Zildjian Drummer's Survival ...

330,-

Zildjian Drummer's Survival Kit The Drummer's survival kit contains all the emergency items that drummers need at the gig. Including: 6 x Cymbal felts. 3 x Cymbal sleeves. 2 x Hi-hat clutch felts. 1 x Hi-hat cup felt. 3 x Wing nuts (M8). 8 x Tension rods (4 x Floor Tom and 4 x Snare Drum). 12 x Nylon washers. 2 x Snare wire cords. 1 x Drum key.

K&M 13500 Percussion Table

1.695,-

K&M 13500 Percussion Table Percussion/Accessories table The stable and practical percussion stand provides more than enough space for a variety of accessories. The large robust steel tray is open to one side and is covered with noise dampening felt. For transport, the tray can be removed easily without the use of tools. The robust tripod legs quickly collapse together into a compact and easy to carry package. Bearing plate: 573 x 373mm Adjustable Height: 700mm - 1250mm Max. load capacity: 10 kg Weight: 4.48 kg

Nord Grand Flightcase m/hjul ...

7.560,-

Spesialbygget Flightcase med hjul, for Nord Grand. 3 stk. Solide Butterfly låser. 4 stk. Håndtak (1 i hver ende og 2 i front) Hengsler som holder lokket i åpen posisjon Fullt skumforet Hjørnehjul Ekstra lagringsrom på ca.25 cm. Utvendige mål: 1676mm(L) x 433mm(D) x 206mm(H) Inngravering av logo eller navn og plate med label for merking med tusj, kan velges som tillegg. Kvalitetsflight produsert i Norge! VossMusikk.no er din leverandør av flightcaser, rack, transportkasser, pedalbrett, stativflighter, mikrofonkasser, backline flighter, instrumentkasser, keyboardflighter, DJ-flighter, flatskjermkasser, laptop-flighter og så mye, mye mer. Kun fantasien setter grenser for hva vi kan lage flightcase til.

Adam Audio A7V Aktiv Monitor ...

8.995,-

German Handmade Precision X-ART Tweeter with rotatable HPS waveguide 7'' Woofer (Multi-Layer Mineral) Total Peak Amp. Power: 130 W Frequency Response @ -6 dB: 40 Hz - 45 kHz Max. peak SPL per speaker at 1 m: 105 dB SPL A7V BUILT TO REVEAL The evolution of an industry standard for use in an array of home, studio, and professional audio applications. A NEW INDUSTRY STANDARD The A7V is a contemporary 2-way monitor that represents the evolution of ADAM Audio’s award winning A7X. It features a 7” Multi-Layer Mineral woofer and rotatable X-ART tweeter, which is made by hand in Berlin. DSP-based voicing, equalization and room correction options can be controlled remotely and in real time via the free-to-download A Control software, and updatable firmware allows for new filters and tunings to be implemented over the lifetime of the monitor. FUTURE PROOF INNOVATIONS - Explore the technology ADAM Audio monitors have earned a worldwide reputation for the innovations that we have established in the field of loudspeaker technology. Here you can explore the technology of the A7V. A Control Remote Software The DSP-based functionality of all A Series monitors can be controlled remotely and in real time over ethernet using A Control. Rotatable HPS Waveguide & X-ART Tweeter Made from a new glass fiber polymer compound, the HPS waveguide enables the X-ART tweeter to disperse sound in space with controlled consistency. Bass Reflex System, Cabinets and Mounting The new A Series cabinets build on the heritage of ADAM Audio and the AX Series in particular. Automated Room Correction with Sonarworks ADAM Audio is proud to partner with Sonarworks on an automated room correction solution that runs directly on the DSP of A Series monitors. Hybrid Amplification The A Series combines the best of both digital and analog worlds. Multi-Layer Mineral Woofer [MLM] The latest materials and advanced analysis and design processes have led to the development of our new long-throw woofers. Midrange Driver A Series midrange drivers deliver clean sound in the critical part of the frequency range where humans are especially sensitive to coloration of sound. Voicings A “Voicing” is a pre-defined sound profile of an A Series monitor. On the back panel, you will find two different selections, “UNR” and “Pure”. Room Adaptation On the back panel of A Series speakers, you will find four bands of room adaptation equalization: Bass, Desk, Presence and Treble. Digital Signal Processing The A Series capitalizes on the transformative power of DSP-based electronics to provide greater tuning precision than analog-only speakers.

