Slate Slate Infinity EQ 2 ...

1.850,-

Slate Digital - Infinity EQ 2 Infinity EQ 2 takes our popular parametric EQ to the next level with dynamic filters, three new filter types, and a major GUI update. It’s the ultimate flexible, transparent equalizer for any audio producer’s toolkit. DYNAMIC FILTERS Infinity EQ 2 brings dynamic filters to the Infinity EQ, applying transparent compression and expansion to your set curve when the signal crosses the threshold. This creates a more natural, musical mix that lets your sound breathe. Three new filter shapes to choose from: Notch, Tilt, and Bandpass. TWO TIMING MODES Infinity EQ 2 also features two new timing modes: Tight and Smooth. Tight is very reactive and great for tasks like de-essing, while Smooth offers a slower release that lets more transients through. IMPROVED INTERFACE Infinity EQ 2 keeps the streamlined workflow, now with a new control panel for adjusting curves and dynamic processing. Plus, with fluid resizing and zooming, the GUI adapts perfectly to any display. PRISTINE PERFORMANCE The Infinity EQ 2 filters have perfect analog-matched shape. They don’t introduce distortion up to Nyquist frequency. Infinity EQ 2 also offers improved CPU performance. FULL COMPATIBILITY If the original Infinity EQ is a mainstay in your templates and workflow, we’ve got you covered—simply update your existing plugin, and you’ll be good to go.

Slate Verbsuite Classics

1.850,-

8 of the most popular digital reverbs VERBSUITE CLASSICS Reverb is perhaps the most fundamental effect in audio production. Over the past several decades several classic digital reverb units have become staples for professional mixing engineers, and VerbSuite Classics brings you ALL OF THEM. FUSION IR TECHNOLOGY VerbSuite Classics is a partnership with LiquidSonics, and uses proprietary FUSION IR processing to capture the evolving and modulating characteristics of the modeled hardware reverb tone. In blind comparisons, users could not differentiate between the real hardware reverb patch and the VerbSuite capture. FG-480 This is a model of what many consider to be the industry’s most standard reverb, and one that is still popular amongst top pros even today. This reverb has several programs that share a distinct and classic sound due to the unit’s unique modulation characteristics, which help it cut through the mix. FG-2016 First created in 1982, this American-made reverb was known for its realistic recreation of natural-sounding rooms. It’s been a favorite of top engineers since its creation, and has been heard on countless hit records. FG-250 This is a model of the first ever digital reverb, built in Germany. It’s widely known as one of the best-sounding reverbs even to this day, despite having only 16k of memory! It has a thick tone that mixes into source material with ease. FG-QRS When we asked several top pros which reverb they insisted we include in VerbSuite Classics, this German-made unit from the early eighties made every list! It’s incredibly transparent for a digital verb, and is known for having minimal digital artifacts. We love it on vocals but it’s great on so many other sources as well. FG-2000 This extremely rare Japanese-made reverb has been the favorite drum verb for many top pros. They have had mechanical issues and are very hard to find, so we were lucky to capture a unit in perfect condition. Not only amazing on drums, but fantastic on guitars, piano, and vocals! FG-16X This is a model of the famous microprocessor-controlled digital reverb from the early 80’s. It has a smooth and lush tone that is incredible on all types of source material, and one of its most famous uses is the drum sound on “In The Air Tonight” by Phil Collins. FG-6000 This is a model of a modern Danish digital reverb powerhouse! This reverb has several programs that are incredibly realistic, smooth, and deep. Amazing for small and large spaces alike, you’ll find an enormous amount of use for this incredible reverb! FG-BM7 The BM7 reverb model is a free expansion for VerbSuite Classics. It’s available directly from LiquidSonics using public-domain Bricasti M7 Fusion-IRs, which capture what many say is the best-sounding digital reverb in the history of audio production. Unlike several static impulse response packs taken from this famous unit, the VerbSuite Classics Fusion-IR expansion pack recreates the true tone and character of the unit’s modulation. “Dude – your new reverb Plugin is the best sounding and most versatile verb i’ve ever used ever. Thank you!!” Jeff Juliano | Mix engineer for John Mayer, Jason Mraz, Train and Miley Cyrus with over 30 million records sold.

