal versatility is practically unmatched, without the shortcomings of vintage mics.   HAND-CRAFTED CAPSULES As with all sE mics, the 4400a's back-to-back brass-ringed capsules are hand-built and hand-tuned by our skilled technicians, just like any fine musical instrument. CUSTOM SHOCKMOUNT + CHASSIS The flat, round-edged chassis design and custom suspension mount allow the mic to be centered within the shock, flipped around and used flat against a drum head or guitar cab, or angled outwards and pushed through inside of a kick drum. And at less than 3/4" thick, it fits neatly in the palm of your hand, but is built to take a beating on the road. "I don't think I've ever started a mic review by introducing the accessories first. But given the innovative design of the shockmount included with the sE4400a, I can't help but get that out of the way so I can then move on to telling you what a great buy the mic itself is." Tape Op Magazine NON-REFLECTIVE PAINT The mic has a unique, black, non-reflective, non-marking, rubberized finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting. “Having used the sE4400a's for the piano parts on Coldplay’s latest album, I wish I’d had them on piano duty for the previous record too." - Rik Simpson, Engineer/Producer (Coldplay, Jay-Z, Portishead)   Se video her.   Capsule Type: Hand-Crafted True Condenser Diaphragm: 32mm Twin Gold/Mylar Directional Pattern: Cardioid, Hyper Cardioid, Omni, Figure-8 Frequency range: 20 Hz - 20 kHz Impedance: 50 Ohms Sensitivity: 25.12 mV/Pa (-32 dB) Max SPL: 122/132/142 dB (0/-10/-20 dB pad) (0.5% THD @ 1kHz) Signal to Noise Ratio: 78 dB Self Noise: 16 dB(A) Pass Filter Switch: 60/120 Hz Preattenuation Pad: -10/-20 dB Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 280g / 9.88oz  

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