Adam Audio A4V Aktiv Monitor ...

5.795,-

ADAM A4V To-veis høyttaler med 4-tommer bass med lang kastelengde - laget av samme Multi-Layer Mineral (MLM) fibrer som øvrige høyttalere i A-serien pluss den klassiske X-ART-diskanten. Inbyggde DSP-baserte innstillingsfunksjoner lar deg enkelt kalibrere inn den perfekte lyden. Med ett frekvensområde på 53 Hz til 42 kHz kan A4V tross sin størrelse leverere førsteklasses lyd også i større studio. Roterbar HPS Waveguide & X-ART tweeter Enkelt roterbar om du vil ha din monitor stående eller liggende A Series HPS Waveguide er laget av en ny "glassfiber polymer" blanding som hjelper til å skape krystallklar lyd, fritt for uønsket resonans og vreng. ADAM Audio X-ART-diskant er håndlaget i Tyskland. 
X-ART-diskanten gir en eksakt transient respons og gjengir alle detaljer som f.eks i reverb med bravur. Denne X-ART-diskanten står i alle høyttalere i A-serien Multi-Layer Mineral basshøyttaler A Seriens basshøyttalere er konstruert med en unik blandning av mineralstensfibrer som er satt sammen for å skape ett lett men veldig stabilt og robust materiale.  Hybridforsterkning A-serien kombinerer det beste fra både digitale og analoge verdener. Basshøyttalerne drives av klasse D-forsterkere som hjelper til å produsere linjær lyd, samtidig som det minimerer vreng. Disse forsterkerene valgtes spesifikt for sin kraft og effektivitet, både hva gjeller energiforbruk og lydgjengivning. Diskanthøyttalere og mellomregister drives av Class AB-forsterkere som gir en myk og naturlig gjengivning av høye frekvenser. Hver forsterker er optimert for sitt frekvensområde, hvilket resulterer i en korekt kalibrert høuttaler. For å komme frem til dennne unike høyttaleren, så gjennomførte ADAM Audio omfattende målinger og lyttesessioner og testet utallige forsterkere og forsterkerkomponenter.

SSL The Bus+ 2-kanals ...

26.990,-

The Legend... Updated. If there is a single piece of analogue processing equipment that is synonymous with SSL, it must be the SSL Bus Compressor. From the very first commercially released SSL 4000B console in 1976 and through many generations of SSL consoles that have followed, the Bus Compressor has always been the stalwart of the console centre section. For many of the world’s top engineers and producers, the Bus Compressor continues to be the most relied upon processing tool for making mixes sound bigger and more complete, with drive and energy from adding that legendary SSL glue and punch. THE BUS+ circuit design utilises high-grade components, including 2181 THAT VCAs for superior analogue performance, four modes of operation and 3 distinct compression colouration options which can be combined to perfectly suit the genre you’re working on. THE BUS+ also packs in sophisticated routing options and advanced processing tools: Dynamic Equaliser (D-EQ), Transient Expander and so much more… Innovation To complement the new feature set, we sought to bring improvements that would benefit recallability and technical performance. All of the pots on THE BUS+ are stepped and read by a microcontroller which translates the pots position into the required circuit configuration or electrical parameter. This innovative approach not only makes recall significantly easier, it also means THE BUS+ is not subject to pot tolerances – prefect for precision processing applications like mastering. Dynamic Analogue Equaliser: D-EQ THE BUS+ incorporates a host of advanced processing tools including the new Dynamic Analogue Equaliser (D-EQ). The D-EQ is a powerful 2-band Dynamic EQ that can be placed before or after The Bus Compressor. Many engineers are familiar with Dynamic EQ plug-ins inside the DAW but analogue Dynamic EQs are few and far between. A Dynamic EQ is a more 'intelligent' form of EQ that changes the gain of an EQ band proportionally in response to the signal level once above a set threshold. It allows you to modify the contrast between background material (under threshold) and forward material (above threshold).