Slate VTM Tape Machine

1.850,-

2 Analog Tape Machines Recreated VIRTUAL TAPE MACHINES Digital recording is now the standard for professional music production, but many engineers and musicians still long for the days of analog recording. And they do for good reason – Analog Tape Machines have a SOUND. Big, fat, warm, deep, rich and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. To those that know, tape is simply more musical. So we modeled two of the most famous tape machines in audio and provide them both along with options like bias, tape speed, tape type, and more in Virtual Tape Machines. World-Class Tape Machines For Your DAW VTM has been praised by pro engineers for its extreme authenticity, because every aspect of tape is carefully reproduced. This authenticity is due to years of intense study from Slate Digital CTO Fabrice Gabriel. Using VTM on your tracks and mixes will make your mixes warmer, smoother, punchier, and more analog! Choose Your Favorite Machines & Tape Stock VTM emulates both a 16-track 2-inch tape machine and a 1/2 inch stereo mastering deck. Not only that, you can also choose between the two most popular tape formulations. Different formulations have different properties and headroom, and ultimately will give you different sonic results. Control Your Speed Virtual Tape Machines accurately emulates the behavior of both of the most common tape speeds of 15 and 30 ips. Engineers who use tape sometimes choose which speed to use based upon the material they’re recording, since the bass response can differ a great deal between the two speeds. You can further refine the bass response using the bass alignment slider in the Settings module.

Slate CS Custom Analog EQ`s - ...

1.237,-

Customized boutique analog EQ`s CUSTOM SERIES BUNDLE The Custom Series Bundle is like an EQ All-Star team. During development we studied over a dozen classic analog equalizers to identify the best attributes of each one, and then took all of those attributes and put them into a single equalizer plugin. As a result, every band of the Custom Series EQ was inspired by a different original device, and has its own unique boost and attenuation design. Each band even has its own analog-modeled output section, with rich musical harmonics to give it a lively analog vibe. Even though it’s a hybrid design by nature, the Custom Series EQ is one of the most natural-sounding equalizers you’ll hear. EQ’s Greatest Hits Unlike the individual EQ’s that inspired it, the Custom Series EQ doesn’t have to conform to the limitations of analog circuit design. Each band was inspired by the sound and design of a different classic analog equalizer, and unlike the real devices, each band has its own circuit topology and behaves differently when boosting or cutting. The result is an equalizer that can do amazing things – it can add air to dull tracks by adding 10db of 15K without getting strident (like some passive tube EQs), bring down brittle harshness in a vocal by cutting 2K without losing clarity (like some high-end parametrics), and add low-end girth by adding 100 Hz without getting tubby. Add Clarity & Fatness The Custom Series Lift processor is a boost-only parallel filter based upon passive designs, and it can add real life and girth to your tracks. High Lift allows the top end to be opened up in a natural way, adding air and space to the resulting sound. The Present and Silky buttons tune the shape of the high frequencies to be more or less forward without ever getting harsh or strident. Low Lift injects natural bass energy, and it’s magic on anemic bass guitars and kick drums. The Big and Punchy buttons shape the transient and low frequency information in two distinct ways, so experiment to see which works best on the track at hand.

Slate Digital Custom Opto ...

1.237,-

Emulation of a historic Opto Compressor with added speed, ratio and 4 new tone control settings. We modded one of the most classic vintage Opto compressors in history by adding timing & ratio controls plus 4 new tone settings so you can shape your sound to perfection in seconds. HOT ROD YOUR SOUND Decide how quickly the circuit responds with Speed, and dial in just the right amount of compression with Ratio. Get all the smoothness of a Classic Opto with the controls you need to hot rod your sound. DIAL IN YOUR TONE Choose from 4 new custom vibes to breathe life into your mix. Open up your top end with Airy. Take out harsh frequencies with Smooth. Bring snap & punch with Aggro. Add vintage fatness with Warm. The Tone knob is your new best friend. DYNAMIC DUO FG-2A gives you that smooth, classic 2A sound that's been shaping music for over half a century. Custom Opto goes even further & lets you shape your tracks—including full mixes—to perfection. Together these two Optos give you total control of your mix. And you get them both in the All Access Pass. “Custom Opto is AMAZING! That tone knob is EVERYTHING. The sonic possibilities it opens up are endless.” — Andros Rodriguez Producer (Justin Timberlake, Pharrell, Madonna, Lenny Kravitz)