DPA 4055 Kick-drum ...

9.050,-

What makes the 4055 stand out from the competition is that it delivers the renowned DPA sound, clarity and linear frequency response, both on axis and off axis. Its low frequency response and dynamics are superb and result in a tight, natural, well-defined sound - the best low-end with detailed mids and highs. The 4055 is one of the only kick drum mics that is not sonically pre-tailored to fit a traditional sound in a specific genre. Its performance allows a professional sound designer to create the exact sound s/he is listening for - regardless of the music genre. Want more attack? Slide the 4055 into the bass drum and point it directly at the beater. For a super-low-end sound, place the 4055 at the hole, just on the outside of the front head. Here, the level of sub and lows are represented the most. Not only does the position inside or outside the kick drum give you different sounds but working with the angles of the microphone just outside the hole will deliver nuances of the drum sound. No matter what sound preference you have, the 4055 captures the true sound of a kick drum, whether it is used in classic, jazz, rock or any other genre. The 4055 is placed in a large, robust housing and there is wind damping foam just in front of the capsule, behind the grille. A specially-designed shock mount also suspends the capsule inside the housing to avoid vibrations from the stage. The shock mount together with the extra wind damping ensures that the 4055 captures only the source. The 4055 is easy to position, both inside and outside the drum. Its unique asymmetric design makes it quite easy to place the mic through the drum hole without ripping the front resonator skin.

Xvive U5C Ladestasjon og 3 ...

580,-

U5C Ladestasjon og tre batterier til U5-serien. Perfekt for den som behøver mer batteritid under lengre innspillinger/sendninger. Pakken inneholder ladestasjon, tre batterier og en USB-kabel. Spenning: 3,8V DC Kapasitet: 830mAh Watt-timer: 3,15Wh Max lading: 4,35V

Xvive U5 Duet Wireless ...

2.680,-

Xvive U5 Duet Wireless Lavalier System Digitalt trådløst system med sender, mottaker og LV1 myggmikrofon, oppladbare batterier inkludert med 5 timer drifttid. Kjøp til U5C ladestasjon med 3 ekstra batterier for forlenget driftstid uten behov for lading, batteribytte gjøres på noen sekunder. Digitalt trådløst system i Stereo eller Mono, genialt for kamera-bruk, f.eks video, broadcast, intervjuer, Vloggers, sportsreportasje mm. Fantastisk lydkvalitet, under 5 ms Latency, enkelt å bruke og meget priseffektivt. U5 har 6 valgbare frekvenser på 2,4 GHz-båndet, hvilket er fritt å bruke over hele verden. Mottakaren har feste for enkel montering på kamera. Systemet drives av Litium-batterier som enkelt lades opp med den medfølgende Y-kabelen som lader både sender og mottaker samtidig, batteriet er dessuten enkelt å bytte. Den medfølgende myggmikrofonen LV1 er rundtopptagende med naturlig lydgjengivning, lavt støynivå og god tydelighet. Kabelen er 1,6 meter, clip og vindhette følger med. Designed for mobile journalists, videographers, presenters, podcasters, and vloggers, the Xvive Audio U5 is a true-diversity, camera-mount, digital microphone system with one microphone and a dual-channel receiver that can also be used to receive a second microphone (available separately). It offers a clear-sounding, reliable, and easy-to-use solution for recording dialog, interviews, podcasts, and speech with one person talking—directly to a mirrorless/DSLR camera. The U5 includes a bodypack transmitter with a low-profile omnidirectional lavalier microphone. In addition to accommodating the mic, the transmitter's input also accepts line-level signals, great for connecting a mixer or recorder and transmitting to a camera. The dual-channel receiver comes with a shoemount adapter that attaches to your camera. The receiver features two gain-control knobs to quickly adjust the recording levels. Equipped with an auto-scan function, it automatically searches and finds a clean transmission frequency to avoid unwanted dropouts. For fast setup time, the transmitter automatically pairs with the receiver. A bright OLED displays battery power, transmitters' battery life, channel, gain, clip, and mute. The system utilizes true-diversity wireless technology on each channel to greatly enhance signal reliability, even under difficult shooting conditions. It delivers clean, 24-bit/48 kHz digital sound at a distance up to 100' with only 6ms maximum latency. Up to six microphones can be used simultaneously in the same location. The transmitter and the receiver conveniently operate on replaceable, Xvive ID799 lithium-ion rechargeable batteries that provide up to 5 hours of operation on a full charge. You can carry spare batteries (available separately) and quickly swap them with the ones in your system, allowing you to work on extended shoots without worrying about running out of power. Bodypack Transmitter, Omni Lavalier Mic, Mic/Line Input Select Mic input for lavalier microphones or Line input for recorders and mixers. The gain buttons allow you to adjust your input level. The mute button turns off the microphone. The transmitter is equipped with a low-cut filter to reduce traffic and appliance rumble noise. A bright OLED displays battery power level, channel selected, gain, clip, and mute. The low-profile lavalier microphone can be easily concealed away from the camera's eye. The lav mic feature an omnidirectional polar pattern, which ensures that the sound remains consistent, even when the speaker's head moves away from the mic. Reliable 2.4 GHz Wireless with True Diversity To achieve stable audio, the U5 dual-channel receiver employs true-diversity technology with four antennas and four independent receiver sections within the unit (two for each channel). RF signals are compared, and the stronger signal is automatically selected for output—reducing dropouts to a minimum. Whereas typical analog wireless systems are susceptible to interference from TV and radio waves, this digital system avoids that by operating in the 2.4 GHz frequency band, which occupies frequencies beyond those of television, radio transmissions, and UHF wireless microphone systems. The system automatic changes transmission frequency to mitigate noise and dropouts at a line-of-sight distance of up to 100'. For optimal performance, environments with limited Wi-Fi/2.4 GHz traffic and minimal physical obstructions are recommended. Two Microphones into One Receiver If you need to expand your system with a second microphone, the two-channel receiver allows you to save space on your shooting rig by using a single receiver to simultaneously receive signals from two mic/transmitters. You have the option to switch between mono or stereo on the receiver: recording in mono combines both microphones on both the left and right side of your audio track. Recording in stereo puts one person on the left and the other person on the right, allowing you to isolate each person's dialog and adjust each level individually later in post.

Warm Audio WA76 Fet ...

8.190,-

WA76 1-Chanel Fet Compressor WA76 er en moderne reproduksjon av den klassiske 76 RevD kompressoren som var revolusjonerende når den kom og har siden hørtes på mange innspillinger. WA76 funker som en drøm på sang, trommer, elgitar osv og er med sitt klassiske ”All Buttons In” kallt the British Mode, for en aggressiv kompresjon og unike tone. _____ The WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable! All Buttons In The WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings. All-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering. We have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We’ve used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design. -UTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS. -TRUE TO THE CLASSIC '76 COMPRESSOR IN DESIGN AND PERFORMANCE. -COMPLETELY DISCRETE SIGNAL PATH. -MODELED AFTER THE D REVISION. -SUPPORTS THE FAMOUS "ALL BUTTONS IN" RATIO SETTING. -ULTRA FAST ATTACK TIME. -CLASS A LINE LEVEL OUTPUT AMPLIFIER. -INPUT IMPEDANCE - 600 OHMS, BRIDGES-T CONTROL (FLOATING). -FREQUENCY RESPONSE ± 1 DB 20 HZ TO 20KHZ. -XLR AND TRS INPUTS. XLR AND TRS OUTPUTS. -50DB OF GAIN. -LESS THAN 0.4% TOTAL HARMONIC DISTORTION FROM 50 HZ TO 20 KHZ WITH LIMITING. -SIGNAL TO NOISE RATIO IS GREATER THAN 74 DB AT +25 DBM. -EIN -104.1 DBM. -ATTACK TIME, 20 MICROSECONDS TO 800 MICROSECONDS. -RELEASE TIME, 50 MILLISECONDS TO 1 SECOND -METER PROVIDES DB GAIN REDUCTION AND DB OUTPUT. -WITCHABLE 115/230 VOLT IEC POWER INLET. -19″ RACKMOUNT CHASSIS, 2U.

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