Slate Digital MetaTune

1.850,-

Automatic tuning Plugin. MetaTune hits harder than other tuners dive into negative retuning speeds. The best Automatic Tuner on Earth Say goodbye to buggy, expensive automatic tuners. MetaTune is the world’s hardest hitting tuner EVER. Get insane robo fx with negative speeds, a gorgeous interface that’s easy to use, and cool new features like Grouped instances & a built-in Doubler for wide, thick vocals. From subtle, natural pitch adjustments to in-your-face fx, MetaTune is the automatic tuner you’ve been waiting for. Hits Even Harder Looking for that hard-hitting tuning effect that dominates modern music? Your search is over. We studied the leading automatic tuners and went even further with Negative Speed & Note Stabilizer. Get the hardest tuning effect imaginable with absolutely zero note fluttering. Easy Interface MetaTune is dead simple to use, so you don’t need to watch dozens of YouTube videos to get started. Its clean, intuitive interface will have you ready to ride in seconds—even if you don’t know scales & chords. HeatMaps show you where your notes are landing & how they’re being adjusted. It couldn’t be easier. Groups Change the Game Assign your MetaTune instances to Groups—changing one changes them all. And if you make those changes with automation, you can add dramatic key changes across tons of tracks in seconds. No more manually copying settings from one instance to another. This is automatic tuning the way it was meant to be.

Slate FG-116 Fet Compressor

1.850,-

A perfect recreation and a custom mod of the most highly sought after Rev A Blue FET Compressor FG-116 Blue Series FET Compressors The FG-116 Blue Series authentically recreates the tone of two vintage “rev A” FET limiting amplifiers, and then offers two uniquely modernized versions of the classic FET circuit. With vintage and modern tones and clever features like hi pass detection and a parallel mix knob, the Blue series can be used all across your mixes. Vintage FET Limiting VINTAGE CIRCUIT 1 Circuit 1 has the classic ‘mid-forward’ character that made the blue-striped FET compressors so famous. It adds a wonderful coloration to the upper midrange especially, and adds a warm presence to vocals, bass, drums, and guitars. It will have a softer top and bottom end compared to the Black 116, and more articulate transients due to the harmonic distortion in the midrange. VINTAGE CIRCUIT 2 Circuit 2 is modeled after a “rev A” unit that had been updated and refurbished, and had a very unique and musical sound. This model has much bigger lows and smoother mids and highs compared to Circuit 1, making it sound amazing on drum room mics, as well as vocals that need to have more ‘bigness’ and don’t require the midrange push of Circuit 1. Modern FET Limiting MODERN CIRCUIT 1 Circuit 1’s attack is slow enough that this compressor can sound amazing on close drum mics when set to the slowest attack and fastest release – try it on a snare to bring out the punch while extending the decay. Bass guitars can take on a very edgy sound on this same setting, and by backing down the release you’ll start to tighten things up (which can be great on kick drum too). MODERN CIRCUIT 2 Circuit 2 will have a more breathable and punchy bottom end and overall smoother response on the top end. It sounds amazing on a drum buss with the Hi Pass filter engaged, and even full mixes can really benefit from this musical compressor! Yes, with the Blue Modern – with the attack on the slowest and release on fastest and with the HP filter on – you can use it on full mix! Compress about 10db, then back off the mix knob to about 25% for incredible energy and excitement. Parallel Compression The FG-116 Blue Series Compressors take the guesswork and setup out of parallel compression techniques by offering a Mix control. By dialing in heavy amounts of compression but dialing the mix back to 25%, you can enhance the punch of your drum tracks without making them feel overly compressed. The Hi Pass filter allows the compressor to ignore low frequencies, retaining low frequency impact while still controlling the dynamics.

Slate FG-Bomber Dynamic ...

612,-

Analog Modeled Dynamic Enhancer FG-BOMBER FG-Bomber is a unique analog-modeled Dynamic Impact Enhancer, and it can give your tracks and mixes more impact, authority, and excitement. It has the ability to make the elements of your mix ‘extrude’ from the speakers, adding a front-to-back depth that always translates, even to small speaker systems. Powerful Dynamics Processing Under the hood, the FG-Bomber uses one of our most complex fully analog-modeled circuit paths yet, consisting of special harmonic generators, compressors, saturators, filters and more. It’s an invaluable tool for managing dynamic material, and we often hear from customers that the Bomber can literally replace entire signal processing chains all by itself. Drive Drive controls the amount of signal sent to the effect processors. The most impact is felt when Drive is adjusted so that the VU needle peaks at the little bomb icon, while more depth and sustain can be had by pushing it further. Intensity Intensity blends the effected signal with the dry signal. Small amounts of Intensity can create subtle impact, space, and depth, while large amounts can produce extremely punchy and fat-sounding results. Tone Tone selects one of the three preset effect styles: Present, Fat, or Tight. Try each to see which one fits your current need the best.

Slate FG-Stress Compressor

1.237,-

The FG-Stress is a digital replication of one of the industry’s most highly coveted analog compressors, the Empirical Labs Distressor. Every aspect of the Distressor has been modeled, which is no simple task due to the Distressor’s unique topology where every ratio is essentially a different compressor! Like the hardware in which it models, the FG-Stress can mimic the tone of some of the industry’s most famous compressors like punchy VCAs, fat tube compressors, and even vintage opto units. After two years of development, we are so proud of how precisely the software can match the hardware. Get To Know The FG-Stress A Bit Better As Steven Takes You Through Some Classic Settings On Various Instruments.

Slate Gates Bundle

1.237,-

The Gates Bundle is one of the most important weapons in an audio engineer’s arsenal. Used tactically, it can eliminate or reduce unwanted bleed or background noise from recorded source material. Used creatively, its applications are virtually limitless. Previously, Slate users have had to call upon gates from directly within their DAW or third-party plugins of choice. But those days are history… Introducing two new gate modules: Gate: Classic and Gate: Drums. You can now access nearly infinite gating options without ever having to leave your Virtual Mix Rack workflow! Gate: Classic is a traditional, straightforward gate that is highly efficient in removing background noise from guitars, vocals, and other acoustically-recorded source material. Gate: Drums is a highly-sophisticated drum application. It combines a gate based on transient detection with smart dynamic filtering so you can achieve far cleaner drum tracks than with a conventional gate. GATE: CLASSIC One fierce gate to rule them all! Kill unwanted background noise in a variety of source material with ease. A classic gate setup with traditional parameters – threshold, ratio, range, attack, release, slope, and two distinct gate modes: Classic: standard detection based on the signal amplitude only. Input signal can be filtered with the highpass & lowpass filters. Vocal: introduces internal filtering that better detects a vocalist’s natural breathing. A unique timing circuit is added to smooth the opening and closing of the gate. Gate: Classic also features highly-accurate sidechain filters, providing an array of creative options across the mix. GATE: DRUMS Unlike Gate: Classic, Gate: Drums is based on transient input. This means that the gate is triggered by sharp and soft transients rather than volume levels. With this unique processing, you can separate the transient from the signal tail, and apply different processes to each! Gate: Drums is divided into three sections; from top to bottom: Transient Detection: The first step of the workflow – adjusting the detection to catch only the desired transients. Gate: The second step of the workflow – adjusting the floor and timing of the gate. Debleed: The final step of the workflow – filters the tail when a transient is caught. Detection Filters: Filter the signal before detection, so the gate only reacts to certain frequencies. Transient Detection: Controls the ability of the gate to detect more or less transient. Detection Threshold: By excluding low levels, you can focus on a specific amplitude range and have insanely precise transient detection! Debleed: Debleed On/Off enables dynamic filters. Release: Controls the speed of filter activation once a transient has been detected.

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